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Elsaesser T, Barker A. Early cinema: space, frame, narrative. In: Early cinema: space, frame, narrative. London: : BFI Publishing 1990. 56–75.https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099
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Hill J, Gibson PC. The Oxford guide to film studies. In: The Oxford guide to film studies. Oxford: : Oxford University Press 1998. 255–71.https://contentstore.cla.co.uk/secure/link?id=b0609736-4d13-e911-80cd-005056af4099
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Thompson K, Bordwell D. Film history: an introduction. In: Film history: an introduction. New York, NY: : McGraw-Hill Education 2019.
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Balio T. The American film industry. In: The American film industry. Madison: : University of Wisconsin Press 1985. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity
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Elsaesser T, Barker A. Early cinema: space, frame, narrative. London: : BFI Publishing 1990.
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Izod J. Hollywood and the box office 1895-1986. In: Hollywood and the box office 1895-1986. New York: : Columbia University Press 1988. 1–6.https://contentstore.cla.co.uk/secure/link?id=bbb19b17-7e15-e911-80cd-005056af4099
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Gomery D. Shared pleasures: a history of movie presentation in the United States. In: Shared pleasures: a history of movie presentation in the United States. Madison, Wis: : University of Wisconsin Press 1992. 3–17.https://contentstore.cla.co.uk/secure/link?id=e8278966-3b10-e911-80cd-005056af4099
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Musser C. The emergence of cinema: the American screen to 1907. Berkeley: : University of California Press 1994.
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Chanan M. The dream that kicks: the prehistory and early years of cinema in Britain. 2nd ed. London: : Routledge 1996. http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203360101
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Griffith DW. Broken blossoms. 2000.
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Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity
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Staiger J. Interpreting films: studies in the historical reception of American cinema. In: Interpreting films: studies in the historical reception of American cinema. Princeton, NJ: : Princeton University Press 1992. 101–23.https://contentstore.cla.co.uk/secure/link?id=82e0e2ee-2a14-e911-80cd-005056af4099
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Thompson K, Bordwell D. Film history: an introduction. In: Film history: an introduction. New York, NY: : McGraw-Hill Education 2019.
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Gomery D. Shared pleasures: a history of movie presentation in the United States. In: Shared pleasures: a history of movie presentation in the United States. Madison, Wis: : University of Wisconsin Press 1992. 18–33.https://contentstore.cla.co.uk/secure/link?id=8beb2b00-5113-e911-80cd-005056af4099
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Crosland A. The jazz singer. 2007.
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Allen RC, Gomery D. Film history: theory and practice. In: Film history: theory and practice. New York: : McGraw-Hill 1985. 109–30.https://contentstore.cla.co.uk/secure/link?id=4b140412-720f-e911-80cd-005056af4099
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Neale S. Cinema and technology: image, sound, colour. In: Cinema and technology: image, sound, colour. London: : Macmillan Education 1985. 61–76.https://contentstore.cla.co.uk/secure/link?id=342eb3e2-2413-e911-80cd-005056af4099
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Neale S. Cinema and technology: image, sound, colour. London: : Macmillan Education 1985.
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Winston B. Technologies of seeing: photography, cinematography and television. London: : British Film Institute 1996.
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Altman R. Sound theory, sound practice. In: Sound theory, sound practice. New York: : Routledge 1992. 46–64.https://contentstore.cla.co.uk/secure/link?id=990e8cc5-5f12-e911-80cd-005056af4099
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Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity
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Nichols B. Movies and methods: an anthology, Vol.2. In: Movies and methods: an anthology, Vol.2. Berkeley, CA: : University of California Press 1985. 83–92.https://contentstore.cla.co.uk/secure/link?id=88beb029-21e5-e911-80cd-005056af4099
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Balio T. The American film industry. In: The American film industry. Madison: : University of Wisconsin Press 1985. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity
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Nichols B. Movies and methods: an anthology, Vol.2. In: Movies and methods: an anthology, Vol.2. Berkeley, CA: : University of California Press 1985. 109–20.https://contentstore.cla.co.uk/secure/link?id=d30e05e5-21e5-e911-80cd-005056af4099
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Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity
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Maltby R, Craven I. Hollywood cinema: an introduction. In: Hollywood cinema: an introduction. Oxford: : Blackwell Publishers 1995. 59–106.https://contentstore.cla.co.uk/secure/link?id=97e74340-7f12-e911-80cd-005056af4099
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King G. New Hollywood cinema: an introduction. London: : I. B. Tauris 2002. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000006914
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Neale S, Smith M. Contemporary Hollywood cinema. London: : Routledge 1998. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity
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Neale S, Smith M. Contemporary Hollywood cinema. In: Contemporary Hollywood cinema. London: : Routledge 1998. 21–44.https://contentstore.cla.co.uk/secure/link?id=96611653-5613-e911-80cd-005056af4099
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Cook P, Bernink M. The cinema book. In: The cinema book. London: : British Film Institute 1999. 19–22.https://contentstore.cla.co.uk/secure/link?id=ca63bb8a-e018-e911-80cd-005056af4099
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Gomery D. The Hollywood studio system: a history. In: The Hollywood studio system: a history. London: : BFI 2005. 11–26.https://contentstore.cla.co.uk/secure/link?id=426988b3-2613-e911-80cd-005056af4099
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Schatz T. The genius of the system: Hollywood filmmaking in the studio era. London: : Faber and Faber 1998.
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Prince S. A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. In: A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: : University of California Press 2002.
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Wasko J. Hollywood in the information age: beyond the silver screen. Cambridge: : Polity 1994. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1602912
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Miller T. Global Hollywood. London: : British Film Institute 2001.
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De Santis G, Mangano S, Gassman V, et al. Riso amaro: Bitter rice. 2003.
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Bondanella PE, editor. The Italian cinema book. In: The Italian cinema book. London: : BFI 2014. 77–83.https://contentstore.cla.co.uk/secure/link?id=3416b676-1510-e911-80cd-005056af4099
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Shiel M. Italian neorealism: rebuilding the cinematic city. London: : Wallflower Press 2006. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=909624
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Cook P. The cinema book. 3rd ed. London: : British Film Institute 2007.
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Bondanella PE. Italian cinema: from neorealism to the present. In: Italian cinema: from neorealism to the present. London: : Continuum 2001. 31–73.https://contentstore.cla.co.uk/secure/link?id=138069fc-2814-e911-80cd-005056af4099
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Geiger J, Rutsky RL. Film analysis: a Norton reader. In: Film analysis: a Norton reader. New York, N.Y.: : W.W. Norton 2005. 422–38.https://contentstore.cla.co.uk/secure/link?id=3f6fb3e7-af18-e911-80cd-005056af4099
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Banet-Weiser S, Chris C, Freitas A. Cable visions: television beyond broadcasting. In: Cable visions: television beyond broadcasting. New York: : New York University Press 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538
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Bolter JD, Grusin RA. Remediation: understanding new media. Cambridge, Mass: : MIT Press 1999. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=9351&site=ehost-live&scope=site
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Lotz AD. Beyond prime time: television programming in the post-network era. New York: : Routledge 2009. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=435636
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Trevorrow C. Jurassic World. 2015.https://learningonscreen.ac.uk/ondemand/index.php/prog/0A83D549?bcast=127388626
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King G. Spectacular narratives: Hollywood in the age of the blockbuster. London: : I.B. Tauris 2000. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=676862
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King G. New Hollywood cinema: an introduction. In: New Hollywood cinema: an introduction. London: : I. B. Tauris 2002. http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914
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Whissel K, Duke University Press. Spectacular digital effects: CGI and contemporary cinema. Durham: : Duke University Press 2014. https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822377146
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Purse L. Digital imaging in popular cinema. In: Digital imaging in popular cinema. Edinburgh: : Edinburgh University Press 2013. http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity
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Purse L. Contemporary action cinema. In: Contemporary action cinema. Edinburgh: : Edinburgh University Press 2011. 21–36.https://contentstore.cla.co.uk/secure/link?id=077b1b22-62e4-e911-80cd-005056af4099
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Buckland W, editor. Hollywood puzzle films. In: Hollywood puzzle films. New York: : Routledge 2014. http://lib.myilibrary.com/browse/open.asp?id=614075&entityid=https://idp.brunel.ac.uk/entity
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Belton J. Widescreen cinema. Cambridge, Mass: : Harvard University Press 1992.
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Winston B. Technologies of seeing: photography, cinematography and television. In: Technologies of seeing: photography, cinematography and television. London: : British Film Institute 1996. 109–18.https://contentstore.cla.co.uk/secure/link?id=259b02d6-0a10-e911-80cd-005056af4099
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Paul W. The Aesthetics of Emergence. Film history 1993;5.https://www.jstor.org/stable/3815145?pq-origsite=360link&seq=1#metadata_info_tab_contents
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Belton J. Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase. Film History 2012;24. doi:10.2979/filmhistory.24.2.187
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Stein LE. Millennial fandom: television audiences in the transmedia age. Iowa City: : University of Iowa Press 2015. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3570587
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King G, editor. A companion to American indie film. In: A companion to American indie film. Chichester, West Sussex, UK: : Wiley Blackwell 2017. 279–99.https://contentstore.cla.co.uk/secure/link?id=6668cc34-b7f0-e911-80cd-005056af4099
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Hilderbrand L. Youtube: Where Cultural Memory and Copyright Converge. Film Quarterly 2007;61:48–57. doi:10.1525/fq.2007.61.1.48
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Jancovich M, Lyons J. Quality popular television: cult TV, the industry and fans. London: : British Film Institute 2003.
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Pezzotti B. Investigating Italy’s past through historical crime fiction, films, and TV series: murder in the age of chaos. New York: : Palgrave Macmillan 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4716385
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Forshaw B. Death in a cold climate: a guide to Scandinavian crime fiction. Basingstoke: : Palgrave Macmillan 2012. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165
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McCabe J, Akass K. Quality TV: contemporary American television and beyond. London: : I. B. Tauris 2007.
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Miller JL. Nollywood central. London: : BFI 2016.
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Geiger J. Nollywood Style: Nigerian movies and ‘shifting perceptions of worth’. Film International 2012;10:58–72. doi:10.1386/fiin.10.6.58_1
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