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Gray, Jonathan, Jeffrey P. Jones, and Ethan Thompson. 2009. Satire TV: Politics and Comedy in the Post-Network Era. New York: New York University Press. https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=280697&site=ehost-live&scope=site&custid=s1123049.
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Horton, Andrew. 1991a. Comedy/Cinema/Theory. Berkeley: University of California Press. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=41641&site=ehost-live&scope=site&custid=s1123049.
———. 1991b. Comedy/Cinema/Theory. Berkeley: University of California Press.
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———. 2008. The League of Gentlemen. Vol. BFI TV classics. Basingstoke: Palgrave Macmillan.
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Hunt, Leon. 2013a. Cult British TV Comedy: From Reeves and Mortimer to Psychoville. Manchester, England: Manchester University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706181.
———. 2013b. Cult British TV Comedy: From Reeves and Mortimer to Psychoville. Manchester, England: Manchester University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706181.
———. 2013c. ‘Cult British TV Comedy: From Reeves and Mortimer to Psychoville’. In Cult British TV Comedy: From Reeves and Mortimer to Psychoville, 1–35. Manchester: Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=bd04cf60-b5f7-e811-80cd-005056af4099.
———. 2013d. Cult British TV Comedy: From Reeves and Mortimer to Psychoville. Manchester, England: Manchester University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706181.
Hurwitz, Mitchell, Jason Bateman, Portia De Rossi, Will Arnett, Michael Cera, Alia Shawkat, Tony Hale, et al. 2009. ‘Arrested Development: Season One’. Beverly Hills, Calif: 20th Century Fox Home Entertainment.
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Karnick, Kristine Brunovska, and Henry Jenkins. 1995a. Classical Hollywood Comedy. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=436736&entityid=https://idp.brunel.ac.uk/entity.
———. 1995b. Classical Hollywood Comedy. Vol. AFI film readers. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=436736&entityid=https://idp.brunel.ac.uk/entity.
———. 1995c. Classical Hollywood Comedy. Vol. AFI film readers. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=436736&entityid=https://idp.brunel.ac.uk/entity.
———. 1995d. Classical Hollywood Comedy. Vol. AFI film readers. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=436736&entityid=https://idp.brunel.ac.uk/entity.
———. 1995e. Classical Hollywood Comedy. Vol. AFI film readers. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=436736&entityid=https://idp.brunel.ac.uk/entity.
———. 1995f. Classical Hollywood Comedy. Vol. AFI film readers. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=436736&entityid=https://idp.brunel.ac.uk/entity.
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King, Geoff. 2002a. Film Comedy. London: Wallflower.
King, Geoff. 2002. ‘Film Comedy’. In Film Comedy, 1–18. London: Wallflower. https://contentstore.cla.co.uk/secure/link?id=a2520243-a74a-e611-80bd-0cc47a6bddeb.
King, Geoff. 2002b. Film Comedy. London: Wallflower.
———. 2002c. Film Comedy. London: Wallflower.
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———. 2002e. Film Comedy. London: Wallflower.
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———. 2011. ‘Striking a Balance between Culture and Fun: “Quality” Meets Hitman Genre in In Bruges’. New Review of Film and Television Studies 9 (2): 132–51. https://doi.org/10.1080/17400309.2011.556934.
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———. 2003. Hollywood Comedians, the Film Reader. London: Routledge.
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———. 2013b. ‘No Known Cure: The Comedy of Chris Morris’. In No Known Cure: The Comedy of Chris Morris, 197–211. London: BFI book published by Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=159ccaa7-91f4-e811-80cd-005056af4099.
———. 2013c. No Known Cure: The Comedy of Chris Morris. London: BFI book published by Palgrave Macmillan.
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Middleton, Jason. 2014. Documentary’s Awkward Turn: Cringe Comedy and Media Spectatorship. Vol. Routledge research in cultural and media studies. New York: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1576101.
Mills, B. 2008. ‘“Paranoia, Paranoia, Everybody’s Coming to Get Me”: Peep Show, Sitcom, and the Surveillance Society’. Screen 49 (1): 51–64. https://doi.org/10.1093/screen/hjn004.
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———. 2008. ‘The Television Genre Book’. In The Television Genre Book, 2nd ed., 88–91. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan on behalf of the British Film Institute. https://contentstore.cla.co.uk/secure/link?id=de4ae17c-a64a-e611-80bd-0cc47a6bddeb.
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Neale, Stephen, and Frank Krutnik. 1990a. Popular Film and Television Comedy. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=60375&entityid=https://idp.brunel.ac.uk/entity.
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———. 1987b. The Logic of the Absurd: On Film and Television Comedy. London: BFI.
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———. 1993b. Parody: Ancient, Modern, and Post-Modern. Cambridge: Cambridge University Press.
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———. 2004b. ‘Sunshine on Putty: The Golden Age of British Comedy, from Vic Reeves to The Office’. In Sunshine on Putty: The Golden Age of British Comedy, from Vic Reeves to The Office, 3–22. London: Harper Perennial. https://contentstore.cla.co.uk/secure/link?id=072a1a1d-a14a-e611-80bd-0cc47a6bddeb.
———. 2004c. Sunshine on Putty: The Golden Age of British Comedy, from Vic Reeves to The Office. London: Harper Perennial.
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