Bibliography for FM1619 - Technology, Industry and Form BETA

Akudinobi, J. (2015) ‘Nollywood: Prisms and Paradigms.’, Cinema Journal, 54(Issue 2), pp. 133–140. Available at: https://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=a9h&AN=100840157&site=ehost-live&scope=site&custid=s1123049.

Alberti, J. and Miller, P.A. (eds) (2018) Transforming Harry: the adaptation of Harry Potter in the transmedia age. Detroit: Wayne State University Press.

Allen, R.C. (1992) Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. Chapel Hill: University of North Carolina Press.

Allen, R.C. and Gomery, D. (1985) ‘Film history: theory and practice’, in Film history: theory and practice. New York: McGraw-Hill, pp. 109–130. Available at: https://contentstore.cla.co.uk/secure/link?id=4b140412-720f-e911-80cd-005056af4099.

Allen, R.C. and Hill, A. (2004) ‘The television studies reader’, in The television studies reader. London: Routledge, pp. 275–292. Available at: https://contentstore.cla.co.uk/secure/link?id=466d7ab2-0510-e911-80cd-005056af4099.

Altman, R. (1992) ‘Sound theory, sound practice’, in Sound theory, sound practice. New York: Routledge, pp. 46–64. Available at: https://contentstore.cla.co.uk/secure/link?id=990e8cc5-5f12-e911-80cd-005056af4099.

‘Anatomy of the Action Picture’ (no date). Available at: http://www.davidbordwell.net/essays/anatomy.php.

Anderson, A. (no date) ‘Violent dances in martial arts films’, Jump Cut [Preprint]. Available at: https://www.ejumpcut.org/archive/jc44.2001/aarona/aaron1.html.

Andrejevic, M. (2004) Reality TV: the work of being watched. Lanham, Md: Rowman & Littlefield. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318905.

Badley, L., Perkins, C. and Schreiber, M. (eds) (2016) ‘Indie reframed: women’s filmmaking and contemporary American independent cinema’, in Indie reframed: women’s filmmaking and contemporary American independent cinema. Edinburgh: Edinburgh University Press, pp. 138–153. Available at: https://contentstore.cla.co.uk/secure/link?id=a360c8fb-8712-e911-80cd-005056af4099.

Balio, T. (1985a) The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1985b) The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1985c) The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1985d) The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1990a) Hollywood in the age of television. Boston, Mass: Unwin Hyman. Available at: http://lib.myilibrary.com/browse/open.asp?id=553100&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1990b) Hollywood in the age of television. Boston, Mass: Unwin Hyman. Available at: http://lib.myilibrary.com/browse/open.asp?id=553100&entityid=https://idp.brunel.ac.uk/entity.

Banet-Weiser, S., Chris, C. and Freitas, A. (2007a) Cable visions: television beyond broadcasting. New York: New York University Press.

Banet-Weiser, S., Chris, C. and Freitas, A. (2007b) Cable visions: television beyond broadcasting. New York: New York University Press.

Banet-Weiser, S., Chris, C. and Freitas, A. (2007c) Cable visions: television beyond broadcasting. New York: New York University Press.

Bazin, A. and Cardullo, B. (2011) Andrâe Bazin and Italian neorealism. New York: Continuum. Available at: http://lib.myilibrary.com/browse/open.asp?id=330775&entityid=https://idp.brunel.ac.uk/entity.

Bekmambetov, T. (2008) ‘Wanted’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00F368E3?bcast=120592240.

Belton, J. (1992) Widescreen cinema. Cambridge, Mass: Harvard University Press.

Belton, J. (2012) ‘Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase’, Film History, 24(2). Available at: https://doi.org/10.2979/filmhistory.24.2.187.

‘Benefits Street’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/search.php/prog?q%5B0%5D%5Bv%5D=Benefits+Street+&search_type=1&is_available=&q%5B0%5D%5Bindex%5D=title&source=T&date_type=0&date=1952-01-01-00-00&date_start%5B1%5D=01&date_start%5B2%5D=01&date_start%5B0%5D=1952&date_start%5B3%5D=00&date_start%5B4%5D=00&date_end%5B1%5D=12&date_end%5B2%5D=04&date_end%5B0%5D=2018&date_end%5B3%5D=00&date_end%5B4%5D=00&institution=&sort=relevance.

Benkler, Y. (2006) The wealth of networks: how social production transforms markets and freedom. New Haven [Conn.]: Yale University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=174080&entityid=https://idp.brunel.ac.uk/entity.

Bennett, J. and Strange, N. (2011) Television as digital media. Durham, NC: Duke University Press. Available at: https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822393658.

Berliner, T. (2010) Hollywood incoherent: narration in seventies cinema. Austin, TX.: University of Texas Press.

Biressi, A. and Nunn, H. (2005) Reality TV: realism and revelation. London: Wallflower. Available at: http://lib.myilibrary.com/browse/open.asp?id=574418&entityid=https://idp.brunel.ac.uk/entity.

Boddy, W. (2004) New media and popular imagination: launching radio, television, and digital media in the United States. Oxford: Oxford University Press.

Bolter, J.D. and Grusin, R.A. (1999) Remediation: understanding new media. Cambridge, Mass: MIT Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=9351&site=ehost-live&scope=site.

Bondanella, P.E. (2001a) ‘Italian cinema: from neorealism to the present’, in Italian cinema: from neorealism to the present. 3rd ed. London: Continuum, pp. 31–73. Available at: https://contentstore.cla.co.uk/secure/link?id=138069fc-2814-e911-80cd-005056af4099.

Bondanella, P.E. (2001b) Italian cinema: from neorealism to the present. 3rd ed. London: Continuum.

Bondanella, P.E. (ed.) (2014) ‘The Italian cinema book’, in The Italian cinema book. London: BFI, pp. 77–83. Available at: https://contentstore.cla.co.uk/secure/link?id=3416b676-1510-e911-80cd-005056af4099.

Boni, M. (ed.) (2017) World building: transmedia, fans, industries. Amsterdam: Amsterdam University Press.

Bordwell, D. (2000) ‘Planet Hong Kong: popular cinema and the art of entertainment’, in Planet Hong Kong: popular cinema and the art of entertainment. Cambridge, Mass: Harvard University Press, pp. 199–247. Available at: https://contentstore.cla.co.uk/secure/link?id=f37c101e-1114-e911-80cd-005056af4099.

Bordwell, D. (2006a) The way Hollywood tells it: story and style in modern movies. Berkeley, Calif: University of California Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D. (2006b) The way Hollywood tells it: story and style in modern movies. Berkeley, Calif: University of California Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988a) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988b) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988c) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988d) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988e) The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Thompson, K. and Smith, J. (2017) Film art: an introduction. Eleventh edition. New York, NY: McGraw-Hill Education.

Bostrom, N. (2005) ‘A History of Transhumanist Thought’, Journal of evolution and technology, 14(1). Available at: https://jetpress.org/volume14/bostrom.html.

Bozak, N. (2012) The cinematic footprint: lights, camera, natural resources. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=417721&entityid=https://idp.brunel.ac.uk/entity.

Bruzzi, S. (2013) Men’s cinema: masculinity and Mise en Scáene in Hollywood. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=906989&entityid=https://idp.brunel.ac.uk/entity.

Buckland, W. (2009) Film theory and contemporary Hollywood movies. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=212452&entityid=https://idp.brunel.ac.uk/entity.

Buckland, W. (ed.) (2014) ‘Hollywood puzzle films’, in Hollywood puzzle films. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=614075&entityid=https://idp.brunel.ac.uk/entity.

Budd, M., Craig, S. and Steinman, C.M. (1999) Consuming environments: television and commercial culture. New Brunswick, N.J.: Rutgers University Press.

Buonanno, M. (2012) Italian TV drama and beyond: stories from the soil, stories from the sea. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=914258.

Burgess, J. and Green, J. (2009) YouTube: online video and participatory culture. Cambridge: Polity. Available at: http://lib.myilibrary.com/browse/open.asp?id=484691&entityid=https://idp.brunel.ac.uk/entity.

Burnett, R. (1991) ‘Explorations in film theory: selected essays from Cinâe-tracts’, in Explorations in film theory: selected essays from Cinâe-tracts. Bloomington, IN: Indiana University Press, pp. 3–14. Available at: https://contentstore.cla.co.uk/secure/link?id=dc4efb2e-4f13-e911-80cd-005056af4099.

Butler, J.G. (2007) ‘Television: critical methods and applications’, in Television: critical methods and applications. 3rd ed. Mahwah, N.J.: Lawrence Erlbaum Associates, pp. 3–19. Available at: https://contentstore.cla.co.uk/secure/link?id=b844422b-5a12-e911-80cd-005056af4099.

Caldwell, J.T. (1995) Televisuality: style, crisis, and authority in American television. New Jersey: Rutgers University Press.

Cardullo, B. (2009) After neorealism: Italian filmmakers and their films : essays and interviews. Newcastle: Cambridge Scholars. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=522871&site=ehost-live&scope=site.

Castaing-Taylor, L., Paravel, V., and Cinema Guild (2013) ‘Leviathan’. Dogwoof Ltd.

Castells, M. (2000) The rise of the network society. 2nd ed. Oxford: Blackwell Publishers. Available at: http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity.

Caughie, J. (2000) Television drama: realism, modernism, and British culture. Oxford: Oxford University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=90673&entityid=https://idp.brunel.ac.uk/entity.

Chanan, M. (1996) The dream that kicks: the prehistory and early years of cinema in Britain. 2nd ed. London: Routledge. Available at: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9780203360101.

Christian, A.J. (2011) ‘Joe Swanberg, Intimacy, and the Digital Aesthetic’, Cinema Journal, 50(4). Available at: https://www.jstor.org/stable/41240738?pq-origsite=summon&seq=1#metadata_info_tab_contents.

Christian, A.J. (no date) ‘The Problem of YouTube’, Flow [Preprint]. Available at: http://www.flowjournal.org/2011/02/the-problem-of-youtube./.

Clarke, M.J. (2013) Transmedia television: new trends in network serial production. New York: Bloomsbury. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1099529.

Collins, J. et al. (1993) Film theory goes to the movies. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=395546&entityid=https://idp.brunel.ac.uk/entity.

Cook, P. (2007) The cinema book. 3rd ed. London: British Film Institute.

Cook, P. and Bernink, M. (1999) ‘The cinema book’, in The cinema book. 2nd ed. London: British Film Institute, pp. 19–22. Available at: https://contentstore.cla.co.uk/secure/link?id=ca63bb8a-e018-e911-80cd-005056af4099.

Corner, J. (1999) ‘Critical ideas in television studies’, in Critical ideas in television studies. Oxford: Clarendon Press, pp. 13–23. Available at: https://contentstore.cla.co.uk/secure/link?id=6645edfc-b015-e911-80cd-005056af4099.

Crosland, A. (2007) ‘The jazz singer’. Turner Entertainment.

Crumley, A. and Buice, S. (2008) ‘Four eyed monsters’. Dogwoof.

Cuaron, A. (2013) ‘Gravity [DVD] [2013]’.

Cubitt, S. (2005) EcoMedia. Amsterdam: Rodopi.

Cunningham, S. and Silver, J. (2013) Screen distribution and the new King Kongs of the online world. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318147.

Dancer, G. (1998) ‘Film Style and Performance: Comedy and Kung Fu From Hong’, Asian Cinema, 10(1), pp. 42–50. Available at: https://www.intellectbooks.co.uk/journals/view-Article,id=13974/.

De Santis, G. et al. (2003) ‘Riso amaro: Bitter rice’. [Italy]: Cristaldifilm.

De Sica, V. (2004) ‘Umberto D’. [S.l.]: Nouveaux Pictures.

Edgerton, G.R. and Rose, B.G. (2005) ‘Thinking outside the box: a contemporary television genre reader’, in Thinking outside the box: a contemporary television genre reader. Lexington, Ky: University Press of Kentucky, pp. 226–246. Available at: https://contentstore.cla.co.uk/secure/link?id=4127e178-730f-e911-80cd-005056af4099.

Ellis, J. (1992a) Visible fictions: cinema, television, video. Rev. ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Ellis, J. (1992b) Visible fictions: cinema, television, video. Rev. ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Ellis, J. (1992c) Visible fictions: cinema, television, video. Rev. ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Elsaesser, T. and Barker, A. (1990a) ‘Early cinema: space, frame, narrative’, in Early cinema: space, frame, narrative. London: BFI Publishing, pp. 56–75. Available at: https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099.

Elsaesser, T. and Barker, A. (1990b) Early cinema: space, frame, narrative. London: BFI Publishing.

Elsaesser, T. and Barker, A. (1990c) Early cinema: space, frame, narrative. London: BFI Publishing.

Elsaesser, T. and Buckland, W. (2002) ‘Studying contemporary American film: a guide to movie analysis’, in Studying contemporary American film: a guide to movie analysis. London: Hodder Education, pp. 26–79. Available at: https://contentstore.cla.co.uk/secure/link?id=60559fa8-5413-e911-80cd-005056af4099.

Ferrando, F. (2013) ‘Posthumanism, Transhumanism, Antihumanism, Metahumanism, and New Materialisms Differences and Relations’, Existenz, 8(2), pp. 26–32. Available at: https://existenz.us/volumes/Vol.8-2Ferrando.pdf.

Forshaw, B. (2012) Death in a cold climate: a guide to Scandinavian crime fiction. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165.

Forshaw, B. (2013) Nordic noir: the pocket essential guide to Scandinavian crime fiction, film & TV. Harpenden, Herts: Pocket Essentials.

Forshaw, B. (2014) Euro noir: the pocket essential guide to European crime fiction, film & TV. Harpenden, Herts: Pocket Essentials. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1712149.

Fu, P. and Desser, D. (2000a) ‘The Cinema of Hong Kong: history, arts, identity’, in The Cinema of Hong Kong: history, arts, identity. Cambridge, UK: Cambridge University Press, pp. 113–136. Available at: https://contentstore.cla.co.uk/secure/link?id=6cd7fb07-3d10-e911-80cd-005056af4099.

Fu, P. and Desser, D. (2000b) ‘The Cinema of Hong Kong: history, arts, identity’, in The Cinema of Hong Kong: history, arts, identity. Cambridge, UK: Cambridge University Press, pp. 113–136. Available at: https://contentstore.cla.co.uk/secure/link?id=6cd7fb07-3d10-e911-80cd-005056af4099.

Gandolfini, J. et al. (2007) ‘The Sopranos: Complete HBO Season 1’. Burbank, CA: Warner Home Video.

Garnham, N. (1983) ‘Public Service versus the Market’, Screen, 24(1), pp. 6–27. Available at: https://doi.org/10.1093/screen/24.1.6.

Gaylor, B. (2009) ‘RiP!: a remix manifesto’. Place of publication not identified: Artefact Films.

Geiger, J. (2012) ‘Nollywood Style: Nigerian movies and “shifting perceptions of worth”’, Film International, 10(6), pp. 58–72. Available at: https://doi.org/10.1386/fiin.10.6.58_1.

Geiger, J. and Rutsky, R.L. (2005) ‘Film analysis: a Norton reader’, in Film analysis: a Norton reader. 1st ed. New York, N.Y.: W.W. Norton, pp. 422–438. Available at: https://contentstore.cla.co.uk/secure/link?id=3f6fb3e7-af18-e911-80cd-005056af4099.

Geraghty, C. and Lusted, D. (1998) The television studies book. London: Arnold.

Gerbarg, D. (ed.) (2010) Television goes digital. New York, NY, USA: Springer. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=417813.

Gillespie, T. (2010) ‘The politics of “platforms”’, New Media & Society, 12(3), pp. 347–364. Available at: https://doi.org/10.1177/1461444809342738.

Gillespie, T. and ProQuest (Firm) (2007) Wired shut: copyright and the shape of digital culture. Cambridge, Mass: MIT Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338717.

Gomery, D. (1992a) ‘Shared pleasures: a history of movie presentation in the United States’, in Shared pleasures: a history of movie presentation in the United States. Madison, Wis: University of Wisconsin Press, pp. 3–17. Available at: https://contentstore.cla.co.uk/secure/link?id=e8278966-3b10-e911-80cd-005056af4099.

Gomery, D. (1992b) ‘Shared pleasures: a history of movie presentation in the United States’, in Shared pleasures: a history of movie presentation in the United States. Madison, Wis: University of Wisconsin Press, pp. 18–33. Available at: https://contentstore.cla.co.uk/secure/link?id=8beb2b00-5113-e911-80cd-005056af4099.

Gomery, D. (2005) ‘The Hollywood studio system: a history’, in The Hollywood studio system: a history. London: BFI, pp. 11–26. Available at: https://contentstore.cla.co.uk/secure/link?id=426988b3-2613-e911-80cd-005056af4099.

Goodwin, A. and Whannel, G. (1990) Understanding television. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=14659&entityid=https://idp.brunel.ac.uk/entity.

Greengrass, P. (2004) ‘The Bourne supremacy’. Universal Pictures.

Griffith, D.W. (2000) ‘Broken blossoms’. Eureka Video.

Gündüz Özdemirci, E. (2016) ‘Greening the Screen: An Environmental Challenge’, Humanities, 5(2). Available at: https://doi.org/10.3390/h5020035.

Guynes, S.A. and Hassler-Forest, D. (eds) (2018) Star Wars and the history of transmedia storytelling. Amsterdam: Amsterdam University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5261322.

Haggard, P. et al. (2004) ‘Pennies from heaven’. [London]: BBC Worldwide.

Hansen, K.T. and Waade, A.M. (2017) Locating Nordic Noir: from Beck to The bridge. Cham, Switzerland: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5106086.

Hauskeller, M., Philbeck, T.D. and Carbonell, C.D. (eds) (2018) The Palgrave handbook of posthumanism in film and television. Basingstoke, Hampshire: Palgrave Macmillan.

Haynes, J. (2016) Nollywood: the creation of Nigerian film genres. Chicago: The University of Chicago Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=952469&entityid=https://idp.brunel.ac.uk/entity.

Heise, U.K. (2008) Sense of place and sense of planet: the environmental imagination of the global. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3053055.

Hilderbrand, L. (2007) ‘Youtube: Where Cultural Memory and Copyright Converge’, Film Quarterly, 61(1), pp. 48–57. Available at: https://doi.org/10.1525/fq.2007.61.1.48.

Hill, C.W.L. (2007) ‘Digital piracy: Causes, consequences, and strategic responses’, Asia Pacific Journal of Management, 24(1), pp. 9–25. Available at: https://doi.org/10.1007/s10490-006-9025-0.

Hill, J. and British Film Institute (2011) Ken Loach: the politics of film and television. London: Palgrave Macmillan.

Hill, J. and Gibson, P.C. (1998) ‘The Oxford guide to film studies’, in The Oxford guide to film studies. Oxford: Oxford University Press, pp. 255–271. Available at: https://contentstore.cla.co.uk/secure/link?id=b0609736-4d13-e911-80cd-005056af4099.

Hills, M. (ed.) (2013) New dimensions of Doctor Who: adventures in space, time and television. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1511071.

Holland, P. (2000) ‘The television handbook’, in The television handbook. 2nd edn. London: Routledge, pp. 9–26. Available at: https://contentstore.cla.co.uk/secure/link?id=8152bf62-480f-e911-80cd-005056af4099.

Hunt, L. (2003) ‘Kung Fu cult masters’, in Kung Fu cult masters. London: Wallflower Press, pp. 21–47. Available at: https://contentstore.cla.co.uk/secure/link?id=e7e97c84-4813-e911-80cd-005056af4099.

Iordanova, D., Cunningham, S., and University of St Andrews. Film Studies (2012a) Digital disruption: cinema moves on-line. St Andrews: St Andrews Film Studies.

Iordanova, D., Cunningham, S., and University of St Andrews. Film Studies (2012b) Digital disruption: cinema moves on-line. St Andrews: St Andrews Film Studies.

Iordanova, D., Cunningham, S., and University of St Andrews. Film Studies (2012c) ‘Digital disruption: cinema moves on-line’, in Digital disruption: cinema moves on-line. St Andrews: St Andrews Film Studies, pp. 67–100. Available at: https://contentstore.cla.co.uk/secure/link?id=700a1c74-0f10-e911-80cd-005056af4099.

Izod, J. (1988) ‘Hollywood and the box office 1895-1986’, in Hollywood and the box office 1895-1986. New York: Columbia University Press, pp. 1–6. Available at: https://contentstore.cla.co.uk/secure/link?id=bbb19b17-7e15-e911-80cd-005056af4099.

Jancovich, M. and Lyons, J. (2003) Quality popular television: cult TV, the industry and fans. London: British Film Institute.

Jenkins, H. (2006) Convergence culture: where old and new media collide. Updated ed. New York: New York University Press.

Jenkins, H., Ford, S. and Green, J. (2013) Spreadable media: creating value and meaning in a networked culture. New York: New York University Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=529617.

Kackman, M. (2010) Flow TV: television in the age of media convergence. New York, NY: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=574457.

Kaplan, E.A. (1987) Rocking around the clock: music television, postmodernism, and consumer culture. New York: Methuen.

Keane, S. (2007) ‘CineTech: film, convergence and new media’, in CineTech: film, convergence and new media. Basingstoke [England]: Palgrave Macmillan, pp. 56–75. Available at: https://contentstore.cla.co.uk/secure/link?id=50bde8ab-5b12-e911-80cd-005056af4099.

Keating, P. (2006) ‘Emotional Curves and Linear Narratives’, The velvet light trap, 58. Available at: https://search.proquest.com/docview/222829442?pq-origsite=360link.

King, G. (2000) Spectacular narratives: Hollywood in the age of the blockbuster. London: I.B. Tauris. Available at: http://lib.myilibrary.com/browse/open.asp?id=252940&entityid=https://idp.brunel.ac.uk/entity.

King, G. (2002a) New Hollywood cinema: an introduction. London: I. B. Tauris. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914.

King, G. (2002b) New Hollywood cinema: an introduction. London: I. B. Tauris. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914.

King, G. (2002c) New Hollywood cinema: an introduction. London: I. B. Tauris. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914.

King, G. (2002d) New Hollywood cinema: an introduction. London: I. B. Tauris. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914.

King, G. (2014a) ‘Indie 2.0: change and continuity in contemporary American indie film’, in Indie 2.0: change and continuity in contemporary American indie film. London: I.B. Tauris, pp. 77–121. Available at: https://contentstore.cla.co.uk/secure/link?id=8ce33d9e-7112-e911-80cd-005056af4099.

King, G. (2014b) Indie 2.0: change and continuity in contemporary American indie film. London: I.B. Tauris.

King, G. (2016) ‘Quality Hollywood: markers of distinction in contemporary studio film’, in Quality Hollywood: markers of distinction in contemporary studio film. London: I.B. Tauris, pp. 81–124. Available at: https://contentstore.cla.co.uk/secure/link?id=a8ea312a-bb15-e911-80cd-005056af4099.

King, G. (ed.) (2017a) A companion to American indie film. Chichester, West Sussex, UK: Wiley Blackwell. Available at: http://lib.myilibrary.com/browse/open.asp?id=965329&entityid=https://idp.brunel.ac.uk/entity.

King, G. (ed.) (2017b) A companion to American indie film. Chichester, West Sussex, UK: Wiley Blackwell. Available at: http://lib.myilibrary.com/browse/open.asp?id=965329&entityid=https://idp.brunel.ac.uk/entity.

King, G. (ed.) (2017c) A companion to American indie film. Chichester, West Sussex, UK: Wiley Blackwell. Available at: http://lib.myilibrary.com/browse/open.asp?id=965329&entityid=https://idp.brunel.ac.uk/entity.

Kirsner, S. (2009) Fans, friends & followers. [Cambridge, Mass.]: Scott Kirsner.

Klinger, B. (2006) Beyond the multiplex: cinema, new technologies, and the home. Berkeley, Calif: University of California Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254875.

Klinger, Barbara (no date) ‘Contraband Cinema: Piracy, Titanic, and Central Asia’, Cinema Journal, 49, pp. 106–124. Available at: https://search.proquest.com/docview/222306812?pq-origsite=summon.

Langford, B. (2010a) Post-classical Hollywood: film industry, style and ideology since 1945. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=289978&entityid=https://idp.brunel.ac.uk/entity.

Langford, B. (2010b) Post-classical Hollywood: film industry, style and ideology since 1945. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=289978&entityid=https://idp.brunel.ac.uk/entity.

Lâopez, A. (2012) The media ecosystem: what ecology can teach us about responsible media practice. Berkeley, California: Evolver Editions.

Law, J. (1992) ‘Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity’, Systems Practice, 5(4), pp. 379–393. Available at: https://doi.org/10.1007/BF01059830.

Leimbacher, I. (no date) ‘The World Made Flesh’, Film Comment, 50, pp. 36–39. Available at: https://search.proquest.com/docview/1523427232?pq-origsite=summon.

Lewis, J. (1998a) ‘The new American cinema’, in The new American cinema. Durham: Duke University Press, pp. 87–121. Available at: https://contentstore.cla.co.uk/secure/link?id=f3651f15-6412-e911-80cd-005056af4099.

Lewis, J. (1998b) The new American cinema. Durham: Duke University Press.

Lichtenfeld, E. (2007) Action speaks louder: violence, spectacle, and the American action movie. Revised&expanded ed. Middletown, Conn: Wesleyan University Press.

Lobato, R. (2010) ‘Creative industries and informal economies’, International Journal of Cultural Studies, 13(4), pp. 337–354. Available at: https://doi.org/10.1177/1367877910369971.

Lobato, R. (2012) Shadow economies of cinema: mapping informal film distribution. London: Palgrave Macmillan [on behalf of the] BFI. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5400915.

Lotz, A.D. (2009) Beyond prime time: television programming in the post-network era. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=435636.

Lotz, A.D. (2017) Portals: a treatise on internet-distributed television. United States of America: Maize Books, an imprint of Michigan Publishing.

Maltby, R. and Craven, I. (1995a) ‘Hollywood cinema: an introduction’, in Hollywood cinema: an introduction. Oxford: Blackwell Publishers, pp. 59–106. Available at: https://contentstore.cla.co.uk/secure/link?id=97e74340-7f12-e911-80cd-005056af4099.

Maltby, R. and Craven, I. (1995b) ‘Hollywood cinema: an introduction’, in Hollywood cinema: an introduction. Oxford: Blackwell Publishers, pp. 59–106. Available at: https://contentstore.cla.co.uk/secure/link?id=97e74340-7f12-e911-80cd-005056af4099.

Marcus, M. (1986) Italian film in the light of neorealism. Princeton, N.J.: Princeton University Press.

Mast, G. and Cohen, M. (1974) ‘Film theory and criticism: introductory readings’, in Film theory and criticism: introductory readings. New York, N.Y.: Oxford University Press, pp. 120–146. Available at: https://contentstore.cla.co.uk/secure/link?id=9ed5a00a-e218-e911-80cd-005056af4099.

McCabe, J. and Akass, K. (2007) Quality TV: contemporary American television and beyond. London: I. B. Tauris.

McClean, S.T. (2007) Digital storytelling: the narrative power of visual effects in film. Cambridge, Mass: MIT.

McDonald, P. (2007a) ‘Video and DVD industries’, in Video and DVD industries. London: British Film Institute, pp. 107–142. Available at: https://contentstore.cla.co.uk/secure/link?id=6eef2501-5c0f-e911-80cd-005056af4099.

McDonald, P. (2007b) Video and DVD industries. London: British Film Institute.

McDonald, P. and Wasko, J. (2008a) ‘The contemporary Hollywood film industry’, in The contemporary Hollywood film industry. Oxford: Blackwell Publishing, pp. 106–119. Available at: https://contentstore.cla.co.uk/secure/link?id=70ba6558-3810-e911-80cd-005056af4099.

McDonald, P. and Wasko, J. (2008b) ‘The contemporary Hollywood film industry’, in The contemporary Hollywood film industry. Oxford: Blackwell Publishing, pp. 120–131. Available at: https://contentstore.cla.co.uk/secure/link?id=cd3f1fea-1210-e911-80cd-005056af4099.

McLoone, M. and Hill, J. (1996) ‘Big picture, small screen: the relations between film and television’, in Big picture, small screen: the relations between film and television. Luton: University of Luton Press, pp. 9–46. Available at: https://contentstore.cla.co.uk/secure/link?id=e905ffbb-d318-e911-80cd-005056af4099.

Merleau-Ponty, M. and Lefort, C. (1968) The visible and the invisible: followed by working notes. Evanston [Ill.]: Northwestern University Press.

Miller, J.L. (2016) Nollywood central. London: BFI.

Miller, M.C. (1990a) Seeing through movies. New York: Pantheon Books.

Miller, M.C. (1990b) Seeing through movies. New York: Pantheon Books.

Miller, T. (2001) Global Hollywood. London: British Film Institute.

Miller, T. (2010a) Television studies: the basics. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=244349&entityid=https://idp.brunel.ac.uk/entity.

Miller, T. (2010b) Television studies: the basics. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=244349&entityid=https://idp.brunel.ac.uk/entity.

Mittell, J. (2015) Complex TV: the poetics of contemporary television storytelling. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1991882.

Moran, A. (1996) Film policy: international, national and regional perspectives. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=13838&entityid=https://idp.brunel.ac.uk/entity.

Morris, M., Li, S.L. and Chan, S.C. (2006) Hong Kong connections: Transnational imagination in action cinema. Durham. Available at: http://lib.myilibrary.com/browse/open.asp?id=270444&entityid=https://idp.brunel.ac.uk/entity.

Morton, D. (2017) Panel to the screen: style, American film, and comic books during the blockbuster era. Jackson: University Press of Mississippi.

Murphy, P.D. (2017) The media commons: globalization and environmental discourses. Urbana: University of Illinois Press.

Murray, R.L. and Heumann, J.K. (2009) Ecology and popular film: cinema on the edge. Albany: SUNY Press.

Murray, R.L. and Heumann, J.K. (2014) Film & everyday eco-disasters. Lincoln: University of Nebraska Press.

Musser, C. (1994) The emergence of cinema: the American screen to 1907. Berkeley: University of California Press.

Ndalianis, A. (2004) Neo-Baroque aesthetics and contemporary entertainment. London: MIT.

Neale, S. (1985a) ‘Cinema and technology: image, sound, colour’, in Cinema and technology: image, sound, colour. London: Macmillan Education, pp. 61–76. Available at: https://contentstore.cla.co.uk/secure/link?id=342eb3e2-2413-e911-80cd-005056af4099.

Neale, S. (1985b) Cinema and technology: image, sound, colour. London: Macmillan Education.

Neale, S. and Smith, M. (1998a) Contemporary Hollywood cinema. London: Routledge.

Neale, S. and Smith, M. (1998b) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge, pp. 21–44. Available at: https://contentstore.cla.co.uk/secure/link?id=96611653-5613-e911-80cd-005056af4099.

Neale, S. and Smith, M. (1998c) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge.

Neale, S. and Smith, M. (1998d) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge.

Neale, S. and Smith, M. (1998e) Contemporary Hollywood cinema. London: Routledge.

Nichols, B. (1985a) Movies and methods: an anthology, Vol.2. Berkeley, CA: University of California Press.

Nichols, B. (1985b) Movies and methods: an anthology, Vol.2. Berkeley, CA: University of California Press.

O’Neill, D. and Wayne, M. (eds) (2018) Considering class: theory, culture and the media in the 21st century. Leiden, The Netherlands: Brill. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5151482.

Parham, J. (2016) Green media and popular culture: an introduction. London: Macmillan Education/Palgrave.

Paul, W. (1993) ‘The Aesthetics of Emergence’, Film history, 5. Available at: https://www.jstor.org/stable/3815145?pq-origsite=360link&seq=1#metadata_info_tab_contents.

Paumgarten, N. (22AD) ‘We Are a Camera: Experience and memory in the age of GoPro’, The New Yorker [Preprint]. Available at: https://www.newyorker.com/magazine/2014/09/22/camera.

Pavsek, C. (2015) ‘Leviathan and the Experience of Sensory Ethnography’, Visual Anthropology Review, 31(1), pp. 4–11. Available at: https://doi.org/10.1111/var.12056.

Peacock, S. (2014) Swedish crime fiction: novel, film, television. Manchester: Manchester University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706720.

Pezzotti, B. (2016) Investigating Italy’s past through historical crime fiction, films, and TV series: murder in the age of chaos. New York: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4716385.

Prince, S. (2002a) ‘A new pot of gold: Hollywood under the electronic rainbow, 1980-1989’, in A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press, pp. 40–89. Available at: https://contentstore.cla.co.uk/secure/link?id=bb5770d6-8912-e911-80cd-005056af4099.

Prince, S. (2002b) A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press.

Prince, S. (2002c) A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press.

Prince, S. (2012a) Digital visual effects in cinema: the seduction of reality. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity.

Prince, S. (2012b) Digital visual effects in cinema: the seduction of reality. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity.

Prince, S. (2012c) Digital visual effects in cinema: the seduction of reality. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity.

Purse, L. (2011) Contemporary action cinema. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=313319&entityid=https://idp.brunel.ac.uk/entity.

Purse, L. (2013a) Digital imaging in popular cinema. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity.

Purse, L. (2013b) Digital imaging in popular cinema. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity.

Purse, L. (2013c) Digital imaging in popular cinema. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity.

Rapu, C.O. (1992) ‘Living in Bondage’. Available at: https://www.youtube.com/watch?v=oGXs6Cd1jfA.

Reiss, J. (2010) Think outside the box office: the ultimate guide to film distribution in the digital era. [Los Angeles, California]: Hybrid Cinema Publishing. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=550794.

Ross, M. (2013) ‘Stereoscopic visuality’, Convergence: The International Journal of Research into New Media Technologies, 19(4), pp. 406–414. Available at: https://doi.org/10.1177/1354856513494178.

Ross, M. (2015) 3D cinema: optical illusions and tactile experiences. Houndmills, Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2006615.

Ross, S. (2012) ‘Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema’, Film History, 24(2). Available at: https://doi.org/10.2979/filmhistory.24.2.210.

Rossellini, Roberto et al. (2005) ‘Roma, cittá aperta’. [S.l.]: Arrow Films.

Ruberto, L.E. and Wilson, K.M. (2007) Italian neorealism and global cinema. Detroit: Wayne State University Press.

Rust, S., Monani, S. and Cubitt, S. (2013) Ecocinema theory and practice. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=391901&entityid=https://idp.brunel.ac.uk/entity.

Saviano, R. et al. (2018a) ‘Gomorrah: The complete season one’. [Great Britain]: Arrow Films.

Saviano, R. et al. (2018b) ‘Gomorrah: The complete season three’. [Great Britain]: Arrow Films.

Saviano, R. et al. (2018c) ‘Gomorrah: The complete season two’. [Great Britain]: Arrow Films.

Schatz, T. (1981) Hollywood genres: formulas, filmmaking, and the studio system. New York: McGraw-Hill.

Schatz, T. (1998) The genius of the system: Hollywood filmmaking in the studio era. London: Faber and Faber.

Shiel, M. (2006) Italian neorealism: rebuilding the cinematic city. London: Wallflower Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=608590&entityid=https://idp.brunel.ac.uk/entity.

Shujen Wang (2003) ‘Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization’, Cinema Journal, 43(1). Available at: https://www.jstor.org/stable/1225929?Search=yes&resultItemClick=true&searchText=Recontextualizing&searchText=Copyright:&searchText=Piracy,&searchText=Hollywood,&searchText=the&searchText=State,&searchText=and&searchText=Globalization&searchUri=%2Faction%2FdoBasicSearch%3FQuery%3DRecontextualizing%2BCopyright%253A%2BPiracy%252C%2BHollywood%252C%2Bthe%2BState%252C%2Band%2BGlobalization%26amp%3Bfilter%3Djid%253A10.2307%252Fj100121%26amp%3BSearch%3DSearch%26amp%3Bwc%3Don%26amp%3Bfc%3Doff%26amp%3BglobalSearch%3D%26amp%3BsbbBox%3D%26amp%3BsbjBox%3D%26amp%3BsbpBox%3D&seq=1#metadata_info_tab_contents.

Sica, V.D. and Bartolini, L. (2009) The bicycle thieves. [U.K.]: Arrow.

Sobchack, V. (2000) ‘Meta-morphing: visual transformation and the culture of quick-change’, in Meta-morphing: visual transformation and the culture of quick-change. Minneapolis: University of Minnesota Press, pp. 251–271. Available at: https://contentstore.cla.co.uk/secure/link?id=9f4a408a-2313-e911-80cd-005056af4099.

Sobchack, V.C. (1992) The address of the eye: a phenomenology of film experience. Princeton, N.J.: Princeton University Press.

Staiger, J. (1992) ‘Interpreting films: studies in the historical reception of American cinema’, in Interpreting films: studies in the historical reception of American cinema. Princeton, NJ: Princeton University Press, pp. 101–123. Available at: https://contentstore.cla.co.uk/secure/link?id=82e0e2ee-2a14-e911-80cd-005056af4099.

Stein, L.E. (2015) Millennial fandom: television audiences in the transmedia age. Iowa City: University of Iowa Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3570587.

Stein, L.E. and Busse, K. (2012) Sherlock and transmedia fandom: essays on the BBC series. Jefferson, N.C.: McFarland. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=462577.

Stokes, L.O. and Hoover, M. (1999) City on fire: Hong Kong cinema. New York: Verso.

Stone, R. et al. (eds) (2018) The Routledge companion to world cinema. London: Routledge, Taylor & Francis Group. Available at: http://lib.myilibrary.com/browse/open.asp?id=1038523&entityid=https://idp.brunel.ac.uk/entity.

Strangelove, M. (2015) Post-TV: piracy, cord-cutting, and the future of television. Toronto: University of Toronto Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4669834.

Strauven, W. (2006) The cinema of attractions reloaded. Amsterdam: Amsterdam University Press. Available at: http://oapen.org/download?type=document&docid=340138.

Stringer, J. (2003a) Movie blockbusters. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity.

Stringer, J. (2003b) Movie blockbusters. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity.

Stringer, J. (2003c) Movie blockbusters. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity.

Taylor, I. (no date) "Being Poor is Not Entertainment”: Class Struggles against Poverty Porn | The Social Action & Research Foundation. Available at: http://www.the-sarf.org.uk/being-poor-is-not-entertainment-class-struggles-against-poverty-porn-by-imogen-tyler/.

Taylor, L. and Willis, A. (1999a) ‘Media studies: texts, institutions, and audiences’, in Media studies: texts, institutions, and audiences. Oxford: Blackwell Publishers, pp. 91–106. Available at: https://contentstore.cla.co.uk/secure/link?id=87d66318-5e0f-e911-80cd-005056af4099.

Taylor, L. and Willis, A. (1999b) ‘Media studies: texts, institutions, and audiences’, in Media studies: texts, institutions, and audiences. Oxford: Blackwell Publishers, pp. 91–106. Available at: https://contentstore.cla.co.uk/secure/link?id=87d66318-5e0f-e911-80cd-005056af4099.

Teo, S. (1997) Hong Kong cinema: the extra dimensions. London: BFI.

Thanouli, E. (2009) Post-classical cinema: an international poetics of film narration. London: Wallflower Press.

Thompson, K. (1999) Storytelling in the new Hollywood: understanding classical narrative technique. Cambridge, Mass: Harvard University Press.

Thompson, K. and Bordwell, D. (2019a) Film history: an introduction. Fourth edition. New York, NY: McGraw-Hill Education.

Thompson, K. and Bordwell, D. (2019b) Film history: an introduction. Fourth edition. New York, NY: McGraw-Hill Education.

Thompson, K. and Bordwell, D. (2019c) Film history: an introduction. Fourth edition. New York, NY: McGraw-Hill Education.

Thompson, K. and Bordwell, D. (no date) ‘Has 3D Already Failed? The sequel, part one: RealDlighted  Print’. Available at: http://www.davidbordwell.net/blog/2011/01/20/has-3d-already-failed-the-sequel-part-one-realdlighted/print/.

Trevorrow, C. (2015) ‘Jurassic World’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0A83D549?bcast=127388626.

Tryon, C. (2009a) Reinventing cinema: movies in the age of media convergence. New Brunswick, N.J.: Rutgers University Press.

Tryon, C. (2009b) ‘Reinventing cinema: movies in the age of media convergence’, in Reinventing cinema: movies in the age of media convergence. New Brunswick, N.J.: Rutgers University Press, pp. 93–124. Available at: https://contentstore.cla.co.uk/secure/link?id=fa504901-610f-e911-80cd-005056af4099.

Tryon, C. (2013a) On-demand culture: digital delivery and the future of movies. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=486972&entityid=https://idp.brunel.ac.uk/entity.

Tryon, C. (2013b) On-demand culture: digital delivery and the future of movies. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=486972&entityid=https://idp.brunel.ac.uk/entity.

Turnbull, S. (2014) The TV crime drama. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=637218&entityid=https://idp.brunel.ac.uk/entity.

Turner, G. and Tay, J. (2009) ‘Television studies after TV: understanding television in the post-broadcast era’, in Television studies after TV: understanding television in the post-broadcast era. London: Routledge, pp. 9–19. Available at: https://contentstore.cla.co.uk/secure/link?id=4978e404-fe0f-e911-80cd-005056af4099.

Ulin, J. (2010) The business of media distribution: monetizing film, TV, and video content. Amsterdam: Focal Press/Elsevier. Available at: http://lib.myilibrary.com/browse/open.asp?id=234516&entityid=https://idp.brunel.ac.uk/entity.

Varda, A. (no date) ‘The gleaners and I’.

Visconti, L. and Cain, J.M. (2003) ‘Ossessione’. BFI.

Wasko, J. (1994) Hollywood in the information age: beyond the silver screen. Cambridge: Polity. Available at: http://lib.myilibrary.com/browse/open.asp?id=770240&entityid=https://idp.brunel.ac.uk/entity.

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Whissel, K. and Duke University Press (2014) Spectacular digital effects: CGI and contemporary cinema. Durham: Duke University Press.

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