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---. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley, Calif: University of California Press, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity>.
---. The Way Hollywood Tells It: Story and Style in Modern Movies. Berkeley, Calif: University of California Press, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity>.
Bordwell, David, Janet Staiger, and Kristin Thompson. The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. London: Routledge, 1988. Web. <http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity>.
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Bruzzi, Stella. Men’s Cinema: Masculinity and Mise En Scáene in Hollywood. Edinburgh: Edinburgh University Press, 2013. Web. <http://lib.myilibrary.com/browse/open.asp?id=906989&entityid=https://idp.brunel.ac.uk/entity>.
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Burgess, Jean, and Joshua Green. YouTube: Online Video and Participatory Culture. Cambridge: Polity, 2009. Web. <http://lib.myilibrary.com/browse/open.asp?id=484691&entityid=https://idp.brunel.ac.uk/entity>.
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Butler, Jeremy G. ‘Television: Critical Methods and Applications’. Television: Critical Methods and Applications. 3rd ed. Mahwah, N.J.: Lawrence Erlbaum Associates, 2007. 3–19. Web. <https://contentstore.cla.co.uk/secure/link?id=b844422b-5a12-e911-80cd-005056af4099>.
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Chanan, Michael. The Dream That Kicks: The Prehistory and Early Years of Cinema in Britain. 2nd ed. London: Routledge, 1996. Web. <https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9780203360101>.
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Collins, Jim et al. Film Theory Goes to the Movies. New York: Routledge, 1993. Web. <http://lib.myilibrary.com/browse/open.asp?id=395546&entityid=https://idp.brunel.ac.uk/entity>.
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Dancer, Greg. ‘Film Style and Performance: Comedy and Kung Fu From Hong’. Asian Cinema 10.1 (1998): 42–50. Web. <https://www.intellectbooks.co.uk/journals/view-Article,id=13974/>.
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Ellis, John. Visible Fictions: Cinema, Television, Video. Rev. ed. London: Routledge, 1992. Web. <http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity>.
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Elsaesser, Thomas, and Adam Barker. ‘Early Cinema: Space, Frame, Narrative’. Early Cinema: Space, Frame, Narrative. London: BFI Publishing, 1990. 56–75. Web. <https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099>.
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Elsaesser, Thomas, and Warren Buckland. ‘Studying Contemporary American Film: A Guide to Movie Analysis’. Studying Contemporary American Film: A Guide to Movie Analysis. London: Hodder Education, 2002. 26–79. Web. <https://contentstore.cla.co.uk/secure/link?id=60559fa8-5413-e911-80cd-005056af4099>.
Ferrando, Francesca. ‘Posthumanism, Transhumanism, Antihumanism, Metahumanism, and New Materialisms Differences and Relations’. Existenz 8.2 (2013): 26–32. Web. <https://existenz.us/volumes/Vol.8-2Ferrando.pdf>.
Forshaw, Barry. Death in a Cold Climate: A Guide to Scandinavian Crime Fiction. Basingstoke: Palgrave Macmillan, 2012. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165>.
---. Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film & TV. Harpenden, Herts: Pocket Essentials, 2014. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1712149>.
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Fu, Poshek, and David Desser. ‘The Cinema of Hong Kong: History, Arts, Identity’. The Cinema of Hong Kong: History, Arts, Identity. Cambridge, UK: Cambridge University Press, 2000. 113–136. Web. <https://contentstore.cla.co.uk/secure/link?id=6cd7fb07-3d10-e911-80cd-005056af4099>.
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Geiger, Jeffrey. ‘Nollywood Style: Nigerian Movies and “Shifting Perceptions of Worth”’. Film International 10.6 (2012): 58–72. Web. <https://www.ingentaconnect.com/content/intellect/fint/2012/00000010/00000006/art00005%3bjsessionid=13rv0wehfgnad.x-ic-live-03>.
Geiger, Jeffrey, and R. L. Rutsky. ‘Film Analysis: A Norton Reader’. Film Analysis: A Norton Reader. 1st ed. New York, N.Y.: W.W. Norton, 2005. 422–438. Web. <https://contentstore.cla.co.uk/secure/link?id=3f6fb3e7-af18-e911-80cd-005056af4099>.
Geraghty, Christine, and David Lusted. The Television Studies Book. London: Arnold, 1998. Print.
Gerbarg, Darcy, ed. Television Goes Digital. New York, NY, USA: Springer, 2010. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=417813>.
Gillespie, Tarleton. ‘The Politics of “Platforms”’. New Media & Society 12.3 (2010): 347–364. Web. <https://journals.sagepub.com/doi/10.1177/1461444809342738>.
Gillespie, Tarleton and ProQuest (Firm). Wired Shut: Copyright and the Shape of Digital Culture. Cambridge, Mass: MIT Press, 2007. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338717>.
Gomery, Douglas. ‘Shared Pleasures: A History of Movie Presentation in the United States’. Shared Pleasures: A History of Movie Presentation in the United States. Madison, Wis: University of Wisconsin Press, 1992. 3–17. Web. <https://contentstore.cla.co.uk/secure/link?id=e8278966-3b10-e911-80cd-005056af4099>.
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---. ‘The Hollywood Studio System: A History’. The Hollywood Studio System: A History. London: BFI, 2005. 11–26. Web. <https://contentstore.cla.co.uk/secure/link?id=426988b3-2613-e911-80cd-005056af4099>.
Goodwin, Andrew, and Garry Whannel. Understanding Television. London: Routledge, 1990. Web. <http://lib.myilibrary.com/browse/open.asp?id=14659&entityid=https://idp.brunel.ac.uk/entity>.
Greengrass, Paul. ‘The Bourne Supremacy’. 2004 : n. pag. Print.
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Gündüz Özdemirci, Ekin. ‘Greening the Screen: An Environmental Challenge’. Humanities 5.2 (2016): n. pag. Web.
Guynes, Sean A., and Dan Hassler-Forest, eds. Star Wars and the History of Transmedia Storytelling. Amsterdam: Amsterdam University Press, 2018. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5261322>.
Haggard, Piers et al. ‘Pennies from Heaven’. 2004 : n. pag. Print.
Hansen, Kim Toft, and Anne Marit Waade. Locating Nordic Noir: From Beck to The Bridge. Cham, Switzerland: Palgrave Macmillan, 2017. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5106086>.
Hauskeller, Michael, Thomas Drew Philbeck, and Curtis D. Carbonell, eds. The Palgrave Handbook of Posthumanism in Film and Television. Basingstoke, Hampshire: Palgrave Macmillan, 2018. Print.
Haynes, Jonathan. Nollywood: The Creation of Nigerian Film Genres. Chicago: The University of Chicago Press, 2016. Web. <http://lib.myilibrary.com/browse/open.asp?id=952469&entityid=https://idp.brunel.ac.uk/entity>.
Heise, Ursula K. Sense of Place and Sense of Planet: The Environmental Imagination of the Global. New York: Oxford University Press, 2008. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3053055>.
Hilderbrand, Lucas. ‘Youtube: Where Cultural Memory and Copyright Converge’. Film Quarterly 61.1 (2007): 48–57. Web.
Hill, Charles W. L. ‘Digital Piracy: Causes, Consequences, and Strategic Responses’. Asia Pacific Journal of Management 24.1 (2007): 9–25. Web.
Hill, John and British Film Institute. Ken Loach: The Politics of Film and Television. London: Palgrave Macmillan, 2011. Print.
Hill, John, and Pamela Church Gibson. ‘The Oxford Guide to Film Studies’. The Oxford Guide to Film Studies. Oxford: Oxford University Press, 1998. 255–271. Web. <https://contentstore.cla.co.uk/secure/link?id=b0609736-4d13-e911-80cd-005056af4099>.
Hills, Matt, ed. New Dimensions of Doctor Who: Adventures in Space, Time and Television. London: I.B. Tauris, 2013. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1511071>.
Holland, Patricia. ‘The Television Handbook’. The Television Handbook. 2nd ed. London: Routledge, 2000. 9–26. Web. <https://contentstore.cla.co.uk/secure/link?id=8152bf62-480f-e911-80cd-005056af4099>.
Hunt, Leon. ‘Kung Fu Cult Masters’. Kung Fu Cult Masters. London: Wallflower Press, 2003. 21–47. Web. <https://contentstore.cla.co.uk/secure/link?id=e7e97c84-4813-e911-80cd-005056af4099>.
Iordanova, Dina, Stuart Cunningham, and University of St Andrews. Film Studies. Digital Disruption: Cinema Moves on-Line. St Andrews: St Andrews Film Studies, 2012. Print.
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Izod, John. ‘Hollywood and the Box Office 1895-1986’. Hollywood and the Box Office 1895-1986. New York: Columbia University Press, 1988. 1–6. Web. <https://contentstore.cla.co.uk/secure/link?id=bbb19b17-7e15-e911-80cd-005056af4099>.
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Jenkins, Henry, Sam Ford, and Joshua Green. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York: New York University Press, 2013. Web. <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=529617>.
Kackman, Michael. Flow TV: Television in the Age of Media Convergence. New York, NY: Routledge, 2010. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=574457>.
Kaplan, E. Ann. Rocking around the Clock: Music Television, Postmodernism, and Consumer Culture. New York: Methuen, 1987. Print.
Keane, Stephen. ‘CineTech: Film, Convergence and New Media’. CineTech: Film, Convergence and New Media. Basingstoke [England]: Palgrave Macmillan, 2007. 56–75. Web. <https://contentstore.cla.co.uk/secure/link?id=50bde8ab-5b12-e911-80cd-005056af4099>.
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Ross, Miriam. 3D Cinema: Optical Illusions and Tactile Experiences. Houndmills, Basingstoke: Palgrave Macmillan, 2015. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2006615>.
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