Bibliography for CO2604 Media Genres BETA

Abbas, T. (2013) ‘“Last of the dinosaurs”: Citizen Khan as institutionalisation of Pakistani stereotypes in British television comedy’, South Asian Popular Culture, 11(1), pp. 85–90. Available at: https://doi.org/10.1080/14746689.2013.765221.

Abercrombie, N. (1996) Television and society. Cambridge: Polity Press.

Adkins, L. (ed.) (2016) The post-fordist sexual contract: working and living in contingency. Basingstoke: Palgrave Macmillan. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4096846.

Allan, S. (2010) News culture. 3rd ed. Maidenhead: McGraw-Hill/Open University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=557085.

Allen, K. and Mendick, H. (2013) ‘Keeping it Real? Social Class, Young People and “Authenticity” in Reality TV’, Sociology, 47(3), pp. 460–476. Available at: https://doi.org/10.1177/0038038512448563.

Allen, R.C. (1992) Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=23657&entityid=https://idp.brunel.ac.uk/entity.

Altman, R. and British Film Institute (1999) Film/genre. London: BFI Publishing.

Andrejevic, M. (2004) Reality TV: the work of being watched. Lanham, Md: Rowman & Littlefield. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318905.

Andrews, K. and Palmer, L. (eds) (2016) Blackness in Britain. London, [England]: Routledge. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4516767.

Ang, I. and Couling, D. (1989) Watching Dallas: soap opera and the melodramatic imagination. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1395429.

Arcy, J. (2016) ‘Emotion work: considering gender in digital labor’, Feminist Media Studies, 16(2), pp. 365–368. Available at: https://doi.org/10.1080/14680777.2016.1138609.

Attwood, F. (2004) ‘Pornography and objectification’, Feminist Media Studies, 4(1), pp. 7–19. Available at: https://doi.org/10.1080/14680770410001674617.

Attwood, F. (2010) Porn.com: making sense of online pornography. New York: Peter Lang.

Attwood, F. (2014) ‘Immersion: “extreme” texts, animated bodies and the media’, Media, Culture & Society, 36(8), pp. 1186–1195. Available at: https://doi.org/10.1177/0163443714544858.

Attwood, F. (2018) Sex media. Cambridge, UK: Polity Press. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5188199.

Attwood, F. and Smith, C. (2014) ‘Porn Studies: an introduction’, Porn Studies, 1(1–2), pp. 1–6. Available at: https://doi.org/10.1080/23268743.2014.887308.

Attwood, F. and Walters, C. (2013) ‘Fifty Shades and the law: Regulating sex and sex media in the UK’, Sexualities, 16(8), pp. 974–979. Available at: https://doi.org/10.1177/1363460713508880.

Bell, V. (1999) ‘Performativity and Belonging’, Theory, Culture & Society, 16(2), pp. 1–10. Available at: https://doi.org/10.1177/02632769922050511.

Biressi, Anita and Nunn, Heather (2005) Reality TV: realism and revelation. London: Wallflower. Available at: http://lib.myilibrary.com/browse/open.asp?id=574418&entityid=https://idp.brunel.ac.uk/entity.

Boyd-Barrett, O. and Newbold, C. (1995) Approaches to media: a reader. London: E. Arnold.

Boyd-Barrett, O. and Rantanen, T. (1998) The globalization of news. London: Sage Publications. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=537773.

Bramwell, R. (2015) UK hip-hop, grime and the city: the aesthetics and ethics of London’s rap scenes. New York, New York: Routledge. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2058039.

Braudy, L. (2011) ‘Film: a critical introduction’, in Film: a critical introduction. 3rd ed. London: Laurence King, pp. 381–406. Available at: https://contentstore.cla.co.uk/secure/link?id=c7f59c0d-210c-e811-80cd-005056af4099.

Brown, R. and Gregg, M. (2012) ‘The pedagogy of regret: Facebook, binge drinking and young women’, Continuum, 26(3), pp. 357–369. Available at: https://doi.org/10.1080/10304312.2012.665834.

Brunsdon, C. (2003) ‘Lifestyling Britain’, International Journal of Cultural Studies, 6(1), pp. 5–23. Available at: https://doi.org/10.1177/1367877903006001001.

Brunt, R. and Cere, R. (2011a) Postcolonial media culture in Britain. Basingstoke: Palgrave Macmillan.

Brunt, R. and Cere, R. (2011b) ‘Postcolonial media culture in Britain’, in Postcolonial media culture in Britain. Basingstoke: Palgrave Macmillan, pp. 41–55. Available at: https://contentstore.cla.co.uk/secure/link?id=aff384c9-e002-e911-80cd-005056af4099.

Buckingham, D. (2008) Youth, identity, and digital media. Cambridge, Mass: MIT Press.

Buckingham, D. and British Film Institute (1987) Public secrets: EastEnders and its audience. London: BFI Books.

Burton, G. and ProQuest (Firm) (2010) Media and society: critical perspectives. 2nd ed. Berkshire: Open University Press. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=771412.

Buscombe, E. (1970) ‘The Idea of Genre in the American Cinema’, Screen, 11(2), pp. 33–45. Available at: https://doi.org/10.1093/screen/11.2.33.

Carter, C., Steiner, L. and McLaughlin, L. (eds) (2014) ‘The Routledge companion to media and gender’, in The Routledge companion to media and gender. London: Routledge, pp. 269–279. Available at: https://contentstore.cla.co.uk/secure/link?id=9443146d-230c-e811-80cd-005056af4099.

Castells, M. (2000) The rise of the network society. 2nd ed. Oxford: Blackwell Publishers. Available at: http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity.

Chandler, D. (no date) ‘An Introduction to Genre Theory’. Available at: http://faculty.washington.edu/farkas/HCDE510-Fall2012/Chandler_genre_theoryDFAnn.pdf.

Chang, J. (2007) Can’t stop won’t stop: a history of the hip-hop generation. London: Ebury.

Chapman, J. (2009a) Issues in contemporary documentary. Cambridge: Polity.

Chapman, J. (2009b) ‘Issues in contemporary documentary’, in Issues in contemporary documentary. Cambridge: Polity, pp. 28–47. Available at: https://contentstore.cla.co.uk/secure/link?id=56fc9398-3a04-e911-80cd-005056af4099.

Chiaro, D. and Baccolini, R. (eds) (2014) Gender and humor: interdisciplinary and international perspectives. New York: Routledge. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1687469.

Cohen, S. and Young, J. (1981) The manufacture of news: social problems, deviance and the mass media. Rev. ed. London: Constable.

Conboy, M. (2004) Journalism: a critical history. London: Sage Publications. Available at: http://lib.myilibrary.com/browse/open.asp?id=36857&entityid=https://idp.brunel.ac.uk/entity.

Cook, P. (2007) ‘The cinema book’, in The cinema book. 3rd edn. London: British Film Institute, pp. 137–234. Available at: https://contentstore.cla.co.uk/secure/link?id=a0747cc9-660a-e811-80cd-005056af4099.

Corner, J. (1995) Television form and public address. London: Edward Arnold.

Corner, J. and Harvey, S. (1996) ‘Television times: a reader’, in Television times: a reader. London: Arnold, pp. 111–116. Available at: https://contentstore.cla.co.uk/secure/link?id=f71ef1df-db02-e911-80cd-005056af4099.

Creeber, G., Miller, T. and Tulloch, J. (eds) (2015a) The television genre book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274.

Creeber, G., Miller, T. and Tulloch, J. (eds) (2015b) The television genre book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274.

Creeber, G., Miller, T. and Tulloch, J. (eds) (2015c) The television genre book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274.

Curran, J. and Gurevitch, M. (1991) ‘Mass media and society’, in Mass media and society. London: Edward Arnold, pp. 267–284. Available at: https://contentstore.cla.co.uk/secure/link?id=4d63bfce-3804-e911-80cd-005056af4099.

Curran, J. and Gurevitch, M. (2000) Mass media and society. 3rd ed. London: Arnold.

Curran, J. and Seaton, J. (2018) Power without responsibility: press, broadcasting and the internet in Britain. Eighth edition. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5430438.

Curti, L. (1988) ‘Genre and gender’, Cultural Studies, 2(2), pp. 152–167. Available at: https://doi.org/10.1080/09502388800490311.

D, Hancox (2013) Stand Up Tall: Dizzee Rascal and the Birth of Grime.

Dawn, Shepherd, C., Miller (no date) Blogging as Social Action: A Genre Analysis of the Weblog. Available at: https://conservancy.umn.edu/bitstream/handle/11299/172818/Miller_Blogging%20as%20Social%20Action.pdf?sequence=1&isAllowed=y.

Deborah, Knight (no date) Making sense of genre. Available at: http://xroads.virginia.edu/~DRBR2/knight.html.

Dedman, T. (2011) ‘Agency in UK hip-hop and grime youth subcultures – peripherals and purists’, Journal of Youth Studies, 14(5), pp. 507–522. Available at: https://doi.org/10.1080/13676261.2010.549820.

Dines, G. and Humez, J.M. (eds) (2015) Gender, race, and class in media: a critical reader. Fourth edition. Thousand Oaks, Califormia: SAGE Publications, Inc.

Dovey, J. (2000) Freakshow: first person media and factual television. London: Pluto Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=72516.

Duffy, B.E. (2015) ‘Gendering The Labor Of Social Media Production’, Feminist Media Studies, 15(4), pp. 710–714. Available at: https://doi.org/10.1080/14680777.2015.1053715.

Duffy, B.E. and Hund, E. (2015) ‘"Having it All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers’, Social Media + Society, 1(2). Available at: https://doi.org/10.1177/2056305115604337.

Edwards, D. and Cromwell, D. (2009) Newspeak in the 21st century. London: Pluto. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386296.

ELAINE ASTON and IAN CLARKE (1994) ‘Feminist theory and the matriarchal soap: EastEnders’, Critical Survey, 6(2), pp. 211–217. Available at: https://www.jstor.org/stable/41555822?seq=1#page_scan_tab_contents.

Elias, A.S. and Gill, R. (2017) ‘Beauty surveillance: The digital self-monitoring cultures of neoliberalism’, European Journal of Cultural Studies [Preprint]. Available at: https://doi.org/10.1177/1367549417705604.

Feasey, R. and ProQuest (Firm) (2012a) From happy homemaker to desperate housewives: motherhood and popular television. London: Anthem Press. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957.

Feasey, R. and ProQuest (Firm) (2012b) From happy homemaker to desperate housewives: motherhood and popular television. London: Anthem Press. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957.

Fenton, N. (2010) New media, old news: journalism & democracy in the digital age. Los Angeles, [Calif.]: SAGE. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9781849204415.

Frow, J. (2015a) ‘Genre’, in Genre. London: Routledge, pp. 72–99. Available at: https://contentstore.cla.co.uk/secure/link?id=1e847325-880d-e811-80cd-005056af4099.

Frow, J. (2015b) Genre. Second edition. London: Routledge, Taylor & Francis Group. Available at: http://lib.myilibrary.com/browse/open.asp?id=646973&entityid=https://idp.brunel.ac.uk/entity.

Gentrification X: how an academic argument became the people’s protest | Cities | The Guardian (no date). Available at: https://www.theguardian.com/cities/2016/jan/12/gentrification-argument-protest-backlash-urban-generation-displacement.

Geraghty, L. and Jancovich, M. (eds) (2008) The shifting definitions of genre: essays on labeling films, television shows and media. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1734104.

Gill, R. (2012a) ‘Media, Empowerment and the “Sexualization of Culture” Debates’, Sex Roles, 66(11–12), pp. 736–745. Available at: https://doi.org/10.1007/s11199-011-0107-1.

Gill, R. (2012b) ‘The Sexualisation of Culture?’, Social and Personality Psychology Compass, 6(7), pp. 483–498. Available at: https://doi.org/10.1111/j.1751-9004.2012.00433.x.

Gilroy, P. (2004) After empire: melancholia or convivial culture? London: Routledge.

Grant, B.K. (2007) Film genre: from iconography to ideology. London: Wallflower.

Grant, B.K. (2012) Film genre reader IV. Austin, Tex: University of Texas Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=492853.

Grindstaff, L. (1997) ‘Media scandals: morality and desire in the popular culture marketplace’, in Media scandals: morality and desire in the popular culture marketplace. Cambridge: Polity, pp. 164–202. Available at: https://contentstore.cla.co.uk/secure/link?id=428e3ad3-1f0c-e811-80cd-005056af4099.

Hall, S. and University of Birmingham. Centre for Contemporary Cultural Studies (1992) Culture, media, language: working papers in cultural studies, 1972-79. Abingdon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=7370&entityid=https://idp.brunel.ac.uk/entity.

Harrington, C.L. (2016) ‘Soap Opera, Then and Now’, Sociology Compass, 10(2), pp. 109–118. Available at: https://doi.org/10.1111/soc4.12349.

Harvey, L. and Gill, R. (2013) ‘New femininities: postfeminism, neoliberalism and subjectivity’, in C. Scharff (ed.) New femininities: postfeminism, neoliberalism and subjectivity. Basingstoke, Hampshire: Palgrave Macmillan, pp. 52–67. Available at: https://contentstore.cla.co.uk/secure/link?id=8c00524a-1f0c-e811-80cd-005056af4099.

Harvey, L., Ringrose, J. and Gill, R. (2013a) ‘Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks’, Sociological Research Online, 18(4), pp. 1–11. Available at: https://doi.org/10.5153/sro.3153.

Harvey, L., Ringrose, J. and Gill, R. (2013b) ‘Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks’, Sociological Research Online, 18(4), pp. 1–11. Available at: https://doi.org/10.5153/sro.3153.

Hayward, S. (2018) Cinema studies: the key concepts. Fifth edition. London: Routledge, Taylor & Francis Group. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4980918.

Henderson, L. (2007) Social issues in television fiction. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=95313&entityid=https://idp.brunel.ac.uk/entity.

HENRY, M. (2007) ‘“Don’t Ask me, I’m Just a Girl”: Feminism, Female Identity, and The Simpsons’, The Journal of Popular Culture, 40(2), pp. 272–303. Available at: https://doi.org/10.1111/j.1540-5931.2007.00379.x.

Herman, E.S. and Chomsky, N. (1994) Manufacturing consent: the political economy of the mass media. London: Vintage.

Hjarvard, S. (2008) ‘The Mediatization of Society. A Theory of the Media as Agents of Social and Cultural Change | Nordicom [via the Wayback Machine]’. Available at: https://web.archive.org/web/20180221093605/http://www.nordicom.gu.se/en/tidskrifter/nordicom-review-22008/mediatization-society-theory-media-agents-social-and-cultural.

Hobson, D. (2003) Soap opera. Cambridge: Polity.

Hodkinson, P. (2007) ‘Interactive online journals and individualization’, New Media & Society, 9(4), pp. 625–650. Available at: https://doi.org/10.1177/1461444807076972.

Hodkinson, P. (2017) Media, culture and society: an introduction. 2nd edition. Los Angeles: SAGE.

Howells, R. (2006) ‘“Is it Because I is Black?” Race, Humour and the Polysemiology of Ali G’, Historical Journal of Film, Radio and Television, 26(2), pp. 155–177. Available at: https://doi.org/https://doi.org/10.1080/01439680600691677.

Huq, R. (2013) ‘Situating Citizen Khan : Shifting representations of Asians onscreen  and the outrage industry in the social media age’, South Asian Popular Culture, 11(1), pp. 77–83. Available at: https://doi.org/https://doi.org/10.1080/14746689.2013.765218.

Husband, C. (1988) ‘Humour in society: resistance and control’, in Humour in society: resistance and control. Basingstoke: Macmillan, pp. 149–178. Available at: https://contentstore.cla.co.uk/secure/link?id=2e744e45-200c-e811-80cd-005056af4099.

Jarrett, K. (2016) Feminism, labour and digital media: the digital housewife. New York, New York: Routledge. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4098217.

Jensen, T. (2014) ‘Welfare Commonsense, Poverty Porn and Doxosophy’, Sociological Research Online, 19(3), pp. 1–7. Available at: https://doi.org/10.5153/sro.3441.

Jerslev, A. (2002) ‘Realism and “reality” in film and media’, in Realism and ‘reality’ in film and media. Copenhagen: Museum Tusculanum Press, University of Copenhagen, pp. 159–192. Available at: https://contentstore.cla.co.uk/secure/link?id=7ca19bf0-4104-e911-80cd-005056af4099.

K, Sender, M., Kraidy (ed.) (no date) The Politics of Reality Television: Global Perspectives. Oxon: Routledge.

Lacey, N. (2000) Narrative and genre: key concepts in media studies. Basingstoke: Palgrave.

Langford, B. (2005) Film genre: Hollywood and beyond. Edinburgh: Edinburgh University Press.

Lee, J. (1992) ‘Subversive sitcoms: Roseanne as inspiration for feminist resistance.’, Women’s Studies, 21(1), pp. 87–101. Available at: https://doi.org/10.1080/00497878.1992.9978928.

Lewis, J. (1991) The ideological octopus: an exploration of television and its audience. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1221480.

Lewis, J. and West, A. (2009) ‘“Friending”: London-based undergraduates’ experience of Facebook’, New Media & Society, 11(7), pp. 1209–1229. Available at: https://doi.org/10.1177/1461444809342058.

Livingstone, S. (2008) ‘Taking risky opportunities in youthful content creation: teenagers’ use of social networking sites for intimacy, privacy and self-expression’, New Media & Society, 10(3), pp. 393–411. Available at: https://doi.org/10.1177/1461444808089415.

Livingstone, S. and Brake, D.R. (2010) ‘On the Rapid Rise of Social Networking Sites: New Findings and Policy Implications’, Children & Society, 24(1), pp. 75–83. Available at: https://doi.org/10.1111/j.1099-0860.2009.00243.x.

Lockyer, S. (2010) Reading Little Britain: comedy matters on contemporary television. London: I. B. Tauris. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000042851.

Lockyer, S. (2011) ‘From toothpick legs to dropping vaginas: Gender and sexuality in Joan Rivers’ stand-up comedy performance’, Comedy Studies, 2(2), pp. 113–123. Available at: https://doi.org/10.1386/cost.2.2.113_1.

Lockyer, S. (2016) ‘Comedy matters: On the impact of comedy’, HUMOR, 29(2). Available at: https://doi.org/10.1515/humor-2016-5001.

Lockyer, S. and Pickering, M. (2005a) Beyond a joke: the limits of humour. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.

Lockyer, S. and Pickering, M. (2005b) Beyond a joke: the limits of humour. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.

Lockyer, S. and Pickering, M. (2005c) Beyond a joke: the limits of humour. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.

Lopez, L.K. (2009) ‘The radical act of “mommy blogging”: redefining motherhood through the blogosphere’, New Media & Society, 11(5), pp. 729–747. Available at: https://doi.org/10.1177/1461444809105349.

Luckman, S. (2013) ‘The Aura of the Analogue in a Digital Age: Women’s Crafts, Creative Markets and Home-Based Labour After Etsy’, Cultural Studies Review, 19(1). Available at: https://doi.org/10.5130/csr.v19i1.2585.

Luckman, S. (2015) ‘Women’s Micro-Entrepreneurial Homeworking’, Australian Feminist Studies, 30(84), pp. 146–160. Available at: https://doi.org/10.1080/08164649.2015.1038117.

Lüders, M., Prøitz, L. and Rasmussen, T. (2010) ‘Emerging personal media genres’, New Media & Society, 12(6), pp. 947–963. Available at: https://doi.org/10.1177/1461444809352203.

Madhok, S., Phillips, A. and Wilson, K. (eds) (2013) Gender, agency, and coercion. New York, New York: Palgrave Macmillan. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1161396.

Madill, A. and Goldmeier, R. (2003) ‘EastEnders’, International Journal of Cultural Studies, 6(4), pp. 471–494. Available at: https://doi.org/10.1177/136787790364005.

Malik, S. (2002a) Representing black Britain: a history of black and Asian images on British television. London: SAGE Publications. Available at: http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity.

Malik, S. (2002b) Representing black Britain: a history of black and Asian images on British television. London: SAGE Publications. Available at: http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity.

Malik, S. (2013) ‘The Indian Family on UK Reality Television’, Television & New Media, 14(6), pp. 510–528. Available at: https://doi.org/10.1177/1527476412446324.

Mark, Andrejevic (no date) The work of being watched: Interactive media and the exploitation of self-disclosure. Available at: http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.513.4411&rep=rep1&type=pdf.

McNeill, L. (2003) ‘Teaching an Old Genre New Tricks: The Diary on the Internet’, Biography, 26(1), pp. 24–47. Available at: https://doi.org/10.1353/bio.2003.0028.

McNicholas, A. (2004) ‘Wrenching the Machine Around: EastEnders, the BBC and Institutional Change’, Media, Culture & Society, 26(4), pp. 491–512. Available at: https://doi.org/10.1177/0163443704044214.

Medhurst, A. (1989) ‘The Colour black: black images in British television’, in The Colour black: black images in British television. London: BFI, pp. 15–21. Available at: https://contentstore.cla.co.uk/secure/link?id=488a389f-200c-e811-80cd-005056af4099.

Meyers, E. (2015) ‘Don’t Cry because it’s Over, Smile because it Was:” American Soap Operas and Convergence Culture’, Critical Studies in Media Communication, 32(5), pp. 333–346. Available at: https://doi.org/10.1080/15295036.2015.1096016.

Miller, C.R. (1984) ‘Genre as social action’, Quarterly Journal of Speech, 70(2), pp. 151–167. Available at: https://doi.org/10.1080/00335638409383686.

Mittell, Jason (2004) Genre and television: from cop shows to cartoons in American culture. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=200862.

Murray, S. and Ouellette, L. (2009) Reality TV: remaking television culture. 2nd ed. New York: New York University Press.

Murthy, D. (2011) ‘Twitter: Microphone for the masses?’, Media, Culture & Society, 33(5), pp. 779–789. Available at: https://doi.org/10.1177/0163443711404744.

Neale, S. (2002) Genre and contemporary Hollywood. London: BFI Pub.

Neale, S. and British Film Institute (1980a) Genre. London: British Film Institute.

Neale, S. and British Film Institute (1980b) Genre. London: British Film Institute.

Negra, D. and Tasker, Y. (2014) ‘Gendering the recession: media and culture in an age of austerity’, in Gendering the recession: media and culture in an age of austerity. Durham: Duke University Press, pp. 136–160. Available at: https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822376538.

Norman, Swallow (no date) Factual Television. London: Focal Press.

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Philo, G. (1999) Message received: Glasgow Media Group research, 1993-1998. Harlow: Longman. Available at: http://lib.myilibrary.com/browse/open.asp?id=618256&entityid=https://idp.brunel.ac.uk/entity.

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Sisson, G. (2017) ‘From humor to horror: genre and narrative purpose in abortion stories on American television’, Feminist Media Studies, pp. 1–18. Available at: https://doi.org/10.1080/14680777.2017.1414864.

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Thussu, D.K. (2007) News as entertainment: the rise of global infotainment. London: SAGE. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=319990.

Tibbals, C.A. (2014) ‘Gonzo, trannys, and teens – current trends in US adult content production, distribution, and consumption’, Porn Studies, 1(1–2), pp. 127–135. Available at: https://doi.org/10.1080/23268743.2013.863659.

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Williams, L. (no date) ‘Film Bodies: Gender, Genre and Excess’, (44), pp. 2–13. Available at: http://yunus.hacettepe.edu.tr/~jason.ward/ied240popularliterature/GENRE12pgsWilliamsBodyGenres.pdf.

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Woods, F. (2014) ‘Classed Femininity, Performativity, and Camp in British Structured Reality Programming’, Television & New Media, 15(3), pp. 197–214. Available at: https://doi.org/10.1177/1527476412462246.

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