1
Greenblatt, Stephen. The Norton anthology of English literature: Volume 1. 9th ed. London: W.W. Norton 2012.
2
Greenblatt, Stephen, Abrams, M. H. The Norton anthology of English literature: Volume 2. 9th ed. New York: W.W. Norton & Co 2012.
3
Brecht, Bertolt, Willett, John, Rorrison, Hugh. Mother Courage and her children. London: Methuen 1980.
4
Brown, John Russell. The Oxford illustrated history of theatre. Oxford: Oxford University Press 1995.
5
Fraser, Neil. Theatre history explained. Ramsbury, Marlborough, Wiltshire: Crowood 2004.
6
Harwood, Ronald. All the world’s a stage. London: Secker & Warburg 1984.
7
Hayman, Ronald. How to read a play. Rev. and updated [ed.]. New York: Grove 1999.
8
Pickering, Kenneth. How to study modern drama. Basingstoke: Macmillan 1988.
9
Pickering, Kenneth, Horrocks, Bill, Male, David A., et al. Investigating drama. London: Allen and Unwin 1974.
10
Pickering, Kenneth. Key concepts in drama and performance. Basingstoke: Palgrave Macmillan 2005.
11
Shepherd, Simon, Womack, Peter. English drama: a cultural history. Oxford: Blackwell Publishers 1996.
12
Styan, J. L. Drama, stage and audience. London: Cambridge University Press 1975.
13
Styan, J. L. The dramatic experience ; illustrated with drawings by David Gentleman. Cambridge: University Press 1965.
14
Styan, J. L. The elements of drama. [Rev. ed]. Cambridge: Cambridge University Press 1963.
15
Wallis, Mick, Shepherd, Simon. Studying plays. 3rd ed. London: Bloomsbury Academic 2010.
16
Aston, Elaine, Savona, George. Theatre as sign-system: a semiotics of text and performance. London: Routledge 1991.
17
Elam, Keir. The semiotics of theatre and drama. 2nd ed. London: Routledge 2002.
18
Brown, Andrew. A new companion to Greek tragedy. London: Croom Helm 1983.
19
Easterling, P. E. The Cambridge companion to Greek tragedy. Cambridge: Cambridge University Press 1997.
20
Happâe, Peter. Medieval English drama: a casebook. London: Macmillan 1984.
21
Harris, John Wesley. Medieval theatre in context: an introduction. London: Routledge 1992.
22
Vince, Ronald W. A Companion to the medieval theatre. London: Greenwood 1989.
23
Bradbrook, M. C. Elizabethan stage conditions: a study of their place in the interpretation of Shakespeare’s plays. Cambridge: Cambridge University Press 1968.
24
Brown, John Russell, Harris, Bernard. Hamlet. London: Edward Arnold 1963.
25
Brown, John Russell. Shakespeare and the theatrical event. Houndmills, Basingstoke, Hampshire: Palgrave 2002.
26
Brown, John Russell. William Shakespeare: writing for performance. Basingstoke: Macmillan 1996.
27
Brown, John Russell. Shakespeare’s plays in performance. New and rev. ed. New York, NY: Applause Books 1993.
28
Bratchell, D. F. Shakespearean tragedy. London: Routledge 1990.
29
Coles, Chris. How to study a Renaissance play: Marlowe, Webster, Jonson. Basingstoke: Macmillan 1988.
30
Dessen, Alan C. Elizabethan stage conventions and modern interpreters. Cambridge: Cambridge University Press 2004.
31
Drakakis, John. Shakespearean tragedy. Harlow: Longman 1992.
32
Peck, John, Coyle, Martin. How to study a Shakespeare play. 2nd ed. Basingstoke: Macmillan 1995.
33
Poole, Adrian. Tragedy: Shakespeare and the Greek example. Oxford: Blackwell 1987.
34
Payne Fisk, Deborah. The Cambridge companion to English Restoration theatre. Cambridge: Cambridge University Press 2000.
35
Owen, Susan J. A companion to Restoration drama. Malden, Mass: Blackwell Publishers 2001.
36
Owen, Susan J. Perspectives on Restoration drama. Manchester: Manchester University Press 2002.
37
Styan, J. L. Restoration comedy in performance. Cambridge: Cambridge University Press 1986.
38
Dessen, Alan C. Elizabethan stage conventions and modern interpreters. Cambridge: Cambridge University Press 1985.
39
Bentley, Eric. The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. [New ed.]. London: Penguin 2008.
40
Drain, Richard. Twentieth-century theatre: a sourcebook. London: Routledge 1995.
41
Shepherd, Simon. The Cambridge introduction to modern British theatre. Cambridge: Cambridge University Press 2009.
42
Styan, J. L. Modern drama in theory and practice: Vol.1: Realism and naturalism. Cambridge: Cambridge University Press 1981.
43
Styan, J. L. Modern drama in theory and practice: Vol.2: Symbolism, surrealism and the absurd. Cambridge: Cambridge University Press 1981.
44
Styan, J. L. Modern drama in theory and practice: Vol.3: Expressionism and epic theatre. Cambridge: Cambridge University Press 1981.
45
Wilde, Oscar, Jackson, Russell. The importance of being earnest: a trivial comedy for serious people. London: Norton 1988.
46
Miller, Carl. Stages of desire: gay theatre’s hidden history. London: Cassell 1996.
47
Raby, Peter. The Cambridge companion to Oscar Wilde. Cambridge, U.K.: Cambridge University Press 1997.
48
Roden, Frederick S. Palgrave advances in Oscar Wilde studies. Houndmills: Palgrave Macmillan 2004.
49
Sinfield, Alan. Out on stage: lesbian and gay theatre in the twentieth century. London: Yale University Press 1999.
50
Aston, Elaine. An introduction to feminism and theatre. London: Routledge 1995.
51
Aston, Elaine. Feminist theatre practice: a handbook. London: Routledge 1999.
52
Goodman, Lizbeth. Contemporary feminist theatres: to each her own. London: Routledge 1993.
53
Hart, Lynda. Making a spectacle: feminist essays on contemporary women’s theatre. Ann Arbor: University of Michigan Press 1989.
54
Murphy, Brenda. The Cambridge companion to American women playwrights. Cambridge: Cambridge University Press 1999.
55
Brown, H. M. Leitmotiv and drama: Wagner, Brecht, and the limits of ‘epic’ theatre. Oxford: Clarendon 1991.
56
Thomson, Peter, Gardner, Vivien. Brecht: Mother Courage and her children. Cambridge: Cambridge University Press 1997.
57
Thomson, Peter, Sacks, Glendyr. The Cambridge companion to Brecht. 2nd ed. Cambridge: Cambridge University Press 2006.
58
Chevigny BG. Twentieth century interpretations of ‘Endgame’: a collection of critical essays. Englewood Cliffs: Prentice-Hall 1969.
59
Esslin, Martin. The theatre of the absurd. 3rd ed. London: Methuen 2001.
60
Andrews, Elmer. The art of Brian Friel: neither reality nor dreams. Basingstoke: Macmillan 1995.
61
Harp, Richard, Evans, Robert C. A companion to Brian Friel. West Cornwall, Conn: Locust Hill Press 2002.
62
Kerwin, William. Brian Friel: a casebook. New York: Garland Pub 1997.
63
Maufort, Marc. Transgressive itineraries: postcolonial hybridizations of dramatic realism. Bruxelles: P.I.E.-Peter Lang 2003.