1.
Cameron, James, Weaver, Sigourney. Aliens. Definitive ed. Beverly Hills, CA: Twentieth Century Fox Home Entertainment; 2007.
2.
Tarantino, Quentin. Kill Bill: Vol. 2. [United States]: Miramax Home Entertainment; 2004.
3.
Fraser, George MacDonald. Red Sonja. Optimum Releasing; 2008.
4.
Talalay, Rachel, MGM Home Entertainment Inc. Tank girl. Santa Monica, CA: MGM Home Entertainment; 2001.
5.
Meyer R. Faster pussycat...Kill! Kill! [s.l.]: Arrow Films; 2005.
6.
Lee A. Crouching Tiger, Hidden Dragon. 2000.
7.
Cameron, James, Weaver, Sigourney. Alien quadrilogy: Alien quadrilogy, Aliens. [United States]: 20th Century Fox; 2003.
8.
Cameron, James. The Terminator. Special ed. London: MGM; 2001.
9.
Cameron, James. Terminator 2: judgment day. Optimum Releasing Ltd; 2008.
10.
Kassar, Mario, Brancato, John, Ferris, Michael, Mostow, Jonathan, C-2 Pictures (Firm), Intermedia Films, IMF (Firm), Mostow/Lieberman Productions (Firm), Warner Home Video (Firm). Terminator 3: rise of the machines. Widescreen version. Burbank, CA: Warner Home Video; 2003.
11.
Schulian J, Tapert R, Renaissance Pictures (Firm), Anchor Bay Entertainment, Inc. Xena, warrior princess: Series two, volume I, [disc] 2 & 3. The complete TV series special edition. Troy, MI: Dist. by Anchor Bay Entertainment; 2004.
12.
Gellar, Sarah Michelle, Whedon, Joss. Buffy the vampire slayer: Season two, Episodes 1-22. Beverly Hills, Calif: 20th Century Fox Home Entertainment; 2008.
13.
Besson, Luc. Nikita. [S.l.]: Vidmark Entertainment; 1991.
14.
Cameron, James, Twentieth Century-Fox Television, Inc. Dark angel: season two collection. Fox Video; 2003.
15.
Cameron, James, Eglee, Charles H., Kroeker, Allan, Nutter, David, Rhodes, Michael Ray, Twentieth Century-Fox Television, Inc. Dark Angel: the complete first season. DVD collector’s ed. [United States]: 20th Century Fox Home Entertainment; 2001.
16.
World Wrestling Entertainment. Backlash 2007. [s.l.]: WWE Home Video; 2007.
17.
Tasker Y. Spectacular bodies: gender, genre and the action cinema. London: Routledge; 1993.
18.
Newman K, Rich BR. Day of the Women. Sight and Sound [Internet]. 14(6):24–27. Available from: https://login.ezproxy.brunel.ac.uk/login?url=http://search.proquest.com/docview/1820881?accountid=14494
19.
Tasker, Yvonne. Working girls: gender and sexuality in popular cinema [Internet]. London: Routledge; 1998. Available from: http://lib.myilibrary.com/browse/open.asp?id=19907&entityid=https://idp.brunel.ac.uk/entity
20.
Helford ER. Fantasy girls: gender in the new universe of science fiction and fantasy television [Internet]. Lanham, MD: Rowman & Littlefield; 2000. Available from: http://lib.myilibrary.com/browse/open.asp?id=516170&entityid=https://idp.brunel.ac.uk/entity
21.
Wilcox, Rhonda, Lavery, David. Fighting the forces: what’s at stake in Buffy the Vampire Slayer [Internet]. Lanham, Md: Rowman & Littlefield; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=507280&entityid=https://idp.brunel.ac.uk/entity
22.
Reynaud B. The Book, the Goddess and the Hero: Sexual Politics in the Chinese Martial Arts Film [Internet]. Available from: http://sensesofcinema.com/2003/feature-articles/sexual_politics_chinese_martial_arts/
23.
Hunt, Leon. Kung Fu cult masters. London: Wallflower Press; 2003.
24.
Freud S, Strachey J, Richards A. On sexuality: three essays on the theory of sexuality and other works. Harmondsworth: Penguin; 1991.
25.
Kirkup G. The gendered cyborg: a reader [Internet]. London: Routledge in association with the Open University; 2000. Available from: http://lib.myilibrary.com/browse/open.asp?id=518009&entityid=https://idp.brunel.ac.uk/entity
26.
Erens P. Issues in feminist film criticism. Bloomington: Indiana University Press; 1990.
27.
Modleski T. Feminism without women: culture and criticism in a ‘postfeminist’ age. London: Routledge; 1991.
28.
Braidotti R. Nomadic subjects: embodiment and sexual difference in contemporary feminist theory [Internet]. New York: Columbia University Press; 1994. Available from: http://lib.myilibrary.com/browse/open.asp?id=362929&entityid=https://idp.brunel.ac.uk/entity
29.
Irigaray, Luce, Whitford, Margaret. The Irigaray reader. The Irigaray reader. Oxford: Blackwell; 1991.
30.
Creed B. The monstrous-feminine: film, feminism, psychoanalysis [Internet]. London: Routledge; 1993. Available from: http://lib.myilibrary.com/browse/open.asp?id=420340&entityid=https://idp.brunel.ac.uk/entity
31.
Cook P, Dodd P. Women and film: a ‘Sight and sound’ reader. London: Scarlet Press; 1993.
32.
Wilton T. Immortal, invisible: lesbians and the moving image [Internet]. London: Routledge; 1995. Available from: http://lib.myilibrary.com/browse/open.asp?id=2184&entityid=https://idp.brunel.ac.uk/entity
33.
Kristeva J, Moi T. The Kristeva reader. Oxford: Basil Blackwell; 1986.
34.
Kaplan EA. Psychoanalysis & cinema. New York: Routledge; 1990.
35.
Hitchcock, Alfred, Bloch, Robert. Psycho. [London]: Universal; 2005.
36.
Hunter, Evan, Hitchcock, Alfred, Du Maurier, Daphne, Hitchcock, Alfred, Pleshette, Suzanne, Tandy, Jessica, Hedren, Tippi. The birds. Universal Studios; 2005.
37.
Hitchcock, Alfred, Allen, Jay Presson, Graham, Winston. Marnie. Universal Pictures; 2005.
38.
Boileau, Pierre, Narcejac, Thomas. Vertigo. London: Bloomsbury; 1997.
39.
Hitchcock, Alfred, Hayes, John Michael, Kelly, Grace, Corey, Wendell, Ritter, Thelma, Woolrich, Cornell, Harris, Robert A., Katz, James. Rear window. Universal Pictures; 1999.
40.
Brooks M. High Anxiety [DVD]. 1997.
41.
Penley C. Feminism and film theory [Internet]. New York: Routledge; 1988. Available from: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity
42.
Donald J. Fantasy and the cinema. London: BFI Pub; 1989.
43.
Caughie J, British Film Institute. Theories of authorship: a reader [Internet]. London: Routledge & Kegan Paul in association with the British Film Institute; 1981. Available from: http://lib.myilibrary.com/browse/open.asp?id=528924&entityid=https://idp.brunel.ac.uk/entity
44.
Penley C. Feminism and film theory [Internet]. New York: Routledge; 1988. Available from: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity
45.
Modleski T. The women who knew too much: Hitchcock and feminist theory [Internet]. 3rd ed. New York: Routledge; 2016. Available from: http://lib.myilibrary.com/browse/open.asp?id=821344&entityid=https://idp.brunel.ac.uk/entity
46.
Penley C. Feminism and film theory [Internet]. New York: Routledge; 1988. Available from: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity
47.
Milius, John, Stone, Oliver, 2_, Universal Pictures (Firm), Universal Studios Home Video (Firm). Conan the barbarian. ‘Definitive edition’-- container. [s.l.]: 20th Century Fox Home Video; 2007.
48.
Jacks, James, Daniels, Sean, McCormick, Randall, Mulcahy, Russell, Copon, Michael, David, Karen, Quarterman, Simon, Wu, Tom, Couture, Randy, Badelt, Klaus. The Scorpion King: 3 movie collection. Universal City, CA: Universal Studios Home Entertainment; 2011.
49.
Scott, Ridley, Franzoni, David, DreamWorks Home Entertainment (Firm). Gladiator. Universal City, CA: DreamWorks Home Entertainment; 2005.
50.
The beastmaster. UK: Warner Home Video (UK) Ltd; 1996.
51.
Kubrick, Stanley, Fast, Howard, Universal Pictures (Firm), Bryna Productions, Inc. Spartacus. Irvington, NY?]: Criterion Collection;
52.
Nicolella, John. Kull the conqueror. Universal Home Video; 1998.
53.
McTiernan, John, Storhoi, Dennis, Kulich, Vladimir, Sharif, Omar, Crichton, Michael, Touchstone Pictures, Buena Vista Home Entertainment (Firm). The 13th warrior. Burbank, CA: Buena Vista Home Entertainment [distributor; 1999.
54.
Cohan S, Hark IR. Screening the male: exploring masculinities in Hollywood cinema [Internet]. London: Routledge; 1993. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203142219
55.
Dyer, Richard. White. White. Reprint of 1997 ed. London: Routledge; 2003.
56.
Tasker Y. Spectacular bodies: gender, genre and the action cinema. London: Routledge; 1993.
57.
Kirkham P, Thumim J. You Tarzan: masculinity, movies and men. London: Lawrence & Wishart; 1993.
58.
Theweleit, Klaus. Male fantasies: Vol. 1: Women, floods, bodies, history. Cambridge: Polity; 1987.
59.
Theweleit K. Male fantasies: psychoanalyzing the white terror, Vol. 2: Male bodies. Cambridge: Polity Press; 1989.
60.
Harwood V. Pleasure principles: politics, sexuality and ethics. London: Lawrence & Wishart; 1993.
61.
Dyer R. Only entertainment [Internet]. 2nd ed. London: Routledge; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=10864&entityid=https://idp.brunel.ac.uk/entity
62.
Burston P, Richardson C. A queer romance: lesbians, gay men, and popular culture [Internet]. London: Routledge; 1995. Available from: http://lib.myilibrary.com/browse/open.asp?id=18260&entityid=https://idp.brunel.ac.uk/entity
63.
Fiske J, Jenkins H. Television culture [Internet]. 2nd ed. Abingdon: Routledge; 2011. Available from: http://lib.myilibrary.com/browse/open.asp?id=292966&entityid=https://idp.brunel.ac.uk/entity
64.
Gray CH. The Cyborg handbook. London: Routledge; 1995.
65.
Sedgwick EK, Koestenbaum W. Between men: English literature and male homosocial desire [Internet]. Thirthieth anniversary edition. New York: Columbia University Press; 2016. Available from: http://lib.myilibrary.com/browse/open.asp?id=850560&entityid=https://idp.brunel.ac.uk/entity
66.
Craig S. Men, masculinity, and the media. Newbury Park: Sage; 1992.
67.
Scott, Ridley, Metro-Goldwyn-Mayer. Thelma & Louise. [United States]: MGM Home Entertainment; 2009.
68.
Cook P, Dodd P. Women and film: a ‘Sight and sound’ reader. London: Scarlet Press; 1993.
69.
Collins, Jim, Radner, Hilary, Collins, Ava Preacher, American Film Institute. Film theory goes to the movies [Internet]. New York: Routledge; 1993. Available from: http://lib.myilibrary.com/browse/open.asp?id=395546&entityid=https://idp.brunel.ac.uk/entity
70.
Tasker, Yvonne. Spectacular bodies: gender, genre and the action cinema. London: Routledge; 1993.
71.
Mendik X. A Kind of (Perverse) Loving: The Gothic Horror Films of Joe D’Amato [Internet]. Senses of Cinema. 2004. Available from: http://sensesofcinema.com/2004/30/joe_d_amato/
72.
Dowell P. Should We Go Along for the Ride? A Critical Symposium and Thelma and Louise. Cineaste [Internet]. 1991;18(4):28–36. Available from: http://fiaf.chadwyck.com/fulltext/indexFullText.do?id=004/0033558&area=index&fromToC=yes&jid=006/0000054
73.
Harvey R. Greenberg, Carol J. Clover, Albert Johnson, Peter N. Chumo II, Brian Henderson, Linda Williams, Marsha Kinder and Leo Braudy. The Many Faces of ‘Thelma & Louise’. Film Quarterly [Internet]. University of California Press; 1992;45(2). Available from: http://www.jstor.org/stable/1213075
74.
Abelove, Henry, Barale, Micháele Aina, Halperin, David M. The Lesbian and gay studies reader. New York: Routledge; 1993.
75.
Erens P. Issues in feminist film criticism. Bloomington: Indiana University Press; 1990.
76.
Tasker, Yvonne. Spectacular bodies: gender, genre and the action cinema. London: Routledge; 1993.
77.
D’Amato J. Emanuelle’s Revenge [DVD]. 1974.
78.
Jaecklin, Just, Reage, Pauline. The story of O. Arrow; 2000.
79.
Kubrick, Stanley, Raphael, Frederic, Cruise, Tom, Kidman, Nicole, Pollack, Sydney, Richardson, Marie, Sherbedgia, Rade, Schnitzler, Arthur, Warner Bros. Eyes wide shut. 2 disc special edition. [S.l.]: Warner Home Video; 1999.
80.
Jaeckin J. Emmanuelle [DVD]. 1974.
81.
Nigel Wingrove. Sacred flesh. [s.l.]: Salvation films; 2011.
82.
Russell K. The Devils (Special Edition) [DVD]. 1971.
83.
Fellini, Federico. Fellini’s Satyricon. MGM Home Entertainment; 2004.
84.
Breillat C. Romance [DVD]. 1999.
85.
Freud, Sigmund, Strachey, James, Richards, Angela. Case histories: II: The ‘Rat man’, Schreber, the ‘Wolf man’, a case of female homosexuality. Harmondsworth: Penguin; 1979.
86.
The psychology of men. New Haven: Yale University Press; 1996.
87.
Foucault M. The history of sexuality: Vol.1: An introduction. New York: Vintage; 1990.
88.
Freud S, Richards A, Strachey J. On metapsychology: the theory of psychoanalysis ; Beyond the pleasure principle; The ego and the id ; and other works. Harmondsworth: Penguin; 1984.
89.
Krzywinska, Tanya. Sex and the cinema. Sex and the cinema. London: Wallflower; 2006.
90.
Williams L. Hard core: power, pleasure, and the ‘frenzy of the visible’. Expanded pbk. ed. Berkeley: University of California Press; 1999.
91.
Bataille, Georges. Eroticism. London: Marion Boyars; 2006.
92.
Simon, William. Postmodern sexualities. Postmodern sexualities. London: Routledge; 1996.
93.
Mathijs, Ernest, Mendik, Xavier. Alternative Europe: Eurotrash and exploitation cinema since 1945. Alternative Europe: Eurotrash and exploitation cinema since 1945. London: Wallflower Press; 2004.
94.
Mendik, Xavier, Harper, Graeme. Unruly pleasures: the cult film and its critics. Unruly pleasures: the cult film and its critics. Guildford: FAB; 2000.
95.
Jaecklin, Just, Reage, Pauline. The story of O. Arrow; 2000.
96.
Buänuel, Luis. Belle de jour: a film. London: Lorrimer; 1971.
97.
Stopkwich L. Kissed [DVD]. 1996.
98.
Laugier P. Martyrs [DVD]. 2008.
99.
Damiano G. The Story of Joanna [DVD]. 1975.
100.
Leigh J. Sleeping Beauty [DVD]. 2011.
101.
Rochat É. The Story of O Part 2 [DVD]. 1984.
102.
Breillat C. Romance [DVD]. 1999.
103.
Shainberg S. Secretary [DVD]. 2003.
104.
Andrea Dworkin. Woman Hating (Plume). Plume;
105.
Robin Ruth Linden. Against Sadomasochism. Frog in the Well;
106.
Sontag, Susan. Styles of radical will. London: Secker & Warburg; 1969.
107.
Andrea Beckmann. The social construction of sexuality and perversion. New York: Palgrave Macmillan; 2009.
108.
Chancer, Lynn S. Sadomasochism in everyday life. Sadomasochism in everyday life. Rutgers University Press; 1992.
109.
Constable L. Unbecoming Sexual Desires for Women Becoming Sexual Subjects: Simone de Beauvoir (1949) and Catherine Breillat (1999). MLN [Internet]. 2004;119(4):672–695. Available from: http://muse.jhu.edu/journals/mln/v119/119.4constable.html
110.
Gibson, Pamela Church, Gibson, Roma, British Film Institute. Dirty looks: women, pornography, power. London: BFI Publishing; 1993.
111.
Noyes, John K. The mastery of submission: inventions of masochism. The mastery of submission: inventions of masochism. Ithaca, N.Y.: Cornell University Press; 1997.
112.
Phillips, Anita. A defence of masochism. London: Faber and Faber; 1998.
113.
Chapter. Sex, violence, and the body. New York: Palgrave Macmillan; 2008.
114.
Vance, Carole S. Chapter. Pleasure and danger: exploring female sexuality. London: Pandora; 1992.
115.
Robin Ruth Linden. Chapter. Against Sadomasochism. Frog in the Well;
116.
Vance, Carole S. Pleasure and danger: exploring female sexuality. Pleasure and danger: exploring female sexuality. London: Pandora; 1992.
117.
Silverman K. Masochism and Male Subjectivity. Camera Obscura: Feminism, Culture, and Media Studies [Internet]. 1988 Jan 1;6(2 17):30–67. Available from: http://cameraobscura.dukejournals.org/content/6/2_17/30.full.pdf+html
118.
New formations. London: Lawrence & Wishart;
119.
Weiss MD. Mainstreaming Kink. Journal of Homosexuality [Internet]. 2006 May 2;50(2–3):103–132. Available from: http://www.tandfonline.com/doi/abs/10.1300/J082v50n02_06
120.
But I’m a cheerleader. [London?]: In2Film; 2009.
121.
Lee, Ang, Proulx, Annie, McMurtry, Larry. Brokeback Mountain. Focus features; 2005.
122.
Epstein, Robert, Russo, Vito. The celluloid closet: Part 1. London: Channel Four; 1995.
123.
Troche, Rose, Turner, Guinevere, Can I Watch Pictures. Go fish. Santa Monica, CA: Metro Goldwyn Mayer Home Entertainment;
124.
Haywood-Carter A. Foxfire [DVD]. 1996.
125.
Van Sant, Gus. My own private Idaho. New Line Productions; 2002.
126.
Araki, Gregg. Mysterious skin. Tartan Films; 2005.
127.
The L Word - Seasons 1-6 [DVD]. 2004.
128.
Orange is the New Black [DVD]. Netflix; 2013.
129.
Kubrick, Stanley, Fast, Howard, Universal Pictures (Firm), Bryna Productions, Inc. Spartacus. Irvington, NY?]: Criterion Collection;
130.
Mamoulian R. Queen Christina (DVD). 1933.
131.
Hitchcock, Alfred. Rope. Universal; 2005.
132.
Dunye C. The Watermelon Woman [DVD]. 1996.
133.
Dyer R. The matter of images: essays on representation [Internet]. 2nd ed. London: Routledge; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=479261&entityid=https://idp.brunel.ac.uk/entity
134.
Fuss D. Inside/out: lesbian theories, gay theories [Internet]. London: Routledge; 1991. Available from: http://lib.myilibrary.com/browse/open.asp?id=459766&entityid=https://idp.brunel.ac.uk/entity
135.
Weiss A. Vampires & violets: lesbians in film. New York, N.Y., U.S.A.: Penguin Books; 1993.
136.
Bourne S. Brief encounters: lesbians and gays in British cinema 1930-1971. London: Cassell; 1996.
137.
Amy-Chinn D. GLAAD to BeTorchwood? Bisexuality and the BBC. Journal of Bisexuality. 2012 Jan;12(1):63–79.
138.
Corber RJ. In the name of national security: Hitchcock, homophobia and the political construction of gender in postwar America [Internet]. Durham (N. Carolina): Duke University Press; 1993. Available from: http://lib.myilibrary.com/browse/open.asp?id=306262&entityid=https://idp.brunel.ac.uk/entity
139.
Davis, Glyn, Dickinson, Kay, British Film Institute. Teen TV: genre, consumption, identity. Teen TV: genre, consumption, identity. London: British Film Institute; 2004.
140.
Dyer, Richard 1945-. Now you see it: studies on lesbian and gay film. London: Routledge; 1990.
141.
Gomillion SC, Giuliano TA. The Influence of Media Role Models on Gay, Lesbian, and Bisexual Identity. Journal of Homosexuality [Internet]. 2011 Feb 22;58(3):330–354. Available from: http://www.tandfonline.com/doi/full/10.1080/00918369.2011.546729
142.
Spigel, Lynn, Brunsdon, Charlotte. Feminist television criticism: a reader. Feminist television criticism: a reader. 2nd ed. Maidenhead: Open University Press; 2008.
143.
Russo, Vito. The celluloid closet: homosexuality in the movies. Rev. ed. New York: Harper & Row; 1987.
144.
Tropiano, Stephen. The prime time closet: a history of gays and lesbians on TV. The prime time closet: a history of gays and lesbians on TV. New York, NY: Applause Theatre & Cinema Books; 2002.
145.
Tyler P. Screening the sexes: homosexuality in the movies. New York: Da Capo Press; 1993.
146.
Araki, Gregg. Nowhere. UK: Pathe Distribution Ltd; 2003.
147.
Cronenberg, David, Ballard, J. G., Spader, James, Hunter, Holly. Crash. [S.l.]: Columbia Tristar Videos; 1999.
148.
Araki, Gregg, Dekker, Thomas. Kaboom. [London]: Artificial Eye; 2011.
149.
Barbato R, Bailey F. Party Monster [DVD]. 2003.
150.
Araki, Gregg, Desperate Pictures. The living end: an irresponsible film. New York, N.Y.: Fox Lorber Home Video; 2008.
151.
Cameron Mitchell J. Shortbus [DVD]. 2006.
152.
Almodóvar P. The Skin I Live In [DVD]. 2011.
153.
Kalin, Tom. Swoon. [S.l.]: Palisades Tartan Video; 2009.
154.
Haynes, Todd. Velvet goldmine. [London]: Film Four; 2007.
155.
De Lauretis T. Queer theory: lesbian and gay sexualities: an introduction. Differences. 1991;3(2).
156.
Cook P, Dodd P. Women and film: a ‘Sight and sound’ reader. London: Scarlet Press; 1993.
157.
Hart L. Fatal women: lesbian sexuality and the mark of aggression. London: Routledge; 1994.
158.
Aaron, Michele. The body’s perilous pleasures: dangerous desires and contemporary culture. The body’s perilous pleasures: dangerous desires and contemporary culture. Edinburgh: Edinburgh University Press; 1998.
159.
Benshoff, Harry M., Griffin, Sean. Queer cinema: the film reader. New York; London: Routledge; 2004.
160.
Griffiths, Robin. British queer cinema. London: Routledge; 2006.
161.
Disney W. Bambi. 1942.
162.
Big Top Pee-Wee [DVD]. 1998.
163.
Levinson B. Toys [DVD]. 1992.
164.
Ashby H. Being There [DVD]. 1979.
165.
Collodi, Carlo. Pinocchio. S.I.]: Walt Disney Studios Home Entertainment;
166.
Disney, Walt, Walt Disney Productions, Walt Disney Home Entertainment, Buena Vista Home Entertainment. Snow white and the seven dwarfs. Platinum 2-Disc edition. Walt Disney Studios Home Entertainment;
167.
Brody M. The wonderful world of Disney - its Psychological Appeal. American imago [Internet]. 1976;33(4):350–359. Available from: http://psycnet.apa.org/psycinfo/1978-22675-001
168.
Berland D. Disney and Freud: Walt Meets the Id. Journal of Popular Culture [Internet]. 1982;15(4):93–103. Available from: http://search.proquest.com/pao/docview/1297366145/141B10A14B17722515C/12?accountid=14494
169.
Richard Schickel. The Disney Version. Ivan R. Dee, Publisher;
170.
Evans, Dylan. An introductory dictionary of Lacanian psychoanalysis. London: Routledge; 1996.
171.
Metz, Christian. Psychoanalysis and cinema: the imaginary signifier. London: MacMillan; 1983.
172.
Wasko J. Understanding Disney: the manufacture of fantasy [Internet]. Cambridge, UK: Polity; 2001. Available from: http://lib.myilibrary.com/browse/open.asp?id=499141&entityid=https://idp.brunel.ac.uk/entity
173.
Steven Watts. The Magic Kingdom. University of Missouri Press;
174.
Bell E, Haas L, Sells L. From mouse to mermaid: the politics of film, gender, and culture. Bloomington: Indiana University Press; 1995.
175.
Freud, Sigmund, Strachey, James, Richards, Angela. Chapter. On sexuality: three essays on the theory of sexuality and other works. Harmondsworth: Penguin; 1991.
176.
Freud S, Strachey J, Richards A. On sexuality: three essays on the theory of sexuality and other works. Harmondsworth: Penguin; 1991.
177.
Berger AA. Of Mice and Men: Journal of Homosexuality [Internet]. 1991 May 13;21(1–2):155–166. Available from: http://www.tandfonline.com/doi/abs/10.1300/J082v21n01_11
178.
Haneke, Michael, Jelinek, Elfriede. The piano teacher. [s.l.]: Artificial Eye; 2002.
179.
Indiana, Gary, British Film Institute. Saláo, or, The 120 days of Sodom =: (Saláo, o, le 120 giornate di Sodoma). [Basingstoke]: Palgrave Macmillan; 2000.
180.
Adams, Parveen. The emptiness of the image: psychoanalysis and sexual differences. The emptiness of the image: psychoanalysis and sexual differences. London: Routledge; 1996.
181.
Mark Cousins. AA Files. 1994;(28). Available from: http://www.jstor.org/discover/10.2307/29543923?uid=19818&uid=3738032&uid=19816&uid=2&uid=3&uid=5910784&uid=67&uid=62&sid=21102938790003
182.
Nobus D, Downing L. Perversion: psychoanalytic perspectives/perspectives on psychoanalysis [Internet]. London: Karnac; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=324947&entityid=https://idp.brunel.ac.uk/entity
183.
Hâenaff, Marcel. Sade, the invention of the libertine body. Minneapolis: University of Minnesota Press; 1999.
184.
Mark Cousins. AA Files. 1995;(29). Available from: http://www.jstor.org/discover/10.2307/29543944?uid=19818&uid=3738032&uid=19816&uid=2&uid=3&uid=5910784&uid=67&uid=62&sid=21102938790003
185.
Mulvey, Laura. Fetishism and curiosity. Bloomington: Indiana University Press; 1996.
186.
Nobus D, Downing L. Perversion: psychoanalytic perspectives/perspectives on psychoanalysis [Internet]. London: Karnac; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=324947&entityid=https://idp.brunel.ac.uk/entity
187.
Dor, Joèel, Gurewich, Judith Feher, Fairfield, Susan, Dor, Jèoel. The clinical Lacan. Northvale, N.J.: Jason Aronson; 1997.
188.
Freud S, Strachey J, Richards A. On sexuality: three essays on the theory of sexuality and other works. Harmondsworth: Penguin; 1991.
189.
Lacan J, Sheridan A, Bowie M. âEcrits: a selection. London: Routledge; 2001.
190.
Article. Journal of lacanian studies [Internet]. London: Karnac Books; Available from: http://www.cfar.org.uk/web_journal.htm
191.
Jordan N. Breakfast On Pluto [DVD]. 2005.
192.
Uekrongtham E. Beautiful Boxer [DVD]. 2004.
193.
Peirce, Kimberly. Boys don’t cry. Beverly Hills, Calif: 20th Century Fox Home Entertainment;
194.
Jordan, Neil. The crying game. [s.l.]: Optimum Releasing; 2006.
195.
Cameron Mitchell J. Hedwig And The Angry Inch [DVD]. 2001.
196.
Waters, John. Female trouble. New Line Cinema; 2007.
197.
Wood ED. Glen Or Glenda [DVD]. 1953.
198.
Berliner A. Ma Vie En Rose (My Life In Pink) [DVD]. 1997.
199.
My TranssexualSummer [DVD]. Channel 4; 2011.
200.
Anderson J. Normal [DVD]. HBO; 2003.
201.
Potter, Sally, Woolf, Virginia. Orlando. [S.l.]: Artificial Eye; 2009.
202.
Livingston, Jennie. Paris is burning. Second Sight; 2009.
203.
Elliott, Stephan, Columbia TriStar Home Video. The adventures of Priscilla, queen of the desert. Burbank, Ca: Columbia Tristar Home Video; 2000.
204.
Sciamma C. Tomboy [DVD]. 2011.
205.
Tucker, Duncan, Moran, Linda, Bastian, Rene, Dungan, Sebastian, Huffman, Felicity, Zegers, Kevin, Flanagan, Fionnula, Peäna, Elizabeth, Greene, Graham, Young, Burt, Preston, Carrie, Evans, Venida, Glicker, Danny, White, Mark, Mansfield, David, Kazmierski, Stephen, Wise, Pam, Pathâe Distribution Limited. Transamerica. [London?]: Pathâe Distribution Limited; 2006.
206.
Transgeneration [DVD]. 2005.
207.
Dyer, Richard. The matter of images: essays on representation [Internet]. 2nd ed. London: Routledge; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=479261&entityid=https://idp.brunel.ac.uk/entity
208.
Halberstam J. The transgender gaze in Boys Don’t Cry. Screen. 2001 Sep 1;42(3):294–298.
209.
Phillips, John. Transgender on screen [Internet]. Basingstoke [England]: Palgrave Macmillan; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=318413&entityid=https://idp.brunel.ac.uk/entity
210.
Stryker S, Whittle S. The transgender studies reader. London: Routledge; 2006.
211.
Backus MG, Doan J. RIVERINE CROSSINGS: GENDER, IDENTITY AND THE RECONSTRUCTION OF NATIONAL MYTHIC NARRATIVE IN THE CRYING GAME. Cultural Studies [Internet]. 2001 Jan;15(1):173–191. Available from: http://www.tandfonline.com/doi/abs/10.1080/09502380010006790#.UoH6ZOIyRnU
212.
Baker, Roger. Drag. Washington Square, N.Y: New York University Press; 1994.
213.
Bending Phallic Patriarchy in ‘The Crying Game’. Journal of Popular Film and Television [Internet]. 4th ed. 1995;(22):172–179. Available from: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=a9h&AN=9505100226&site=ehost-live&scope=site&custid=s1123049
214.
Stryker S, Whittle S. Transgender studies reader. The transgender studies reader. London: Routledge; 2006.
215.
Stryker S, Whittle S. The transgender studies reader [Internet]. London: Routledge; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=761682&entityid=https://idp.brunel.ac.uk/entity
216.
Chumo II PN. The Crying Game, Hitchcockian romance, and the quest... Literature Film Quarterly [Internet]. 1995;23(4). Available from: http://search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=9604051152&site=ehost-live
217.
Cooper B. Boys Don’t Cry and female masculinity: reclaiming a life & dismantling the politics of normative heterosexuality. Critical Studies in Media Communication [Internet]. 2002 Mar;19(1):44–63. Available from: http://www.tandfonline.com/doi/abs/10.1080/07393180216552#.UoH9L-IyRnU
218.
Cox L. Acting While Trans: A Look Back at 2011 for Transgender Actors in the Media [Internet]. Available from: http://www.huffingtonpost.com/laverne-cox/transgender-actors-2011_b_1162279.html
219.
Mary Ann O’Farrell. Chapter. Virtual Gender. University of Michigan Press;
220.
Califia P. Sex Changes: Transgender Politics. 1997.
221.
Cavalcante A. Centering Transgender Identity via the Textual Periphery: and the "Double Work” of Paratexts. Critical Studies in Media Communication [Internet]. 2013 Jun;30(2):85–101. Available from: http://www.tandfonline.com/doi/abs/10.1080/15295036.2012.694077#.UoH-EOIyRnU
222.
Halberstam J. In a queer time and place: transgender bodies, subcultural lives. New York: New York University Press; 2005.
223.
Raymond, Janice G. The transexual empire: the making of the she-male. New York: Teachers College Press; 1994.
224.
Aaron, Michele. New queer cinema: a critical reader. Edinburgh: Edinburgh University Press; 2004.
225.
Butler, Judith. Gender trouble: feminism and the subversion of identity [Internet]. 2nd edition. New York: Routledge Classics; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=344208&entityid=https://idp.brunel.ac.uk/entity
226.
Cook, Pam, Dodd, Philip. Women and film: a ‘Sight and sound’ reader. London: Scarlet Press; 1993.
227.
Cohan, Steven, Hark, Ina Rae. Screening the male: exploring masculinities in Hollywood cinema [Internet]. London: Routledge; 1993. Available from: https://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/depp/reader/protected/external/AbstractView/S9780203142219
228.
Creed B. The monstrous-feminine: film, feminism, psychoanalysis [Internet]. London: Routledge; 1993. Available from: http://lib.myilibrary.com/browse/open.asp?id=420340&entityid=https://idp.brunel.ac.uk/entity
229.
Dyer R. The matter of images: essays on representation [Internet]. 2nd ed. London: Routledge; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=479261&entityid=https://idp.brunel.ac.uk/entity
230.
Elliott, Anthony. Psychoanalytic theory: an introduction. 2nd ed. Basingstoke: Palgrave Macmillan; 2002.
231.
The psychology of men. New Haven: Yale University Press; 1996.
232.
Hall, Stuart, Open University. Representation: cultural representations and signifying practices. London: Sage in association with the Open University; 1997.
233.
Modleski T. Feminism without women: culture and criticism in a ‘postfeminist’ age [Internet]. London: Routledge; 1991. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1779028
234.
Penley, Constance. Feminism and film theory [Internet]. New York: Routledge; 1988. Available from: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity
235.
Dyer, Richard, 1945-. Now you see it: studies on lesbian and gay film. London: Routledge; 1990.
236.
Fuery, Patrick. Madness and cinema: psychoanalysis, spectatorship, and culture [Internet]. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan; 2004. Available from: http://lib.myilibrary.com/browse/open.asp?id=86030&entityid=https://idp.brunel.ac.uk/entity
237.
Hamer, Diane, Budge, Belinda. The good, the bad and the gorgeous: popular culture’s romance with lesbianism. London: Pandora; 1994.
238.
Hunt, Leon. Kung Fu cult masters. London: Wallflower Press; 2003.
239.
Richardson, Niall. Transgressive bodies: representations in film and popular culture [Internet]. Farnham, Surrey, England: Ashgate; 2010. Available from: http://lib.myilibrary.com/browse/open.asp?id=277412&entityid=https://idp.brunel.ac.uk/entity
240.
Sinfield, Alan. Gay and after. London: Serpent’s Tail; 1998.
241.
Tasker, Yvonne. Spectacular bodies: gender, genre and the action cinema. London: Routledge; 1993.
242.
Tasker, Yvonne. Working girls: gender and sexuality in popular cinema [Internet]. London: Routledge; 1998. Available from: http://lib.myilibrary.com/browse/open.asp?id=19907&entityid=https://idp.brunel.ac.uk/entity
