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Ali, M. et al. (2017a) ‘Moonlight’. Place of publication not identified: Altitude Film Distribution Limited.
Ali, M. et al. (2017b) ‘Moonlight’. Place of publication not identified: Altitude Film Distribution Limited.
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Ashby, J. and Higson, A. (2000b) British cinema, past and present. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=420027&entityid=https://idp.brunel.ac.uk/entity.
Bakari, I., Cham, M.B., and British Film Institute (1996) African experiences of cinema. London: BFI Pub.
Barlet, O. (2000) African cinemas: decolonizing the gaze. London: Zed Books. Available at: https://contentstore.cla.co.uk/secure/link?id=53d1262d-4a3b-e911-80cd-005056af4099.
Barry, P. (2017) ‘Beginning theory: an introduction to literary and cultural theory’, in Beginning theory: an introduction to literary and cultural theory. Fourth edition. Manchester, UK: Manchester University Press, pp. 141–158. Available at: https://contentstore.cla.co.uk/secure/link?id=1a7061ba-5c8b-e811-80cd-005056af4099.
Benshoff, H.M. and Griffin, S. (2004) Queer cinema: the film reader. New York; London: Routledge.
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Bogle, D. (2016) Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. Updated and expanded 5th edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc.
Bourne, S. (2016) Brief encounters: lesbians and gays in British cinema 1930-1971. London: Bloomsbury. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4659886.
Butler, J. (1993) Bodies that matter: on the discursive limits of ‘sex’. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=310371&entityid=https://idp.brunel.ac.uk/entity.
Butler, J. (2006) Gender trouble: feminism and the subversion of identity. 2nd edition. New York: Routledge Classics. Available at: http://lib.myilibrary.com/browse/open.asp?id=344208&entityid=https://idp.brunel.ac.uk/entity.
Campion, J. (2005a) ‘The Piano’. [S.l.]: Optimum.
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Campion, J., James, H., and PolyGram Filmed Entertainment (Firm) (2001) ‘The portrait of a lady’. Universal Studies.
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Carroll, N. (1996) ‘Theorizing the moving image’, in Theorizing the moving image. Cambridge: Cambridge University Press, pp. 78–93. Available at: https://contentstore.cla.co.uk/secure/link?id=9d3e5334-653b-e911-80cd-005056af4099.
Casey, B.M. and ProQuest (Firm) (2002) Television studies: the key concepts. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=308532.
Caughie, J. and British Film Institute (1981) Theories of authorship: a reader. London: Routledge & Kegan Paul in association with the British Film Institute. Available at: http://lib.myilibrary.com/browse/open.asp?id=528924&entityid=https://idp.brunel.ac.uk/entity.
Chalamet, T. et al. (2018) ‘Call me by your name’. London: Sony Pictures Home Entertainment Inc.
Cham, M.B., Andrade-Watkins, C., and Celebration of Black Cinema, Inc (1988) Blackframes: critical perspectives on black independent cinema. Cambridge, Mass: MIT Press. Available at: https://contentstore.cla.co.uk/secure/link?id=c4638dde-9d3a-e911-80cd-005056af4099.
Chanda, G. and Syal, M. (2003) ‘Bhaji on the beach’. London: Cinema Club.
Childs, P. and Williams, P. (1997a) An introduction to post-colonial theory. Harlow: Longman. Available at: http://lib.myilibrary.com/browse/open.asp?id=618251&entityid=https://idp.brunel.ac.uk/entity.
Childs, P. and Williams, P. (1997b) An introduction to post-colonial theory. Harlow: Longman. Available at: http://lib.myilibrary.com/browse/open.asp?id=618251&entityid=https://idp.brunel.ac.uk/entity.
Clayton, A., Klevan, A., and ProQuest (Firm) (2011) The language and style of film criticism. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=684088.
Cobb, S. and Tasker, Y. (2015) ‘Feminist Film Criticism in the 21st Century’, Film Criticism, 40(1). Available at: https://doi.org/10.3998/fc.13761232.0040.107.
Corber, R.J. (1993) In the name of national security: Hitchcock, homophobia and the political construction of gender in postwar America. Durham (N. Carolina): Duke University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=306262&entityid=https://idp.brunel.ac.uk/entity.
Cubitt, S. (2005) EcoMedia. Amsterdam: Rodopi.
Daldry, S. et al. (2005) ‘Billy Elliot’. Universal Studios.
Dash, J. and Geechee Girls Productions (2000) ‘Daughters of the dust’. New York (NY): Kino on Video.
Dave, P. (2006) ‘Visions of England: class and culture in contemporary cinema’, in Visions of England: class and culture in contemporary cinema. Oxford: Berg, pp. 61–81. Available at: https://contentstore.cla.co.uk/secure/link?id=bedcb011-2c2a-e911-80cd-005056af4099.
Demange, Y. and Walters, A. (2013a) ‘Top boy: The complete first season’. [UK]: Roadshow Entertainment.
Demange, Y. and Walters, A. (2013b) ‘Top boy: The complete second season’. [UK]: Roadshow Entertainment.
Diawara, M. (1992a) African cinema: politics & culture. Bloomington: Indiana University Press.
Diawara, M. (1992b) African cinema: politics & culture. Bloomington: Indiana University Press.
Dyer, R. (2002a) The matter of images: essays on representation. 2nd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=479261&entityid=https://idp.brunel.ac.uk/entity.
Dyer, R. (2002b) The matter of images: essays on representation. 2nd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=479261&entityid=https://idp.brunel.ac.uk/entity.
Dyer, R. and Pidduck, J. (2003) Now you see it: studies in lesbian and gay film. 2nd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=761924&entityid=https://idp.brunel.ac.uk/entity.
Ekaragha, D. (2013) ‘Gone Too Far (2013)’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0A58E4E3?bcast=125096604.
Elsaesser, T. (1987) ‘Home is where the heart is: studies in melodrama and the woman’s film’, in Home is where the heart is: studies in melodrama and the woman’s film. London: BFI Pub, pp. 43–69. Available at: https://contentstore.cla.co.uk/secure/link?id=0c9be3ed-2b3c-e911-80cd-005056af4099.
Epstein, R. and Russo, V. (1995) ‘The celluloid closet: Part 1’. London: Channel Four.
Erens, P. (1990) Issues in feminist film criticism. Bloomington: Indiana University Press.
Fassbinder, R.W. et al. (2007) ‘Die Sehnsucht der Veronika Voss’. [Place of publication not identified]: Artificial Eye.
Fassbinder, R.W. and Rainer Werner Fassbinder Foundation (2006a) ‘Fear eats the soul’. ARROW.
Fassbinder, R.W. and Rainer Werner Fassbinder Foundation (2006b) ‘Fear eats the soul’. ARROW.
Frears, S. and Kureishi, H. (1999) ‘My beautiful laundrette’. [S.l.]: Film Four.
Garrard, G. and ProQuest (Firm) (2012) Ecocriticism. 2nd ed. Abingdon, Oxon: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=738705.
Gauntlett, D. (2008) Media, gender and identity: an introduction. 2nd ed. Abingdon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=119793&entityid=https://idp.brunel.ac.uk/entity.
Genet, J. et al. (1992) ‘Poison’. New York: Fox Lorber Home Video.
Geraghty, C. (2005) My beautiful laundrette. London: I. B. Tauris. Available at: http://lib.myilibrary.com/browse/open.asp?id=252756&entityid=https://idp.brunel.ac.uk/entity.
Gilroy, P. (2002) There ain’t no black in the Union Jack: the cultural politics of race and nation. [New ed.]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=536182&entityid=https://idp.brunel.ac.uk/entity.
Griffith, D.W. and Dixon, T. (2000) ‘The birth of a nation’. [S.I.]: Eureka Video.
Guerrero, E. (1993) Framing Blackness: the African American image in film. Philadelphia: Temple University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=547426.
Guneratne, A., Dissanayake, W. and Chakravarty, S.S. (2003) Rethinking third cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=7963&entityid=https://idp.brunel.ac.uk/entity.
Hallam, J. and Marshment, M. (2000a) ‘Realism and popular cinema’, in Realism and popular cinema. Manchester: Manchester University Press, pp. 122–142. Available at: https://contentstore.cla.co.uk/secure/link?id=ef54bd97-b936-e911-80cd-005056af4099.
Hallam, J. and Marshment, M. (2000b) Realism and popular cinema. Manchester: Manchester University Press.
Harrow, K.W. (1999) African cinema: postcolonial and feminist readings. Trenton, NJ: Africa World Press.
Haskell, M. and Dargis, M. (2016) From reverence to rape: the treatment of women in the movies. Third edition. Chicago: The University of Chicago Press.
Haynes, T. (2003) ‘Far from heaven’. [Universal City, CA]: Universal Studios.
Haynes, T. (2015) ‘Carol’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0BB503A9?bcast=126240284.
Herman, M. (1996) ‘Brassed Off’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/000A7739?bcast=114045787.
Herzog, W. (2006) ‘Grizzly man’. London: Revolver entertainment.
Higson, A. (1996) ‘Dissolving views: key writings on British cinema’, in Dissolving views: key writings on British cinema. London: Cassell, pp. 133–156. Available at: https://contentstore.cla.co.uk/secure/link?id=c1caf143-ba2b-e911-80cd-005056af4099.
Hill, J. and Gibson, P.C. (1998a) ‘The Oxford guide to film studies’, in The Oxford guide to film studies. Oxford: Oxford University Press. Available at: https://contentstore.cla.co.uk/secure/link?id=ff8f52d2-aa94-e811-80cd-005056af4099.
Hill, J. and Gibson, P.C. (1998b) ‘The Oxford guide to film studies’, in The Oxford guide to film studies. Oxford: Oxford University Press.
Hillier, J. (1993) The new Hollywood. London: Studio Vista.
Hillier, J. (2001) ‘American independent cinema’, in American independent cinema. London: British Film Institute Publishing, pp. 32–73. Available at: https://contentstore.cla.co.uk/secure/link?id=8c5f3686-9845-e911-80cd-005056af4099.
hooks, bell (2015) Feminist theory: from margin to center. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1811030.
Huda, M. and Ameen, A. (2008) ‘Kidulthood’. London: Revolver Entertainment.
Hughes, Albert and Hughes, Allen (1997) ‘Menace II society: this is the truth, this is what’s real’. [New York]: New Line Home Entertainment.
Jennifer P. Nesbitt (2016) ‘Deactivating Feminism: Sigourney Weaver, James Cameron, and Avatar’, Film & History: An Interdisciplinary Journal, 46(1), pp. 21–32. Available at: https://muse.jhu.edu/article/626142.
Johns, D., Squires, H. and Loach, K. (2017) ‘I, Daniel Blake’. United Kingdom: Entertainment One UK Limited.
Kalin, T. (2009) ‘Swoon’. [S.l.]: Palisades Tartan Video.
Kaluuya, D. et al. (2017) ‘Get out’. Place of publication not identified: Universal Studios.
Kaplan, E.A. (1988) Women and film: both sides of the camera. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=32849&entityid=https://idp.brunel.ac.uk/entity.
Kechiche, A. (2013) ‘Blue Is the Warmest Colour’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/07C5B5D0?bcast=127161125.
Kramer, S. (1967) ‘Guess Who’s Coming to Dinner’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008FA5A?bcast=33231868.
Landy, M. (1984) ‘Political Allegory and “Engaged Cinema”: Sembene’s “Xala”’, Cinema Journal, 23(3). Available at: https://doi.org/10.2307/1225095.
Lay, S. (2002) British social realism: from documentary to Brit-grit. London: Wallflower.
Leigh, Danny (no date) ‘The class ceiling’, Sight and Sound, 28, pp. 22–26. Available at: https://search.proquest.com/docview/2112529193/765BC32F577C4892PQ/13?accountid=14494.
Levy, E. (1999) Cinema of outsiders: the rise of American independent film. New York: New York University Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=74304.
Luckett, M. (1999) ‘British cinema of the 90s’, in British cinema of the 90s. London: British Film Institute, pp. 88–99. Available at: https://contentstore.cla.co.uk/secure/link?id=4756a093-e22e-e911-80cd-005056af4099.
Malik, S. and James Nwonka, C. (2017) ‘Top Boy: Cultural Verisimilitude and the Allure of Black Criminality for UK Public Service Broadcasting Drama’, Journal of British Cinema and Television, 14(4), pp. 423–444. Available at: https://doi.org/10.3366/jbctv.2017.0387.
Mambety, Djibril, D. (2005) ‘Touki Bouki: The hyena’s voyage’. New York: Kino Video.
McHugh, K.A. (2001) ‘“Sounds that creep inside you”: female narration and voiceover in the films of Jane Campion’, Style, 35(2), pp. 193–218. Available at: https://literature.proquest.com/searchFulltext.do?id=R01614768&divLevel=0&area=abell&forward=critref_ft.
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Mercer, K. and Institute of Contemporary Arts (1988) Black film, British cinema. London: ICA.
Merritt, G. (2000) Celluloid mavericks: the history of American independent film. New York, NY: Thunder’s Mouth Press.
Miller, D.A. (1991) ‘Inside/out: lesbian theories, gay theories’, in Inside/out: lesbian theories, gay theories. London: Routledge, pp. 119–141. Available at: https://contentstore.cla.co.uk/secure/link?id=6e62eb66-568e-e811-80cd-005056af4099.
Modleski, T. (2016) The women who knew too much: Hitchcock and feminist theory. 3rd ed. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=821344&entityid=https://idp.brunel.ac.uk/entity.
Murphy, R. (1999) ‘British cinema of the 90s’, in British cinema of the 90s. London: British Film Institute.
Murray, R.L. and Heumann, J.K. (2014) Film & everyday eco-disasters. Lincoln: University of Nebraska Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1676467.
Nagib, L. and Mello, C. (2009) ‘Realism and the audiovisual media’, in Realism and the audiovisual media. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=555396.
Nelmes, J. (1999) ‘An Introduction to Film Studies’, in An introduction to film studies. 2nd ed. London: Routledge, pp. 268–305. Available at: https://contentstore.cla.co.uk/secure/link?id=ce744dfb-d594-e811-80cd-005056af4099.
Nelmes, J. (2012) Introduction to film studies. 5th ed. Abingdon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=761269&entityid=https://idp.brunel.ac.uk/entity.
Nichols, B. (1985) ‘Movies and methods: an anthology, Vol.2’, in Movies and methods: an anthology, Vol.2. Berkeley, CA: University of California Press. Available at: https://contentstore.cla.co.uk/secure/link?id=2d450649-0b94-e811-80cd-005056af4099.
O’Connor, J. et al. (2018) ‘God’s own country’. London: Lionsgate.
Oldman, G. (2000) ‘Nil by mouth’. [S.l.]: Sky Moviemax.
Parham, J. (2016) Green media and popular culture: an introduction. London: Macmillan Education/Palgrave.
Parks, G. (2009) ‘Shaft’. Turner Entertainment.
Pascual, M. (2002) ‘My Beautiful Laundrette: Hybrid "Identity” or the paradox of conflicting identifications in “Third Space” Asian-British Cinema of the 1980s’, Miscelanea: Journal of English and American Studies, 26, pp. 59–70. Available at: https://www.researchgate.net/publication/28145362_My_Beautiful_Laundrette_Hybrid_Identity_or_the_Paradox_of_Conflicting_Identifications_in_Third_Space_Asian-British_Cinema_of_the_1980s.
Penley, C. (1988a) Feminism and film theory. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity.
Penley, C. (1988b) Feminism and film theory. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity.
Phillips, J. (2006) Transgender on screen. Basingstoke [England]: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=318413&entityid=https://idp.brunel.ac.uk/entity.
Pines, J. (1996) ‘Black British cultural studies: a reader’, in Black British cultural studies: a reader. Chicago, IL: University of Chicago Press, pp. 183–193. Available at: https://contentstore.cla.co.uk/secure/link?id=d9314b41-933a-e911-80cd-005056af4099.
Pines, J. and Willemen, P. (1989) Questions of third cinema. London: British Film Institute.
Pramaggiore, M. and Wallis, T. (2011a) ‘Film: a critical introduction’, in Film: a critical introduction. 3rd ed. London: Laurence King.
Pramaggiore, M. and Wallis, T. (2011b) ‘Film: a critical introduction’, in Film: a critical introduction. 3rd ed. London: Laurence King, pp. 309–342. Available at: https://contentstore.cla.co.uk/secure/link?id=87a1f045-213c-e911-80cd-005056af4099.
Psihoyos, L. (2009) ‘The cove’. [U.K.]: Vertigo Films.
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Reid, M.A. (1993) Redefining black film. Berkeley: University of California Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=42273.
Rhines, J.A. (1996) Black film/white money. New Brunswick, N.J.: Rutgers University Press.
Richardson, N. (2010) Transgressive bodies: representations in film and popular culture. Farnham, Surrey, England: Ashgate. Available at: http://lib.myilibrary.com/browse/open.asp?id=277412&entityid=https://idp.brunel.ac.uk/entity.
Rony, F.T. (1996) The third eye: race, cinema and ethnographic spectacle. Durham, N.C: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3007838.
Russo, V. (1987) The celluloid closet: homosexuality in the movies. Rev. ed. New York: Harper & Row.
Rust, S., Monani, S. and Cubitt, S. (2013) ‘Ecocinema theory and practice’, in Ecocinema theory and practice. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=391901&entityid=https://idp.brunel.ac.uk/entity.
Ryan, M. et al. (2004) ‘In the cut’. [s.l.]: Pathé.
Satrapi, M. (2007) ‘Persepolis’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/01184EA9?bcast=70067317.
Sedgwick, E.K. and Koestenbaum, W. (2016) Between men: English literature and male homosocial desire. Thirthieth anniversary edition. New York: Columbia University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=850560&entityid=https://idp.brunel.ac.uk/entity.
Sembáene, O. (2005a) ‘Black Girl: [and] Borom Sarret’. New York, USA: New Yorker Video.
Sembáene, O. (2005b) ‘Xala: The curse’. New York: New Yorker Films Artwork.
Shimamura, A.P. (2013) Psychocinematics: exploring cognition at the movies. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3055687.
Sillitoe, A. (1993) ‘Saturday night and Sunday morning’. London: Flamingo.
Singleton, J. (2006) ‘Boyz n the hood’. London: Sony Pictures Home Entertainment.
Sirk, D. (2004) ‘All that heaven allows’. Sky Home Video.
Sirk, D. and Hurst, F. (2008) ‘Imitation of life’. Universal Studios.
Sissako, A. (2014) ‘Timbuktu’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/089D49EB?bcast=124203671.
Smelik, A. (1998) ‘The Oxford guide to film studies’, in The Oxford guide to film studies. Oxford: Oxford University Press, pp. 135–147. Available at: https://contentstore.cla.co.uk/secure/link?id=713f5241-ab94-e811-80cd-005056af4099.
Smith, G.M. (1999) ‘Passionate views: film, cognition, and emotion’, in Passionate views: film, cognition, and emotion. Baltimore: Johns Hopkins University Press, pp. 103–129. Available at: https://contentstore.cla.co.uk/secure/link?id=4b7c61f0-523b-e911-80cd-005056af4099.
Smith, M. (1995) Engaging characters: fiction, emotion, and the cinema. Oxford: Clarendon Press.
Snead, J.A., MacCabe, C. and West, C. (1994) White screens, black images: Hollywood from the dark side. New York: Routledge.
Snell, H. (2014) ‘Toward “a giving and a receiving”: teaching Djibril Diop Mambéty’s’, Journal of African Cultural Studies, 26(2), pp. 127–139. Available at: https://doi.org/10.1080/13696815.2013.849194.
‘Springwatch’ (2005). Available at: https://www.brunel.ac.uk/life/library/FindingInformation/Databases.
Thackway, M. (2003) Africa shoots back: alternative perspectives in Sub-Saharan Francophone African film. Bloomington: Indiana University Press.
‘The hurt locker’ (2010). [S.l.].
Tyler, P. (1993) Screening the sexes: homosexuality in the movies. New York: Da Capo Press.
Van Peebles, M. (1991) ‘New Jack City’. Burbank, CA: Warner Home Video.
Van Peebles, M. (2005) ‘Sweet Sweetback’s baadasssss song’. [S.l.]: British Film Institute.
Walters, A. et al. (2008) ‘Bullet boy’. London: Verve Pictures.
Wayne, M. (2001) Political film: the dialectics of third cinema. London: Pluto. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=72460&site=ehost-live&scope=site.
Wayne, M. (2002) The politics of contemporary European cinema: histories, borders, diasporas. Bristol: Intellect. Available at: http://lib.myilibrary.com/browse/open.asp?id=47661&entityid=https://idp.brunel.ac.uk/entity.
Weik von Mossner, A. (2017) Affective ecologies: empathy, emotion, and environmental narrative. Columbus, Ohio: Ohio State University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4851932.
Weik von Mossner, A. and Canadian Electronic Library (Firm) (2014a) ‘Moving environments: affect, emotion, ecology, and film’, in Moving environments: affect, emotion, ecology, and film. Waterloo, Ontario: Wilfrid Laurier University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350.
Weik von Mossner, A. and Canadian Electronic Library (Firm) (2014b) ‘Moving environments: affect, emotion, ecology, and film’, in Moving environments: affect, emotion, ecology, and film. Waterloo, Ontario: Wilfrid Laurier University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350.
Weik von Mossner, A. and Canadian Electronic Library (Firm) (2014c) ‘Moving environments: affect, emotion, ecology, and film’, in Moving environments: affect, emotion, ecology, and film. Waterloo, Ontario: Wilfrid Laurier University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350.
Weiss, A. (1993) ‘Vampires & violets: lesbians in film’, in Vampires & violets: lesbians in film. New York, N.Y., U.S.A.: Penguin Books, pp. 30–50. Available at: https://contentstore.cla.co.uk/secure/link?id=b4779f1f-698b-e811-80cd-005056af4099.
Yearwood, G. (2000) Black film as a signifying practice: cinema, narration and the African-American aesthetic experience. Trenton, N.J.: Africa World Press.
Young, L. (1996) Fear of the dark: ‘race’, gender and sexuality in the cinema. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=165023.