Bibliography for DR1610 - Directing 1 Contexts, Theories and Practices BETA

Ahart, J. (2001) The director’s eye: a comprehensive textbook for directors and actors. Colorado Springs, Colo: Meriwether Pub.

Artaud, A. and Corti, V. (2013) The theatre and its double. Richmond, Surrey: Alma Books. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4826732.

Aston, E. (1995) An introduction to feminism and theatre. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=6799&entityid=https://idp.brunel.ac.uk/entity.

Aston, E. (1999) Feminist theatre practice: a handbook. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=240345.

Austin, G. (1990) Feminist theories for dramatic criticism. Ann Arbor: University of Michigan Press.

Balme, C.B. (1999) Decolonizing the stage: theatrical syncretism and post-colonial drama. Oxford: Clarendon Press.

Barba, E. (1985) ‘The nature of dramaturgy: Describing actions at work’, New theatre quarterly, 1(01). Available at: https://doi.org/10.1017/S0266464X00001421.

Barba, E. (2010) On directing and dramaturgy: burning the house. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=244369&entityid=https://idp.brunel.ac.uk/entity.

Barbican Theatre (no date). Available at: http://www.barbican.org.uk/theatre.

Barker, C. (2010) Theatre games: a new approach to drama training. [New ed.]. London: Methuen Drama.

Barton, J. (2009) Playing Shakespeare. London: Methuen Drama.

Battersea Arts Centre (no date). Available at: http://www.bac.org.uk/.

Bentley, E. (2008) The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. [New ed.]. London: Penguin.

Bloom, M. (2002) Thinking like a director: a practical handbook. London: Faber and Faber.

Boal, A. (2008) Theatre of the oppressed. New ed. London: Pluto Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386591.

Bogart, A. (2001a) A director prepares: seven essays on art and theatre. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215.

Bogart, A. (2001b) A director prepares: seven essays on art and theatre. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215.

Bogart, A. (2007) And then, you act: making art in an unpredictable world. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=87185&entityid=https://idp.brunel.ac.uk/entity.

Bogart, A., Landau, T., and Theatre Communications Group (2005) The viewpoints book: a practical guide to viewpoints and composition. New York: Theatre Communications Group. Available at: http://lib.myilibrary.com/browse/open.asp?id=684537&entityid=https://idp.brunel.ac.uk/entity.

Boleslavsky, R. (2003) Acting: the first six lessons. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5188&entityid=https://idp.brunel.ac.uk/entity.

Braun, E. (1982) The director and the stage: from naturalism to Grotowski. London: Methuen.

Braun, E. and Pitches, J. (2016a) Meyerhold on theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195.

Braun, E. and Pitches, J. (2016b) Meyerhold on theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195.

Brayshaw, T. and Witts, N. (2014) The twentieth century performance reader. [3rd edition]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=526605&entityid=https://idp.brunel.ac.uk/entity.

Brecht, B. and Davis, J. (2015) Brecht on theatre. Third edition, completely revised and updated. Edited by M. Silberman, S. Giles, and T. Kuhn. London: Bloomsbury Metheun Drama. Available at: http://lib.myilibrary.com/browse/open.asp?id=643885&entityid=https://idp.brunel.ac.uk/entity.

Brook, P. (2008) The empty space. London: Penguin Books.

Buchbinder, D. (1994) Masculinities and identities. Carlton, Vic: Melbourne University Press.

Cardullo, B. and Knopf, R. (2001) Theater of the avant-garde, 1890-1950: a critical anthology. New Haven: Yale University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3420277.

Carruthers, I. and Takahashi, Y. (2004) The theatre of Suzuki Tadashi. Cambridge: Cambridge University Press.

Case, S.-E. (1990) Performing feminisms: feminist critical theory and theatre. Baltimore: Johns Hopkins University Press.

Case, S.-E. (2009) Feminist and queer performance: critical strategies. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan.

Case, S.-E. (2014) Feminism and theatre. Oxfordshire, England: Routledge. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1779149.

Chekhov, M. and Powers, M. (2002) To the actor. [Rev. and expanded ed. London: Routledge. Available at: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=568948&site=ehost-live&scope=site&custid=s1123049.

Clurman, H. (1997) On directing. New York: Fireside Book.

Cole, S.L. (1992) Directors in rehearsal: a hidden world. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=542225&entityid=https://idp.brunel.ac.uk/entity.

Cole, T. and Chinoy, H.K. (1963) Directors on directing: a source book of the modern theatre. Revised ed. Indianapolis: Bobbs-Merrill.

‘Contemporary theatre review’ (no date). Available at: http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Contemporary Theatre Review.

Cregan, D. (2009) Deviant acts: essays on queer performance. Dublin: Carysfort Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1008989&site=ehost-live&scope=site&custid=s1123049.

Delgado, M.M. and Heritage, P. (1996) In contact with the gods?: directors talk theatre. Manchester: Manchester University Press.

Delgado, M.M. and Rebellato, D. (2010) Contemporary European theatre directors. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=257175&entityid=https://idp.brunel.ac.uk/entity.

Diamond, E. (1997) Unmaking mimesis: essays on feminism and theater. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=2182&entityid=https://idp.brunel.ac.uk/entity.

Dixon, M.B., Smith, J.A., and Classics in Context Festival (1995) Anne Bogart: viewpoints. Lyme, NH: Smith and Kraus.

Dolan, J. (1993) Presence and desire: essays on gender, sexuality, performance. Ann Arbor: University of Michigan Press.

Dolan, J. (2012) The feminist spectator as critic. 2nd ed. Ann Arbor: University of Michigan Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=404565&entityid=https://idp.brunel.ac.uk/entity.

Donkin, E. and Clement, S. (1993) Upstaging Big Daddy: directing theater as if gender and race matter. Ann Arbor: University of Michigan Press.

Donnellan, D. (2013) The Actor and the Target. London: Nick Hern Books. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=689978.

‘E.F.’s visit to a small planet: some questions to ask a play’ (2004) Theater, 34(2), pp. 4–9.

Fuchs, E. (1996) The death of character: perspectives on theater after modernism. Bloomington, IL: Indiana University Press. Available at: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=23140&site=ehost-live&scope=site&custid=s1123049.

Godiwala, D. (2007) Alternatives within the mainstream: II: Queer theatres in post-war Britain. Newcastle: Cambridge Scholars Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1080676.

Goodman, L. and De Gay, J. (2000) The Routledge reader in politics and performance. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=32734&entityid=https://idp.brunel.ac.uk/entity.

Grehan, H. (2009) Performance, ethics and spectatorship in a global age. Basingstoke [England]: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=250449&entityid=https://idp.brunel.ac.uk/entity.

Grotowski, J. and Barba, E. (1976) Towards a poor theatre. London: Eyre Methuen. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site.

Hamilton, C.M. (no date) The theory of the theatre, and other principles of dramatic criticism - Free Ebook. Available at: http://www.gutenberg.org/ebooks/13589.

Harvie, J. and Lavender, A. (2010) Making contemporary theatre: international rehearsal processes. Manchester: Manchester University Press.

Jill, D. (2007) ‘Critical theory and performance’, in Critical theory and performance. Rev. and enl. ed. Ann Arbor: University of Michigan Press, pp. 334–354. Available at: https://contentstore.cla.co.uk/secure/link?id=cb980248-b302-e811-80cd-005056af4099.

Jones, D.R. (1992) Great directors at work: Stanislavsky, Brecht, Kazan, Brook. Berkeley: University of California Press.

Jory, J. (2002) TIPS. Hanover, IRELAND: Smith & Kraus. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1672467.

Kane, S. and Greig, D. (2001) ‘Complete plays’, in Complete plays. London: Methuen Drama, pp. 9–18. Available at: https://contentstore.cla.co.uk/secure/link?id=71456179-a24a-e611-80bd-0cc47a6bddeb.

Lee, S.S. (no date) Shakespeare and the modern stage - Free Ebook. Available at: http://www.gutenberg.org/ebooks/18780.

Lehmann, H.-T. (2006) Postdramatic theatre. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=56283&entityid=https://idp.brunel.ac.uk/entity.

Lessing, G.E. (no date) Hamburgische dramaturgie - Free Ebook. Available at: http://www.gutenberg.org/ebooks/10055.

Luckhurst, M. and Giannachi, G. (1999) On directing: interviews with directors. London: Faber.

Lyric Hammersmith (no date). Available at: http://www.lyric.co.uk/.

Machon, J. (2009) (Syn)aesthetics: redefining visceral performance. Basingstoke: Palgrave Macmillan. Available at: http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://idp.brunel.ac.uk/entity.

Mangan, M. (2003) Staging masculinities: history, gender, performance. Basingstoke: Palgrave Macmillan.

Marinetti, F.T., Flint, R.W. and Coppotelli, A.A. (1972) Marinetti: selected writings. London: Secker and Warburg.

Marowitz, C. (1999) The other way: an alternative approach to acting and directing. New York: Applause.

Marowitz, C. and Marowitz, C. (1986) Directing the action: acting and directing in the contemporary theatre. New York, NY: Applause Theatre Books.

Marranca, B. et al. (1977) The Theatre of images. 1st ed. New York: Drama Book Specialists.

McAuley, G. (1999) Space in performance: making meaning in the theatre. Ann Arbor, MI: University of Michigan Press.

Miles-Brown, J. (1980) Directing drama. London: Peter Owen.

Mitchell, K. and Mitchell, K. (2009) The director’s craft: a handbook for the theatre. London: Routledge. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203889701.

Mitter, S. (1992) Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=46357&entityid=https://idp.brunel.ac.uk/entity.

Mitter, S. and Shevtsova, M. (2005) Fifty key theatre directors. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=182175.

Nagler, A.M. (1959) A source book in theatrical history: sources of theatrical history. New York: Dover. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1897559.

‘Performance research’ (no date). Available at: https://cm7ly9cu9w.search.serialssolutions.com/ejp/?libHash=CM7LY9CU9W#/search/?searchControl=title&searchType=alternate_title_begins&criteria=Performance%20Research&titleType=JOURNALS&filterBy=All&beginPage=0&language=en-gb.

‘Performing arts journal’ (no date). Available at: http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=cm7ly9cu9w&S=AC_T_B&C=Performing+arts+journal.

Rabkin, G. (1999) Richard Foreman. Baltimore: Johns Hopkins University Press.

Schneider, R. and Cody, G.H. (2002) Re:direction: a theoretical and practical guide. London: Routledge. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=640797&site=ehost-live&scope=site.

Shevtsova, M. and Innes, C.D. (2009) Directors/directing: conversations on theatre. New York: Cambridge University Press.

Sidiropoulou, A. and ProQuest (Firm) (2011) Authoring performance: the director in contemporary theatre. 1st ed. New York: Palgrave Macmillan. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=815827.

Stanislavsky, K. (1967) My life in art. Harmondsworth: Penguin. Available at: http://lib.myilibrary.com/browse/open.asp?id=550067&entityid=https://idp.brunel.ac.uk/entity.

Stanislavsky, K. (2008) An actor prepares. London: Methuen Drama. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=668654.

Stanislavsky, K. and Hapgood, E.R. (1949) Building a character. London: Reinhardt & Evans. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1576062.

Stanislavsky, K. and Popper, H.I. (1987) Creating a role. New York: Theatre Arts Books. Available at: http://lib.myilibrary.com/browse/open.asp?id=415228&entityid=https://idp.brunel.ac.uk/entity.

Stoppard, T., Rappaport, H. and Chekhov, A.P. (2009) The cherry orchard. London: Faber and Faber.

‘Studies in Theatre and Performance’ (no date). Available at: http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Studies in Theatre and Performance.

‘TDR : Drama review’ (no date). Available at: http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=I_M&C=1054-2043.

‘The deep order called turbulence: the three faces of dramaturgy’ (2000) TDR: the drama review, 44(4), pp. 56–66. Available at: http://muse.jhu.edu/journals/the_drama_review/v044/44.4barba.html.

The Royal Court Theatre (no date). Available at: http://www.royalcourttheatre.com/.

‘Theatre research international’ (no date). Available at: http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Theatre+Research+International.

Turner, C. and Behrndt, S.K. (2016) Dramaturgy and performance. Revised edition. London: Macmillan Education.

Vorlicky, R. (1995) Act like a man: challenging masculinities in American drama. Ann Arbor: University of Michigan Press.

Wandor, M. (2001) Post-war British drama: looking back in gender. [Rev. and updated ed.]. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=6815&entityid=https://idp.brunel.ac.uk/entity.

Wandor, M. and Wandor, M. (1986) Carry on, understudies: theatre and sexual politics. (2nd ed.). London: Routledge & Kegan Paul. Available at: http://lib.myilibrary.com/browse/open.asp?id=7450&entityid=https://idp.brunel.ac.uk/entity.

Whitmore, J. (1994) Directing postmodern theater: shaping signification in performance. Ann Arbor: University of Michigan Press.