Akram Khan Company. n.d. http://www.akramkhancompany.net/.
Albright, Ann Cooper, and David Gere. 2003. Taken by Surprise: A Dance Improvisation Reader. Middletown: Wesleyan University Press.
Artaud, Antonin, and Victor Corti. 2013. The Theatre and Its Double. Richmond, Surrey: Alma Books.
Body, space & technology journal. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Body, space & technology journal.
Brook, Peter. 2008. The Empty Space. Vol. Modern classics. London: Penguin Books.
Drama review (TDR). n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=I_M&C=1054-2043.
DV8 Physical Theatre. n.d. https://www.dv8.co.uk/.
Etchells, Tim. 1999. Certain Fragments: Contemporary Performance and Forced Entertainment. New York: Routledge.
Graham, Scott, and Steven Hoggett. 2009. The Frantic Assembly Book of Devising Theatre. London: Routledge.
Harvie, Jen, and Andy Lavender. 2010. Making Contemporary Theatre: International Rehearsal Processes. Vol. Theatre : theory, practice, performance. Manchester: Manchester University Press.
Heddon, Deirdre, and Jane Milling. 2006. Devising Performance: A Critical History. Vol. Theatre and performance practices. New York: Palgrave Macmillan.
Jasmin Vardimon Company. n.d. http://jasminvardimon.com/.
Johnson, Paul, and Sylwia Dobrowska, eds. 2016. Justitia: Multidisciplinary Readings of the Work of Jasmin Vardimon Company. Vol. Playtext. Bristol: Intellect.
Johnstone, Keith. 1999. Impro for Storytellers. New York: Routledge/Theatre Arts Books.
Journal of performance and art (PAJ). n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=I_M&C=1520-281X.
Katan, Einav. 2016. Embodied Philosophy in Dance: Gaga and Ohad Naharin’s Movement Research. London: Palgrave Macmillan.
Keefe, John, and Simon David Murray. 2007. Physical Theatres: A Critical Reader. London: Routledge.
Lecoq, Jacques, and David Bradby. 2006. Theatre of Movement and Gesture. London: Routledge.
Lecoq, Jacques, Jean-Claude Lallias, Jean-Gabriel Carasso, and David Bradby. 2000. The Moving Body: Teaching Creative Theatre. London: Methuen.
Mermikides, Alex, and Jackie Smart. 2010. Devising in Process. Basingstoke [U.K.]: Palgrave Macmillan.
Minton, Sandra Cerny. 2007. Choreography: A Basic Approach Using Improvisation. 3rd ed. Champaign, Ill: Human Kinetics.
Mitra, Royona. 2015. Akram Khan: Dancing New Interculturalism. Vol. New world choreographies. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Murray, Simon David. 2003. Jacques Lecoq. Vol. Routledge performance practitioners. London: Routledge.
Murray, Simon David, and John Keefe. 2007. Physical Theatres: A Critical Introduction. London: Routledge.
New theatre quarterly. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=New Theatre Quarterly.
Oddey, Alison. 1994. Devising Theatre: A Practical and Theoretical Handbook. London: Routledge.
Pallant, Cheryl. 2006. Contact Improvisation: An Introduction to a Vitalizing Dance Form. Jefferson, N.C.: McFarland.
Performance research. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=cm7ly9cu9w&S=AC_T_B&C=performance+research.
Pina Bausch. n.d. http://www.pina-bausch.de/en/pina_bausch/.
Sorgel, Sabine. 2015. Dance and the Body in Western Theatre: 1948 to the Present. London: Palgrave.
Tufnell, Miranda, and Christopher Crickmay. 1993. Body Space Image: Notes towards Improvisation and Performance. London: Dance Books.
Vincent Dance Theatre. n.d. http://www.vincentdt.com/.
Worth, Libby, and Jasmin Vardimon. 2017. Jasmin Vardimon’s Dance Theatre: Movement, Memory and Metaphor. Abingdon, Oxon: Routledge.