1
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
2
Noble I, Bestley R. Visual Research: an Introduction to Research Methodologies in Graphic Design. 3rd edition. London: : Fairchild Books, an imprint of Bloomsbury Publishing Plc 2016.
3
Potter N. What is a designer: things, places, messages. In: What is a designer: things, places, messages. London: : Hyphen Press 2002. 7–9.https://contentstore.cla.co.uk/secure/link?id=76c11a40-d6ca-e811-80cd-005056af4099
4
Potter N. What is a designer: things, places, messages. In: What is a designer: things, places, messages. London: : Hyphen Press 2002. 10–4.https://contentstore.cla.co.uk/secure/link?id=6bee0ba8-d6ca-e811-80cd-005056af4099
5
Bierut M. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: : Thames & Hudson 2015.
6
Shaughnessy A. Graphic design: a user’s manual. London: : Laurence King 2009.
7
Lupton E, Phillips JC. Graphic Design: the New Basics. Second edition, revised and expanded. New York: : Princeton Architectural Press 2015. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4518455
8
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
9
Pater R. The politics of design: a (not so) global manual for visual communication. Amsterdam, The Netherlands: : BIS Publishers 2016.
10
Lupton E. Typotheque: Writing Lessons: Modern Design Theory by Ellen Lupton. 1988.https://www.typotheque.com/articles/writing_lessons_modern_design_theory
11
Vanderpoel EN. Color problems: a practical manual for the lay student of color. Brooklyn, NY: : The Circadian Press 2018.
12
Albers J. Interaction of color. 50th anniversary edition. New Haven, [Connecticut]: : Yale University Press 2013.
13
During S. The cultural studies reader. In: The cultural studies reader. London: : Routledge 1993. 90–103.https://contentstore.cla.co.uk/secure/link?id=975978b5-d1c7-e811-80cd-005056af4099
14
John Berger / Ways of Seeing , Episode 1 (1972) - YouTube. https://www.youtube.com/watch?v=0pDE4VX_9Kk
15
Crow D. Visible signs: an introduction to semiotics in the visual arts. 2nd ed. Lausanne: : AVA Academia 2010.
16
Lupton E, Miller JA. Design writing research: writing on graphic design. In: Design writing research: writing on graphic design. London: : Phaidon 1999. 135–41.https://contentstore.cla.co.uk/secure/link?id=ce758cf5-e0c7-e811-80cd-005056af4099
17
Davis M. Graphic design theory. London: : Thames & Hudson 2012.
18
Berger J. Ways of seeing. London: : Penguin 2008. https://www.youtube.com/watch?v=0pDE4VX_9Kk
19
Lupton E, Phillips JC. Graphic Design: the New Basics. Second edition, revised and expanded. New York: : Princeton Architectural Press 2015. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4518455
20
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
21
Lupton E. Thinking with type: a critical guide for designers, writers, editors, & students. 2nd rev. and expanded ed. New York: : Princeton Architectural Press 2010. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
22
Pater R. The politics of design: a (not so) global manual for visual communication. Amsterdam, The Netherlands: : BIS Publishers 2016.
23
Bringhurst R. The elements of typographic style. Fourth edition (version 4.0), Twentieth anniversary edition. Seattle: : Hartley & Marks, Publishers 2012.
24
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
25
Kane J. A type primer. 2nd ed. London: : Laurence King 2011.
26
Cohen S. InDesign CC: 2014 release for Windows and Macintosh. [San Francisco]: : Peachpit Press 2014.
27
InDesign User Guide. https://helpx.adobe.com/indesign/user-guide.html
28
Samara T. Making and breaking the grid: a graphic design layout workshop. Second edition. Beverly, Massachusetts: : Rockport Publishers 2017. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4926459
29
Lupton E. Thinking with type: a critical guide for designers, writers, editors, & students. 2nd rev. and expanded ed. New York: : Princeton Architectural Press 2010. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
30
Lupton E, editor. Type on screen: a guide for designers, developers, writers, and students. First Edition. New York: : Princeton Architectural Press 2014. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387581
31
Mèuller-Brockmann J, Stephenson DQ. Grid systems in graphic design: a visual communication manual for graphic designers, typographers and three dimensional designers = Raster systeme fèur visuelle Gestaltung : ein Handbuch fèur Grafiker, Typografen und Ausstellungsgestalter. 11th ed. Sulgen: : Niggli 2016.
32
Cohen S. InDesign CC: 2014 release for Windows and Macintosh. [San Francisco]: : Peachpit Press 2014.
33
InDesign User Guide. https://helpx.adobe.com/indesign/user-guide.html
34
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
35
Elam K. Grid systems: principles of organizing type. New York: : Princeton Architectural Press 2004. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387574
36
Mirzoeff N. How to see the world. In: How to see the world. [London] UK: : Pelican, an imprint of Penguin Books 2015. 29–69.https://contentstore.cla.co.uk/secure/link?id=e97d0ab4-85d7-e811-80cd-005056af4099
37
Lupton E, Miller JA. Design writing research: writing on graphic design. In: Design writing research: writing on graphic design. London: : Phaidon 1999. 121–34.https://contentstore.cla.co.uk/secure/link?id=442d14d2-dfc7-e811-80cd-005056af4099
38
Shore R. Post-Photography: The Artist with a Camera. London: : Laurence King 2014. https://www.amazon.co.uk/Post-Photography-Artist-Camera-Elephant-2014-09-08/dp/B0184VX3LO/ref=sr_1_2?s=books&ie=UTF8&qid=1537349810&sr=1-2&keywords=Post+Photography+-+The+Artist+with+a+Camera%2C+Robert+Shore%2C
39
Klanten R, Ehmann S, Hèubner M. Tangible: High touch visuals. Berlin: : Gestalten 2009.
40
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
41
Lectures on Digital Photography by Marc Levoy. https://sites.google.com/site/marclevoylectures/home
42
Weinmann E, Lourekas P. Photoshop CC: 2015 release. [San Francisco]: : Peachpit Press 2016.
43
Klanten R, Sinofzik A. High touch: tactile design and visual explorations. Berlin: : Gestalten 2012.
44
Klanten R, Ehmann S, Hèubner M. Tangible: High touch visuals. Berlin: : Gestalten 2009.
45
Weinmann E, Lourekas P. Photoshop CC: 2015 release. [San Francisco]: : Peachpit Press 2016.
46
Brower S. Inside art direction: interviews and case studies. London: : Fairchild Books, an imprint of Bloomsbury Publishing Plc 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=6941307
47
Heller S, Vienne V. Art direction explained, at last! London: : Laurence King 2009.
48
Heller S, Vienne V, editors. The education [of] an art director. New York: : Allworth Press 2006.
49
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
50
Hollis R. About graphic design. London: : Occasional Papers 2012.
51
Bierut M. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: : Thames & Hudson 2015.
52
Hyland A, Bateman S. Symbol. London: : Laurence King 2011.
53
Kinross R, Neurath M. The transformer: principles of making Isotype charts. London: : Hyphen Press 2009. https://hyphenpress.co.uk/products/books/978-0-907259-40-4
54
Frutiger A. Signs and symbols: their design and meaning. New York: : Van Nostrand Reinhold 1989.
55
Abdullah R, Hèubner R. Pictograms, icons & signs: a guide to information graphics. London: : Thames & Hudson 2006.
56
Modley R, Myers WR. Handbook of pictorial symbols: 3,250 examples from international sources. New York: : Dover Publications 1976.
57
Noun Project - Icons for Everything. https://thenounproject.com/
58
Fulleylove R. "Imagination doesn’t compare to our real life design history”: Annie Atkins on the art of graphic design for film. 17AD.https://www.itsnicethat.com/features/annie-atkins-graphic-design-for-film-prop-making-wes-anderson-170817
59
Gosling E. BBC graphic design team reveals secrets of working on The Night Manager, with Tom Hiddleston. Published Online First: 29 March 2016.https://www.itsnicethat.com/news/bbc-the-night-manager-tom-hiddleston-graphic-design-290316
60
Landekic L. You’re Influenced by Film Title Designer Pablo Ferro and You Probably Don’t Even Know It | | Eye on Design. Published Online First: 29 November 2018.https://eyeondesign.aiga.org/youre-influenced-by-film-title-designer-pablo-ferro-and-you-dont-even-know-it/
61
Gosling E. It’s Nice That | The Grand Budapest Hotel graphic designer on designing for Wes Anderson. Published Online First: 9AD.https://www.itsnicethat.com/articles/annie-atkins-grand-budapest-hotel
62
Lupton E. Design is storytelling. New York, NY: : Cooper Hewitt 2017.
63
Bierut M, Drenttel W, Heller S. Looking closer 4: critical writings on graphic design. New York: : Allworth Press 2002. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=646967
64
Triggs T. Fanzines. In: Fanzines. London: : Thames & Hudson 2010. 204–47.https://contentstore.cla.co.uk/secure/link?id=552a3c44-291f-e911-80cd-005056af4099
65
Piepmeier A, ProQuest (Firm). Girl zines: making media, doing feminism. New York: : New York University Press 2009. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865810
66
Duncombe S, ProQuest (Firm). Notes from underground: zines and the politics of alternative culture. 2nd ed. Bloomington, Ind: : Microcosm Pub 2008. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1912223
67
GF Smith. https://www.gfsmith.com/
68
Bierut M. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. In: How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: : Thames & Hudson 2015. 44–9.https://contentstore.cla.co.uk/secure/link?id=9928f456-bd2b-e911-80cd-005056af4099
69
Bierut M. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. In: How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: : Thames & Hudson 2015. 100–11.https://contentstore.cla.co.uk/secure/link?id=6670c8d8-bc2b-e911-80cd-005056af4099
70
Armstrong H. Graphic design theory: readings from the field. 1st ed. New York: : Princeton Architectural Press 2009. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387353
71
Armstrong H. Graphic design theory: readings from the field. 1st ed. New York: : Princeton Architectural Press 2009. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387353
72
Ambrose G, Harris P. Format. 2nd edition. Lausanne: : AVA Academia 2012.
73
Ambrose G, Harris P. Layout. 2nd ed. Lausanne, Switzerland: : AVA Academia 2011. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4654149
74
Gatter M, Gatter M. Production for print. Rev. and expanded ed. London: : Laurence King 2010. http://lib.myilibrary.com/browse/open.asp?id=664371&entityid=https://idp.brunel.ac.uk/entity
75
Ambrose G, Harris P. The layout book. Second edition. London: : Fairchild Books, an imprint of Bloomsbury Publishing Plc 2015.
76
Smith EK. How to make books. 1st ed. New York: : Potter Craft 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=6086757
77
Lewis AW. Basic Bookbinding. New York, UNITED STATES: : Dover Publications 1957. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1894531
78
Zeier F, Li I. Books, boxes, and portfolios: binding, construction, and design step-by-step. New York, NY: : Design Press 1990.
79
Lupton E, Phillips JC. Graphic design: the new basics. Second edition, revised and expanded. New York: : Princeton Architectural Press 2015. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4518455
80
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2017.
81
Hollis R. About graphic design. London: : Occasional Papers 2012.
82
Noble I, Bestley R. Visual Research: an Introduction to Research Methodologies in Graphic Design. 3rd edition. London: : Fairchild Books, an imprint of Bloomsbury Publishing Plc 2016.
83
Potter N. What is a designer: things, places, messages. 4th ed. London: : Hyphen Press 2002.
84
Crow D. Visible signs: an introduction to semiotics in the visual arts. 2nd ed. Lausanne: : AVA Academia 2010.
85
Pater R. The politics of design: a (not so) global manual for visual communication. Amsterdam, The Netherlands: : BIS Publishers 2016.
86
Samara T. Making and breaking the grid: a graphic design layout workshop. Second edition. Beverly, Massachusetts: : Rockport Publishers 2017. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4926459
87
During S. The cultural studies reader. In: The cultural studies reader. London: : Routledge 1993. 90–103.https://contentstore.cla.co.uk/secure/link?id=975978b5-d1c7-e811-80cd-005056af4099
88
John Berger / Ways of Seeing , Episode 1 (1972) - YouTube. https://www.youtube.com/watch?v=0pDE4VX_9Kk
89
Pater R. The politics of design: a (not so) global manual for visual communication. Amsterdam, The Netherlands: : BIS Publishers 2016.
90
Samara T. Making and breaking the grid: a graphic design layout workshop. Second edition. Beverly, Massachusetts: : Rockport Publishers 2017. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4926459
91
Lupton E. Thinking with type: a critical guide for designers, writers, editors, & students. 2nd rev. and expanded ed. New York: : Princeton Architectural Press 2010. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
92
Mirzoeff N. How to see the world. [London] UK: : Pelican, an imprint of Penguin Books 2015.
93
Lupton E, Miller JA. Design writing research: writing on graphic design. London: : Phaidon 1999.
94
Shore R. Post-Photography: The Artist with a Camera. London: : Laurence King 2014. https://www.amazon.co.uk/Post-Photography-Artist-Camera-Elephant-2014-09-08/dp/B0184VX3LO/ref=sr_1_2?s=books&ie=UTF8&qid=1537349810&sr=1-2&keywords=Post+Photography+-+The+Artist+with+a+Camera%2C+Robert+Shore%2C
95
Klanten R, Ehmann S, Hèubner M. Tangible: High touch visuals. Berlin: : Gestalten 2009.
96
Klanten R, Sinofzik A. High touch: tactile design and visual explorations. Berlin: : Gestalten 2012.
97
Hollis R. About graphic design. London: : Occasional Papers 2012.
98
Lupton E. Design is storytelling. New York, NY: : Cooper Hewitt 2017.
99
Albers J. Interaction of color. 50th anniversary edition. New Haven, [Connecticut]: : Yale University Press 2013.
100
Hyland A, Bateman S. Symbol. London: : Laurence King 2011.
101
Bierut M. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: : Thames & Hudson 2015.
102
Shaughnessy A. Graphic design: a user’s manual. London: : Laurence King 2009.
103
Lupton E. Typotheque: Writing Lessons: Modern Design Theory by Ellen Lupton. 1988.https://www.typotheque.com/articles/writing_lessons_modern_design_theory
104
Mèuller-Brockmann J, Stephenson DQ. Grid systems in graphic design: a visual communication manual for graphic designers, typographers and three dimensional designers = Raster systeme fèur visuelle Gestaltung : ein Handbuch fèur Grafiker, Typografen und Ausstellungsgestalter. 11th ed. Sulgen: : Niggli 2016.
105
Tschichold J. The new typography: a handbook for modern designers. [New ed.]. Berkeley, Calif: : University of California Press 2006.
106
Bierut M, Drenttel W, Heller S. Looking closer 4: critical writings on graphic design. New York: : Allworth Press 2002. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=646967
107
Poynor R. Typography now two: implosion. London: : Booth-Clibborn Editions 1998.
108
Ambrose G, Harris P. The layout book. Second edition. London: : Fairchild Books, an imprint of Bloomsbury Publishing Plc 2015.
109
Ambrose G, Harris P. The fundamentals of typography. 2nd ed. Lausanne: : AVA Academia 2011.
110
Ambrose G, Harris P. The fundamentals of creative design. 2nd ed. Lausanne: : AVA Publishing 2011. http://lib.myilibrary.com/browse/open.asp?id=342615&entityid=https://idp.brunel.ac.uk/entity
111
Bhaskaran L. Size matters: effective graphic design for large amounts of information. Hove [U.K.]: : RotoVision 2004.
112
Shaughnessy A. Graphic design: a user’s manual. London: : Laurence King 2009.
113
Fletcher A. The art of looking sideways. London: : Phaidon 2001.
114
Bierut M, editor. Looking closer 4: critical writings on graphic design. New York: : Allworth Press 2002. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=646967
115
Ambrose G, Harris P. Format. 2nd edition. Lausanne: : AVA Academia 2012.
116
Armstrong H. Graphic design theory: readings from the field. 1st ed. New York: : Princeton Architectural Press 2009. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387353
117
Meggs PB, Purvis AW, Meggs PB. Meggs’ history of graphic design. Sixth edition. Hoboken, New Jersey: : Wiley 2016. http://lib.myilibrary.com/browse/open.asp?id=915535&entityid=https://idp.brunel.ac.uk/entity
118
Butterick’s Practical Typography. http://practicaltypography.com/
119
Typewolf. https://www.typewolf.com/
120
Fonts In Use – Type at work in the real world. https://fontsinuse.com/
121
Cohen S. InDesign CC: 2014 release for Windows and Macintosh. [San Francisco]: : Peachpit Press 2014.
122
Weinmann E, Lourekas P, Chelius C. Illustrator CC. 2014 release. [San Francisco]: : Peachpit Press 2015.
123
Weinmann E, Lourekas P. Photoshop CC: 2015 release. [San Francisco]: : Peachpit Press 2016.
124
Illustrator User Guide. https://helpx.adobe.com/illustrator/user-guide.html
125
InDesign User Guide. https://helpx.adobe.com/indesign/user-guide.html
126
Photoshop User Guide. https://helpx.adobe.com/photoshop/user-guide.html
127
InDesignSecrets. https://indesignsecrets.com/
128
Phlearn youtube channel: The Quick Start Guide to Photoshop (Part 1). 23AD.https://www.youtube.com/watch?v=ryOgl4EDgn8&list=PL7JpMMpENaD3Bz9v-2xuJXI3fipeDwprW&index=2
129
Howard Pinsky: youtube photoshop tutorials. https://www.youtube.com/user/IceflowStudios/playlists
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Spoon Graphics: Photoshop and Illustrator tutorials. https://www.youtube.com/channel/UC_mkC8ChfzCJcuSqSMwvUWw/playlists
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Lynda: Online Courses, Classes, Training, Tutorials. https://www.lynda.com/
