[1]
Abdullah, R. and Hèubner, R. 2006. Pictograms, icons & signs: a guide to information graphics. Thames & Hudson.
[2]
Albers, J. 2013. Interaction of color. Yale University Press.
[3]
Albers, J. 2013. Interaction of color. Yale University Press.
[4]
Ambrose, G. and Harris, P. 2012. Format. AVA Academia.
[5]
Ambrose, G. and Harris, P. 2012. Format. AVA Academia.
[6]
Ambrose, G. and Harris, P. 2011. Layout. AVA Academia.
[7]
Ambrose, G. and Harris, P. 2011. The fundamentals of creative design. AVA Publishing.
[8]
Ambrose, G. and Harris, P. 2011. The fundamentals of typography. AVA Academia.
[9]
Ambrose, G. and Harris, P. 2015. The layout book. Fairchild Books, an imprint of Bloomsbury Publishing Plc.
[10]
Ambrose, G. and Harris, P. 2015. The layout book. Fairchild Books, an imprint of Bloomsbury Publishing Plc.
[11]
Armstrong, H. 2009. Graphic design theory: readings from the field. Princeton Architectural Press.
[12]
Armstrong, H. 2009. Graphic design theory: readings from the field. Princeton Architectural Press.
[13]
Armstrong, H. 2009. Graphic design theory: readings from the field. Princeton Architectural Press.
[14]
Berger, J. 2008. Ways of seeing. Penguin.
[15]
Bhaskaran, L. 2004. Size matters: effective graphic design for large amounts of information. RotoVision.
[16]
Bierut, M. 2015. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. Thames & Hudson.
[17]
Bierut, M. 2015. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. Thames & Hudson.
[18]
Bierut, M. 2015. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. Thames & Hudson. 44–49.
[19]
Bierut, M. 2015. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. Thames & Hudson. 100–111.
[20]
Bierut, M. 2015. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. Thames & Hudson.
[21]
Bierut, M. et al. 2002. Looking closer 4: critical writings on graphic design. Allworth Press.
[22]
Bierut, M. et al. 2002. Looking closer 4: critical writings on graphic design. Allworth Press.
[23]
Bierut, M. ed. 2002. Looking closer 4: critical writings on graphic design. Allworth Press.
[24]
Bringhurst, R. 2012. The elements of typographic style. Hartley & Marks, Publishers.
[25]
Brower, S. 2016. Inside art direction: interviews and case studies. Fairchild Books, an imprint of Bloomsbury Publishing Plc.
[26]
Butterick’s Practical Typography: http://practicaltypography.com/.
[27]
Cohen, S. 2014. InDesign CC: 2014 release for Windows and Macintosh. Peachpit Press.
[28]
Cohen, S. 2014. InDesign CC: 2014 release for Windows and Macintosh. Peachpit Press.
[29]
Cohen, S. 2014. InDesign CC: 2014 release for Windows and Macintosh. Peachpit Press.
[30]
Crow, D. 2010. Visible signs: an introduction to semiotics in the visual arts. AVA Academia.
[31]
Crow, D. 2010. Visible signs: an introduction to semiotics in the visual arts. AVA Academia.
[32]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[33]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[34]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[35]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[36]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[37]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[38]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[39]
Dabner, D. et al. 2017. Graphic design school: the principles and practice of graphic design. Wiley.
[40]
Davis, M. 2012. Graphic design theory. Thames & Hudson.
[41]
Duncombe, S. and ProQuest (Firm) 2008. Notes from underground: zines and the politics of alternative culture. Microcosm Pub.
[42]
During, S. 1993. The cultural studies reader. The cultural studies reader. Routledge. 90–103.
[43]
During, S. 1993. The cultural studies reader. The cultural studies reader. Routledge. 90–103.
[44]
Elam, K. 2004. Grid systems: principles of organizing type. Princeton Architectural Press.
[45]
Fletcher, A. 2001. The art of looking sideways. Phaidon.
[46]
Fonts In Use – Type at work in the real world.: https://fontsinuse.com/.
[47]
Frutiger, A. 1989. Signs and symbols: their design and meaning. Van Nostrand Reinhold.
[48]
Gatter, M. and Gatter, M. 2010. Production for print. Laurence King.
[49]
GF Smith: https://www.gfsmith.com/.
[50]
Gosling, E. 2016. BBC graphic design team reveals secrets of working on The Night Manager, with Tom Hiddleston. (Mar. 2016).
[51]
Gosling, E. 9AD. It’s Nice That | The Grand Budapest Hotel graphic designer on designing for Wes Anderson. (9AD).
[52]
Heller, S. and Vienne, V. 2009. Art direction explained, at last!. Laurence King.
[53]
Heller, S. and Vienne, V. eds. 2006. The education [of] an art director. Allworth Press.
[54]
Hollis, R. 2012. About graphic design. Occasional Papers.
[55]
Hollis, R. 2012. About graphic design. Occasional Papers.
[56]
Hollis, R. 2012. About graphic design. Occasional Papers.
[57]
Hyland, A. and Bateman, S. 2011. Symbol. Laurence King.
[58]
Hyland, A. and Bateman, S. 2011. Symbol. Laurence King.
[59]
Illustrator User Guide: https://helpx.adobe.com/illustrator/user-guide.html.
[60]
"Imagination doesn’t compare to our real life design history”: Annie Atkins on the art of graphic design for film: 17AD. https://www.itsnicethat.com/features/annie-atkins-graphic-design-for-film-prop-making-wes-anderson-170817.
[61]
InDesign User Guide: https://helpx.adobe.com/indesign/user-guide.html.
[62]
InDesign User Guide: https://helpx.adobe.com/indesign/user-guide.html.
[63]
InDesign User Guide: https://helpx.adobe.com/indesign/user-guide.html.
[64]
InDesignSecrets: https://indesignsecrets.com/.
[65]
Kane, J. 2011. A type primer. Laurence King.
[66]
Kinross, R. and Neurath, M. 2009. The transformer: principles of making Isotype charts. Hyphen Press.
[67]
Klanten, R. et al. 2009. Tangible: High touch visuals. Gestalten.
[68]
Klanten, R. et al. 2009. Tangible: High touch visuals. Gestalten.
[69]
Klanten, R. et al. 2009. Tangible: High touch visuals. Gestalten.
[70]
Klanten, R. and Sinofzik, A. 2012. High touch: tactile design and visual explorations. Gestalten.
[71]
Klanten, R. and Sinofzik, A. 2012. High touch: tactile design and visual explorations. Gestalten.
[72]
Landekic, L. 2018. You’re Influenced by Film Title Designer Pablo Ferro and You Probably Don’t Even Know It | | Eye on Design. (Nov. 2018).
[73]
Lectures on Digital Photography by Marc Levoy: https://sites.google.com/site/marclevoylectures/home.
[74]
Lewis, A.W. 1957. Basic Bookbinding. Dover Publications.
[75]
Lupton, E. 2017. Design is storytelling. Cooper Hewitt.
[76]
Lupton, E. 2017. Design is storytelling. Cooper Hewitt.
[77]
Lupton, E. 2010. Thinking with type: a critical guide for designers, writers, editors, & students. Princeton Architectural Press.
[78]
Lupton, E. 2010. Thinking with type: a critical guide for designers, writers, editors, & students. Princeton Architectural Press.
[79]
Lupton, E. 2010. Thinking with type: a critical guide for designers, writers, editors, & students. Princeton Architectural Press.
[80]
Lupton, E. ed. 2014. Type on screen: a guide for designers, developers, writers, and students. Princeton Architectural Press.
[81]
Lupton, E. and Miller, J.A. 1999. Design writing research: writing on graphic design. Design writing research: writing on graphic design. Phaidon. 135–141.
[82]
Lupton, E. and Miller, J.A. 1999. Design writing research: writing on graphic design. Design writing research: writing on graphic design. Phaidon. 121–134.
[83]
Lupton, E. and Miller, J.A. 1999. Design writing research: writing on graphic design. Phaidon.
[84]
Lupton, E. and Phillips, J.C. 2015. Graphic Design: the New Basics. Princeton Architectural Press.
[85]
Lupton, E. and Phillips, J.C. 2015. Graphic Design: the New Basics. Princeton Architectural Press.
[86]
Lupton, E. and Phillips, J.C. 2015. Graphic design: the new basics. Princeton Architectural Press.
[87]
Meggs, P.B. et al. 2016. Meggs’ history of graphic design. Wiley.
[88]
Mèuller-Brockmann, J. and Stephenson, D.Q. 2016. Grid systems in graphic design: a visual communication manual for graphic designers, typographers and three dimensional designers = Raster systeme fèur visuelle Gestaltung : ein Handbuch fèur Grafiker, Typografen und Ausstellungsgestalter. Niggli.
[89]
Mèuller-Brockmann, J. and Stephenson, D.Q. 2016. Grid systems in graphic design: a visual communication manual for graphic designers, typographers and three dimensional designers = Raster systeme fèur visuelle Gestaltung : ein Handbuch fèur Grafiker, Typografen und Ausstellungsgestalter. Niggli.
[90]
Mirzoeff, N. 2015. How to see the world. How to see the world. Pelican, an imprint of Penguin Books. 29–69.
[91]
Mirzoeff, N. 2015. How to see the world. Pelican, an imprint of Penguin Books.
[92]
Modley, R. and Myers, W.R. 1976. Handbook of pictorial symbols: 3,250 examples from international sources. Dover Publications.
[93]
Noble, I. and Bestley, R. 2016. Visual Research: an Introduction to Research Methodologies in Graphic Design. Fairchild Books, an imprint of Bloomsbury Publishing Plc.
[94]
Noble, I. and Bestley, R. 2016. Visual Research: an Introduction to Research Methodologies in Graphic Design. Fairchild Books, an imprint of Bloomsbury Publishing Plc.
[95]
Noun Project - Icons for Everything: https://thenounproject.com/.
[96]
Pater, R. 2016. The politics of design: a (not so) global manual for visual communication. BIS Publishers.
[97]
Pater, R. 2016. The politics of design: a (not so) global manual for visual communication. BIS Publishers.
[98]
Pater, R. 2016. The politics of design: a (not so) global manual for visual communication. BIS Publishers.
[99]
Pater, R. 2016. The politics of design: a (not so) global manual for visual communication. BIS Publishers.
[100]
Photoshop User Guide: https://helpx.adobe.com/photoshop/user-guide.html.
[101]
Piepmeier, A. and ProQuest (Firm) 2009. Girl zines: making media, doing feminism. New York University Press.
[102]
Potter, N. 2002. What is a designer: things, places, messages. What is a designer: things, places, messages. Hyphen Press. 7–9.
[103]
Potter, N. 2002. What is a designer: things, places, messages. What is a designer: things, places, messages. Hyphen Press. 10–14.
[104]
Potter, N. 2002. What is a designer: things, places, messages. Hyphen Press.
[105]
Poynor, R. 1998. Typography now two: implosion. Booth-Clibborn Editions.
[106]
Samara, T. 2017. Making and breaking the grid: a graphic design layout workshop. Rockport Publishers.
[107]
Samara, T. 2017. Making and breaking the grid: a graphic design layout workshop. Rockport Publishers.
[108]
Samara, T. 2017. Making and breaking the grid: a graphic design layout workshop. Rockport Publishers.
[109]
Shaughnessy, A. 2009. Graphic design: a user’s manual. Laurence King.
[110]
Shaughnessy, A. 2009. Graphic design: a user’s manual. Laurence King.
[111]
Shaughnessy, A. 2009. Graphic design: a user’s manual. Laurence King.
[112]
Shore, R. 2014. Post-Photography: The Artist with a Camera. Laurence King.
[113]
Shore, R. 2014. Post-Photography: The Artist with a Camera. Laurence King.
[114]
Smith, E.K. 2007. How to make books. Potter Craft.
[115]
Triggs, T. 2010. Fanzines. Fanzines. Thames & Hudson. 204–247.
[116]
Tschichold, J. 2006. The new typography: a handbook for modern designers. University of California Press.
[117]
Typewolf: https://www.typewolf.com/.
[118]
Typotheque: Writing Lessons: Modern Design Theory by Ellen Lupton: 1988. https://www.typotheque.com/articles/writing_lessons_modern_design_theory.
[119]
Typotheque: Writing Lessons: Modern Design Theory by Ellen Lupton: 1988. https://www.typotheque.com/articles/writing_lessons_modern_design_theory.
[120]
Vanderpoel, E.N. 2018. Color problems: a practical manual for the lay student of color. The Circadian Press.
[121]
Weinmann, E. et al. 2015. Illustrator CC. Peachpit Press.
[122]
Weinmann, E. and Lourekas, P. 2016. Photoshop CC: 2015 release. Peachpit Press.
[123]
Weinmann, E. and Lourekas, P. 2016. Photoshop CC: 2015 release. Peachpit Press.
[124]
Weinmann, E. and Lourekas, P. 2016. Photoshop CC: 2015 release. Peachpit Press.
[125]
Zeier, F. and Li, I. 1990. Books, boxes, and portfolios: binding, construction, and design step-by-step. Design Press.
[126]
Howard Pinsky: youtube photoshop tutorials.
[127]
John Berger / Ways of Seeing , Episode 1 (1972) - YouTube.
[128]
John Berger / Ways of Seeing , Episode 1 (1972) - YouTube.
[129]
Lynda: Online Courses, Classes, Training, Tutorials.
[130]
23AD. Phlearn youtube channel: The Quick Start Guide to Photoshop (Part 1).
[131]
Spoon Graphics: Photoshop and Illustrator tutorials.