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3.
Potter N. What is a designer: things, places, messages. In: What is a designer: things, places, messages [Internet]. 4th ed. London: Hyphen Press; 2002. p. 7–9. Available from: https://contentstore.cla.co.uk/secure/link?id=76c11a40-d6ca-e811-80cd-005056af4099
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Potter N. What is a designer: things, places, messages. In: What is a designer: things, places, messages [Internet]. 4th ed. London: Hyphen Press; 2002. p. 10–4. Available from: https://contentstore.cla.co.uk/secure/link?id=6bee0ba8-d6ca-e811-80cd-005056af4099
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Bierut M. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: Thames & Hudson; 2015.
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8.
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: Wiley; 2017.
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20.
Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: Wiley; 2017.
21.
Lupton E. Thinking with type: a critical guide for designers, writers, editors, & students [Internet]. 2nd rev. and expanded ed. New York: Princeton Architectural Press; 2010. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
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Pater R. The politics of design: a (not so) global manual for visual communication. Amsterdam, The Netherlands: BIS Publishers; 2016.
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29.
Lupton E. Thinking with type: a critical guide for designers, writers, editors, & students [Internet]. 2nd rev. and expanded ed. New York: Princeton Architectural Press; 2010. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
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Lupton E, editor. Type on screen: a guide for designers, developers, writers, and students [Internet]. First Edition. New York: Princeton Architectural Press; 2014. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387581
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Mèuller-Brockmann J, Stephenson DQ. Grid systems in graphic design: a visual communication manual for graphic designers, typographers and three dimensional designers = Raster systeme fèur visuelle Gestaltung : ein Handbuch fèur Grafiker, Typografen und Ausstellungsgestalter. 11th ed. Sulgen: Niggli; 2016.
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Bierut M. How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. In: How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world [Internet]. London: Thames & Hudson; 2015. p. 44–9. Available from: https://contentstore.cla.co.uk/secure/link?id=9928f456-bd2b-e911-80cd-005056af4099
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Dabner D, Stewart S, Vickress A. Graphic design school: the principles and practice of graphic design. Sixth edition. Hoboken, New Jersey: Wiley; 2017.
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During S. The cultural studies reader. In: The cultural studies reader [Internet]. London: Routledge; 1993. p. 90–103. Available from: https://contentstore.cla.co.uk/secure/link?id=975978b5-d1c7-e811-80cd-005056af4099
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91.
Lupton E. Thinking with type: a critical guide for designers, writers, editors, & students [Internet]. 2nd rev. and expanded ed. New York: Princeton Architectural Press; 2010. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
92.
Mirzoeff N. How to see the world. Vol. 8. [London] UK: Pelican, an imprint of Penguin Books; 2015.
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Klanten R, Ehmann S, Hèubner M. Tangible: High touch visuals. Berlin: Gestalten; 2009.
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Meggs PB, Purvis AW, Meggs PB. Meggs’ history of graphic design [Internet]. Sixth edition. Hoboken, New Jersey: Wiley; 2016. Available from: http://lib.myilibrary.com/browse/open.asp?id=915535&entityid=https://idp.brunel.ac.uk/entity
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