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D. Dabner, S. Stewart, and A. Vickress, Graphic design school: the principles and practice of graphic design, Sixth edition. Hoboken, New Jersey: Wiley, 2017.
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N. Potter, ‘What is a designer: things, places, messages’, in What is a designer: things, places, messages, 4th ed., London: Hyphen Press, 2002, pp. 7–9 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=76c11a40-d6ca-e811-80cd-005056af4099
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N. Potter, ‘What is a designer: things, places, messages’, in What is a designer: things, places, messages, 4th ed., London: Hyphen Press, 2002, pp. 10–14 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=6bee0ba8-d6ca-e811-80cd-005056af4099
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M. Bierut, How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: Thames & Hudson, 2015.
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D. Dabner, S. Stewart, and A. Vickress, Graphic design school: the principles and practice of graphic design, Sixth edition. Hoboken, New Jersey: Wiley, 2017.
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D. Dabner, S. Stewart, and A. Vickress, Graphic design school: the principles and practice of graphic design, Sixth edition. Hoboken, New Jersey: Wiley, 2017.
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E. Lupton, Thinking with type: a critical guide for designers, writers, editors, & students, 2nd rev. and Expanded ed. New York: Princeton Architectural Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
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R. Pater, The politics of design: a (not so) global manual for visual communication. Amsterdam, The Netherlands: BIS Publishers, 2016.
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R. Bringhurst, The elements of typographic style, Fourth edition (version 4.0), Twentieth anniversary edition. Seattle: Hartley & Marks, Publishers, 2012.
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T. Samara, Making and breaking the grid: a graphic design layout workshop, Second edition. Beverly, Massachusetts: Rockport Publishers, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4926459
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E. Lupton, Thinking with type: a critical guide for designers, writers, editors, & students, 2nd rev. and Expanded ed. New York: Princeton Architectural Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
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E. Lupton, Ed., Type on screen: a guide for designers, developers, writers, and students, First Edition. New York: Princeton Architectural Press, 2014 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387581
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J. Mèuller-Brockmann and D. Q. Stephenson, Grid systems in graphic design: a visual communication manual for graphic designers, typographers and three dimensional designers = Raster systeme fèur visuelle Gestaltung : ein Handbuch fèur Grafiker, Typografen und Ausstellungsgestalter, 11th ed. Sulgen: Niggli, 2016.
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D. Dabner, S. Stewart, and A. Vickress, Graphic design school: the principles and practice of graphic design, Sixth edition. Hoboken, New Jersey: Wiley, 2017.
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K. Elam, Grid systems: principles of organizing type. New York: Princeton Architectural Press, 2004 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387574
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N. Mirzoeff, ‘How to see the world’, in How to see the world, vol. 8, [London] UK: Pelican, an imprint of Penguin Books, 2015, pp. 29–69 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=e97d0ab4-85d7-e811-80cd-005056af4099
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D. Dabner, S. Stewart, and A. Vickress, Graphic design school: the principles and practice of graphic design, Sixth edition. Hoboken, New Jersey: Wiley, 2017.
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S. Heller and V. Vienne, Art direction explained, at last! London: Laurence King, 2009.
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M. Bierut, ‘How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world’, in How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world, London: Thames & Hudson, 2015, pp. 44–49 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=9928f456-bd2b-e911-80cd-005056af4099
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H. Armstrong, Graphic design theory: readings from the field, 1st ed. New York: Princeton Architectural Press, 2009 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387353
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G. Ambrose and P. Harris, Format, 2nd edition., vol. 01. Lausanne: AVA Academia, 2012.
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A. W. Lewis, Basic Bookbinding. New York, UNITED STATES: Dover Publications, 1957 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1894531
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F. Zeier and I. Li, Books, boxes, and portfolios: binding, construction, and design step-by-step. New York, NY: Design Press, 1990.
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D. Dabner, S. Stewart, and A. Vickress, Graphic design school: the principles and practice of graphic design, Sixth edition. Hoboken, New Jersey: Wiley, 2017.
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N. Potter, What is a designer: things, places, messages, 4th ed. London: Hyphen Press, 2002.
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D. Crow, Visible signs: an introduction to semiotics in the visual arts, 2nd ed. Lausanne: AVA Academia, 2010.
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R. Pater, The politics of design: a (not so) global manual for visual communication. Amsterdam, The Netherlands: BIS Publishers, 2016.
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T. Samara, Making and breaking the grid: a graphic design layout workshop, Second edition. Beverly, Massachusetts: Rockport Publishers, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4926459
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E. Lupton, Thinking with type: a critical guide for designers, writers, editors, & students, 2nd rev. and Expanded ed. New York: Princeton Architectural Press, 2010 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3387329
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N. Mirzoeff, How to see the world, vol. 8. [London] UK: Pelican, an imprint of Penguin Books, 2015.
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E. Lupton and J. A. Miller, Design writing research: writing on graphic design. London: Phaidon, 1999.
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R. Shore, Post-Photography: The Artist with a Camera. London: Laurence King, 2014 [Online]. Available: https://www.amazon.co.uk/Post-Photography-Artist-Camera-Elephant-2014-09-08/dp/B0184VX3LO/ref=sr_1_2?s=books&ie=UTF8&qid=1537349810&sr=1-2&keywords=Post+Photography+-+The+Artist+with+a+Camera%2C+Robert+Shore%2C
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J. Albers, Interaction of color, 50th anniversary edition. New Haven, [Connecticut]: Yale University Press, 2013.
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A. Hyland and S. Bateman, Symbol. London: Laurence King, 2011.
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M. Bierut, How to use graphic design to sell things, explain things, make things look better, make people laugh, make people cry, and (every once in a while) change the world. London: Thames & Hudson, 2015.
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A. Shaughnessy, Graphic design: a user’s manual. London: Laurence King, 2009.
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P. B. Meggs, A. W. Purvis, and P. B. Meggs, Meggs’ history of graphic design, Sixth edition. Hoboken, New Jersey: Wiley, 2016 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=915535&entityid=https://idp.brunel.ac.uk/entity
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