[1]
26 (titre provisoire), III : Les viaducs de la Nacelle, suite 5: http://ciscoblog.chez-alice.fr/Archives_02_04.htm.
[2]
1789: http://ciscoblog.chez-alice.fr/Archives_02_04.htm.
[3]
Barba, E. 2009. The nature of dramaturgy: describing actions at work. New theatre quarterly. 1, 01 (Jan. 2009). DOI:https://doi.org/10.1017/S0266464X00001421.
[4]
Barba, E. and Barba, J. The deep order called turbulence: the three faces of dramaturgy. TDR (1988-). 44, 4, 56–66.
[5]
Billington, M. 1985. Archive theatre review: Krishna comes to the city of the popes. The Guardian. (1985).
[6]
Bogart, A. et al. 2005. The viewpoints book: a practical guide to viewpoints and composition. Theatre Communications Group.
[7]
Bogart, A. et al. 2005. The viewpoints book: a practical guide to viewpoints and composition. The viewpoints book: a practical guide to viewpoints and composition. Theatre Communications Group.
[8]
Brook, P. 2008. The empty space. Penguin Books.
[9]
Director Ivo van Hove brings his immersive Shakespeare epic ‘Roman tragedies’ to New York: http://www.blouinartinfo.com/news/story/839319/director-ivo-van-hove-brings-his-immersive-shakespeare-epic.
[10]
Fuchs, E. 1996. The death of character: perspectives on theater after modernism. Indiana University Press.
[11]
Hughes, J. The Director as Psychoanalyst: An Interview with Jacques Rivette.
[12]
Kartsaki, E. 2017. Repetition in performance: returns and invisible forces. Palgrave Macmillan.
[13]
Lehmann, H.-T. 2006. Postdramatic theatre. Routledge.
[14]
Maxwell, R. 2004. Plays, 1996-2000. Plays, 1996-2000. Theatre Communications Group ; St. Paul, MN.
[15]
Mitchell, K. and Mitchell, K. 2009. The director’s craft: a handbook for the theatre. Routledge.
[16]
Mitter, Shomit and Shevtsova, Maria 2005. Fifty key theatre directors. Routledge.
[17]
New York City Players, Inc.: http://www.nycplayers.org/.
[18]
O’Mahony, J. Profile: Peter Stein. The Guardian.
[19]
Ostermeier, T. and Boenisch, P. 2016. The theatre of Thomas Ostermeier. Routledge.
[20]
Robert Wilson: http://robertwilson.com/.
[21]
Schaubuehne: http://www.schaubuehne.de/en/start/index.html.
[22]
Shevtsova, M. 2007. Robert Wilson. Routledge.
[23]
Tallmer, J. 2005. The master of improvisation. The villager. 75, 29 (2005).
[24]
The Wooster Group: http://thewoostergroup.org/blog/.
[25]
Toneelgroep Amsterdam: http://www.tga.nl/.
[26]
Whitmore, J. 1994. Directing postmodern theater: shaping signification in performance. University of Michigan Press.
[27]
29AD. Agamemnon - Le Choeur - Peter Stein -Mnouchkine - Géry.
[28]
Bardfilm: Peter Brook’s Midsummer Night’s Dream (1970): Three Rare Clips.
[29]
21AD. Christoph Marthaler, ‘Platz Mangel’.
[30]
21AD. CPR-5: The Wooster Group: On LSD.
[31]
14AD. House-Lights.
[32]
14AD. ImagineFashion.com presents ‘My personal visual landscape - Elizabeth LeCompte’ by Spooner & Dugas.
[33]
28AD. Katia Kabanova - Janácek.
[34]
4AD. Marthaler 1.
[35]
28AD. NTFI Riesenbutzbach. Eine Dauerkolonie.
[36]
13AD. Parole, Parole sung by Sophie Rois, Matthias Matschke.
[37]
2012. Peter Brook: ‘Simplicity is not a style’ - video interview | Stage | The Guardian.
[38]
1982. Richard II.
[39]
15AD. Talk with Theatre Director Thomas Ostermeier | Talking Germany.
[40]
8AD. The demons.
[41]
6AD. Thomas Ostermeier - Hamlet on Theatro TV.
[42]
21AD. Thomas Ostermeier’s Hamlet.
[43]
1AD. Wooster Group Birdie.