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Arsenault, D. (2013). Reverse-engineering graphical innovation: an introduction to graphical regimes. G|A|M|E Games as Art, Media, Entertainment, 1(2). https://www.gamejournal.it/reverse-engineering-graphical-innovation-an-introduction-to-graphical-regimes/
Baudrillard, J. (1994). Jean Baudrillard, ‘The Precession of Simulacra’. In Simulacra and simulation (pp. 1–14). University of Michigan Press. https://contentstore.cla.co.uk/secure/link?id=bd80ac55-f58d-ea11-80cd-005056af4099
Bogost, I. (2006). Unit operations: an approach to videogame criticism. MIT Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338585
Bogost, I. (2007). Ian Bogost, ‘Procedural Rhetoric’, pp. 1-64. In Persuasive games: the expressive power of videogames (pp. 1–64). MIT Press. http://lib.myilibrary.com/browse/open.asp?id=210078&entityid=https://idp.brunel.ac.uk/entity
Cohen, S. (2011). Chapter 1, ‘Deviance and Moral Panics’, pp. 1-20. In Folk devils and moral panics: the creation of the Mods and Rockers. Routledge. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=361916
Corneliussen, H., & Rettberg, J. W. (n.d.). ‘World of Warcraft as a Playground for Feminism’, pp. 63-86. In Digital culture, play, and identity: a World of Warcraft reader (pp. 63–86). MIT Press. http://lib.myilibrary.com/browse/open.asp?id=209960&entityid=https://idp.brunel.ac.uk/entity
Crenshaw, K. W. (1989). Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination Doctrine, Feminist Theory and Antiracist Politics. University of Chicago Legal Forum, 1(8). https://doi.org/10.4324/9780429500480
Darley, A. (2000). Visual digital culture: surface play and spectacle in new media genres. Routledge. http://lib.myilibrary.com/browse/open.asp?id=229854&entityid=https://idp.brunel.ac.uk/entity
Dooghan, D. (2019). Digital Conquerors: and the Apologetics of Neoliberalism. Games and Culture, 14(1), 67–86. https://doi.org/10.1177/1555412016655678
Dyer-Witheford, N., & De Peuter, G. (2009a). Chapter 6, ‘Imperial City: Grand Theft Auto’, pp. 190-219. In Games of empire: global capitalism and video games (Vol. 29). University of Minnesota Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=574702
Dyer-Witheford, N., & De Peuter, G. (2009b). Chapter 8, ‘Exodus: The Metaverse and the Mines’, pp. 252-267. In Games of empire: global capitalism and video games (Vol. 29). University of Minnesota Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=574702
Egenfeldt-Nielsen, S., Smith, J. H., & Tosca, S. P. (2016). Understanding video games: the essential introduction (Third edition). Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4218727
Fernâandez-Vara, C. (2019). Introduction to game analysis (Second edition). Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5646038
Furedi, F. (2016). Moral Panic and Reading: Early Elite Anxieties About the Media Effect. Cultural Sociology, 10(4), 523–537. https://doi.org/10.1177/1749975515626953
Galloway, A. R. (2004). Social Realism in Gaming. Game Studies, 4(1). http://www.gamestudies.org/0401/galloway/
Galloway, A. R. (2006). ‘Gamic Action, Four Moments’, pp.1–38. In Gaming: essays on algorithmic culture: Vol. v. 18 (pp. 1–38). University of Minnesota Press. http://lib.myilibrary.com/browse/open.asp?id=522381&entityid=https://idp.brunel.ac.uk/entity
Giddings, S. (2018). Accursed Play: The Economic Imaginary of Early Game Studies. Games and Culture, 13(7), 765–783. https://doi.org/10.1177/1555412018755914
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Järvinen, A. (2002). Gran Stylissimo: The Audiovisual Elements and Styles in Computer Games. Computer Games and Digital Cultures Conference Proceedings, 1. http://www.digra.org/digital-library/publications/gran-stylissimo-the-audiovisual-elements-and-styles-in-computer-and-video-games/
Jenkins, H. (2006). Chapter 2, ‘Star Trek Rerun, Reread, Rewritten: Fan Writing as Textual Poaching’, pp. 37-60. In Fans, bloggers and gamers: exploring participatory culture (pp. 37–60). New York University Press. https://contentstore.cla.co.uk/secure/link?id=701f5b0b-f08d-ea11-80cd-005056af4099
Kafai, Y. B., Richard, G. T., & Tynes, B. M. (Eds.). (2016). Kafai, Y et al., ‘The Need for Intersectional Perspectives and Inclusive Design in Gaming’. In Diversifying Barbie and Mortal Kombat: intersectional perspectives and inclusive designs in gaming. Carnegie Mellon, ETC Press.
Kelly, M. (2018). The Game of Politics. Games and Culture, 13(5), 459–478. https://doi.org/10.1177/1555412015623897
Kerr, A. (2006). Chapter 3, ‘Digital Games as Cultural Industry’, pp. 43-74. In The business and culture of digital games: gamework/gameplay. SAGE. http://lib.myilibrary.com/browse/open.asp?id=125158&entityid=https://idp.brunel.ac.uk/entity
King, G., & Krzywinska, T. (2006). Gamescapes: Exploration and Virtual Presence in Game-Worlds, pp. 76-123. In Tomb raiders and space invaders: videogame forms and contexts (pp. 76–123). I. B. Tauris. http://lib.myilibrary.com/browse/open.asp?id=252675&entityid=https://idp.brunel.ac.uk/entity
Kirkpatrick, G. (2009). Controller, Hand, Screen: Aesthetic Form in the Computer Game. Games and Culture, 4(2), 127–143. https://doi.org/10.1177/1555412008325484
Kirkpatrick, G. (2011). Graeme Kirkpatrick, ‘The Aesthetic Approach’, pp. 12–47. In Aesthetic theory and the video game (pp. 12–47). Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=c2dc074d-f28d-ea11-80cd-005056af4099
Kirkpatrick, G. (2013). Chapter 3, ‘The Formation of Gaming Culture’, pp. 70-97. In Computer games and the social imaginary (pp. 70–97). Polity. http://lib.myilibrary.com/browse/open.asp?id=540328&entityid=https://idp.brunel.ac.uk/entity
Kowert, R., & Quandt, T. (Eds.). (2016). Coulson, M. and Ferguson, C. (2016), ‘The influence of Digital Games on Aggression and Violent Crime’. In The video game debate: unravelling the physical, social, and psychological effects of digital games. Routledge, Taylor & Francis Group. http://lib.myilibrary.com/browse/open.asp?id=826241&entityid=https://idp.brunel.ac.uk/entity
Laycock, J. (2015). Dangerous games: what the moral panic over role-playing games says about play, religion, and imagined worlds. University of California Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1775219
Leonard, D. (2003). "Live in Your World, Play in Ours”: Race, Video Games, and Consuming the Other. SIMILE: Studies In Media & Information Literacy Education, 3(4), 1–9. https://doi.org/10.3138/sim.3.4.002
MacCallum-Stewart, E. (2014). Take That, Bitches! Refiguring Lara Croft in Feminist Game Narratives. Game Studies, 14(2). http://gamestudies.org/1402/articles/maccallumstewart
Mèayrèa, F. (2008). An introduction to game studies: games in culture. SAGE. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=448458
Meyers, M. (Ed.). (2019). Meyers, M. (2019), ‘Neoliberalism and the Media: History and Context’, pp. 3-18. In Neoliberalism and the media (pp. 3–18). Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5667456
Monson, M. J. (2012). Race-Based Fantasy Realm. Games and Culture, 7(1), 48–71. https://doi.org/10.1177/1555412012440308
Mortensen, T. E. (2018). Anger, Fear, and Games: The Long Event of #GamerGate. Games and Culture, 13(8), 787–806. https://doi.org/10.1177/1555412016640408
Nardi, B. A. (n.d.). Chapter 2, ‘An Enthnographic Investigation of World of Warcraft’, pp. 27-36. In My life as a night elf priest: an anthropological account of World of warcraft (pp. 27–36). University of Michigan Press. https://lib.myilibrary.com/browse/open.asp?id=263913&entityid=https://idp.brunel.ac.uk/entity
Nikolchina, M. (n.d.). Time in Video Games: Repetitions of the New. Differences-a Journal of Feminist Cultural Studies, 28(3), 19–43. https://doi.org/10.1215/10407391-4260519
Nitsche, M. (2008). Video game spaces: image, play, and structure in 3D game worlds. MIT Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338970
Nitsche, M. (2014). Michael Nitsche, ‘Performance’, pp. 388–395. In M. J. P. Wolf (Ed.), The routledge companion to video game studies (pp. 388–395). Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1588622
Pérez-Latorre, Ó., & Oliva, M. (2019). Video Games, Dystopia, and Neoliberalism: The Case of BioShock Infinite. Games and Culture, 14(7–8), 781–800. https://doi.org/10.1177/1555412017727226
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Perron, B. (2014b). The routledge companion to video game studies (M. J. P. Wolf, Ed.). Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1588622
Perron, B., & Wolf, M. J. P. (2009). The video game theory reader 2. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203887660
Poor, N. (2012). Digital Elves as a Racial Other in Video Games. Games and Culture, 7(5), 375–396. https://doi.org/10.1177/1555412012454224
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Rutter, J., & Bryce, J. (2006). Understanding digital games. SAGE. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=334602
Shaw, A. (2010). What Is Video Game Culture? Cultural Studies and Game Studies. Games and Culture, 5(4), 403–424. https://doi.org/10.1177/1555412009360414
Sicart, M. (n.d.). Against Procedurality. Game Studies, 11(3). http://gamestudies.org/1103/articles/sicart_ap
Taylor, T. L. (2006). Chapter 4, ‘Where the women are’, pp. 93-124. In Play between worlds: exploring online game culture. MIT. http://lib.myilibrary.com/browse/open.asp?id=210089&entityid=https://idp.brunel.ac.uk/entity
Taylor, T. L. (2012). Chapter 5, ‘Spectatorship and Fandom’, pp. 181-238. In Raising the stakes: e-sports and the professionalization of computer gaming (pp. 181–238). MIT Press. http://lib.myilibrary.com/browse/open.asp?id=359454&entityid=https://idp.brunel.ac.uk/entity
Tekinbaðs, K. S., & Zimmerman, E. (2004a). Chapter 27, Salen, K. & Zimmerman, E., ‘Games as the Play of Simulation’, pp. 420-458. In Rules of play: game design fundamentals (pp. 420–458). MIT. https://contentstore.cla.co.uk/secure/link?id=0e4465ec-f38d-ea11-80cd-005056af4099
Tekinbaðs, K. S., & Zimmerman, E. (2004b). Rules of play: game design fundamentals. MIT. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=6246539
Tekinbaðs, K. S., & Zimmerman, E. (2006). The game design reader: a rules of play anthology. MIT. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=6246515
Waldron, D. (n.d.). Role-Playing Games and the Christian Right: Community Formation in Response to a Moral Panic | The Journal of Religion and Popular Culture. The Journal of Religion and Popular Culture, 9(1), 3–3. https://doi.org/10.3138/jrpc.9.1.003
Wardrip-Fruin, N., & Harrigan, P. (2004a). Henry Jenkins, ‘Game Design as Narrative Architecture’, pp. 118–130. In First person: new media as story, performance, and game (pp. 118–130). MIT. https://contentstore.cla.co.uk/secure/link?id=9f7c3a20-fa8d-ea11-80cd-005056af4099
Wardrip-Fruin, N., & Harrigan, P. (2004b). Jesper Juul, ‘Introduction to Game Time’, pp. 131–142. In First person: new media as story, performance, and game. MIT. https://contentstore.cla.co.uk/secure/link?id=387523b6-8281-eb11-85aa-281878520afa
Wardrip-Fruin, N., & Harrigan, P. (2004c). Michael Mateas, ‘A Preliminary Poetics of Interactive Drama and Games’, pp. 19–33. In First person: new media as story, performance, and game (pp. 19–33). MIT. https://contentstore.cla.co.uk/secure/link?id=5e84169f-f88d-ea11-80cd-005056af4099
Williams, D., Martins, N., Consalvo, M., & Ivory, J. D. (2009). The virtual census: representations of gender, race and age in video games. New Media & Society, 11(5), 815–834. https://doi.org/10.1177/1461444809105354
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Wolf, M. J. P. (2001a). Brenda Laurel, ‘The Six Elements and the Casual Relations Among Them’, pp. 49–65. In The medium of the video game (pp. 49–65). University of Texas Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4322317
Wolf, M. J. P. (2001b). ‘Time in the Video Game’, pp. 77–92. In The medium of the video game (pp. 77–92). University of Texas Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4322317
Wolf, M. J. P., & Perron, B. (2003a). Gonzalo Frasca, ‘Simulation vs Narrative: Introduction to Ludology’, pp. 231-236. In The video game theory reader (pp. 221–236). Routledge. http://lib.myilibrary.com/browse/open.asp?id=529132&entityid=https://idp.brunel.ac.uk/entity
Wolf, M. J. P., & Perron, B. (2003b). Mark J. P. Wolf, ‘Abstraction in the Video Game’, pp. 47–65. In The video game theory reader (pp. 47–65). Routledge. http://lib.myilibrary.com/browse/open.asp?id=529132&entityid=https://idp.brunel.ac.uk/entity
Wolf, M. J. P., & Perron, B. (2003c). Markku Eskelinen and Rahnhild Tronstad, ‘Video Game and Configurative Performances’, pp. 195–220. In The video game theory reader (pp. 195–220). Routledge. http://lib.myilibrary.com/browse/open.asp?id=529132&entityid=https://idp.brunel.ac.uk/entity
Wolf, M. J. P., & Perron, B. (2003d). The video game theory reader. Routledge. http://lib.myilibrary.com/browse/open.asp?id=529132&entityid=https://idp.brunel.ac.uk/entity
Zagal, J. P., & Michael, M. (n.d.). Temporal Frames: A Unifying Framework for the Analysis of Game Temporality. In DiGRA ’07 - Proceedings of the 2007 DiGRA International Conference: Situated Play. http://www.digra.org/digital-library/publications/temporal-frames-a-unifying-framework-for-the-analysis-of-game-temporality/
