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Smith N, Rock J. Documentary as a statement: defining old genre in a new age. Journal of Media Practice. 2014;15(1):58-62. doi:10.1080/14682753.2014.892698
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Aston J, Gaudenzi S, Rose M, eds. I-Docs: The Evolving Practices of Interactive Documentary. Wallflower Press; 2017. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5276085
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Directing the Documentary Website. http://www.routledgetextbooks.com/textbooks/9780415719308/default.php
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Rabiger M. Directing the documentary - Chapter five: story elements and film grammar. In: Sixth edition. Focal Press; 2014:75-94. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
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Rabiger M, Hurbis-Cherrier M. Directing: Film Techniques and Aesthetics - Chapter 13: The Frame and the Shot. 5th ed. Focal Press; 2013:155-164. http://lib.myilibrary.com/browse/open.asp?id=446089&entityid=https://idp.brunel.ac.uk/entity
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Bernard SC. Documentary storytelling: creative nonfiction on screen. In: Documentary Storytelling: Creative Nonfiction on Screen. Fourth edition. Focal Press; 2016:175-188. https://contentstore.cla.co.uk/secure/link?id=71a3d4c9-8620-e911-80cd-005056af4099
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Chapman J. Documentary in Practice: Filmmakers and Production Choices. Polity; 2007:80-109.
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Rabiger M. Directing the documentary - Chapter ten: Capturing sound. In: Sixth edition. Focal Press; 2014:75-94. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
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Chapman J. Documentary in practice: filmmakers and production choices. In: Documentary in Practice: Filmmakers and Production Choices. Polity; 2007:80-109. https://contentstore.cla.co.uk/secure/link?id=919b37e1-f21f-e911-80cd-005056af4099
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Reisz K, Millar G, Dickinson T, British Film Academy. The Technique of Film Editing - Chapter Eleven: The Documentary and the Use of Sound. 2nd ed. Elsevier/Focal Press; 2010:135-140. http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
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Nichols B. Introduction to Documentary. Third edition. Indiana University Press; 2017. http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
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Rabiger M. Directing the documentary - Chapter 31: Conducting and shooting interviews. In: Sixth edition. Focal Press; 2014:449-468. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
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Chapman J. Issues in contemporary documentary. In: Issues in Contemporary Documentary. Polity; 2009:156-177. https://contentstore.cla.co.uk/secure/link?id=bd5d68e2-8d20-e911-80cd-005056af4099
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Pryluck C. Ultimately we are all outsiders: the ethics of documentary filming. Journal of the University Film Association. 1976;28(1):21-29. http://www.jstor.org/stable/20687309?seq=1#page_scan_tab_contents
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Aufderheide P. Perceived ethical conflicts in US documentary filmmaking: a field report. New Review of Film and Television Studies. 2012;10(3):362-386. doi:10.1080/17400309.2012.691248
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Maccarone EM. Ethical responsibilities to subjects and documentary filmmaking. Journal of Mass Media Ethics. 2010;25(3):192-206. doi:10.1080/08900523.2010.497025
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Sanders W. Documentary filmmaking and ethics: concepts, responsibilities, and the need for empirical research. Mass Communication and Society. 2010;13(5):528-553. doi:10.1080/15205431003703319
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Nichols B. Speaking Truths with Film: Evidence, Ethics, Politics in Documentary. University of California Press; 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4700051
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Rabiger M. Directing the documentary - Chapter Eleven: Lighting. In: Sixth edition. Focal Press; 2014:75-94. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
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Brown B. Cinematography: Theory and Practice : Imagemaking for Cinematographers and Directors. Vol A Focal Press book. Third edition. Routledge, Taylor & Francis Group; 2016. http://lib.myilibrary.com/browse/open.asp?id=959148&entityid=https://idp.brunel.ac.uk/entity
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Dancyger K. The Technique of Film and Video Editing: History, Theory, and Practice - Chapter 24: Documentary. 5th ed. Focal Press; 2011:327-340. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=610550
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Reisz K, Millar G, Dickinson T, British Film Academy. The Technique of Film Editing - Chapter Eight: Imaginative Documentary. 2nd ed. Elsevier/Focal Press; 2010:107-126. http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
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Reisz K, Millar G, Dickinson T, British Film Academy. The Technique of Film Editing - Chapter Nine: The Documentary Film of Ideas. 2nd ed. Elsevier/Focal Press; 2010:127-134. http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
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