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Aston, J., Gaudenzi, S., & Rose, M. (Eds.). (2017). i-Docs: the evolving practices of interactive documentary. Wallflower Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5276085
Aufderheide, P. (2007). Documentary film: a very short introduction - Chapter One: Defining the documentary: Vol. Very short introductions (pp. 1–25). Oxford University Press. http://lib.myilibrary.com/browse/open.asp?id=137463&entityid=https://idp.brunel.ac.uk/entity
Aufderheide, P. (2012). Perceived ethical conflicts in US documentary filmmaking: a field report. New Review of Film and Television Studies, 10(3), 362–386. https://doi.org/10.1080/17400309.2012.691248
Bernard, S. C. (2016). Documentary storytelling: creative nonfiction on screen. In Documentary storytelling: creative nonfiction on screen (Fourth edition, pp. 175–188). Focal Press. https://contentstore.cla.co.uk/secure/link?id=71a3d4c9-8620-e911-80cd-005056af4099
Brown, B. (2016). Cinematography: theory and practice : imagemaking for cinematographers and directors: Vol. A Focal Press book (Third edition). Routledge, Taylor & Francis Group. http://lib.myilibrary.com/browse/open.asp?id=959148&entityid=https://idp.brunel.ac.uk/entity
Bruzzi, S. (2000). New documentary: a critical introduction. Routledge. http://lib.myilibrary.com/browse/open.asp?id=32823&entityid=https://idp.brunel.ac.uk/entity
Chapman, J. (2007a). Documentary in practice: filmmakers and production choices (pp. 80–109). Polity.
Chapman, J. (2007b). Documentary in practice: filmmakers and production choices. In Documentary in practice: filmmakers and production choices (pp. 80–109). Polity. https://contentstore.cla.co.uk/secure/link?id=919b37e1-f21f-e911-80cd-005056af4099
Chapman, J. (2007c). Documentary in practice: filmmakers and production choices - Chapter five: Shaping and editing (pp. 110–140). Polity.
Chapman, J. (2009). Issues in contemporary documentary. In Issues in contemporary documentary (pp. 156–177). Polity. https://contentstore.cla.co.uk/secure/link?id=bd5d68e2-8d20-e911-80cd-005056af4099
Dancyger, K. (2011). The technique of film and video editing: history, theory, and practice - Chapter 24: Documentary (5th ed, pp. 327–340). Focal Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=610550
Directing the Documentary Website. (n.d.). http://www.routledgetextbooks.com/textbooks/9780415719308/default.php
Maccarone, E. M. (2010). Ethical responsibilities to subjects and documentary filmmaking. Journal of Mass Media Ethics, 25(3), 192–206. https://doi.org/10.1080/08900523.2010.497025
Nash, K. (2012). Modes of interactivity: analysing the webdoc. Media, Culture & Society, 34(2), 195–210. https://doi.org/10.1177/0163443711430758
Nichols, B. (2016). Speaking truths with film: evidence, ethics, politics in documentary. University of California Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4700051
Nichols, B. (2017a). Introduction to documentary (Third edition). Indiana University Press. http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
Nichols, B. (2017b). Introduction to documentary (Third edition). Indiana University Press. http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
Nichols, B. (2017c). Introduction to documentary (Third edition). Indiana University Press. http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
Nichols, B. (2017d). Introduction to documentary (Third edition). Indiana University Press. http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
Nichols, B. (2017e). Introduction to documentary (Third edition). Indiana University Press. http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
Pryluck, C. (1976). Ultimately we are all outsiders: the ethics of documentary filming. Journal of the University Film Association, 28(1), 21–29. http://www.jstor.org/stable/20687309?seq=1#page_scan_tab_contents
Rabiger, M. (2014a). Directing the documentary - Chapter 31: Conducting and shooting interviews (Sixth edition, pp. 449–468). Focal Press. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
Rabiger, M. (2014b). Directing the documentary - Chapter Eleven: Lighting (Sixth edition, pp. 75–94). Focal Press. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
Rabiger, M. (2014c). Directing the documentary - Chapter five: story elements and film grammar (Sixth edition, pp. 75–94). Focal Press. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
Rabiger, M. (2014d). Directing the documentary - Chapter ten: Capturing sound (Sixth edition, pp. 75–94). Focal Press. http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
Rabiger, M., & Hurbis-Cherrier, M. (2013). Directing: film techniques and aesthetics - Chapter 13: The frame and the shot (5th ed, pp. 155–164). Focal Press. http://lib.myilibrary.com/browse/open.asp?id=446089&entityid=https://idp.brunel.ac.uk/entity
Reisz, K., Millar, G., Dickinson, T., & British Film Academy. (2010a). The technique of film editing - Chapter eight: Imaginative documentary (2nd ed, pp. 107–126). Elsevier/Focal Press. http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
Reisz, K., Millar, G., Dickinson, T., & British Film Academy. (2010b). The technique of film editing - Chapter eleven: The documentary and the use of sound (2nd ed, pp. 135–140). Elsevier/Focal Press. http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
Reisz, K., Millar, G., Dickinson, T., & British Film Academy. (2010c). The technique of film editing - Chapter nine: the documentary film of ideas (2nd ed, pp. 127–134). Elsevier/Focal Press. http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
Sanders, W. (2010). Documentary filmmaking and ethics: concepts, responsibilities, and the need for empirical research. Mass Communication and Society, 13(5), 528–553. https://doi.org/10.1080/15205431003703319
Smith, N., & Rock, J. (2014). Documentary as a statement: defining old genre in a new age. Journal of Media Practice, 15(1), 58–62. https://doi.org/10.1080/14682753.2014.892698