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Caughie, J. & British Film Institute. (1981). Theories of authorship: a reader. Routledge & Kegan Paul in association with the British Film Institute. http://lib.myilibrary.com/browse/open.asp?id=528924&entityid=https://idp.brunel.ac.uk/entity
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Cobb, S., & Tasker, Y. (2015). Feminist Film Criticism in the 21st Century. Film Criticism, 40(1). https://doi.org/10.3998/fc.13761232.0040.107
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Dyer, R., & Pidduck, J. (2003). Now you see it: studies in lesbian and gay film (2nd ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=761924&entityid=https://idp.brunel.ac.uk/entity
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Epstein, R., & Russo, V. (1995). The celluloid closet: Part 1. Channel Four.
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Fassbinder, R. W., Märthesheimer, P., Fröhlich, P., Schühly, T., Zech, R., Thate, H., Froboess, C., Schwarzenberger, X., Baum, B., Lorenz, J., Raben, P., & Artificial Eye (Firm). (2007). Die Sehnsucht der Veronika Voss ([Collector’s edition]). Artificial Eye.
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Gauntlett, D. (2008). Media, gender and identity: an introduction (2nd ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=119793&entityid=https://idp.brunel.ac.uk/entity
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Gilroy, P. (2002). There ain’t no black in the Union Jack: the cultural politics of race and nation ([New ed.]). Routledge. http://lib.myilibrary.com/browse/open.asp?id=536182&entityid=https://idp.brunel.ac.uk/entity
Griffith, D. W., & Dixon, T. (2000). The birth of a nation. Eureka Video.
Guerrero, E. (1993). Framing Blackness: the African American image in film. Temple University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=547426
Guneratne, A., Dissanayake, W., & Chakravarty, S. S. (2003). Rethinking third cinema. Routledge. http://lib.myilibrary.com/browse/open.asp?id=7963&entityid=https://idp.brunel.ac.uk/entity
Hallam, J., & Marshment, M. (2000a). Realism and popular cinema. In Realism and popular cinema (pp. 122–142). Manchester University Press. https://contentstore.cla.co.uk/secure/link?id=ef54bd97-b936-e911-80cd-005056af4099
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Hill, J., & Gibson, P. C. (1998a). The Oxford guide to film studies. In The Oxford guide to film studies. Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=ff8f52d2-aa94-e811-80cd-005056af4099
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hooks, bell. (2015). Feminist theory: from margin to center. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1811030
Huda, M., & Ameen, A. (2008). Kidulthood. Revolver Entertainment.
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Luckett, M. (1999). British cinema of the 90s. In British cinema of the 90s (pp. 88–99). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=4756a093-e22e-e911-80cd-005056af4099
Malik, S., & James Nwonka, C. (2017). Top Boy: Cultural Verisimilitude and the Allure of Black Criminality for UK Public Service Broadcasting Drama. Journal of British Cinema and Television, 14(4), 423–444. https://doi.org/10.3366/jbctv.2017.0387
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Nagib, L., & Mello, C. (2009). Realism and the audiovisual media. In Realism and the audiovisual media. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=555396
Nelmes, J. (1999). An Introduction to Film Studies. In An introduction to film studies (2nd ed, pp. 268–305). Routledge. https://contentstore.cla.co.uk/secure/link?id=ce744dfb-d594-e811-80cd-005056af4099
Nelmes, J. (2012). Introduction to film studies (5th ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=761269&entityid=https://idp.brunel.ac.uk/entity
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Rony, F. T. (1996). The third eye: race, cinema and ethnographic spectacle. Duke University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3007838
Russo, V. (1987). The celluloid closet: homosexuality in the movies (Rev. ed). Harper & Row.
Rust, S., Monani, S., & Cubitt, S. (2013). Ecocinema theory and practice. In Ecocinema theory and practice. Routledge. http://lib.myilibrary.com/browse/open.asp?id=391901&entityid=https://idp.brunel.ac.uk/entity
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Sillitoe, A. (1993). Saturday night and Sunday morning. Flamingo.
Singleton, J. (2006). Boyz n the hood. Sony Pictures Home Entertainment.
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Smith, M. (1995). Engaging characters: fiction, emotion, and the cinema. Clarendon Press.
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Wayne, M. (2002). The politics of contemporary European cinema: histories, borders, diasporas. Intellect. http://lib.myilibrary.com/browse/open.asp?id=47661&entityid=https://idp.brunel.ac.uk/entity
Weik von Mossner, A. (2017). Affective ecologies: empathy, emotion, and environmental narrative. Ohio State University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4851932
Weik von Mossner, A. & Canadian Electronic Library (Firm). (2014a). Moving environments: affect, emotion, ecology, and film. In Moving environments: affect, emotion, ecology, and film. Wilfrid Laurier University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350
Weik von Mossner, A. & Canadian Electronic Library (Firm). (2014b). Moving environments: affect, emotion, ecology, and film. In Moving environments: affect, emotion, ecology, and film. Wilfrid Laurier University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350
Weik von Mossner, A. & Canadian Electronic Library (Firm). (2014c). Moving environments: affect, emotion, ecology, and film. In Moving environments: affect, emotion, ecology, and film. Wilfrid Laurier University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350
Weiss, A. (1993). Vampires & violets: lesbians in film. In Vampires & violets: lesbians in film (pp. 30–50). Penguin Books. https://contentstore.cla.co.uk/secure/link?id=b4779f1f-698b-e811-80cd-005056af4099
Yearwood, G. (2000). Black film as a signifying practice: cinema, narration and the African-American aesthetic experience. Africa World Press.
Young, L. (1996). Fear of the dark: ‘race’, gender and sexuality in the cinema. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=165023
