1.
Campion J. The Piano. [S.l.]: Optimum; 2005.
2.
Nichols B. Movies and methods: an anthology, Vol.2. In: Movies and methods: an anthology, Vol2 [Internet]. Berkeley, CA: University of California Press; 1985. Available from: https://contentstore.cla.co.uk/secure/link?id=2d450649-0b94-e811-80cd-005056af4099
3.
Hill J, Gibson PC. The Oxford guide to film studies. In: The Oxford guide to film studies [Internet]. Oxford: Oxford University Press; 1998. Available from: https://contentstore.cla.co.uk/secure/link?id=ff8f52d2-aa94-e811-80cd-005056af4099
4.
Fassbinder RW, Rainer Werner Fassbinder Foundation. Fear eats the soul. Vol. Vol. 2. ARROW; 2006.
5.
Elsaesser T. Home is where the heart is: studies in melodrama and the woman’s film. In: Home is where the heart is: studies in melodrama and the woman’s film [Internet]. London: BFI Pub; 1987. p. 43–69. Available from: https://contentstore.cla.co.uk/secure/link?id=0c9be3ed-2b3c-e911-80cd-005056af4099
6.
Satrapi M. Persepolis [Internet]. 2007. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/01184EA9?bcast=70067317
7.
McHugh KA. ‘Sounds that creep inside you’: female narration and voiceover in the films of Jane Campion. Style [Internet]. 2001;35(2):193–218. Available from: https://literature.proquest.com/searchFulltext.do?id=R01614768&divLevel=0&area=abell&forward=critref_ft
8.
Pramaggiore M, Wallis T. Film: a critical introduction. In: Film: a critical introduction. 3rd ed. London: Laurence King; 2011.
9.
Ryan M, Ruffalo M, Jason Leigh J, Bacon K, Damici N, Pugh S, et al. In the cut. [s.l.]: Pathé; 2004.
10.
Campion J. The Piano. [S.l.]: Optimum; 2005.
11.
Campion J, James H, PolyGram Filmed Entertainment (Firm). The portrait of a lady. Universal Studies; 2001.
12.
Bigelow K. Point Break [Internet]. 1991. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/001ABF96?bcast=59350159
13.
Bigelow K. Zero Dark Thirty [Internet]. 2012. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/03781430?bcast=116830794
14.
The hurt locker. [S.l.]; 2010.
15.
Bigelow K. Blue Steel. Lions Gate Home Entertainment; 2006.
16.
Sirk D, Hurst F. Imitation of life. Universal Studios; 2008.
17.
Sirk D. All that heaven allows. Sky Home Video; 2004.
18.
Fassbinder RW, Rainer Werner Fassbinder Foundation. Fear eats the soul. Vol. Vol. 2. ARROW; 2006.
19.
Fassbinder RW, Märthesheimer P, Fröhlich P, Schühly T, Zech R, Thate H, et al. Die Sehnsucht der Veronika Voss. [Collector’s edition]. [Place of publication not identified]: Artificial Eye; 2007.
20.
Haynes T. Far from heaven. [Universal City, CA]: Universal Studios; 2003.
21.
Almodâovar P. All about my mother. Patheworld; 1999.
22.
Berger J. Ways of seeing. London: Penguin; 2008.
23.
Penley C. Feminism and film theory [Internet]. New York: Routledge; 1988. Available from: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity
24.
Cobb S, Tasker Y. Feminist Film Criticism in the 21st Century. Film Criticism [Internet]. 2015 Dec;40(1). Available from: https://search.proquest.com/docview/1810345180/fulltext/F5A0636955EB46F4PQ/1?accountid=14494
25.
Erens P. Issues in feminist film criticism. Bloomington: Indiana University Press; 1990.
26.
Caughie J, British Film Institute. Theories of authorship: a reader [Internet]. London: Routledge & Kegan Paul in association with the British Film Institute; 1981. Available from: http://lib.myilibrary.com/browse/open.asp?id=528924&entityid=https://idp.brunel.ac.uk/entity
27.
Haskell M, Dargis M. From reverence to rape: the treatment of women in the movies. Third edition. Chicago: The University of Chicago Press; 2016.
28.
hooks bell. Feminist theory: from margin to center [Internet]. New York: Routledge; 2015. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1811030
29.
Kaplan EA. Women and film: both sides of the camera [Internet]. London: Routledge; 1988. Available from: http://lib.myilibrary.com/browse/open.asp?id=32849&entityid=https://idp.brunel.ac.uk/entity
30.
Modleski T. The women who knew too much: Hitchcock and feminist theory [Internet]. 3rd ed. New York: Routledge; 2016. Available from: http://lib.myilibrary.com/browse/open.asp?id=821344&entityid=https://idp.brunel.ac.uk/entity
31.
Nelmes J. An Introduction to Film Studies. In: An introduction to film studies [Internet]. 2nd ed. London: Routledge; 1999. p. 268–305. Available from: https://contentstore.cla.co.uk/secure/link?id=ce744dfb-d594-e811-80cd-005056af4099
32.
Jennifer P. Nesbitt. Deactivating Feminism: Sigourney Weaver, James Cameron, and Avatar. Film & History: An Interdisciplinary Journal [Internet]. 2016;46(1):21–32. Available from: https://muse.jhu.edu/article/626142
33.
Penley C. Feminism and film theory [Internet]. New York: Routledge; 1988. Available from: http://lib.myilibrary.com/browse/open.asp?id=504573&entityid=https://idp.brunel.ac.uk/entity
34.
Epstein R, Russo V. The celluloid closet: Part 1. London: Channel Four; 1995.
35.
Pramaggiore M, Wallis T. Film: a critical introduction. In: Film: a critical introduction [Internet]. 3rd ed. London: Laurence King; 2011. p. 309–42. Available from: https://contentstore.cla.co.uk/secure/link?id=87a1f045-213c-e911-80cd-005056af4099
36.
Chalamet T, Hammer A, Guadagnino L, Aciman A. Call me by your name. London: Sony Pictures Home Entertainment Inc; 2018.
37.
Dyer R. The matter of images: essays on representation [Internet]. 2nd ed. London: Routledge; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=479261&entityid=https://idp.brunel.ac.uk/entity
38.
Genet J, Haynes T, Meeks E, Zeitgeist Films, Bronze Eye Productions. Poison. New York: Fox Lorber Home Video; 1992.
39.
Araki G, Desperate Pictures. The living end: an irresponsible film. New York, N.Y.: Fox Lorber Home Video; 2008.
40.
Kalin T. Swoon. [S.l.]: Palisades Tartan Video; 2009.
41.
Kechiche A. Blue Is the Warmest Colour [Internet]. 2013. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/07C5B5D0?bcast=127161125
42.
Haynes T. Carol [Internet]. 2015. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0BB503A9?bcast=126240284
43.
Ali M, Harris N, Rhodes T, Holland A, Jenkins B. Moonlight. Place of publication not identified: Altitude Film Distribution Limited; 2017.
44.
O’Connor J, Secareanu A, Hart I, Jones G. God’s own country. London: Lionsgate; 2018.
45.
Aaron M. The body’s perilous pleasures: dangerous desires and contemporary culture [Internet]. Edinburgh: Edinburgh University Press; 1998. Available from: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=9640
46.
Barry P. Beginning theory: an introduction to literary and cultural theory. In: Beginning theory: an introduction to literary and cultural theory [Internet]. Fourth edition. Manchester, UK: Manchester University Press; 2017. p. 141–58. Available from: https://contentstore.cla.co.uk/secure/link?id=1a7061ba-5c8b-e811-80cd-005056af4099
47.
Benshoff HM, Griffin S. Queer cinema: the film reader. New York; London: Routledge; 2004.
48.
Bourne S. Brief encounters: lesbians and gays in British cinema 1930-1971 [Internet]. London: Bloomsbury; 2016. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4659886
49.
Butler J. Gender trouble: feminism and the subversion of identity [Internet]. 2nd edition. New York: Routledge Classics; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=344208&entityid=https://idp.brunel.ac.uk/entity
50.
Butler J. Bodies that matter: on the discursive limits of ‘sex’ [Internet]. New York: Routledge; 1993. Available from: http://lib.myilibrary.com/browse/open.asp?id=310371&entityid=https://idp.brunel.ac.uk/entity
51.
Corber RJ. In the name of national security: Hitchcock, homophobia and the political construction of gender in postwar America [Internet]. Durham (N. Carolina): Duke University Press; 1993. Available from: http://lib.myilibrary.com/browse/open.asp?id=306262&entityid=https://idp.brunel.ac.uk/entity
52.
Dyer R, Pidduck J. Now you see it: studies in lesbian and gay film [Internet]. 2nd ed. London: Routledge; 2003. Available from: http://lib.myilibrary.com/browse/open.asp?id=761924&entityid=https://idp.brunel.ac.uk/entity
53.
Dyer R. The matter of images: essays on representation [Internet]. 2nd ed. London: Routledge; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=479261&entityid=https://idp.brunel.ac.uk/entity
54.
Gauntlett D. Media, gender and identity: an introduction [Internet]. 2nd ed. Abingdon: Routledge; 2008. Available from: http://lib.myilibrary.com/browse/open.asp?id=119793&entityid=https://idp.brunel.ac.uk/entity
55.
Miller DA. Inside/out: lesbian theories, gay theories. In: Inside/out: lesbian theories, gay theories [Internet]. London: Routledge; 1991. p. 119–41. Available from: https://contentstore.cla.co.uk/secure/link?id=6e62eb66-568e-e811-80cd-005056af4099
56.
Phillips J. Transgender on screen [Internet]. Basingstoke [England]: Palgrave Macmillan; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=318413&entityid=https://idp.brunel.ac.uk/entity
57.
Richardson N. Transgressive bodies: representations in film and popular culture [Internet]. Farnham, Surrey, England: Ashgate; 2010. Available from: http://lib.myilibrary.com/browse/open.asp?id=277412&entityid=https://idp.brunel.ac.uk/entity
58.
Russo V. The celluloid closet: homosexuality in the movies. Rev. ed. New York: Harper & Row; 1987.
59.
Sedgwick EK, Koestenbaum W. Between men: English literature and male homosocial desire [Internet]. Thirthieth anniversary edition. New York: Columbia University Press; 2016. Available from: http://lib.myilibrary.com/browse/open.asp?id=850560&entityid=https://idp.brunel.ac.uk/entity
60.
Smelik A. The Oxford guide to film studies. In: The Oxford guide to film studies [Internet]. Oxford: Oxford University Press; 1998. p. 135–47. Available from: https://contentstore.cla.co.uk/secure/link?id=713f5241-ab94-e811-80cd-005056af4099
61.
Tyler P. Screening the sexes: homosexuality in the movies. New York: Da Capo Press; 1993.
62.
Weiss A. Vampires & violets: lesbians in film. In: Vampires & violets: lesbians in film [Internet]. New York, N.Y., U.S.A.: Penguin Books; 1993. p. 30–50. Available from: https://contentstore.cla.co.uk/secure/link?id=b4779f1f-698b-e811-80cd-005056af4099
63.
Clayton A, Klevan A, ProQuest (Firm). The language and style of film criticism [Internet]. New York: Routledge; 2011. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=684088
64.
Hughes A, Hughes A. Menace II society: this is the truth, this is what’s real. [New York]: New Line Home Entertainment; 1997.
65.
Griffith DW, Dixon T. The birth of a nation. [S.I.]: Eureka Video; 2000.
66.
Kramer S. Guess Who’s Coming to Dinner [Internet]. 1967. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0008FA5A?bcast=33231868
67.
Van Peebles M. Sweet Sweetback’s baadasssss song. [S.l.]: British Film Institute; 2005.
68.
Parks G. Shaft. Turner Entertainment; 2009.
69.
Singleton J. Boyz n the hood. London: Sony Pictures Home Entertainment; 2006.
70.
Van Peebles M. New Jack City. Burbank, CA: Warner Home Video; 1991.
71.
Dash J, Geechee Girls Productions. Daughters of the dust. New York (NY): Kino on Video; 2000.
72.
Ali M, Harris N, Rhodes T, Holland A, Jenkins B. Moonlight. Place of publication not identified: Altitude Film Distribution Limited; 2017.
73.
Kaluuya D, Williams A, Whitford B, Landry Jones C, Root S, Keener C, et al. Get out. Place of publication not identified: Universal Studios; 2017.
74.
Nelmes J. Introduction to film studies [Internet]. 5th ed. Abingdon: Routledge; 2012. Available from: http://lib.myilibrary.com/browse/open.asp?id=761269&entityid=https://idp.brunel.ac.uk/entity
75.
Young L. Fear of the dark: ‘race’, gender and sexuality in the cinema [Internet]. London: Routledge; 1996. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=165023
76.
Casey BM, ProQuest (Firm). Television studies: the key concepts [Internet]. London: Routledge; 2002. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=308532
77.
Bogle D. Toms, coons, mulattoes, mammies, and bucks: an interpretive history of blacks in American films. Updated and expanded 5th edition. New York: Bloomsbury Academic, an imprint of Bloomsbury Publishing Inc; 2016.
78.
Hill J, Gibson PC. The Oxford guide to film studies. In: The Oxford guide to film studies. Oxford: Oxford University Press; 1998.
79.
Guerrero E. Framing Blackness: the African American image in film [Internet]. Philadelphia: Temple University Press; 1993. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=547426
80.
Rhines JA. Black film/white money. New Brunswick, N.J.: Rutgers University Press; 1996.
81.
Snead JA, MacCabe C, West C. White screens, black images: Hollywood from the dark side. New York: Routledge; 1994.
82.
Reid MA. Redefining black film [Internet]. Berkeley: University of California Press; 1993. Available from: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=42273
83.
Yearwood G. Black film as a signifying practice: cinema, narration and the African-American aesthetic experience. Trenton, N.J.: Africa World Press; 2000.
84.
Levy E. Cinema of outsiders: the rise of American independent film [Internet]. New York: New York University Press; 1999. Available from: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=74304
85.
Merritt G. Celluloid mavericks: the history of American independent film. New York, NY: Thunder’s Mouth Press; 2000.
86.
Hillier J. American independent cinema. In: American independent cinema [Internet]. London: British Film Institute Publishing; 2001. p. 32–73. Available from: https://contentstore.cla.co.uk/secure/link?id=8c5f3686-9845-e911-80cd-005056af4099
87.
Hillier J. The new Hollywood. London: Studio Vista; 1993.
88.
Smith M. Engaging characters: fiction, emotion, and the cinema. Oxford: Clarendon Press; 1995.
89.
Shimamura AP. Psychocinematics: exploring cognition at the movies [Internet]. Oxford: Oxford University Press; 2013. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3055687
90.
Hallam J, Marshment M. Realism and popular cinema. In: Realism and popular cinema [Internet]. Manchester: Manchester University Press; 2000. p. 122–42. Available from: https://contentstore.cla.co.uk/secure/link?id=ef54bd97-b936-e911-80cd-005056af4099
91.
Carroll N. Theorizing the moving image. In: Theorizing the moving image [Internet]. Cambridge: Cambridge University Press; 1996. p. 78–93. Available from: https://contentstore.cla.co.uk/secure/link?id=9d3e5334-653b-e911-80cd-005056af4099
92.
Smith GM. Passionate views: film, cognition, and emotion. In: Passionate views: film, cognition, and emotion [Internet]. Baltimore: Johns Hopkins University Press; 1999. p. 103–29. Available from: https://contentstore.cla.co.uk/secure/link?id=4b7c61f0-523b-e911-80cd-005056af4099
93.
Carroll N. Mystifying movies: fads & fallacies in contemporary film theory. New York: Columbia University Press; 1988.
94.
Sissako A. Timbuktu [Internet]. 2014. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/089D49EB?bcast=124203671
95.
Sembáene O. Black Girl: [and] Borom Sarret. New York, USA: New Yorker Video; 2005.
96.
Sembáene O. Xala: The curse. New York: New Yorker Films Artwork; 2005.
97.
Mambety, Djibril D. Touki Bouki: The hyena’s voyage. New York: Kino Video; 2005.
98.
Barlet O. African cinemas: decolonizing the gaze [Internet]. London: Zed Books; 2000. Available from: https://contentstore.cla.co.uk/secure/link?id=53d1262d-4a3b-e911-80cd-005056af4099
99.
Landy M. Political Allegory and ‘Engaged Cinema’: Sembene’s ‘Xala’. Cinema Journal. 1984 Spring;23(3).
100.
Diawara M. African cinema: politics & culture. Bloomington: Indiana University Press; 1992.
101.
Cham MB, Andrade-Watkins C, Celebration of Black Cinema, Inc. Blackframes: critical perspectives on black independent cinema [Internet]. Cambridge, Mass: MIT Press; 1988. Available from: https://contentstore.cla.co.uk/secure/link?id=c4638dde-9d3a-e911-80cd-005056af4099
102.
Childs P, Williams P. An introduction to post-colonial theory [Internet]. Harlow: Longman; 1997. Available from: http://lib.myilibrary.com/browse/open.asp?id=618251&entityid=https://idp.brunel.ac.uk/entity
103.
Snell H. Toward ‘a giving and a receiving’: teaching Djibril Diop Mambéty’s. Journal of African Cultural Studies. 2014 May 4;26(2):127–39.
104.
Childs P, Williams P. An introduction to post-colonial theory [Internet]. Harlow: Longman; 1997. Available from: http://lib.myilibrary.com/browse/open.asp?id=618251&entityid=https://idp.brunel.ac.uk/entity
105.
Thackway M. Africa shoots back: alternative perspectives in Sub-Saharan Francophone African film. Bloomington: Indiana University Press; 2003.
106.
Armes R. African filmmaking: north and south of the Sahara [Internet]. Bloomington: Indiana University Press; 2006. Available from: http://lib.myilibrary.com/browse/open.asp?id=55395&entityid=https://idp.brunel.ac.uk/entity
107.
Rony FT. The third eye: race, cinema and ethnographic spectacle [Internet]. Durham, N.C: Duke University Press; 1996. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3007838
108.
Guneratne A, Dissanayake W, Chakravarty SS. Rethinking third cinema [Internet]. London: Routledge; 2003. Available from: http://lib.myilibrary.com/browse/open.asp?id=7963&entityid=https://idp.brunel.ac.uk/entity
109.
Wayne M. Political film: the dialectics of third cinema [Internet]. London: Pluto; 2001. Available from: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=72460&site=ehost-live&scope=site
110.
Pines J, Willemen P. Questions of third cinema. London: British Film Institute; 1989.
111.
Diawara M. African cinema: politics & culture. Bloomington: Indiana University Press; 1992.
112.
Harrow KW. African cinema: postcolonial and feminist readings. Trenton, NJ: Africa World Press; 1999.
113.
Bakari I, Cham MB, British Film Institute. African experiences of cinema. London: BFI Pub; 1996.
114.
Chanda G, Syal M. Bhaji on the beach. London: Cinema Club; 2003.
115.
Frears S, Kureishi H. My beautiful laundrette. [S.l.]: Film Four; 1999.
116.
Walters A, Fraser L, Perkins C, Black L, Dibbs S. Bullet boy. London: Verve Pictures; 2008.
117.
Huda M, Ameen A. Kidulthood. London: Revolver Entertainment; 2008.
118.
Demange Y, Walters A. Top boy: The complete first season. [UK]: Roadshow Entertainment; 2013.
119.
Demange Y, Walters A. Top boy: The complete second season. [UK]: Roadshow Entertainment; 2013.
120.
Ekaragha D. Gone Too Far (2013) [Internet]. 2013. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/0A58E4E3?bcast=125096604
121.
Asante A director. Belle. [S.l.]: 20th Century Fox Home Entertainment; 2014.
122.
Pines J. Black British cultural studies: a reader. In: Black British cultural studies: a reader [Internet]. Chicago, IL: University of Chicago Press; 1996. p. 183–93. Available from: https://contentstore.cla.co.uk/secure/link?id=d9314b41-933a-e911-80cd-005056af4099
123.
Wayne M. The politics of contemporary European cinema: histories, borders, diasporas [Internet]. Bristol: Intellect; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=47661&entityid=https://idp.brunel.ac.uk/entity
124.
Malik S, James Nwonka C. Top Boy: Cultural Verisimilitude and the Allure of Black Criminality for UK Public Service Broadcasting Drama. Journal of British Cinema and Television. 2017 Oct;14(4):423–44.
125.
Mercer K, Institute of Contemporary Arts. Black film, British cinema. Vol. 7. London: ICA; 1988.
126.
Gilroy P. There ain’t no black in the Union Jack: the cultural politics of race and nation [Internet]. [New ed.]. London: Routledge; 2002. Available from: http://lib.myilibrary.com/browse/open.asp?id=536182&entityid=https://idp.brunel.ac.uk/entity
127.
Geraghty C. My beautiful laundrette [Internet]. London: I. B. Tauris; 2005. Available from: http://lib.myilibrary.com/browse/open.asp?id=252756&entityid=https://idp.brunel.ac.uk/entity
128.
Pascual M. My Beautiful Laundrette: Hybrid "Identity” or the paradox of conflicting identifications in ‘Third Space’ Asian-British Cinema of the 1980s. Miscelanea: Journal of English and American Studies [Internet]. 2002;26:59–70. Available from: https://www.researchgate.net/publication/28145362_My_Beautiful_Laundrette_Hybrid_Identity_or_the_Paradox_of_Conflicting_Identifications_in_Third_Space_Asian-British_Cinema_of_the_1980s
129.
Ramsey L. Ratcatcher. London: BBC; 2003.
130.
Sillitoe A. Saturday night and Sunday morning. London: Flamingo; 1993.
131.
Herman M. Brassed Off [Internet]. 1996. Available from: https://learningonscreen.ac.uk/ondemand/index.php/prog/000A7739?bcast=114045787
132.
Carlyle R, Wilkinson T, Cattaneo P, Twentieth Century Fox Home Entertainment, Inc, Fox Searchlight Pictures. The full monty. [s.l.]: Twentieth Century Fox Home Entertainment; 2006.
133.
Oldman G. Nil by mouth. [S.l.]: Sky Moviemax; 2000.
134.
Daldry S, Working Title Films, BBC Films, Arts Council of England, Universal Studios Canada, Universal Home Video. Billy Elliot. 2 disc special ed. Universal Studios; 2005.
135.
Meadows S, Herbert M, Turgoose T, Graham S, Hartley J, Shim A, et al. This is England. [s.l.]: Optimum Home; 2007.
136.
Arnold A. Fish tank. [s.l.]: Artificial Eye; 2010.
137.
Johns D, Squires H, Loach K. I, Daniel Blake. United Kingdom: Entertainment One UK Limited; 2017.
138.
Ashby J, Higson A. British cinema, past and present [Internet]. London: Routledge; 2000. Available from: http://lib.myilibrary.com/browse/open.asp?id=420027&entityid=https://idp.brunel.ac.uk/entity
139.
Lay S. British social realism: from documentary to Brit-grit. Vol. 15. London: Wallflower; 2002.
140.
Nagib L, Mello C. Realism and the audiovisual media. In: Realism and the audiovisual media [Internet]. Basingstoke: Palgrave Macmillan; 2009. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=555396
141.
Hallam J, Marshment M. Realism and popular cinema. Manchester: Manchester University Press; 2000.
142.
Ashby J, Higson A. British cinema, past and present [Internet]. London: Routledge; 2000. Available from: http://lib.myilibrary.com/browse/open.asp?id=420027&entityid=https://idp.brunel.ac.uk/entity
143.
Murphy R. British cinema of the 90s. In: British cinema of the 90s. London: British Film Institute; 1999.
144.
Dave P. Visions of England: class and culture in contemporary cinema. In: Visions of England: class and culture in contemporary cinema [Internet]. Oxford: Berg; 2006. p. 61–81. Available from: https://contentstore.cla.co.uk/secure/link?id=bedcb011-2c2a-e911-80cd-005056af4099
145.
Luckett M. British cinema of the 90s. In: British cinema of the 90s [Internet]. London: British Film Institute; 1999. p. 88–99. Available from: https://contentstore.cla.co.uk/secure/link?id=4756a093-e22e-e911-80cd-005056af4099
146.
Higson A. Dissolving views: key writings on British cinema. In: Dissolving views: key writings on British cinema [Internet]. London: Cassell; 1996. p. 133–56. Available from: https://contentstore.cla.co.uk/secure/link?id=c1caf143-ba2b-e911-80cd-005056af4099
147.
Leigh, Danny. The class ceiling. Sight and Sound [Internet]. 28:22–6. Available from: https://search.proquest.com/docview/2112529193/765BC32F577C4892PQ/13?accountid=14494
148.
Psihoyos L. The cove. [U.K.]: Vertigo Films; 2009.
149.
Herzog W. Grizzly man. London: Revolver entertainment; 2006.
150.
Blue Planet II [Internet]. BBC; 2017. Available from: https://learningonscreen.ac.uk/ondemand/search.php?q=&q[0][v]=%22blue+planet+II%22&q[0][index]=title&q[0][oper]=and&date_start=1952-01-01-00-00&date_end=2018-11-25-00-00&date_type=0&search_type=1&source=T&sort=relevance&page=1
151.
Springwatch [Internet]. 2005. Available from: https://www.brunel.ac.uk/life/library/FindingInformation/Databases
152.
Cubitt S. EcoMedia. Amsterdam: Rodopi; 2005.
153.
Murray RL, Heumann JK. Film & everyday eco-disasters [Internet]. Lincoln: University of Nebraska Press; 2014. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1676467
154.
Rust S, Monani S, Cubitt S. Ecocinema theory and practice. In: Ecocinema theory and practice [Internet]. New York: Routledge; 2013. Available from: http://lib.myilibrary.com/browse/open.asp?id=391901&entityid=https://idp.brunel.ac.uk/entity
155.
Parham J. Green media and popular culture: an introduction. London: Macmillan Education/Palgrave; 2016.
156.
Weik von Mossner A, Canadian Electronic Library (Firm). Moving environments: affect, emotion, ecology, and film. In: Moving environments: affect, emotion, ecology, and film [Internet]. Waterloo, Ontario: Wilfrid Laurier University Press; 2014. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350
157.
Weik von Mossner A, Canadian Electronic Library (Firm). Moving environments: affect, emotion, ecology, and film. In: Moving environments: affect, emotion, ecology, and film [Internet]. Waterloo, Ontario: Wilfrid Laurier University Press; 2014. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350
158.
Weik von Mossner A, Canadian Electronic Library (Firm). Moving environments: affect, emotion, ecology, and film. In: Moving environments: affect, emotion, ecology, and film [Internet]. Waterloo, Ontario: Wilfrid Laurier University Press; 2014. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3295350
159.
Weik von Mossner A. Affective ecologies: empathy, emotion, and environmental narrative [Internet]. Columbus, Ohio: Ohio State University Press; 2017. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4851932
160.
Garrard G, ProQuest (Firm). Ecocriticism [Internet]. 2nd ed. Abingdon, Oxon: Routledge; 2012. Available from: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=738705
