1.
Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Harvard University Press; 2000.
2.
Fu, Poshek, Desser, David. The Cinema of Hong Kong: History, Arts, Identity. Cambridge University Press; 2000.
3.
Hunt, Leon. Kung Fu Cult Masters. Wallflower Press; 2003.
4.
Lee, Vivian P. Y. Hong Kong Cinema since 1997: The Post-Nostalgic Imagination. Palgrave Macmillan; 2009.
5.
Morris, Meaghan, Li, Siu Leung, Chan, Stephen Ching-kiu. Hong Kong Connections: Transnational Imagination in Action Cinema.; 2006. http://lib.myilibrary.com/browse/open.asp?id=270444&entityid=https://idp.brunel.ac.uk/entity
6.
Stokes, Lisa Odham, Hoover, Michael. City on Fire: Hong Kong Cinema. Verso; 1999.
7.
Teo, Stephen, British Film Institute. Hong Kong Cinema: The Extra Dimesions. BFI Publishing; 1997.
8.
Yau, Ching-Mei Esther. At Full Speed: Hong Kong Cinema in a Borderless World. University of Minnesota Press; 2001.
9.
Abbas, M. A. Hong Kong: Culture and the Politics of Disappearance. Vol Public worlds.; 1997.
10.
Berry, Chris. Chinese Films in Focus: 25 New Takes. British Film Institute; 2003.
11.
Berry C, British Film Institute. Perspectives on Chinese Cinema. BFI Publishing; 1991.
12.
Browne, Nick. New Chinese Cinemas: Forms, Identities, Politics. Cambridge University Press; 1994.
13.
Brunette, Peter. Wong Kar-Wai. Vol Contemporary film directors. University of Illinois Press; 2005.
14.
Heroic Grace : The Chinese Martial Arts Film. UCLA Film and Television Archive; 2003.
15.
Chu, Yingchi, MyiLibrary. Hong Kong Cinema: Coloniser, Motherland and Self. RoutledgeCurzon; 2003. http://lib.myilibrary.com/browse/open.asp?id=18053&entityid=https://idp.brunel.ac.uk/entity
16.
Dannen, Fredric, Long, Barry. Hong Kong Babylon: An Insider’s Guide to the Hollywood of the East. Faber and Faber; 1997.
17.
Eleftheriotis, Dimitris, Needham, Gary. Asian Cinemas: A Reader and Guide. University of Hawai’i Press; 2006.
18.
Steve F. Golden Harvest and the Hong Kong Movie Industry in the Realm of Globalization. Velvet Light Trap. (34).
19.
Gallagher M. Masculinity in translation: Jackie Chan’s transcultural star text. Velvet light trap. 1997;Spring(39):23-41. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:fiaf&rft_dat=xri:fiaf:article:004/0279519
20.
Gaul, Lou. The Fist That Shook the World: The Cinema of Bruce Lee. Midnight Marquee Press; 1997.
21.
Gross L. Nonchalant grace. Sight and sound. 6(9):6-10. http://search.proquest.com/docview/1825175?
22.
Hammond, Stefan, Wilkins, Mike. Sex and Zen & a Bullet in the Head: The Essential Guide to Hong Kong’s Mind-Bending Movies. Titan; 1997.
23.
Hammond, Stefan. Hollywood East: Hong Kong Movies and the People Who Made Them. Contemporary Books; 2000.
24.
Leon H. Once Upon a Time in China: Kung Fu from Bruce Lee to Jet Li. Framework. (40).
25.
Mendik, Xavier, Harper, Graeme. Unruly Pleasures: The Cult Film and Its Critics. FAB; 2000.
26.
Jancovich M. Defining Cult Movies: The Cultural Politics of Oppositional Taste. Manchester University Press; 2003.
27.
Andris, Silke, Frederick, Ursula. Women Willing to Fight: The Fighting Woman in Film. Cambridge Scholars; 2007.
28.
Hunt, Leon, Leung, Wing-Fai. East Asian Cinemas: Exploring Transnational Connections on Film. Vol Tauris world cinema series. I. B. Tauris; 2008.
29.
Ingham, Mike. Johnnie To Kei-Fung’s PTU. Vol The new Hong Kong cinema series. Hong Kong University Press; 2009.
30.
Jenny Kwok Wah Lau. Besides fists and blood: Hong Kong comedy and its master of the eighties. Cinema Journal. Vol. 37(No. 2).
31.
Lau, Jenny Kwok Wah. Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia. Temple University Press; 2003.
32.
Kar, Law, Bren, Frank. Hong Kong Cinema: A Cross-Cultural View. Scarecrow Press; 2004.
33.
Lo, Kwai-Cheung. Chinese Face/Off: The Transnational Popular Culture of Hong Kong. Vol Popular culture and politics in Asia Pacific. University of Illinois Press; 2005.
34.
Logan, Bey. Hong Kong Action Cinema. Titan Books; 1995.
35.
Lu, Hsiao-peng. Transnational Chinese Cinemas: Identity, Nationhood, Gender. University of Hawaii Press; 1997.
36.
Marchetti, Gina. Andrew Lau and Alan Mak’s Infernal Affairs - the Trilogy. Vol The new Hong Kong cinema. Hong Kong University Press; 2007. http://lib.myilibrary.com/browse/open.asp?id=270865&entityid=https://idp.brunel.ac.uk/entity
37.
Morris, Meaghan, Li, Siu Leung, Chan, Stephen Ching-kiu. Hong Kong Connections: Transnational Imagination in Action Cinema.; 2006. http://lib.myilibrary.com/browse/open.asp?id=270444&entityid=https://idp.brunel.ac.uk/entity
38.
Raynes T. Poet of time. Sight and sound. 1995;V(9):12-16-47-48.
39.
Rayns T. Hard boiled. Sight & sound. 1992;II(4):20-23.
40.
Rayns T. Charisma express. Sight & Sound. X(1).
41.
Julian S. ”Your Tender Smile Gives Me Strength”: Paradigms of Masculinity in John Woo’s A Better Tomorrow and The Killer. Screen. 38(1).
42.
Brunette, Peter. Wong Kar-Wai. Vol Contemporary film directors. University of Illinois Press; 2005.
43.
Teo, Stephen. Director in Action: Johnnie To and the Hong Kong Action Film. Hong Kong University Press; 2007. http://lib.myilibrary.com/browse/open.asp?id=270880&entityid=https://idp.brunel.ac.uk/entity
44.
Teo, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition. Vol Traditions in world cinema. Edinburgh University Press; 2009.
45.
Vojkoviâc, Sasha. Yuen Woo Ping’s Wing Chun. Vol The new Hong Kong cinema series. Hong Kong University Press; 2009.
46.
Space, Place, and Spectacle The Crisis Cinema of John Woo - Summon at Brunel University. http://brunel.summon.serialssolutions.com/search?s.q=Space, Place, and Spectacle: The Crisis Cinema of John Woo
47.
Williams, Tony. John Woo’s Bullet in the Head. Vol The new Hong Kong cinema series. Hong Kong University Press; 2009.
48.
Wood, Miles. Cine East: Hong Kong Cinema through the Looking Glass. 1st ed. FAB Press; 1998.
49.
Ashcroft, Bill, Griffiths, Gareth, Tiffin, Helen. The Post-Colonial Studies Reader. Routledge; 1995.
50.
Brown, Judith M., Foot, Rosemary, St. Antony’s College. Hong Kong’s Transitions, 1842-1997. Vol St. Antony’s series. Macmillan in association with St Antony’s College, Oxford; 1997.
51.
Ma, Eric Kit-wai. Culture, Politics and Television in Hong Kong. Vol Culture and communication in Asia. Routledge; 1999.
52.
Marchetti, Gina. Romance and the ‘Yellow Peril’: Race, Sex, and Discursive Strategies in Hollywood Fiction. University of California Press; 1993.
53.
Riley, Jo. Chinese Theatre and the Actor in Performance. Vol Cambridge studies in modern theatre. Cambridge University Press; 1997.
54.
Tasker Y. Spectacular Bodies: Gender, Genre and the Action Cinema. Routledge; 1993. http://lib.myilibrary.com/browse/open.asp?id=761272&entityid=https://idp.brunel.ac.uk/entity
55.
Tombs, Pete. Mondo Macabro: Weird & Wonderful Cinema around the World. Titan Books; 1997.
56.
Trinh, T. Minh-Ha. When the Moon Waxes Red: Representation, Gender and Cultural Politics. Vol Film/cultural studies. Routledge; 1991.
57.
Tsang, Steve. Hong Kong: Appointment with China. I.B.Tauris; 1997.
58.
Welsh, Frank. A History of Hong Kong. Rev ed. HarperCollins; 1997.
59.
Zhang, Yingjin. Chinese National Cinema. Vol National cinemas series. Routledge; 2004. http://lib.myilibrary.com/browse/open.asp?id=7745&entityid=https://idp.brunel.ac.uk/entity