1.
Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. (Harvard University Press, Cambridge, Mass, 2000).
2.
Fu, Poshek & Desser, David. The Cinema of Hong Kong: History, Arts, Identity. (Cambridge University Press, Cambridge, UK, 2000).
3.
Hunt, Leon. Kung Fu Cult Masters. (Wallflower Press, London, 2003).
4.
Lee, Vivian P. Y. Hong Kong Cinema since 1997: The Post-Nostalgic Imagination. (Palgrave Macmillan, Basingstoke, UK, 2009).
5.
Morris, Meaghan, Li, Siu Leung, & Chan, Stephen Ching-kiu. Hong Kong Connections: Transnational Imagination in Action Cinema. (Durham, 2006).
6.
Stokes, Lisa Odham & Hoover, Michael. City on Fire: Hong Kong Cinema. (Verso, London, 1999).
7.
Teo, Stephen & British Film Institute. Hong Kong Cinema: The Extra Dimesions. (BFI Publishing, London, 1997).
8.
Yau, Ching-Mei Esther. At Full Speed: Hong Kong Cinema in a Borderless World. (University of Minnesota Press, London, 2001).
9.
Abbas, M. A. Hong Kong: Culture and the Politics of Disappearance. vol. Public worlds (London :bUniversity of Minnesota Press, 1997).
10.
Berry, Chris. Chinese Films in Focus: 25 New Takes. (British Film Institute, London, 2003).
11.
Berry, C. & British Film Institute. Perspectives on Chinese Cinema. (BFI Publishing, London, 1991).
12.
Browne, Nick. New Chinese Cinemas: Forms, Identities, Politics. (Cambridge University Press, Cambridge, 1994).
13.
Brunette, Peter. Wong Kar-Wai. vol. Contemporary film directors (University of Illinois Press, Urbana, [Ill.], 2005).
14.
Heroic Grace : The Chinese Martial Arts Film. (UCLA Film and Television Archive, Los Angeles, CA, 2003).
15.
Chu, Yingchi & MyiLibrary. Hong Kong Cinema: Coloniser, Motherland and Self. (RoutledgeCurzon, London, 2003).
16.
Dannen, Fredric & Long, Barry. Hong Kong Babylon: An Insider’s Guide to the Hollywood of the East. (Faber and Faber, London, 1997).
17.
Eleftheriotis, Dimitris & Needham, Gary. Asian Cinemas: A Reader and Guide. (University of Hawai’i Press, Edinburgh, 2006).
18.
Steve, F. Golden Harvest and the Hong Kong Movie Industry in the Realm of Globalization. Velvet Light Trap.
19.
Gallagher, M. Masculinity in translation: Jackie Chan’s transcultural star text. Velvet light trap Spring, 23–41 (1997).
20.
Gaul, Lou. The Fist That Shook the World: The Cinema of Bruce Lee. (Midnight Marquee Press, Baltimore, Md, 1997).
21.
Gross, L. Nonchalant grace. Sight and sound 6, 6–10.
22.
Hammond, Stefan & Wilkins, Mike. Sex and Zen & a Bullet in the Head: The Essential Guide to Hong Kong’s Mind-Bending Movies. (Titan, London, 1997).
23.
Hammond, Stefan. Hollywood East: Hong Kong Movies and the People Who Made Them. (Contemporary Books, Lincolnwood (Chicago), Ill, 2000).
24.
Leon, H. Once Upon a Time in China: Kung Fu from Bruce Lee to Jet Li. Framework.
25.
Mendik, Xavier & Harper, Graeme. Unruly Pleasures: The Cult Film and Its Critics. (FAB, Guildford, 2000).
26.
Jancovich, M. Defining Cult Movies: The Cultural Politics of Oppositional Taste. (Manchester University Press, Manchester, 2003).
27.
Andris, Silke & Frederick, Ursula. Women Willing to Fight: The Fighting Woman in Film. (Cambridge Scholars, Newcastle, UK, 2007).
28.
Hunt, Leon & Leung, Wing-Fai. East Asian Cinemas: Exploring Transnational Connections on Film. vol. Tauris world cinema series (I. B. Tauris, London, 2008).
29.
Ingham, Mike. Johnnie To Kei-Fung’s PTU. vol. The new Hong Kong cinema series (Hong Kong University Press, Hong Kong, 2009).
30.
Jenny Kwok Wah Lau. Besides fists and blood: Hong Kong comedy and its master of the eighties. Cinema Journal Vol. 37,.
31.
Lau, Jenny Kwok Wah. Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia. (Temple University Press, Philadelphia, PA, 2003).
32.
Kar, Law & Bren, Frank. Hong Kong Cinema: A Cross-Cultural View. (Scarecrow Press, Lanham, Md, 2004).
33.
Lo, Kwai-Cheung. Chinese Face/Off: The Transnational Popular Culture of Hong Kong. vol. Popular culture and politics in Asia Pacific (University of Illinois Press, Chicago, 2005).
34.
Logan, Bey. Hong Kong Action Cinema. (Titan Books, London, 1995).
35.
Lu, Hsiao-peng. Transnational Chinese Cinemas: Identity, Nationhood, Gender. (University of Hawaii Press, Honolulu, HI, 1997).
36.
Marchetti, Gina. Andrew Lau and Alan Mak’s Infernal Affairs - the Trilogy. vol. The new Hong Kong cinema (Hong Kong University Press, Hong Kong, 2007).
37.
Morris, Meaghan, Li, Siu Leung, & Chan, Stephen Ching-kiu. Hong Kong Connections: Transnational Imagination in Action Cinema. (Durham, 2006).
38.
Raynes, T. Poet of time. Sight and sound V, 12-16-47–48 (1995).
39.
Rayns, T. Hard boiled. Sight & sound II, 20–23 (1992).
40.
Rayns, T. Charisma express. Sight & Sound X,.
41.
Julian, S. ”Your Tender Smile Gives Me Strength”: Paradigms of Masculinity in John Woo’s A Better Tomorrow and The Killer. Screen 38,.
42.
Brunette, Peter. Wong Kar-Wai. vol. Contemporary film directors (University of Illinois Press, Urbana, [Ill.], 2005).
43.
Teo, Stephen. Director in Action: Johnnie To and the Hong Kong Action Film. (Hong Kong University Press, Hong Kong, 2007).
44.
Teo, Stephen. Chinese Martial Arts Cinema: The Wuxia Tradition. vol. Traditions in world cinema (Edinburgh University Press, Edinburgh, 2009).
45.
Vojkoviâc, Sasha. Yuen Woo Ping’s Wing Chun. vol. The new Hong Kong cinema series (Hong Kong University Press, Hong Kong, 2009).
46.
Space, Place, and Spectacle The Crisis Cinema of John Woo - Summon at Brunel University.
47.
Williams, Tony. John Woo’s Bullet in the Head. vol. The new Hong Kong cinema series (Hong Kong University Press, Hong Kong, 2009).
48.
Wood, Miles. Cine East: Hong Kong Cinema through the Looking Glass. (FAB Press, Guilford, Surrey, England, 1998).
49.
Ashcroft, Bill, Griffiths, Gareth, & Tiffin, Helen. The Post-Colonial Studies Reader. (Routledge, London, 1995).
50.
Brown, Judith M., Foot, Rosemary, & St. Antony’s College. Hong Kong’s Transitions, 1842-1997. vol. St. Antony’s series (Macmillan in association with St Antony’s College, Oxford, Basingstoke, 1997).
51.
Ma, Eric Kit-wai. Culture, Politics and Television in Hong Kong. vol. Culture and communication in Asia (Routledge, London, 1999).
52.
Marchetti, Gina. Romance and the ‘Yellow Peril’: Race, Sex, and Discursive Strategies in Hollywood Fiction. (University of California Press, Berkeley, 1993).
53.
Riley, Jo. Chinese Theatre and the Actor in Performance. vol. Cambridge studies in modern theatre (Cambridge University Press, Cambridge, U.K., 1997).
54.
Tasker, Y. Spectacular Bodies: Gender, Genre and the Action Cinema. (Routledge, London, 1993).
55.
Tombs, Pete. Mondo Macabro: Weird & Wonderful Cinema around the World. (Titan Books, London, 1997).
56.
Trinh, T. Minh-Ha. When the Moon Waxes Red: Representation, Gender and Cultural Politics. vol. Film/cultural studies (Routledge, London, 1991).
57.
Tsang, Steve. Hong Kong: Appointment with China. (I.B.Tauris, London, 1997).
58.
Welsh, Frank. A History of Hong Kong. (HarperCollins, London, 1997).
59.
Zhang, Yingjin. Chinese National Cinema. vol. National cinemas series (Routledge, New York, 2004).