Alston, Adam. 2016. Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. London, [England]: Palgrave Macmillan. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4720190.
Beradt, Charlotte, and Bruno Bettelheim. 1985. The Third Reich of Dreams: The Nightmares of a Nation 1933-1939. Wellingborough: Aquarian.
Campen, Crétien van. 2014. The Proust Effect: The Senses as Doorways to Lost Memories. Oxford: Oxford University Press.
Freshwater, Helen. 2009. Theatre & Audience. Basingstoke: Palgrave Macmillan.
Gaynor Bagnall. 2003. ‘Performance and Performativity at Heritage Sites’. Museum and Society 1 (2): 87–103. https://journals.le.ac.uk/ojs1/index.php/mas/article/view/17/46?acceptCookies=1.
Kirshenblatt-Gimblett, Barbara. 1998. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press.
Lancaster, Kurt. 1997. ‘When Spectators Become Performers: Contemporary Performance-Entertainments Meet the Needs of an “Unsettled” Audience’. The Journal of Popular Culture 30 (4): 75–88. https://doi.org/10.1111/j.0022-3840.1997.3004_75.x.
Machon, Josephine. 2013. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan.
Ryan, Marie-Laure. 1999. ‘Immersion vs. Interactivity: Virtual Reality and Literary Theory’. SubStance 28 (2): 110–37. https://doi.org/10.1353/sub.1999.0015.
Sekoff, Hallie. 2012. ‘10 Interactive Theater Productions That Rethink The Stage’. The Huffington Post. https://www.huffingtonpost.co.uk/entry/interactive-theater_n_1643115?guccounter=1&guce_referrer_us=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvLnVrL3VybD9zYT10JnJjdD1qJnE9JmVzcmM9cyZzb3VyY2U9d2ViJmNkPTEmdmVkPTJhaFVLRXdpVXVvQ3cyZm5lQWhWS0tjQUtIWDRxRDdRUUZqQUFlZ1FJQ1JBQiZ1cmw9aHR0cHMlM0ElMkYlMkZ3d3cuaHVmZmluZ3RvbnBvc3QuY29tJTJGMjAxMiUyRjA3JTJGMDMlMkZpbnRlcmFjdGl2ZS10aGVhdGVyX25fMTY0MzExNS5odG1sJnVzZz1BT3ZWYXcybVpCeWIxbU0wcWVCQlJqZnF3UUdT&guce_referrer_cs=h24OlsbI0VQaG5c-eXVTFQ.
Stern, Nathaniel. 2011. ‘The Implicit Body as Performance: Analyzing Interactive Art’. Leonardo 44 (3): 233–38. https://doi.org/10.1162/LEON_a_00168.
Tuan, Yi-fu. 1977. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=310154.
Waterton, Emma, and Steve Watson, eds. 2015. The Palgrave Handbook of Contemporary Heritage Research. Basingstoke, Hampshire: Palgrave Macmillan.
White, Gareth. 2012. ‘On Immersive Theatre’. Theatre Research International 37 (03): 221–35. https://doi.org/10.1017/S0307883312000880.
