Alston, Adam. Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation. London, [England]: Palgrave Macmillan, 2016. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4720190>.
Beradt, Charlotte, and Bruno Bettelheim. The Third Reich of Dreams: The Nightmares of a Nation 1933-1939. Wellingborough: Aquarian, 1985. Print.
Campen, Crétien van. The Proust Effect: The Senses as Doorways to Lost Memories. Oxford: Oxford University Press, 2014. Print.
Freshwater, Helen. Theatre & Audience. Basingstoke: Palgrave Macmillan, 2009. Print.
Gaynor Bagnall. ‘Performance and Performativity at Heritage Sites’. Museum and Society 1.2 (2003): 87–103. Web. <https://journals.le.ac.uk/ojs1/index.php/mas/article/view/17/46?acceptCookies=1>.
Kirshenblatt-Gimblett, Barbara. Destination Culture: Tourism, Museums, and Heritage. Berkeley: University of California Press, 1998. Print.
Lancaster, Kurt. ‘When Spectators Become Performers: Contemporary Performance-Entertainments Meet the Needs of an “Unsettled” Audience’. The Journal of Popular Culture 30.4 (1997): 75–88. Web.
Machon, Josephine. Immersive Theatres: Intimacy and Immediacy in Contemporary Performance. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2013. Print.
Ryan, Marie-Laure. ‘Immersion vs. Interactivity: Virtual Reality and Literary Theory’. SubStance 28.2 (1999): 110–137. Web.
Sekoff, Hallie. ‘10 Interactive Theater Productions That Rethink The Stage’. The Huffington Post (2012): n. pag. Web. <https://www.huffingtonpost.co.uk/entry/interactive-theater_n_1643115?guccounter=1&guce_referrer_us=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvLnVrL3VybD9zYT10JnJjdD1qJnE9JmVzcmM9cyZzb3VyY2U9d2ViJmNkPTEmdmVkPTJhaFVLRXdpVXVvQ3cyZm5lQWhWS0tjQUtIWDRxRDdRUUZqQUFlZ1FJQ1JBQiZ1cmw9aHR0cHMlM0ElMkYlMkZ3d3cuaHVmZmluZ3RvbnBvc3QuY29tJTJGMjAxMiUyRjA3JTJGMDMlMkZpbnRlcmFjdGl2ZS10aGVhdGVyX25fMTY0MzExNS5odG1sJnVzZz1BT3ZWYXcybVpCeWIxbU0wcWVCQlJqZnF3UUdT&guce_referrer_cs=h24OlsbI0VQaG5c-eXVTFQ>.
Stern, Nathaniel. ‘The Implicit Body as Performance: Analyzing Interactive Art’. Leonardo 44.3 (2011): 233–238. Web.
Tuan, Yi-fu. Space and Place: The Perspective of Experience. Minneapolis: University of Minnesota Press, 1977. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=310154>.
Waterton, Emma, and Steve Watson, eds. The Palgrave Handbook of Contemporary Heritage Research. Basingstoke, Hampshire: Palgrave Macmillan, 2015. Print.
White, Gareth. ‘On Immersive Theatre’. Theatre Research International 37.03 (2012): 221–235. Web.
