[1]
P. Aufderheide, ‘Documentary film: a very short introduction - Chapter One: Defining the documentary’, vol. Very short introductions, Oxford: Oxford University Press, 2007, pp. 1–25 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=137463&entityid=https://idp.brunel.ac.uk/entity
[2]
S. Bruzzi, New documentary: a critical introduction. London: Routledge, 2000 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=32823&entityid=https://idp.brunel.ac.uk/entity
[3]
B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana, USA: Indiana University Press, 2017 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
[4]
B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana, USA: Indiana University Press, 2017 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
[5]
B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana, USA: Indiana University Press, 2017 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
[6]
J. Aston and S. Gaudenzi, ‘Interactive documentary: setting the field’, Studies in Documentary Film, vol. 6, no. 2, pp. 125–139, Jun. 2012, doi: 10.1386/sdf.6.2.125_1. [Online]. Available: http://www.tandfonline.com/doi/abs/10.1386/sdf.6.2.125_1
[7]
N. Smith and J. Rock, ‘Documentary as a statement: defining old genre in a new age’, Journal of Media Practice, vol. 15, no. 1, pp. 58–62, Jan. 2014, doi: 10.1080/14682753.2014.892698. [Online]. Available: http://dx.doi.org/10.1080/14682753.2014.892698
[8]
K. Nash, ‘Modes of interactivity: analysing the webdoc’, Media, Culture & Society, vol. 34, no. 2, pp. 195–210, Mar. 2012, doi: 10.1177/0163443711430758. [Online]. Available: https://doi.org/10.1177/0163443711430758
[9]
J. Aston, S. Gaudenzi, and M. Rose, Eds., i-Docs: the evolving practices of interactive documentary. London: Wallflower Press, 2017 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5276085
[10]
‘Directing the Documentary Website’ [Online]. Available: http://www.routledgetextbooks.com/textbooks/9780415719308/default.php
[11]
M. Rabiger, ‘Directing the documentary - Chapter five: story elements and film grammar’, Sixth edition., Burlington, MA: Focal Press, 2014, pp. 75–94 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
[12]
M. Rabiger and M. Hurbis-Cherrier, Directing: film techniques and aesthetics - Chapter 13: The frame and the shot, 5th ed. Waltham, Mass: Focal Press, 2013, pp. 155–164 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=446089&entityid=https://idp.brunel.ac.uk/entity
[13]
S. C. Bernard, ‘Documentary storytelling: creative nonfiction on screen’, in Documentary storytelling: creative nonfiction on screen, Fourth edition., New York: Focal Press, 2016, pp. 175–188 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=71a3d4c9-8620-e911-80cd-005056af4099
[14]
J. Chapman, Documentary in practice: filmmakers and production choices. Cambridge, UK: Polity, 2007, pp. 80–109.
[15]
M. Rabiger, ‘Directing the documentary - Chapter ten: Capturing sound’, Sixth edition., Burlington, MA: Focal Press, 2014, pp. 75–94 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
[16]
J. Chapman, ‘Documentary in practice: filmmakers and production choices’, in Documentary in practice: filmmakers and production choices, Cambridge, UK: Polity, 2007, pp. 80–109 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=919b37e1-f21f-e911-80cd-005056af4099
[17]
K. Reisz, G. Millar, T. Dickinson, and British Film Academy, The technique of film editing - Chapter eleven: The documentary and the use of sound, 2nd ed. Boston: Elsevier/Focal Press, 2010, pp. 135–140 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
[18]
B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana, USA: Indiana University Press, 2017 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
[19]
M. Rabiger, ‘Directing the documentary - Chapter 31: Conducting and shooting interviews’, Sixth edition., Burlington, MA: Focal Press, 2014, pp. 449–468 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
[20]
J. Chapman, ‘Issues in contemporary documentary’, in Issues in contemporary documentary, Cambridge: Polity, 2009, pp. 156–177 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=bd5d68e2-8d20-e911-80cd-005056af4099
[21]
C. Pryluck, ‘Ultimately we are all outsiders: the ethics of documentary filming’, Journal of the University Film Association, vol. 28, no. 1, pp. 21–29, 1976 [Online]. Available: http://www.jstor.org/stable/20687309?seq=1#page_scan_tab_contents
[22]
P. Aufderheide, ‘Perceived ethical conflicts in US documentary filmmaking: a field report’, New Review of Film and Television Studies, vol. 10, no. 3, pp. 362–386, Sep. 2012, doi: 10.1080/17400309.2012.691248. [Online]. Available: http://dx.doi.org/10.1080/17400309.2012.691248
[23]
E. M. Maccarone, ‘Ethical responsibilities to subjects and documentary filmmaking’, Journal of Mass Media Ethics, vol. 25, no. 3, pp. 192–206, Jul. 2010, doi: 10.1080/08900523.2010.497025. [Online]. Available: http://dx.doi.org/10.1080/08900523.2010.497025
[24]
W. Sanders, ‘Documentary filmmaking and ethics: concepts, responsibilities, and the need for empirical research’, Mass Communication and Society, vol. 13, no. 5, pp. 528–553, Oct. 2010, doi: 10.1080/15205431003703319. [Online]. Available: http://dx.doi.org/10.1080/15205431003703319
[25]
B. Nichols, Speaking truths with film: evidence, ethics, politics in documentary. Oakland, California: University of California Press, 2016 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4700051
[26]
M. Rabiger, ‘Directing the documentary - Chapter Eleven: Lighting’, Sixth edition., Burlington, MA: Focal Press, 2014, pp. 75–94 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity
[27]
B. Brown, Cinematography: theory and practice : imagemaking for cinematographers and directors, Third edition., vol. A Focal Press book. New York: Routledge, Taylor & Francis Group, 2016 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=959148&entityid=https://idp.brunel.ac.uk/entity
[28]
K. Dancyger, The technique of film and video editing: history, theory, and practice - Chapter 24: Documentary, 5th ed. New York: Focal Press, 2011, pp. 327–340 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=610550
[29]
K. Reisz, G. Millar, T. Dickinson, and British Film Academy, The technique of film editing - Chapter eight: Imaginative documentary, 2nd ed. Boston: Elsevier/Focal Press, 2010, pp. 107–126 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
[30]
K. Reisz, G. Millar, T. Dickinson, and British Film Academy, The technique of film editing - Chapter nine: the documentary film of ideas, 2nd ed. Boston: Elsevier/Focal Press, 2010, pp. 127–134 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity
[31]
J. Chapman, Documentary in practice: filmmakers and production choices - Chapter five: Shaping and editing. Cambridge, UK: Polity, 2007, pp. 110–140.
[32]
B. Nichols, Introduction to documentary, Third edition. Bloomington, Indiana, USA: Indiana University Press, 2017 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity
