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Iordanova D, Cunningham S, University of St Andrews. Film Studies. Digital Disruption: Cinema Moves on-Line. St Andrews Film Studies; 2012.
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McDonald P, Wasko J. The contemporary Hollywood film industry. In: The Contemporary Hollywood Film Industry. Blackwell Publishing; 2008:106-119. https://contentstore.cla.co.uk/secure/link?id=70ba6558-3810-e911-80cd-005056af4099
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Boni M, ed. World Building: Transmedia, Fans, Industries. Vol 2. Amsterdam University Press; 2017.
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Stein LE, Busse K. Sherlock and Transmedia Fandom: Essays on the BBC Series. McFarland; 2012. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=462577
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Stein LE. Millennial Fandom: Television Audiences in the Transmedia Age. University of Iowa Press; 2015. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3570587
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Alberti J, Miller PA, eds. Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age. Wayne State University Press; 2018.
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King G, ed. A companion to American indie film. In: A Companion to American Indie Film. Wiley Blackwell; 2017:279-299. https://contentstore.cla.co.uk/secure/link?id=6668cc34-b7f0-e911-80cd-005056af4099
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King G, ed. A companion to American indie film. In: A Companion to American Indie Film. Wiley Blackwell; 2017:433-451. https://contentstore.cla.co.uk/secure/link?id=492a658f-b7f0-e911-80cd-005056af4099
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Gündüz Özdemirci E. Greening the Screen: An Environmental Challenge. Humanities. 2016;5(2). doi:10.3390/h5020035
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López A. The Media Ecosystem: What Ecology Can Teach Us about Responsible Media Practice. Evolver Editions; 2012.
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Murphy PD. The Media Commons: Globalization and Environmental Discourses. University of Illinois Press; 2017.
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Gaylor B. RiP!: a remix manifesto. Published online 2009.
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Gillespie T. Wired Shut: Copyright and the Shape of Digital Culture. MIT Press; 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338717
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Hilderbrand L. Youtube: Where Cultural Memory and Copyright Converge. Film Quarterly. 2007;61(1):48-57. doi:10.1525/fq.2007.61.1.48
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Hesmondhalgh D. The Cultural Industries. Fourth edition. SAGE; 2019.
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Schiller D. World Communications in Today’s Age of Capital. Emergences: Journal for the Study of Media & Composite Cultures. 2001;11(1):51-68. doi:10.1080/10457220120044666
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Jancovich M, Lyons J. Quality Popular Television: Cult TV, the Industry and Fans. British Film Institute; 2003.
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Buonanno M. Italian TV Drama and beyond: Stories from the Soil, Stories from the Sea. Intellect; 2012. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=914258
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Hansen KT, Waade AM. Locating Nordic Noir: From Beck to The Bridge. Palgrave Macmillan; 2017. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5106086
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Forshaw B. Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film & TV. Pocket Essentials; 2014. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1712149
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Pezzotti B. Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series: Murder in the Age of Chaos. Palgrave Macmillan; 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4716385
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Forshaw B. Death in a Cold Climate: A Guide to Scandinavian Crime Fiction. Palgrave Macmillan; 2012. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165
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McCabe J, Akass K. Quality TV: Contemporary American Television and Beyond. I. B. Tauris; 2007.
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Peacock S. Swedish Crime Fiction: Novel, Film, Television. Manchester University Press; 2014. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706720
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Forshaw B. Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film & TV. Pocket Essentials; 2013.
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Rapu CO. Living in Bondage. Published online 1992. https://www.youtube.com/channel/UCCPN35XwRi1duxqq3aj6JFQ
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Miller JL. Nollywood Central. BFI; 2016.
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Haynes J. Nollywood: The Creation of Nigerian Film Genres. The University of Chicago Press; 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4504550
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Deshpande SA, Mazaj M. World cinema: a critical introduction. In: World Cinema: A Critical Introduction. Routledge; 2018. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5220292
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Geiger J. Nollywood Style: Nigerian movies and ‘shifting perceptions of worth’. Film International. 2012;10(6):58-72. doi:10.1386/fiin.10.6.58_1
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Sobchack VC. The Address of the Eye: A Phenomenology of Film Experience. Princeton University Press; 1992.
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Dobson N, Honess Roe A, Ratelle A, Ruddell C, eds. The animation studies reader. In: The Animation Studies Reader. Bloomsbury Academic; 2019.
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