Bibliography for FM1619 - Technology, Industry and Form BETA

Akudinobi, J. (2015). Nollywood: Prisms and Paradigms. Cinema Journal, 54(Issue 2), 133–140. https://doi.org/10.1353/cj.2015.0008

Alberti, J., & Miller, P. A. (Eds). (2018). Transforming Harry: the adaptation of Harry Potter in the transmedia age. Wayne State University Press.

Allen, R. C. (1992). Channels of discourse, reassembled: television and contemporary criticism. In Channels of discourse, reassembled: television and contemporary criticism (2nd ed, pp. 1–30). Routledge. https://contentstore.cla.co.uk/secure/link?id=0e1974a8-0ee5-e911-80cd-005056af4099

Allen, R. C., & Gomery, D. (1985). Film history: theory and practice. In Film history: theory and practice (pp. 109–130). McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=4b140412-720f-e911-80cd-005056af4099

Allen, R. C., & Hill, A. (2004). The television studies reader. In The television studies reader (pp. 275–292). Routledge. https://contentstore.cla.co.uk/secure/link?id=466d7ab2-0510-e911-80cd-005056af4099

Altman, R. (1992). Sound theory, sound practice. In Sound theory, sound practice (pp. 46–64). Routledge. https://contentstore.cla.co.uk/secure/link?id=990e8cc5-5f12-e911-80cd-005056af4099

Anatomy of the Action Picture. (n.d.). http://www.davidbordwell.net/essays/anatomy.php

Badley, L., Perkins, C., & Schreiber, M. (Eds). (2016). Indie reframed: women’s filmmaking and contemporary American independent cinema. In Indie reframed: women’s filmmaking and contemporary American independent cinema (pp. 138–153). Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=a360c8fb-8712-e911-80cd-005056af4099

Balio, T. (1985a). The American film industry. In The American film industry (Rev. ed). University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

Balio, T. (1985b). The American film industry. In The American film industry (Rev. ed). University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

Balio, T. (1985c). The American film industry. In The American film industry (Rev. ed). University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

Balio, T. (1985d). The American film industry. In The American film industry (Rev. ed). University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

Balio, T. (1990a). Hollywood in the age of television. In Hollywood in the age of television (pp. 3–40). Unwin Hyman. https://contentstore.cla.co.uk/secure/link?id=f01d4c91-5fe4-e911-80cd-005056af4099

Balio, T. (1990b). Hollywood in the age of television. In Hollywood in the age of television. Unwin Hyman. http://lib.myilibrary.com/browse/open.asp?id=553100&entityid=https://idp.brunel.ac.uk/entity

Banet-Weiser, S., Chris, C., & Freitas, A. (2007a). Cable visions: television beyond broadcasting. In Cable visions: television beyond broadcasting. New York University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538

Banet-Weiser, S., Chris, C., & Freitas, A. (2007b). Cable visions: television beyond broadcasting. In Cable visions: television beyond broadcasting. New York University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538

Banet-Weiser, S., Chris, C., & Freitas, A. (2007c). Cable visions: television beyond broadcasting. New York University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538

Bazin, A., & Cardullo, B. (2011). André Bazin and Italian neorealism [Electronic resource]. Continuum. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=795461

Belton, J. (1992). Widescreen cinema. Harvard University Press.

Belton, J. (2012). Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase. Film History, 24(2). https://doi.org/10.2979/filmhistory.24.2.187

Benkler, Y. (2006). The wealth of networks: how social production transforms markets and freedom. Yale University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3419996

Bennett, J., & Strange, N. (2011). Television as digital media [Electronic resource]. Duke University Press. https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822393658

Berliner, T. (2010). Hollywood incoherent: narration in seventies cinema. University of Texas Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3571747

Bignell, J. (2013a). An introduction to television studies [Electronic resource]. In An introduction to television studies (3rd ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity

Bignell, J. (2013b). An introduction to television studies [Electronic resource]. In An introduction to television studies (3rd ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity

Boddy, W. (2004). New media and popular imagination: launching radio, television, and digital media in the United States. Oxford University Press.

Bolter, J. D., & Grusin, R. A. (1999). Remediation: understanding new media. MIT Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=9351&site=ehost-live&scope=site

Bondanella, P. E. (2001a). Italian cinema: from neorealism to the present. In Italian cinema: from neorealism to the present (3rd ed, pp. 31–73). Continuum. https://contentstore.cla.co.uk/secure/link?id=138069fc-2814-e911-80cd-005056af4099

Bondanella, P. E. (2001b). Italian cinema: from neorealism to the present. In Italian cinema: from neorealism to the present (3rd ed). Continuum.

Bondanella, P. E. (Ed.). (2014). The Italian cinema book. In The Italian cinema book (pp. 77–83). BFI. https://contentstore.cla.co.uk/secure/link?id=3416b676-1510-e911-80cd-005056af4099

Boni, M. (Ed.). (2017). World building: transmedia, fans, industries (Vol. 2). Amsterdam University Press.

Bordwell, D. (2006a). The way Hollywood tells it: story and style in modern movies. University of California Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254879

Bordwell, D. (2006b). The way Hollywood tells it: story and style in modern movies. University of California Press. http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity

Bordwell, D., Staiger, J., & Thompson, K. (1988a). The classical Hollywood cinema: film style & mode of production to 1960. In The classical Hollywood cinema: film style & mode of production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

Bordwell, D., Staiger, J., & Thompson, K. (1988b). The classical Hollywood cinema: film style & mode of production to 1960. In The classical Hollywood cinema: film style & mode of production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

Bordwell, D., Staiger, J., & Thompson, K. (1988c). The classical Hollywood cinema: film style & mode of production to 1960. In The classical Hollywood cinema: film style & mode of production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

Bordwell, D., Staiger, J., & Thompson, K. (1988d). The classical Hollywood cinema: film style & mode of production to 1960. In The classical Hollywood cinema: film style & mode of production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

Bordwell, D., Staiger, J., & Thompson, K. (1988e). The classical Hollywood cinema: film style & mode of production to 1960. In The classical Hollywood cinema: film style & mode of production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

Bordwell, D., Thompson, K., & Smith, J. (2020). Film art: an introduction (Twelfth edition). McGraw-Hill Education.

Bostrom, N. (2005). A History of Transhumanist Thought. Journal of Evolution and Technology, 14(1). https://jetpress.org/volume14/bostrom.html

Bozak, N. (2012). The cinematic footprint: lights, camera, natural resources [Electronic resource]. Rutgers University Press. http://lib.myilibrary.com/browse/open.asp?id=417721&entityid=https://idp.brunel.ac.uk/entity

Brereton, P. (2016). Environmental ethics and film [Electronic resource]. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4015143

Bruzzi, S. (2013). Men’s cinema: masculinity and Mise en Scène in Hollywood. Edinburgh University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1835368

Buckland, W. (2009). Film theory and contemporary Hollywood movies. In Film theory and contemporary Hollywood movies. Routledge. http://lib.myilibrary.com/browse/open.asp?id=212452&entityid=https://idp.brunel.ac.uk/entity

Buckland, W. (Ed.). (2014). Hollywood puzzle films [Electronic resource]. In Hollywood puzzle films. Routledge. http://lib.myilibrary.com/browse/open.asp?id=614075&entityid=https://idp.brunel.ac.uk/entity

Budd, M., Craig, S., & Steinman, C. M. (1999). Consuming environments: television and commercial culture. Rutgers University Press.

Buonanno, M. (2012). Italian TV drama and beyond: stories from the soil, stories from the sea. Intellect. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=914258

Burgess, J., & Green, J. (2009). YouTube: online video and participatory culture [Electronic resource]. Polity. http://lib.myilibrary.com/browse/open.asp?id=484691&entityid=https://idp.brunel.ac.uk/entity

Burnett, R. (1991). Explorations in film theory: selected essays from Ciné-tracts. In Explorations in film theory: selected essays from Ciné-tracts (Vol. 612, pp. 3–14). Indiana University Press. https://contentstore.cla.co.uk/secure/link?id=dc4efb2e-4f13-e911-80cd-005056af4099

Butler, J. G. (2007). Television: critical methods and applications. In Television: critical methods and applications (3rd ed, pp. 3–19). Lawrence Erlbaum Associates. https://contentstore.cla.co.uk/secure/link?id=b844422b-5a12-e911-80cd-005056af4099

Caldwell, J. T. (1995). Televisuality: style, crisis, and authority in American television. Rutgers University Press.

Cardullo, B. (2009). After neorealism: Italian filmmakers and their films : essays and interviews. Cambridge Scholars. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=522871&site=ehost-live&scope=site

Casey, B. (2008). Television studies: the key concepts. In Television studies: the key concepts (2nd ed, pp. 286–288). Routledge. https://contentstore.cla.co.uk/secure/link?id=4176d1c5-bfcd-ea11-80cd-005056af4099

Castaing-Taylor, L., Paravel, V., & Cinema Guild. (2013). Leviathan [Videorecording]. Dogwoof Ltd.

Castells, M. (2000). The rise of the network society: Vol. v. 1 (2nd ed). Blackwell Publishers. http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity

Caughie, J. (2000). Television drama: realism, modernism, and British culture. Oxford University Press. http://lib.myilibrary.com/browse/open.asp?id=90673&entityid=https://idp.brunel.ac.uk/entity

Chanan, M. (1996). The dream that kicks: the prehistory and early years of cinema in Britain (2nd ed). Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203360101

Christian, A. J. (n.d.). The Problem of YouTube. Flow. http://www.flowjournal.org/2011/02/the-problem-of-youtube./

Christian, A. J. (2011). Joe Swanberg, Intimacy, and the Digital Aesthetic. Cinema Journal, 50(4). https://doi.org/10.1353/cj.2011.0049

Clarke, M. J. (2013). Transmedia television: new trends in network serial production. Bloomsbury. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1099529

Cook, P. (2007). The cinema book. In The cinema book (3rd ed, pp. 233–237). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=764ce19b-1ed0-ea11-80cd-005056af4099

Cook, P., & Bernink, M. (1999). The cinema book. In The cinema book (2nd ed, pp. 19–22). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=ca63bb8a-e018-e911-80cd-005056af4099

Corner, J. (1999). Critical ideas in television studies. In Critical ideas in television studies (pp. 13–23). Clarendon Press. https://contentstore.cla.co.uk/secure/link?id=6645edfc-b015-e911-80cd-005056af4099

Crafton, D. (1993). Before Mickey: the animated film, 1898-1928 (University of Chicago Press ed). University of Chicago Press.

Crosland, A. (2007). The jazz singer [Videorecording]. Turner Entertainment.

Crumley, A., & Buice, S. (2008). Four eyed monsters [Videorecording].

Cuarón, A., Bullock, S., & Clooney, G. (2014). Gravity [Videorecording]. Warner Bros entertainment Inc.

Cubitt, S. (n.d.). EcoMedia. Rodopi.

Cubitt, S. (2017). Finite media: environmental implications of digital technologies [Electronic resource]. Duke University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4753360

Cunningham, S., & Silver, J. (2013). Screen distribution and the new King Kongs of the online world. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318147

Deshpande, S. A., & Mazaj, M. (2018). World cinema: a critical introduction [Electronic resource]. In World cinema: a critical introduction. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5220292

Dobson, N., Honess Roe, A., Ratelle, A., & Ruddell, C. (Eds). (2019a). The animation studies reader. In The animation studies reader. Bloomsbury Academic.

Dobson, N., Honess Roe, A., Ratelle, A., & Ruddell, C. (Eds). (2019b). The animation studies reader. Bloomsbury Academic.

Edgerton, G. R., & Rose, B. G. (2005). Thinking outside the box: a contemporary television genre reader. In Thinking outside the box: a contemporary television genre reader (pp. 226–246). University Press of Kentucky. https://contentstore.cla.co.uk/secure/link?id=4127e178-730f-e911-80cd-005056af4099

Ellis, J. (1992a). Visible fictions: cinema, television, video (Rev. ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity

Ellis, J. (1992b). Visible fictions: cinema, television, video (Rev. ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity

Ellis, J. (1992c). Visible fictions: cinema, television, video (Rev. ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity

Elsaesser, T., & Barker, A. (1990a). Early cinema: space, frame, narrative. In Early cinema: space, frame, narrative (pp. 56–75). BFI Publishing. https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099

Elsaesser, T., & Barker, A. (1990b). Early cinema: space, frame, narrative. BFI Publishing.

Elsaesser, T., & Barker, A. (1990c). Early cinema: space, frame, narrative. In Early cinema: space, frame, narrative (pp. 56–75). BFI Publishing. https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099

Elsaesser, T., & Buckland, W. (2002). Studying contemporary American film: a guide to movie analysis. In Studying contemporary American film: a guide to movie analysis (pp. 26–79). Hodder Education. https://contentstore.cla.co.uk/secure/link?id=60559fa8-5413-e911-80cd-005056af4099

Ferrando, F. (2013). Posthumanism, Transhumanism, Antihumanism, Metahumanism, and New Materialisms Differences and Relations. Existenz, 8(2), 26–32. https://doi.org/10.7213/1980-5934.31.054.TD01

Forshaw, B. (2012). Death in a cold climate: a guide to Scandinavian crime fiction. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165

Forshaw, B. (2013). Nordic noir: the pocket essential guide to Scandinavian crime fiction, film & TV. Pocket Essentials.

Forshaw, B. (2014). Euro noir: the pocket essential guide to European crime fiction, film & TV. Pocket Essentials. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1712149

Freedman, D. (2008). The politics of media policy. Polity. http://lib.myilibrary.com/browse/open.asp?id=504452&entityid=https://idp.brunel.ac.uk/entity

Freedman, D. (2018). Populism and media policy failure. European Journal of Communication, 33(6), 604–618. https://doi.org/10.1177/0267323118790156

Furniss, M. (Ed.). (2012). Animation: art & industry [Electronic resource]. JL. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1977963

Furniss, M. (2017). History of Animation (Newly Published Works). Thames & Hudson Australia Pty, Limited.

Gandolfini, J., Bracco, L., Falco, E., Imperioli, M., Chianese, D., Kaplow, D., Mazen, O. ‘Nini’, & Chase, D. (2007). The Sopranos: Complete HBO Season 1 (Standard Edition) [Videorecording]. Warner Home Video.

Garnham, N. (1983). Public Service versus the Market. Screen, 24(1), 6–27. https://doi.org/10.1093/screen/24.1.6

Gaylor, B. (2009). RiP!: a remix manifesto [Videorecording]. Artefact Films.

Geiger, J. (2012). Nollywood Style: Nigerian movies and ‘shifting perceptions of worth’. Film International, 10(6), 58–72. https://doi.org/10.1386/fiin.10.6.58_1

Geiger, J., & Rutsky, R. L. (2005). Film analysis: a Norton reader. In Film analysis: a Norton reader (1st ed, pp. 422–438). W.W. Norton. https://contentstore.cla.co.uk/secure/link?id=3f6fb3e7-af18-e911-80cd-005056af4099

Geraghty, C., & Lusted, D. (1998). The television studies book. Arnold.

Gerbarg, D. (Ed.). (2010). Television goes digital. Springer. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=417813

Gillespie, T. (2007). Wired shut: copyright and the shape of digital culture [Electronic resource]. MIT Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338717

Gillespie, T. (2010). The politics of ‘platforms’. New Media & Society, 12(3), 347–364. https://doi.org/10.1177/1461444809342738

Gomery, D. (1992a). Shared pleasures: a history of movie presentation in the United States. In Shared pleasures: a history of movie presentation in the United States (pp. 3–17). University of Wisconsin Press. https://contentstore.cla.co.uk/secure/link?id=e8278966-3b10-e911-80cd-005056af4099

Gomery, D. (1992b). Shared pleasures: a history of movie presentation in the United States. In Shared pleasures: a history of movie presentation in the United States (pp. 18–33). University of Wisconsin Press. https://contentstore.cla.co.uk/secure/link?id=8beb2b00-5113-e911-80cd-005056af4099

Gomery, D. (2005a). The Hollywood studio system: a history. BFI.

Gomery, D. (2005b). The Hollywood studio system: a history. In The Hollywood studio system: a history (pp. 11–26). BFI. https://contentstore.cla.co.uk/secure/link?id=426988b3-2613-e911-80cd-005056af4099

Goodwin, A., & Whannel, G. (1990). Understanding television. In Understanding television (pp. 11–29). Routledge. https://contentstore.cla.co.uk/secure/link?id=18e2a167-48e4-e911-80cd-005056af4099

Greengrass, P. (2004). The Bourne supremacy [Videorecording]. Universal Pictures.

Griffith, D. W. (2000). Broken blossoms [Videorecording]. Eureka Video.

Gündüz Özdemirci, E. (2016). Greening the Screen: An Environmental Challenge. Humanities, 5(2). https://doi.org/10.3390/h5020035

Guynes, S. A., & Hassler-Forest, D. (Eds). (2018). Star Wars and the history of transmedia storytelling. Amsterdam University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5261322

Haggard, P., Potter, D., Trodd, K., Hoskins, B., Craven, G., Colley, K., Bennett, H., & British Broadcasting Corporation. Television Service. (2004). Pennies from heaven [Videorecording]. BBC Worldwide. https://learningonscreen.ac.uk/ondemand/index.php/prog/RT3CB597?bcast=119438677

Hammond, M., & Williams, L. R. (2006a). Contemporary American cinema. Open University Press. http://lib.myilibrary.com/browse/open.asp?id=333788&entityid=https://idp.brunel.ac.uk/entity

Hammond, M., & Williams, L. R. (2006b). Contemporary American cinema. In Contemporary American cinema. Open University Press. http://lib.myilibrary.com/browse/open.asp?id=333788&entityid=https://idp.brunel.ac.uk/entity

Hansen, K. T., & Waade, A. M. (2017). Locating Nordic Noir: from Beck to The bridge. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5106086

Hauskeller, M., Philbeck, T. D., & Carbonell, C. D. (Eds). (2018). The Palgrave handbook of posthumanism in film and television. In The Palgrave handbook of posthumanism in film and television (pp. 99–108). Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4001366

Haynes, J. (2016). Nollywood: the creation of Nigerian film genres [Electronic resource]. The University of Chicago Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4504550

Heise, U. K. (2008). Sense of place and sense of planet: the environmental imagination of the global. Oxford University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3053055

Hesmondhalgh, D. (2019). The cultural industries (Fourth edition). SAGE.

Hilderbrand, L. (2007). Youtube: Where Cultural Memory and Copyright Converge. Film Quarterly, 61(1), 48–57. https://doi.org/10.1525/fq.2007.61.1.48

Hill, C. W. L. (2007). Digital piracy: Causes, consequences, and strategic responses. Asia Pacific Journal of Management, 24(1), 9–25. https://doi.org/10.1007/s10490-006-9025-0

Hill, J. & British Film Institute. (2011). Ken Loach: the politics of film and television. Palgrave Macmillan.

Hill, J., & Gibson, P. C. (1998). The Oxford guide to film studies. In The Oxford guide to film studies (pp. 255–271). Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=b0609736-4d13-e911-80cd-005056af4099

Hills, M. (Ed.). (2013). New dimensions of Doctor Who: adventures in space, time and television. I.B. Tauris. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1511071

Holland, P. (2000). The television handbook. In The television handbook (2nd edn, pp. 9–26). Routledge. https://contentstore.cla.co.uk/secure/link?id=8152bf62-480f-e911-80cd-005056af4099

Hye-Kyung  Lee. (n.d.). Introduction: Animation industry at a crossroads. Creative Industries Journal, 3, 183–187. https://doi.org/10.1386/cij.3.3.183_1

Ingram, D. (2000). Green screen: environmentalism and Hollywood cinema. University of Exeter Press.

Iordanova, D., Cunningham, S., & University of St Andrews. Film Studies. (2012a). Digital disruption: cinema moves on-line. St Andrews Film Studies.

Iordanova, D., Cunningham, S., & University of St Andrews. Film Studies. (2012b). Digital disruption: cinema moves on-line. St Andrews Film Studies.

Iordanova, D., Cunningham, S., & University of St Andrews. Film Studies. (2012c). Digital disruption: cinema moves on-line. In Digital disruption: cinema moves on-line (pp. 67–100). St Andrews Film Studies. https://contentstore.cla.co.uk/secure/link?id=700a1c74-0f10-e911-80cd-005056af4099

Izod, J. (1988a). Hollywood and the box office 1895-1986. In Hollywood and the box office 1895-1986 (pp. 1–6). Columbia University Press. https://contentstore.cla.co.uk/secure/link?id=bbb19b17-7e15-e911-80cd-005056af4099

Izod, J. (1988b). Hollywood and the box office 1895-1986. In Hollywood and the box office 1895-1986 (pp. 7–15). Columbia University Press. https://contentstore.cla.co.uk/secure/link?id=18b46531-becd-ea11-80cd-005056af4099

Jancovich, M., & Lyons, J. (2003). Quality popular television: cult TV, the industry and fans. British Film Institute.

Jenkins, H. (2006). Convergence culture: where old and new media collide (Updated ed). New York University Press.

Jenkins, H., Ford, S., & Green, J. (2013). Spreadable media: creating value and meaning in a networked culture [Electronic resource]. New York University Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=529617

Kackman, M. (2010). Flow TV: television in the age of media convergence. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=574457

Kaplan, E. A. (1987). Rocking around the clock: music television, postmodernism, and consumer culture. Methuen.

Keane, S. (2007). CineTech: film, convergence and new media. In CineTech: film, convergence and new media (pp. 56–75). Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=50bde8ab-5b12-e911-80cd-005056af4099

Keating, P. (2006). Emotional Curves and Linear Narratives. The Velvet Light Trap, 58. https://doi.org/10.1353/vlt.2006.0029

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King, G. (2002a). New Hollywood cinema: an introduction. I. B. Tauris. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000006914

King, G. (2002b). New Hollywood cinema: an introduction. In New Hollywood cinema: an introduction. I. B. Tauris. http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914

King, G. (2002c). New Hollywood cinema: an introduction. In New Hollywood cinema: an introduction (pp. 224–256). I. B. Tauris. https://contentstore.cla.co.uk/secure/link?id=6d1b278d-11e5-e911-80cd-005056af4099

King, G. (2002d). New Hollywood cinema: an introduction. In New Hollywood cinema: an introduction (pp. 224–256). I. B. Tauris. https://contentstore.cla.co.uk/secure/link?id=6d1b278d-11e5-e911-80cd-005056af4099

King, G. (2014a). Indie 2.0: change and continuity in contemporary American indie film. In Indie 2.0: change and continuity in contemporary American indie film (Vol. 10, pp. 77–121). I.B. Tauris. https://contentstore.cla.co.uk/secure/link?id=8ce33d9e-7112-e911-80cd-005056af4099

King, G. (2014b). Indie 2.0: change and continuity in contemporary American indie film. In Indie 2.0: change and continuity in contemporary American indie film (Vol. 10). I.B. Tauris.

King, G. (2016). Quality Hollywood: markers of distinction in contemporary studio film. In Quality Hollywood: markers of distinction in contemporary studio film (Vol. 28, pp. 81–124). I.B. Tauris. https://contentstore.cla.co.uk/secure/link?id=a8ea312a-bb15-e911-80cd-005056af4099

King, G. (Ed.). (2017a). A companion to American indie film. In A companion to American indie film (pp. 279–299). Wiley Blackwell. https://contentstore.cla.co.uk/secure/link?id=6668cc34-b7f0-e911-80cd-005056af4099

King, G. (Ed.). (2017b). A companion to American indie film. In A companion to American indie film (pp. 433–451). Wiley Blackwell. https://contentstore.cla.co.uk/secure/link?id=492a658f-b7f0-e911-80cd-005056af4099

King, G. (Ed.). (2017c). A companion to American indie film. In A companion to American indie film. Wiley Blackwell. http://lib.myilibrary.com/browse/open.asp?id=965329&entityid=https://idp.brunel.ac.uk/entity

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Klinger, B. (2006). Beyond the multiplex: cinema, new technologies, and the home. University of California Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254875

Langford, B. (2010a). Post-classical Hollywood: film industry, style and ideology since 1945. In Post-classical Hollywood: film industry, style and ideology since 1945 (pp. 244–254). Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=9a12e048-17e5-e911-80cd-005056af4099

Langford, B. (2010b). Post-classical Hollywood: film industry, style and ideology since 1945. In Post-classical Hollywood: film industry, style and ideology since 1945 (pp. 244–254). Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=9a12e048-17e5-e911-80cd-005056af4099

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López, A. (2012). The media ecosystem: what ecology can teach us about responsible media practice. Evolver Editions.

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Lotz, A. D. (2017). Portals: a treatise on internet-distributed television. Maize Books, an imprint of Michigan Publishing.

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Maltby, R., & Craven, I. (1995b). Hollywood cinema: an introduction. In Hollywood cinema: an introduction. Blackwell Publishers.

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McClean, S. T. (2007). Digital storytelling: the narrative power of visual effects in film. MIT. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3339423

McDonald, P. (2007a). Video and DVD industries. In Video and DVD industries (pp. 107–142). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=6eef2501-5c0f-e911-80cd-005056af4099

McDonald, P. (2007b). Video and DVD industries. British Film Institute. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=6265661

McDonald, P. (2007c). Video and DVD industries. In Video and DVD industries (pp. 107–142). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=6eef2501-5c0f-e911-80cd-005056af4099

McDonald, P. (2007d). Video and DVD industries. In Video and DVD industries. British Film Institute.

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McDonald, P., & Wasko, J. (2008b). The contemporary Hollywood film industry. In The contemporary Hollywood film industry (pp. 120–131). Blackwell Publishing. https://contentstore.cla.co.uk/secure/link?id=cd3f1fea-1210-e911-80cd-005056af4099

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Morton, D. (2017). Panel to the screen: style, American film, and comic books during the blockbuster era. University Press of Mississippi. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4745701

Mosco, V., & Mosco, V. (2009). The political economy of communication (2nd ed). SAGE. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=743695

Murphy, P. D. (2017). The media commons: globalization and environmental discourses. University of Illinois Press.

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Murray, R. L., & Heumann, J. K. (2014). Film & everyday eco-disasters. University of Nebraska Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1676467

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Neale, S., & Smith, M. (1998a). Contemporary Hollywood cinema. In Contemporary Hollywood cinema. Routledge. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity

Neale, S., & Smith, M. (1998b). Contemporary Hollywood cinema. In Contemporary Hollywood cinema (pp. 21–44). Routledge. https://contentstore.cla.co.uk/secure/link?id=96611653-5613-e911-80cd-005056af4099

Neale, S., & Smith, M. (1998c). Contemporary Hollywood cinema. In Contemporary Hollywood cinema. Routledge. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity

Neale, S., & Smith, M. (1998d). Contemporary Hollywood cinema. In Contemporary Hollywood cinema. Routledge. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity

Neale, S., & Smith, M. (1998e). Contemporary Hollywood cinema. In Contemporary Hollywood cinema. Routledge. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity

Nelmes, J. (2012). Introduction to film studies (5th ed). Routledge. http://lib.myilibrary.com/browse/open.asp?id=761269&entityid=https://idp.brunel.ac.uk/entity

Nichols, B. (1985a). Movies and methods: an anthology, Vol.2. In Movies and methods: an anthology, Vol.2 (pp. 83–92). University of California Press. https://contentstore.cla.co.uk/secure/link?id=88beb029-21e5-e911-80cd-005056af4099

Nichols, B. (1985b). Movies and methods: an anthology, Vol.2. In Movies and methods: an anthology, Vol.2 (pp. 109–120). University of California Press. https://contentstore.cla.co.uk/secure/link?id=d30e05e5-21e5-e911-80cd-005056af4099

Noyce, P., Bekmambetov, T., Jolie, A., Schreiber, L., Ejiofor, C., Lister-Jones, Z., Shahidi, Y., McAvoy, J., & Freeman, M. (2011). Wanted (Widescreen) [Videorecording]. Sony Pictures. https://learningonscreen.ac.uk/ondemand/index.php/prog/00F368E3?bcast=120592240

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Pavsek, C. (2015). Leviathan and the Experience of Sensory Ethnography. Visual Anthropology Review, 31(1), 4–11. https://doi.org/10.1111/var.12056

Peacock, S. (2014). Swedish crime fiction: novel, film, television. Manchester University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706720

Pezzotti, B. (2016). Investigating Italy’s past through historical crime fiction, films, and TV series: murder in the age of chaos. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4716385

Prince, S. (2002a). A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. In A new pot of gold: Hollywood under the electronic rainbow, 1980-1989: Vol. v. 10 (pp. 40–89). University of California Press. https://contentstore.cla.co.uk/secure/link?id=bb5770d6-8912-e911-80cd-005056af4099

Prince, S. (2002b). A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. In A new pot of gold: Hollywood under the electronic rainbow, 1980-1989: Vol. v. 10. University of California Press.

Prince, S. (2002c). A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. In A new pot of gold: Hollywood under the electronic rainbow, 1980-1989: Vol. v. 10. University of California Press.

Prince, S. (2012a). Digital visual effects in cinema: the seduction of reality [Electronic resource]. Rutgers University Press. http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity

Prince, S. (2012b). Digital visual effects in cinema: the seduction of reality [Electronic resource]. In Digital visual effects in cinema: the seduction of reality. Rutgers University Press. http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity

Prince, S. (2012c). Digital visual effects in cinema: the seduction of reality [Electronic resource]. Rutgers University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=861454

Purse, L. (2011). Contemporary action cinema. In Contemporary action cinema (pp. 21–36). Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=077b1b22-62e4-e911-80cd-005056af4099

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Purse, L. (2013b). Digital imaging in popular cinema [Electronic resource]. In Digital imaging in popular cinema. Edinburgh University Press. http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity

Purse, L. (2013c). Digital imaging in popular cinema [Electronic resource]. Edinburgh University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1126596

Rapu, C. O. (1992). Living in Bondage. https://www.youtube.com/channel/UCCPN35XwRi1duxqq3aj6JFQ

Reiss, J. (2010). Think outside the box office: the ultimate guide to film distribution in the digital era. Hybrid Cinema Publishing. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=550794

Ross, M. (2013). Stereoscopic visuality: Where is the screen, where is the film? Convergence: The International Journal of Research into New Media Technologies, 19(4), 406–414. https://doi.org/10.1177/1354856513494178

Ross, M. (2015). 3D cinema: optical illusions and tactile experiences. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2006615

Ross, S. (2012). Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema. Film History, 24(2). https://doi.org/10.2979/filmhistory.24.2.210

Rossellini, R., Amidei, S., Fellini, F., Fabrizi, A., Magnani, A., Pagliero, M., Annichiarico, V., Bruno, N., Galletti, G., Rossellini, R., Arata, U., & Da Roma, E. (2005). Roma, cittá aperta [Videorecording]. Arrow Films. https://learningonscreen.ac.uk/ondemand/index.php/prog/001B00A0?bcast=4048008

Ruberto, L. E., & Wilson, K. M. (2007). Italian neorealism and global cinema. Wayne State University Press.

Rust, S., Monani, S., & Cubitt, S. (2013). Ecocinema theory and practice [Electronic resource]. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1024590

Saviano, R., Sillima, S., Cupellini, C., Comencini, F., Arrow Films (Firm), Sky (Firm : Italy), & Fandango (Firm). (2018a). Gomorrah: The complete season one [Videorecording]. Arrow Films.

Saviano, R., Sillima, S., Cupellini, C., Comencini, F., Arrow Films (Firm), Sky (Firm : Italy), & Fandango (Firm). (2018b). Gomorrah: The complete season three [Videorecording]. Arrow Films.

Saviano, R., Sillima, S., Cupellini, C., Comencini, F., Arrow Films (Firm), Sky (Firm : Italy), & Fandango (Firm). (2018c). Gomorrah: The complete season two [Videorecording]. Arrow Films.

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Shiel, M. (2006). Italian neorealism: rebuilding the cinematic city (Vol. 31). Wallflower Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=909624

Sica, V. D., & Bartolini, L. (2009). The bicycle thieves [Videorecording]. Arrow.

Sito, T. & ProQuest (Firm). (2013). Moving innovation: a history of computer animation [Electronic resource]. MIT Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3339617

Sobchack, V. (2000). Meta-morphing: visual transformation and the culture of quick-change. In Meta-morphing: visual transformation and the culture of quick-change (pp. 251–271). University of Minnesota Press. https://contentstore.cla.co.uk/secure/link?id=9f4a408a-2313-e911-80cd-005056af4099

Sobchack, V. C. (1992). The address of the eye: a phenomenology of film experience. Princeton University Press.

Staiger, J. (1992). Interpreting films: studies in the historical reception of American cinema. In Interpreting films: studies in the historical reception of American cinema (pp. 101–123). Princeton University Press. https://contentstore.cla.co.uk/secure/link?id=82e0e2ee-2a14-e911-80cd-005056af4099

Stein, L. E. (2015). Millennial fandom: television audiences in the transmedia age. University of Iowa Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3570587

Stein, L. E., & Busse, K. (2012). Sherlock and transmedia fandom: essays on the BBC series [Electronic resource]. McFarland. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=462577

Stone, R., Cooke, P., Dennison, S., & Marlow-Mann, A. (Eds). (2018). The Routledge companion to world cinema [Electronic resource]. In The Routledge companion to world cinema (pp. 59–72). Routledge, Taylor & Francis Group. http://lib.myilibrary.com/browse/open.asp?id=1038523&entityid=https://idp.brunel.ac.uk/entity

Strangelove, M. (2015). Post-TV: piracy, cord-cutting, and the future of television. University of Toronto Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4669834

Strauven, W. (2006). The cinema of attractions reloaded. Amsterdam University Press. http://oapen.org/download?type=document&docid=340138

Stringer, J. (2003a). Movie blockbusters. In Movie blockbusters. Routledge. http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity

Stringer, J. (2003b). Movie blockbusters. In Movie blockbusters. Routledge. http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity

Stringer, J. (2003c). Movie blockbusters. In Movie blockbusters. Routledge. http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity

Taylor, L., & Willis, A. (1999a). Media studies: texts, institutions, and audiences. In Media studies: texts, institutions, and audiences (pp. 91–106). Blackwell Publishers. https://contentstore.cla.co.uk/secure/link?id=87d66318-5e0f-e911-80cd-005056af4099

Taylor, L., & Willis, A. (1999b). Media studies: texts, institutions, and audiences. In Media studies: texts, institutions, and audiences. Blackwell Publishers.

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Thompson, K., & Bordwell, D. (2019a). Film history: an introduction. In Film history: an introduction (Fourth edition). McGraw-Hill Education.

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Tryon, C. (2009b). Reinventing cinema: movies in the age of media convergence. In Reinventing cinema: movies in the age of media convergence (pp. 93–124). Rutgers University Press. https://contentstore.cla.co.uk/secure/link?id=fa504901-610f-e911-80cd-005056af4099

Tryon, C. (2013a). On-demand culture: digital delivery and the future of movies [Electronic resource]. Rutgers University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1184490

Tryon, C. (2013b). On-demand culture: digital delivery and the future of movies [Electronic resource]. Rutgers University Press. http://lib.myilibrary.com/browse/open.asp?id=486972&entityid=https://idp.brunel.ac.uk/entity

Turnbull, S. (2014). The TV crime drama [Electronic resource]. Edinburgh University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1842870

Turner, G., & Tay, J. (2009). Television studies after TV: understanding television in the post-broadcast era. In Television studies after TV: understanding television in the post-broadcast era (pp. 9–19). Routledge. https://contentstore.cla.co.uk/secure/link?id=4978e404-fe0f-e911-80cd-005056af4099

Tzioumakis, Y., & Molloy, C. (Eds). (2016). The Routledge companion to cinema and politics. In The Routledge companion to cinema and politics. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4579017

Ulin, J. (2013). The Business of Media Distribution, 2nd Edition. Focal Press. https://go.oreilly.com/brunel-university?state=/library/view/~/9780240824239/?ar

Varda, A. (n.d.). The gleaners and I [Videorecording].

Wang, S. (2003). Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization. Cinema Journal, 43(1). https://doi.org/10.1353/cj.2003.0027

Wasko, J. (1994). Hollywood in the information age: beyond the silver screen. Polity. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1602912

Wayne, M. (2020). Marxism goes to the movies. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5986891

Weetch, O. (2016). Expressive spaces in digital 3D cinema [Electronic resource]. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4720331

Wells, P. (1998a). Understanding animation. In Understanding animation. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1562841

Wells, P. (1998b). Understanding animation. In Understanding animation. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1562841

Whissel, K. (2016). Parallax Effects: Epistemology, Affect and Digital 3D Cinema. Journal of Visual Culture, 15(2), 233–249. https://doi.org/10.1177/1470412916654512

Whissel, K. & Duke University Press. (2014). Spectacular digital effects: CGI and contemporary cinema [Electronic resource]. Duke University Press. https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822377146

Willis, H. (2005). New digital cinema: reinventing the moving image. Wallflower Press.

Winston, B. (1996a). Technologies of seeing: photography, cinematography and television. British Film Institute.

Winston, B. (1996b). Technologies of seeing: photography, cinematography and television. In Technologies of seeing: photography, cinematography and television (pp. 109–118). British Film Institute. https://contentstore.cla.co.uk/secure/link?id=259b02d6-0a10-e911-80cd-005056af4099

Wyatt, J. (1994). High concept: movies and marketing in Hollywood. In High concept: movies and marketing in Hollywood (1st ed, pp. 23–64). University of Texas Press. https://contentstore.cla.co.uk/secure/link?id=6aa5740b-8612-e911-80cd-005056af4099

Zemeckis, R. (2003). Who framed Roger Rabbit [Videorecording]. Buena Vista Home Entertainment.

Zone, R. (2012). 3-D revolution: the history of modern stereoscopic cinema [Electronic resource]. University Press of Kentucky. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=948469