Bibliography for FM1619 - Technology, Industry and Form BETA

1

Balio T. The American film industry. In: The American film industry. Madison: : University of Wisconsin Press 1985. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

2

Elsaesser T, Barker A. Early cinema: space, frame, narrative. In: Early cinema: space, frame, narrative. London: : BFI Publishing 1990. 56–75.https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099

3

Hill J, Gibson PC. The Oxford guide to film studies. In: The Oxford guide to film studies. Oxford: : Oxford University Press 1998. 255–71.https://contentstore.cla.co.uk/secure/link?id=b0609736-4d13-e911-80cd-005056af4099

4

Thompson K, Bordwell D. Film history: an introduction. In: Film history: an introduction. New York, NY: : McGraw-Hill Education 2019.

5

Balio T. The American film industry. In: The American film industry. Madison: : University of Wisconsin Press 1985. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

6

Elsaesser T, Barker A. Early cinema: space, frame, narrative. London: : BFI Publishing 1990.

7

Izod J. Hollywood and the box office 1895-1986. In: Hollywood and the box office 1895-1986. New York: : Columbia University Press 1988. 1–6.https://contentstore.cla.co.uk/secure/link?id=bbb19b17-7e15-e911-80cd-005056af4099

8

Gomery D. Shared pleasures: a history of movie presentation in the United States. In: Shared pleasures: a history of movie presentation in the United States. Madison, Wis: : University of Wisconsin Press 1992. 3–17.https://contentstore.cla.co.uk/secure/link?id=e8278966-3b10-e911-80cd-005056af4099

9

Musser C. The emergence of cinema: the American screen to 1907. Berkeley: : University of California Press 1994.

10

Chanan M. The dream that kicks: the prehistory and early years of cinema in Britain. 2nd ed. London: : Routledge 1996. http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203360101

11

Griffith DW. Broken blossoms. 2000.

12

Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

13

Staiger J. Interpreting films: studies in the historical reception of American cinema. In: Interpreting films: studies in the historical reception of American cinema. Princeton, NJ: : Princeton University Press 1992. 101–23.https://contentstore.cla.co.uk/secure/link?id=82e0e2ee-2a14-e911-80cd-005056af4099

14

Thompson K, Bordwell D. Film history: an introduction. In: Film history: an introduction. New York, NY: : McGraw-Hill Education 2019.

15

Gomery D. Shared pleasures: a history of movie presentation in the United States. In: Shared pleasures: a history of movie presentation in the United States. Madison, Wis: : University of Wisconsin Press 1992. 18–33.https://contentstore.cla.co.uk/secure/link?id=8beb2b00-5113-e911-80cd-005056af4099

16

Izod J. Hollywood and the box office 1895-1986. In: Hollywood and the box office 1895-1986. New York: : Columbia University Press 1988. 7–15.https://contentstore.cla.co.uk/secure/link?id=18b46531-becd-ea11-80cd-005056af4099

17

Crosland A. The jazz singer. 2007.

18

Allen RC, Gomery D. Film history: theory and practice. In: Film history: theory and practice. New York: : McGraw-Hill 1985. 109–30.https://contentstore.cla.co.uk/secure/link?id=4b140412-720f-e911-80cd-005056af4099

19

Neale S. Cinema and technology: image, sound, colour. London: : Macmillan Education 1985.

20

Neale S. Cinema and technology: image, sound, colour. In: Cinema and technology: image, sound, colour. London: : Macmillan Education 1985. https://contentstore.cla.co.uk/secure/link?id=342eb3e2-2413-e911-80cd-005056af4099

21

Winston B. Technologies of seeing: photography, cinematography and television. London: : British Film Institute 1996.

22

Altman R. Sound theory, sound practice. In: Sound theory, sound practice. New York: : Routledge 1992. 46–64.https://contentstore.cla.co.uk/secure/link?id=990e8cc5-5f12-e911-80cd-005056af4099

23

Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

24

Nichols B. Movies and methods: an anthology, Vol.2. In: Movies and methods: an anthology, Vol.2. Berkeley, CA: : University of California Press 1985. 83–92.https://contentstore.cla.co.uk/secure/link?id=88beb029-21e5-e911-80cd-005056af4099

25

Balio T. The American film industry. In: The American film industry. Madison: : University of Wisconsin Press 1985. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

26

Nichols B. Movies and methods: an anthology, Vol.2. In: Movies and methods: an anthology, Vol.2. Berkeley, CA: : University of California Press 1985. 109–20.https://contentstore.cla.co.uk/secure/link?id=d30e05e5-21e5-e911-80cd-005056af4099

27

Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

28

Maltby R, Craven I. Hollywood cinema: an introduction. In: Hollywood cinema: an introduction. Oxford: : Blackwell Publishers 1995. 59–106.https://contentstore.cla.co.uk/secure/link?id=97e74340-7f12-e911-80cd-005056af4099

29

King G. New Hollywood cinema: an introduction. London: : I. B. Tauris 2002. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000006914

30

Neale S, Smith M. Contemporary Hollywood cinema. In: Contemporary Hollywood cinema. London: : Routledge 1998. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity

31

Neale S, Smith M. Contemporary Hollywood cinema. In: Contemporary Hollywood cinema. London: : Routledge 1998. 21–44.https://contentstore.cla.co.uk/secure/link?id=96611653-5613-e911-80cd-005056af4099

32

Cook P, Bernink M. The cinema book. In: The cinema book. London: : British Film Institute 1999. 19–22.https://contentstore.cla.co.uk/secure/link?id=ca63bb8a-e018-e911-80cd-005056af4099

33

Gomery D. The Hollywood studio system: a history. London: : BFI 2005.

34

Gomery D. The Hollywood studio system: a history. In: The Hollywood studio system: a history. London: : BFI 2005. 11–26.https://contentstore.cla.co.uk/secure/link?id=426988b3-2613-e911-80cd-005056af4099

35

Schatz T. The genius of the system: Hollywood filmmaking in the studio era. London: : Faber and Faber 1998.

36

Schatz T. Hollywood genres: formulas, filmmaking, and the studio system. New York: : McGraw-Hill 1981.

37

Moran A. Film policy: international, national and regional perspectives. In: Film policy: international, national and regional perspectives. London: : Routledge 1996. http://lib.myilibrary.com/browse/open.asp?id=13838&entityid=https://idp.brunel.ac.uk/entity

38

Stringer J. Movie blockbusters. In: Movie blockbusters. London: : Routledge 2003. http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity

39

Lewis J. The new American cinema. In: The new American cinema. Durham: : Duke University Press 1998. 87–121.https://contentstore.cla.co.uk/secure/link?id=f3651f15-6412-e911-80cd-005056af4099

40

Stringer J. Movie blockbusters. In: Movie blockbusters. London: : Routledge 2003. http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity

41

Prince S. A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. In: A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: : University of California Press 2002. 40–89.https://contentstore.cla.co.uk/secure/link?id=bb5770d6-8912-e911-80cd-005056af4099

42

Prince S. A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. In: A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: : University of California Press 2002.

43

Wasko J. Hollywood in the information age: beyond the silver screen. Cambridge: : Polity 1994. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1602912

44

Miller T. Global Hollywood 2. [2nd ed.]. London: : BFI Publishing 2005.

45

Rossellini R, Amidei S, Fellini F, et al. Roma, cittá aperta. 2005.https://learningonscreen.ac.uk/ondemand/index.php/prog/001B00A0?bcast=4048008

46

Sica VD, Bartolini L. The bicycle thieves. 2009.

47

Bondanella PE, editor. The Italian cinema book. In: The Italian cinema book. London: : BFI 2014. 77–83.https://contentstore.cla.co.uk/secure/link?id=3416b676-1510-e911-80cd-005056af4099

48

Thompson K, Bordwell D. Film history: an introduction. In: Film history: an introduction. New York, NY: : McGraw-Hill Education 2019.

49

Shiel M. Italian neorealism: rebuilding the cinematic city. London: : Wallflower Press 2006. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=909624

50

Cook P. The cinema book. In: The cinema book. London: : British Film Institute 2007. 233–7.https://contentstore.cla.co.uk/secure/link?id=764ce19b-1ed0-ea11-80cd-005056af4099

51

Bondanella PE. Italian cinema: from neorealism to the present. In: Italian cinema: from neorealism to the present. London: : Continuum 2001. 31–73.https://contentstore.cla.co.uk/secure/link?id=138069fc-2814-e911-80cd-005056af4099

52

Bondanella PE. Italian cinema: from neorealism to the present. In: Italian cinema: from neorealism to the present. London: : Continuum 2001.

53

Marcus M. Italian film in the light of neorealism. Princeton, N.J.: : Princeton University Press 1986.

54

Cardullo B. After neorealism: Italian filmmakers and their films : essays and interviews. Newcastle: : Cambridge Scholars 2009. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=522871&site=ehost-live&scope=site

55

Ruberto LE, Wilson KM. Italian neorealism and global cinema. Detroit: : Wayne State University Press 2007.

56

Bazin A, Cardullo B. André Bazin and Italian neorealism. New York: : Continuum 2011. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=795461

57

Geiger J, Rutsky RL. Film analysis: a Norton reader. In: Film analysis: a Norton reader. New York, N.Y.: : W.W. Norton 2005. 422–38.https://contentstore.cla.co.uk/secure/link?id=3f6fb3e7-af18-e911-80cd-005056af4099

58

Haggard P, Potter D, Trodd K, et al. Pennies from heaven. 2004.https://learningonscreen.ac.uk/ondemand/index.php/prog/RT3CB597?bcast=119438677

59

Bignell J. An introduction to television studies. In: An introduction to television studies. London: : Routledge 2013. http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity

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Bignell J. An introduction to television studies. In: An introduction to television studies. London: : Routledge 2013. http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity

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Goodwin A, Whannel G. Understanding television. In: Understanding television. London: : Routledge 1990. 11–29.https://contentstore.cla.co.uk/secure/link?id=18e2a167-48e4-e911-80cd-005056af4099

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Miller T. Television studies: the basics. In: Television studies: the basics. London: : Routledge 2010. 50–79.https://contentstore.cla.co.uk/secure/link?id=6c456770-36e4-e911-80cd-005056af4099

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Casey B. Television studies: the key concepts. In: Television studies: the key concepts. London: : Routledge 2008. 286–8.https://contentstore.cla.co.uk/secure/link?id=4176d1c5-bfcd-ea11-80cd-005056af4099

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Caughie J. Television drama: realism, modernism, and British culture. Oxford: : Oxford University Press 2000. http://lib.myilibrary.com/browse/open.asp?id=90673&entityid=https://idp.brunel.ac.uk/entity

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Geraghty C, Lusted D. The television studies book. London: : Arnold 1998.

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Freedman D. The politics of media policy. Cambridge, UK: : Polity 2008. http://lib.myilibrary.com/browse/open.asp?id=504452&entityid=https://idp.brunel.ac.uk/entity

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Freedman D. Populism and media policy failure. European Journal of Communication 2018;33:604–18. doi:10.1177/0267323118790156

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Mike Wayne. Failing the Public: The BBC, The War Game and Revisionist History A Reply to James Chapman. Journal of Contemporary History 2007;42. doi:10.1177/0022009407081490

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Hill J, British Film Institute. Ken Loach: the politics of film and television. London: : Palgrave Macmillan 2011.

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Holland P. The television handbook. In: The television handbook. London: : Routledge 2000. 9–26.https://contentstore.cla.co.uk/secure/link?id=8152bf62-480f-e911-80cd-005056af4099

71

Allen RC. Channels of discourse, reassembled: television and contemporary criticism. In: Channels of discourse, reassembled: television and contemporary criticism. London: : Routledge 1992. 1–30.https://contentstore.cla.co.uk/secure/link?id=0e1974a8-0ee5-e911-80cd-005056af4099

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Garnham N. Public Service versus the Market. Screen 1983;24:6–27. doi:10.1093/screen/24.1.6

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Corner J. Critical ideas in television studies. In: Critical ideas in television studies. Oxford: : Clarendon Press 1999. 13–23.https://contentstore.cla.co.uk/secure/link?id=6645edfc-b015-e911-80cd-005056af4099

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Allen RC, Hill A. The television studies reader. In: The television studies reader. London: : Routledge 2004. 275–92.https://contentstore.cla.co.uk/secure/link?id=466d7ab2-0510-e911-80cd-005056af4099

75

Ellis J. Visible fictions: cinema, television, video. Rev. ed. London: : Routledge 1992. http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity

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Taylor L, Willis A. Media studies: texts, institutions, and audiences. In: Media studies: texts, institutions, and audiences. Oxford: : Blackwell Publishers 1999. 91–106.https://contentstore.cla.co.uk/secure/link?id=87d66318-5e0f-e911-80cd-005056af4099

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Taylor L, Willis A. Media studies: texts, institutions, and audiences. In: Media studies: texts, institutions, and audiences. Oxford: : Blackwell Publishers 1999.

78

McLuhan M, Gordon WT. Understanding media: the extensions of man. Critical ed. Corte Madera, CA: : Gingko Press https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1222206

79

Gandolfini J, Bracco L, Falco E, et al. The Sopranos: Complete HBO Season 1. 2007.

80

Butler JG. Television: critical methods and applications. In: Television: critical methods and applications. Mahwah, N.J.: : Lawrence Erlbaum Associates 2007. 3–19.https://contentstore.cla.co.uk/secure/link?id=b844422b-5a12-e911-80cd-005056af4099

81

Turner G, Tay J. Television studies after TV: understanding television in the post-broadcast era. In: Television studies after TV: understanding television in the post-broadcast era. London: : Routledge 2009. 9–19.https://contentstore.cla.co.uk/secure/link?id=4978e404-fe0f-e911-80cd-005056af4099

82

Banet-Weiser S, Chris C, Freitas A. Cable visions: television beyond broadcasting. In: Cable visions: television beyond broadcasting. New York: : New York University Press 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538

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Banet-Weiser S, Chris C, Freitas A. Cable visions: television beyond broadcasting. In: Cable visions: television beyond broadcasting. New York: : New York University Press 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538

84

Edgerton GR, Rose BG. Thinking outside the box: a contemporary television genre reader. In: Thinking outside the box: a contemporary television genre reader. Lexington, Ky: : University Press of Kentucky 2005. 226–46.https://contentstore.cla.co.uk/secure/link?id=4127e178-730f-e911-80cd-005056af4099

85

Bennett J, Strange N. Television as digital media. Durham, NC: : Duke University Press 2011. https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822393658

86

Caldwell JT. Televisuality: style, crisis, and authority in American television. New Jersey: : Rutgers University Press 1995.

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Banet-Weiser S, Chris C, Freitas A. Cable visions: television beyond broadcasting. New York: : New York University Press 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538

88

Bolter JD, Grusin RA. Remediation: understanding new media. Cambridge, Mass: : MIT Press 1999. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=9351&site=ehost-live&scope=site

89

Burgess J, Green J. YouTube: online video and participatory culture. Cambridge: : Polity 2009. http://lib.myilibrary.com/browse/open.asp?id=484691&entityid=https://idp.brunel.ac.uk/entity

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Castells M. The rise of the network society. 2nd ed. Oxford: : Blackwell Publishers 2000. http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity

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Christian AJ. The Problem of YouTube. Flowhttp://www.flowjournal.org/2011/02/the-problem-of-youtube./

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Gillespie T. The politics of ‘platforms’. New Media & Society 2010;12:347–64. doi:10.1177/1461444809342738

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Boddy W. New media and popular imagination: launching radio, television, and digital media in the United States. Oxford: : Oxford University Press 2004.

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Gerbarg D, editor. Television goes digital. New York, NY, USA: : Springer 2010. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=417813

95

Lotz AD. Beyond prime time: television programming in the post-network era. New York: : Routledge 2009. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=435636

96

Trevorrow C. Jurassic World. 2015.https://learningonscreen.ac.uk/ondemand/index.php/prog/0A83D549?bcast=127388626

97

King G. Spectacular narratives: Hollywood in the age of the blockbuster. London: : I.B. Tauris 2000. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=676862

98

King G. New Hollywood cinema: an introduction. In: New Hollywood cinema: an introduction. London: : I. B. Tauris 2002. http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914

99

Lewis J. The new American cinema. In: The new American cinema. Durham: : Duke University Press 1998.

100

Bordwell D. The way Hollywood tells it: story and style in modern movies. Berkeley, Calif: : University of California Press 2006. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254879

101

Whissel K, Duke University Press. Spectacular digital effects: CGI and contemporary cinema. Durham: : Duke University Press 2014. https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822377146

102

Purse L. Digital imaging in popular cinema. In: Digital imaging in popular cinema. Edinburgh: : Edinburgh University Press 2013. http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity

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Purse L. Contemporary action cinema. In: Contemporary action cinema. Edinburgh: : Edinburgh University Press 2011. 21–36.https://contentstore.cla.co.uk/secure/link?id=077b1b22-62e4-e911-80cd-005056af4099

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Prince S. Digital visual effects in cinema: the seduction of reality. New Brunswick, N.J.: : Rutgers University Press 2012. http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity

105

Anatomy of the Action Picture. http://www.davidbordwell.net/essays/anatomy.php

106

Langford B. Post-classical Hollywood: film industry, style and ideology since 1945. In: Post-classical Hollywood: film industry, style and ideology since 1945. Edinburgh: : Edinburgh University Press 2010. 244–54.https://contentstore.cla.co.uk/secure/link?id=9a12e048-17e5-e911-80cd-005056af4099

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Keane S. CineTech: film, convergence and new media. In: CineTech: film, convergence and new media. Basingstoke [England]: : Palgrave Macmillan 2007. 56–75.https://contentstore.cla.co.uk/secure/link?id=50bde8ab-5b12-e911-80cd-005056af4099

108

Elsaesser T, Buckland W. Studying contemporary American film: a guide to movie analysis. In: Studying contemporary American film: a guide to movie analysis. London: : Hodder Education 2002. 26–79.https://contentstore.cla.co.uk/secure/link?id=60559fa8-5413-e911-80cd-005056af4099

109

Keating P. Emotional Curves and Linear Narratives. The velvet light trap 2006;58. doi:10.1353/vlt.2006.0029

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Neale S, Smith M. Contemporary Hollywood cinema. In: Contemporary Hollywood cinema. London: : Routledge 1998. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity

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Neale S, Smith M. Contemporary Hollywood cinema. In: Contemporary Hollywood cinema. London: : Routledge 1998. http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity

112

Thompson K. Storytelling in the new Hollywood: understanding classical narrative technique. Cambridge, Mass: : Harvard University Press 1999.

113

McClean ST. Digital storytelling: the narrative power of visual effects in film. Cambridge, Mass: : MIT 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3339423

114

Buckland W, editor. Hollywood puzzle films. In: Hollywood puzzle films. New York: : Routledge 2014. http://lib.myilibrary.com/browse/open.asp?id=614075&entityid=https://idp.brunel.ac.uk/entity

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King G. Quality Hollywood: markers of distinction in contemporary studio film. In: Quality Hollywood: markers of distinction in contemporary studio film. London: : I.B. Tauris 2016. 81–124.https://contentstore.cla.co.uk/secure/link?id=a8ea312a-bb15-e911-80cd-005056af4099

116

Elsaesser T, Barker A. Early cinema: space, frame, narrative. In: Early cinema: space, frame, narrative. London: : BFI Publishing 1990. 56–75.https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099

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Miller MC. Seeing through movies. In: Seeing through movies. New York: : Pantheon Books 1990.

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Burnett R. Explorations in film theory: selected essays from Ciné-tracts. In: Explorations in film theory: selected essays from Ciné-tracts. Bloomington, IN: : Indiana University Press 1991. 3–14.https://contentstore.cla.co.uk/secure/link?id=dc4efb2e-4f13-e911-80cd-005056af4099

119

Ndalianis A. Neo-Baroque aesthetics and contemporary entertainment. London: : MIT 2004.

120

Sobchack V. Meta-morphing: visual transformation and the culture of quick-change. In: Meta-morphing: visual transformation and the culture of quick-change. Minneapolis: : University of Minnesota Press 2000. 251–71.https://contentstore.cla.co.uk/secure/link?id=9f4a408a-2313-e911-80cd-005056af4099

121

Strauven W. The cinema of attractions reloaded. Amsterdam: : Amsterdam University Press 2006. http://oapen.org/download?type=document&docid=340138

122

Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

123

Lichtenfeld E. Action speaks louder: violence, spectacle, and the American action movie. Revised&expanded ed. Middletown, Conn: : Wesleyan University Press 2007.

124

Maltby R, Craven I. Hollywood cinema: an introduction. In: Hollywood cinema: an introduction. Oxford: : Blackwell Publishers 1995.

125

Hammond M, Williams LR. Contemporary American cinema. Maidenhead: : Open University Press 2006. http://lib.myilibrary.com/browse/open.asp?id=333788&entityid=https://idp.brunel.ac.uk/entity

126

Stringer J. Movie blockbusters. In: Movie blockbusters. London: : Routledge 2003. http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity

127

Cuarón A, Bullock S, Clooney G. Gravity. 2014.

128

Balio T. The American film industry. In: The American film industry. Madison: : University of Wisconsin Press 1985. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity

129

Balio T. Hollywood in the age of television. In: Hollywood in the age of television. Boston, Mass: : Unwin Hyman 1990. 3–40.https://contentstore.cla.co.uk/secure/link?id=f01d4c91-5fe4-e911-80cd-005056af4099

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Paul W. The Aesthetics of Emergence. Film history 1993;5.https://www.jstor.org/stable/3815145?pq-origsite=360link&seq=1#metadata_info_tab_contents

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Belton J. Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase. Film History 2012;24. doi:10.2979/filmhistory.24.2.187

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Ross S. Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema. Film History 2012;24. doi:10.2979/filmhistory.24.2.210

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Greengrass P. The Bourne supremacy. 2004.

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Bordwell D. The way Hollywood tells it: story and style in modern movies. Berkeley, Calif: : University of California Press 2006. http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity

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Bordwell D, Staiger J, Thompson K. The classical Hollywood cinema: film style & mode of production to 1960. In: The classical Hollywood cinema: film style & mode of production to 1960. London: : Routledge 1988. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity

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Purse L. Digital imaging in popular cinema. Edinburgh: : Edinburgh University Press 2013. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1126596

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Morton D. Panel to the screen: style, American film, and comic books during the blockbuster era. Jackson: : University Press of Mississippi 2017. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4745701

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Wyatt J. High concept: movies and marketing in Hollywood. In: High concept: movies and marketing in Hollywood. Austin, TX: : University of Texas Press 1994. 23–64.https://contentstore.cla.co.uk/secure/link?id=6aa5740b-8612-e911-80cd-005056af4099

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Berliner T. Hollywood incoherent: narration in seventies cinema. Austin, TX.: : University of Texas Press 2010. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3571747

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Buckland W. Film theory and contemporary Hollywood movies. In: Film theory and contemporary Hollywood movies. New York: : Routledge 2009. http://lib.myilibrary.com/browse/open.asp?id=212452&entityid=https://idp.brunel.ac.uk/entity

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McLoone M, Hill J. Big picture, small screen: the relations between film and television. In: Big picture, small screen: the relations between film and television. Luton: : University of Luton Press 1996. 9–46.https://contentstore.cla.co.uk/secure/link?id=e905ffbb-d318-e911-80cd-005056af4099

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Cunningham S, Silver J. Screen distribution and the new King Kongs of the online world. Houndmills, Basingstoke, Hampshire: : Palgrave Macmillan 2013. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318147

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Iordanova D, Cunningham S, University of St Andrews. Film Studies. Digital disruption: cinema moves on-line. St Andrews: : St Andrews Film Studies 2012.

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Tryon C. On-demand culture: digital delivery and the future of movies. New Brunswick, N.J.: : Rutgers University Press 2013. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1184490

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King G. New Hollywood cinema: an introduction. In: New Hollywood cinema: an introduction. London: : I. B. Tauris 2002. 224–56.https://contentstore.cla.co.uk/secure/link?id=6d1b278d-11e5-e911-80cd-005056af4099

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Klinger B. Beyond the multiplex: cinema, new technologies, and the home. Berkeley, Calif: : University of California Press 2006. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254875

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McDonald P, Wasko J. The contemporary Hollywood film industry. In: The contemporary Hollywood film industry. Oxford: : Blackwell Publishing 2008. 106–19.https://contentstore.cla.co.uk/secure/link?id=70ba6558-3810-e911-80cd-005056af4099

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Boni M, editor. World building: transmedia, fans, industries. Amsterdam: : Amsterdam University Press 2017.

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Stein LE, Busse K. Sherlock and transmedia fandom: essays on the BBC series. Jefferson, N.C.: : McFarland 2012. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=462577

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Guynes SA, Hassler-Forest D, editors. Star Wars and the history of transmedia storytelling. Amsterdam: : Amsterdam University Press 2018. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5261322

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Stein LE. Millennial fandom: television audiences in the transmedia age. Iowa City: : University of Iowa Press 2015. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3570587

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Alberti J, Miller PA, editors. Transforming Harry: the adaptation of Harry Potter in the transmedia age. Detroit: : Wayne State University Press 2018.

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King G. Indie 2.0: change and continuity in contemporary American indie film. In: Indie 2.0: change and continuity in contemporary American indie film. London: : I.B. Tauris 2014.

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Christian AJ. Joe Swanberg, Intimacy, and the Digital Aesthetic. Cinema Journal 2011;50. doi:10.1353/cj.2011.0049

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King G, editor. A companion to American indie film. In: A companion to American indie film. Chichester, West Sussex, UK: : Wiley Blackwell 2017. 279–99.https://contentstore.cla.co.uk/secure/link?id=6668cc34-b7f0-e911-80cd-005056af4099

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Badley L, Perkins C, Schreiber M, editors. Indie reframed: women’s filmmaking and contemporary American independent cinema. In: Indie reframed: women’s filmmaking and contemporary American independent cinema. Edinburgh: : Edinburgh University Press 2016. 138–53.https://contentstore.cla.co.uk/secure/link?id=a360c8fb-8712-e911-80cd-005056af4099

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King G, editor. A companion to American indie film. In: A companion to American indie film. Chichester, West Sussex, UK: : Wiley Blackwell 2017. 433–51.https://contentstore.cla.co.uk/secure/link?id=492a658f-b7f0-e911-80cd-005056af4099

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Jenkins H, Ford S, Green J. Spreadable media: creating value and meaning in a networked culture. New York: : New York University Press 2013. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=529617

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Kirsner S. Fans, friends & followers. [Cambridge, Mass.]: : Scott Kirsner 2009.

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211

Brereton P. Environmental ethics and film. Milton, Abingdon, Oxon: : Routledge 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4015143

212

Murray RL, Heumann JK. Ecology and popular film: cinema on the edge. Albany: : SUNY Press 2009.

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Ingram D. Green screen: environmentalism and Hollywood cinema. Exeter: : University of Exeter Press 2000.

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Murray RL, Heumann JK. Film & everyday eco-disasters. Lincoln: : University of Nebraska Press 2014. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1676467

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Gündüz Özdemirci E. Greening the Screen: An Environmental Challenge. Humanities 2016;5. doi:10.3390/h5020035

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Budd M, Craig S, Steinman CM. Consuming environments: television and commercial culture. New Brunswick, N.J.: : Rutgers University Press 1999.

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Cubitt S. EcoMedia. Amsterdam: : Rodopi

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Heise UK. Sense of place and sense of planet: the environmental imagination of the global. New York: : Oxford University Press 2008. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3053055

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López A. The media ecosystem: what ecology can teach us about responsible media practice. Berkeley, California: : Evolver Editions 2012.

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Murphy PD. The media commons: globalization and environmental discourses. Urbana: : University of Illinois Press 2017.

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Parham J. Green media and popular culture: an introduction. London: : Macmillan Education/Palgrave 2016.

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Rust S, Monani S, Cubitt S. Ecocinema theory and practice. New York: : Routledge 2013. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1024590

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Gaylor B. RiP!: a remix manifesto. 2009.

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Benkler Y. The wealth of networks: how social production transforms markets and freedom. New Haven [Conn.]: : Yale University Press 2006. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3419996

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Gillespie T. Wired shut: copyright and the shape of digital culture. Cambridge, Mass: : MIT Press 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338717

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Hilderbrand L. Youtube: Where Cultural Memory and Copyright Converge. Film Quarterly 2007;61:48–57. doi:10.1525/fq.2007.61.1.48

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Hill CWL. Digital piracy: Causes, consequences, and strategic responses. Asia Pacific Journal of Management 2007;24:9–25. doi:10.1007/s10490-006-9025-0

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Wayne M. Marxism goes to the movies. London: : Routledge, Taylor & Francis Group 2020. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5986891

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Hesmondhalgh D. The cultural industries. Fourth edition. Los Angeles: : SAGE 2019.

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Mosco V, Mosco V. The political economy of communication. 2nd ed. Los Angeles, [Calif.]: : SAGE 2009. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=743695

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Schiller D. World Communications in Today’s Age of Capital. Emergences: Journal for the Study of Media & Composite Cultures 2001;11:51–68. doi:10.1080/10457220120044666

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Saviano R, Sillima S, Cupellini C, et al. Gomorrah: The complete season one. 2018.

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Jancovich M, Lyons J. Quality popular television: cult TV, the industry and fans. London: : British Film Institute 2003.

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Buonanno M. Italian TV drama and beyond: stories from the soil, stories from the sea. Bristol: : Intellect 2012. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=914258

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Hansen KT, Waade AM. Locating Nordic Noir: from Beck to The bridge. Cham, Switzerland: : Palgrave Macmillan 2017. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5106086

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Forshaw B. Euro noir: the pocket essential guide to European crime fiction, film & TV. Harpenden, Herts: : Pocket Essentials 2014. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1712149

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Pezzotti B. Investigating Italy’s past through historical crime fiction, films, and TV series: murder in the age of chaos. New York: : Palgrave Macmillan 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4716385

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Forshaw B. Death in a cold climate: a guide to Scandinavian crime fiction. Basingstoke: : Palgrave Macmillan 2012. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165

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McCabe J, Akass K. Quality TV: contemporary American television and beyond. London: : I. B. Tauris 2007.

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Peacock S. Swedish crime fiction: novel, film, television. Manchester: : Manchester University Press 2014. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706720

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Forshaw B. Nordic noir: the pocket essential guide to Scandinavian crime fiction, film & TV. Harpenden, Herts: : Pocket Essentials 2013.

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Lobato R. Shadow economies of cinema: mapping informal film distribution. London: : Palgrave Macmillan [on behalf of the] BFI 2012. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5400915

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Miller JL. Nollywood central. London: : BFI 2016.

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Haynes J. Nollywood: the creation of Nigerian film genres. Chicago: : The University of Chicago Press 2016. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4504550

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Deshpande SA, Mazaj M. World cinema: a critical introduction. In: World cinema: a critical introduction. London, [England]: : Routledge 2018. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5220292

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Geiger J. Nollywood Style: Nigerian movies and ‘shifting perceptions of worth’. Film International 2012;10:58–72. doi:10.1386/fiin.10.6.58_1

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Sobchack VC. The address of the eye: a phenomenology of film experience. Princeton, N.J.: : Princeton University Press 1992.

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