Bibliography for FM1619 - Technology, Industry and Form BETA

Akudinobi, Jude. 2015. ‘Nollywood: Prisms and Paradigms.’ Cinema Journal 54 (Issue 2): 133–40. https://doi.org/10.1353/cj.2015.0008.

Alberti, John, and P. Andrew Miller, eds. 2018. Transforming Harry: The Adaptation of Harry Potter in the Transmedia Age. Wayne State University Press.

Allen, Robert Clyde. 1992. ‘Channels of Discourse, Reassembled: Television and Contemporary Criticism’. In Channels of Discourse, Reassembled: Television and Contemporary Criticism, 2nd ed. Routledge. https://contentstore.cla.co.uk/secure/link?id=0e1974a8-0ee5-e911-80cd-005056af4099.

Allen, Robert Clyde, and Douglas Gomery. 1985. ‘Film History: Theory and Practice’. In Film History: Theory and Practice. McGraw-Hill. https://contentstore.cla.co.uk/secure/link?id=4b140412-720f-e911-80cd-005056af4099.

Allen, Robert Clyde, and Annette Hill. 2004. ‘The Television Studies Reader’. In The Television Studies Reader. Routledge. https://contentstore.cla.co.uk/secure/link?id=466d7ab2-0510-e911-80cd-005056af4099.

Altman, Rick. 1992. ‘Sound Theory, Sound Practice’. In Sound Theory, Sound Practice. Routledge. https://contentstore.cla.co.uk/secure/link?id=990e8cc5-5f12-e911-80cd-005056af4099.

Anatomy of the Action Picture. n.d. http://www.davidbordwell.net/essays/anatomy.php.

Badley, Linda, Claire Perkins, and Michele Schreiber, eds. 2016. ‘Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema’. In Indie Reframed: Women’s Filmmaking and Contemporary American Independent Cinema. Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=a360c8fb-8712-e911-80cd-005056af4099.

Balio, Tino. 1985a. ‘The American Film Industry’. In The American Film Industry, Rev. ed. University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, Tino. 1985b. ‘The American Film Industry’. In The American Film Industry, Rev. ed. University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, Tino. 1985c. ‘The American Film Industry’. In The American Film Industry, Rev. ed. University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, Tino. 1985d. ‘The American Film Industry’. In The American Film Industry, Rev. ed. University of Wisconsin Press. http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, Tino. 1990a. ‘Hollywood in the Age of Television’. In Hollywood in the Age of Television. Unwin Hyman. https://contentstore.cla.co.uk/secure/link?id=f01d4c91-5fe4-e911-80cd-005056af4099.

Balio, Tino. 1990b. ‘Hollywood in the Age of Television’. In Hollywood in the Age of Television. Unwin Hyman. http://lib.myilibrary.com/browse/open.asp?id=553100&entityid=https://idp.brunel.ac.uk/entity.

Banet-Weiser, Sarah, Cynthia Chris, and Anthony Freitas. 2007a. ‘Cable Visions: Television beyond Broadcasting’. In Cable Visions: Television beyond Broadcasting. New York University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538.

Banet-Weiser, Sarah, Cynthia Chris, and Anthony Freitas. 2007b. ‘Cable Visions: Television beyond Broadcasting’. In Cable Visions: Television beyond Broadcasting. New York University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538.

Banet-Weiser, Sarah, Cynthia Chris, and Anthony Freitas. 2007c. Cable Visions: Television beyond Broadcasting. New York University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538.

Bazin, André, and Bert Cardullo. 2011. André Bazin and Italian Neorealism. Continuum. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=795461.

Belton, John. 1992. Widescreen Cinema. Harvard University Press.

Belton, John. 2012. ‘Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase’. Film History 24 (2). https://doi.org/10.2979/filmhistory.24.2.187.

Benkler, Yochai. 2006. The Wealth of Networks: How Social Production Transforms Markets and Freedom. Yale University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3419996.

Bennett, James, and Niki Strange. 2011. Television as Digital Media. Duke University Press. Electronic resource. https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822393658.

Berliner, Todd. 2010. Hollywood Incoherent: Narration in Seventies Cinema. University of Texas Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3571747.

Bignell, Jonathan. 2013a. ‘An Introduction to Television Studies’. In An Introduction to Television Studies, 3rd ed. Routledge. Electronic resource. http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity.

Bignell, Jonathan. 2013b. ‘An Introduction to Television Studies’. In An Introduction to Television Studies, 3rd ed. Routledge. Electronic resource. http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity.

Boddy, William. 2004. New Media and Popular Imagination: Launching Radio, Television, and Digital Media in the United States. Oxford University Press.

Bolter, J. David, and Richard A. Grusin. 1999. Remediation: Understanding New Media. MIT Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=9351&site=ehost-live&scope=site.

Bondanella, Peter E. 2001a. ‘Italian Cinema: From Neorealism to the Present’. In Italian Cinema: From Neorealism to the Present, 3rd ed. Continuum. https://contentstore.cla.co.uk/secure/link?id=138069fc-2814-e911-80cd-005056af4099.

Bondanella, Peter E. 2001b. ‘Italian Cinema: From Neorealism to the Present’. In Italian Cinema: From Neorealism to the Present, 3rd ed. Continuum.

Bondanella, Peter E., ed. 2014. ‘The Italian Cinema Book’. In The Italian Cinema Book. BFI. https://contentstore.cla.co.uk/secure/link?id=3416b676-1510-e911-80cd-005056af4099.

Boni, Marta, ed. 2017. World Building: Transmedia, Fans, Industries. Vol. 2. Amsterdam University Press.

Bordwell, David. 2006a. The Way Hollywood Tells It: Story and Style in Modern Movies. University of California Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254879.

Bordwell, David. 2006b. The Way Hollywood Tells It: Story and Style in Modern Movies. University of California Press. http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, David, Janet Staiger, and Kristin Thompson. 1988a. ‘The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’. In The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, David, Janet Staiger, and Kristin Thompson. 1988b. ‘The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’. In The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, David, Janet Staiger, and Kristin Thompson. 1988c. ‘The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’. In The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, David, Janet Staiger, and Kristin Thompson. 1988d. ‘The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’. In The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, David, Janet Staiger, and Kristin Thompson. 1988e. ‘The Classical Hollywood Cinema: Film Style & Mode of Production to 1960’. In The Classical Hollywood Cinema: Film Style & Mode of Production to 1960. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, David, Kristin Thompson, and Jeff Smith. 2020. Film Art: An Introduction. Twelfth edition. McGraw-Hill Education.

Bostrom, Nick. 2005. ‘A History of Transhumanist Thought’. Journal of Evolution and Technology 14 (1). https://jetpress.org/volume14/bostrom.html.

Bozak, Nadia. 2012. The Cinematic Footprint: Lights, Camera, Natural Resources. Rutgers University Press. Electronic resource. http://lib.myilibrary.com/browse/open.asp?id=417721&entityid=https://idp.brunel.ac.uk/entity.

Brereton, Pat. 2016. Environmental Ethics and Film. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4015143.

Bruzzi, Stella. 2013. Men’s Cinema: Masculinity and Mise En Scène in Hollywood. Edinburgh University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1835368.

Buckland, Warren. 2009. ‘Film Theory and Contemporary Hollywood Movies’. In Film Theory and Contemporary Hollywood Movies. Routledge. http://lib.myilibrary.com/browse/open.asp?id=212452&entityid=https://idp.brunel.ac.uk/entity.

Buckland, Warren, ed. 2014. ‘Hollywood Puzzle Films’. In Hollywood Puzzle Films. Routledge. Electronic resource. http://lib.myilibrary.com/browse/open.asp?id=614075&entityid=https://idp.brunel.ac.uk/entity.

Budd, Mike, Steve Craig, and Clayton M. Steinman. 1999. Consuming Environments: Television and Commercial Culture. Rutgers University Press.

Buonanno, Milly. 2012. Italian TV Drama and beyond: Stories from the Soil, Stories from the Sea. Intellect. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=914258.

Burgess, Jean, and Joshua Green. 2009. YouTube: Online Video and Participatory Culture. Polity. Electronic resource. http://lib.myilibrary.com/browse/open.asp?id=484691&entityid=https://idp.brunel.ac.uk/entity.

Burnett, Ron. 1991. ‘Explorations in Film Theory: Selected Essays from Ciné-Tracts’. In Explorations in Film Theory: Selected Essays from Ciné-Tracts, vol. 612. Indiana University Press. https://contentstore.cla.co.uk/secure/link?id=dc4efb2e-4f13-e911-80cd-005056af4099.

Butler, Jeremy G. 2007. ‘Television: Critical Methods and Applications’. In Television: Critical Methods and Applications, 3rd ed. Lawrence Erlbaum Associates. https://contentstore.cla.co.uk/secure/link?id=b844422b-5a12-e911-80cd-005056af4099.

Caldwell, John Thornton. 1995. Televisuality: Style, Crisis, and Authority in American Television. Rutgers University Press.

Cardullo, Bert. 2009. After Neorealism: Italian Filmmakers and Their Films : Essays and Interviews. Cambridge Scholars. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=522871&site=ehost-live&scope=site.

Casey, Bernadette. 2008. ‘Television Studies: The Key Concepts’. In Television Studies: The Key Concepts, 2nd ed. Routledge. https://contentstore.cla.co.uk/secure/link?id=4176d1c5-bfcd-ea11-80cd-005056af4099.

Castaing-Taylor, Lucien, Verena Paravel, and Cinema Guild. 2013. Leviathan. Dogwoof Ltd. Videorecording.

Castells, Manuel. 2000. The Rise of the Network Society. 2nd ed. V. 1. Blackwell Publishers. http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity.

Caughie, John. 2000. Television Drama: Realism, Modernism, and British Culture. Oxford University Press. http://lib.myilibrary.com/browse/open.asp?id=90673&entityid=https://idp.brunel.ac.uk/entity.

Chanan, Michael. 1996. The Dream That Kicks: The Prehistory and Early Years of Cinema in Britain. 2nd ed. Routledge. http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203360101.

Christian, Aymar Jean. 2011. ‘Joe Swanberg, Intimacy, and the Digital Aesthetic’. Cinema Journal 50 (4). https://doi.org/10.1353/cj.2011.0049.

Christian, Aymar Jean. n.d. ‘The Problem of YouTube’. Flow. http://www.flowjournal.org/2011/02/the-problem-of-youtube./.

Clarke, M. J. 2013. Transmedia Television: New Trends in Network Serial Production. Bloomsbury. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1099529.

Cook, Pam. 2007. ‘The Cinema Book’. In The Cinema Book, 3rd ed. British Film Institute. https://contentstore.cla.co.uk/secure/link?id=764ce19b-1ed0-ea11-80cd-005056af4099.

Cook, Pam, and Mieke Bernink. 1999. ‘The Cinema Book’. In The Cinema Book, 2nd ed. British Film Institute. https://contentstore.cla.co.uk/secure/link?id=ca63bb8a-e018-e911-80cd-005056af4099.

Corner, John. 1999. ‘Critical Ideas in Television Studies’. In Critical Ideas in Television Studies. Clarendon Press. https://contentstore.cla.co.uk/secure/link?id=6645edfc-b015-e911-80cd-005056af4099.

Crafton, Donald. 1993. Before Mickey: The Animated Film, 1898-1928. University of Chicago Press ed. University of Chicago Press.

Crosland, Alan. 2007. The Jazz Singer. Turner Entertainment. Videorecording.

Crumley, Arin, and Susan Buice. 2008. Four Eyed Monsters. Dogwoof. Videorecording.

Cuarón, Alfonso, Sandra Bullock, and George Clooney. 2014. Gravity. Warner Bros entertainment Inc. Videorecording.

Cubitt, Sean. 2017. Finite Media: Environmental Implications of Digital Technologies. Duke University Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4753360.

Cubitt, Sean. n.d. EcoMedia. Rodopi.

Cunningham, Stuart, and Jon Silver. 2013. Screen Distribution and the New King Kongs of the Online World. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318147.

Deshpande, Shekhar A., and Meta Mazaj. 2018. ‘World Cinema: A Critical Introduction’. In World Cinema: A Critical Introduction. Routledge. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5220292.

Dobson, Nichola, Annabelle Honess Roe, Amy Ratelle, and Caroline Ruddell, eds. 2019a. ‘The Animation Studies Reader’. In The Animation Studies Reader. Bloomsbury Academic.

Dobson, Nichola, Annabelle Honess Roe, Amy Ratelle, and Caroline Ruddell, eds. 2019b. The Animation Studies Reader. Bloomsbury Academic.

Edgerton, Gary R., and Brian Geoffrey Rose. 2005. ‘Thinking Outside the Box: A Contemporary Television Genre Reader’. In Thinking Outside the Box: A Contemporary Television Genre Reader. University Press of Kentucky. https://contentstore.cla.co.uk/secure/link?id=4127e178-730f-e911-80cd-005056af4099.

Ellis, John. 1992a. Visible Fictions: Cinema, Television, Video. Rev. ed. Routledge. http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Ellis, John. 1992b. Visible Fictions: Cinema, Television, Video. Rev. ed. Routledge. http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Ellis, John. 1992c. Visible Fictions: Cinema, Television, Video. Rev. ed. Routledge. http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Elsaesser, Thomas, and Adam Barker. 1990a. ‘Early Cinema: Space, Frame, Narrative’. In Early Cinema: Space, Frame, Narrative. BFI Publishing. https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099.

Elsaesser, Thomas, and Adam Barker. 1990b. ‘Early Cinema: Space, Frame, Narrative’. In Early Cinema: Space, Frame, Narrative. BFI Publishing. https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099.

Elsaesser, Thomas, and Adam Barker. 1990c. Early Cinema: Space, Frame, Narrative. BFI Publishing.

Elsaesser, Thomas, and Warren Buckland. 2002. ‘Studying Contemporary American Film: A Guide to Movie Analysis’. In Studying Contemporary American Film: A Guide to Movie Analysis. Hodder Education. https://contentstore.cla.co.uk/secure/link?id=60559fa8-5413-e911-80cd-005056af4099.

Ferrando, Francesca. 2013. ‘Posthumanism, Transhumanism, Antihumanism, Metahumanism, and New Materialisms Differences and Relations’. Existenz 8 (2): 26–32. https://doi.org/10.7213/1980-5934.31.054.TD01.

Forshaw, Barry. 2012. Death in a Cold Climate: A Guide to Scandinavian Crime Fiction. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165.

Forshaw, Barry. 2013. Nordic Noir: The Pocket Essential Guide to Scandinavian Crime Fiction, Film & TV. Pocket Essentials.

Forshaw, Barry. 2014. Euro Noir: The Pocket Essential Guide to European Crime Fiction, Film & TV. Pocket Essentials. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1712149.

Freedman, Des. 2008. The Politics of Media Policy. Polity. http://lib.myilibrary.com/browse/open.asp?id=504452&entityid=https://idp.brunel.ac.uk/entity.

Freedman, Des. 2018. ‘Populism and Media Policy Failure’. European Journal of Communication 33 (6): 604–18. https://doi.org/10.1177/0267323118790156.

Furniss, Maureen, ed. 2012. Animation: Art & Industry. JL. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1977963.

Furniss, Maureen. 2017. History of Animation. Newly Published Works. Thames & Hudson Australia Pty, Limited.

Gandolfini, James, Lorraine Bracco, Edie Falco, et al. 2007. The Sopranos: Complete HBO Season 1. Standard Edition. Warner Home Video. Videorecording.

Garnham, Nicholas. 1983. ‘Public Service versus the Market’. Screen 24 (1): 6–27. https://doi.org/10.1093/screen/24.1.6.

Gaylor, Brett. 2009. RiP!: A Remix Manifesto. Artefact Films. Videorecording.

Geiger, Jeffrey. 2012. ‘Nollywood Style: Nigerian Movies and “Shifting Perceptions of Worth”’. Film International 10 (6): 58–72. https://doi.org/10.1386/fiin.10.6.58_1.

Geiger, Jeffrey, and R. L. Rutsky. 2005. ‘Film Analysis: A Norton Reader’. In Film Analysis: A Norton Reader, 1st ed. W.W. Norton. https://contentstore.cla.co.uk/secure/link?id=3f6fb3e7-af18-e911-80cd-005056af4099.

Geraghty, Christine, and David Lusted. 1998. The Television Studies Book. Arnold.

Gerbarg, Darcy, ed. 2010. Television Goes Digital. Springer. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=417813.

Gillespie, Tarleton. 2007. Wired Shut: Copyright and the Shape of Digital Culture. MIT Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338717.

Gillespie, Tarleton. 2010. ‘The Politics of “Platforms”’. New Media & Society 12 (3): 347–64. https://doi.org/10.1177/1461444809342738.

Gomery, Douglas. 1992a. ‘Shared Pleasures: A History of Movie Presentation in the United States’. In Shared Pleasures: A History of Movie Presentation in the United States. University of Wisconsin Press. https://contentstore.cla.co.uk/secure/link?id=e8278966-3b10-e911-80cd-005056af4099.

Gomery, Douglas. 1992b. ‘Shared Pleasures: A History of Movie Presentation in the United States’. In Shared Pleasures: A History of Movie Presentation in the United States. University of Wisconsin Press. https://contentstore.cla.co.uk/secure/link?id=8beb2b00-5113-e911-80cd-005056af4099.

Gomery, Douglas. 2005a. ‘The Hollywood Studio System: A History’. In The Hollywood Studio System: A History. BFI. https://contentstore.cla.co.uk/secure/link?id=426988b3-2613-e911-80cd-005056af4099.

Gomery, Douglas. 2005b. The Hollywood Studio System: A History. BFI.

Goodwin, Andrew, and Garry Whannel. 1990. ‘Understanding Television’. In Understanding Television. Routledge. https://contentstore.cla.co.uk/secure/link?id=18e2a167-48e4-e911-80cd-005056af4099.

Greengrass, Paul. 2004. The Bourne Supremacy. Universal Pictures. Videorecording.

Griffith, D. W. 2000. Broken Blossoms. Eureka Video. Videorecording.

Gündüz Özdemirci, Ekin. 2016. ‘Greening the Screen: An Environmental Challenge’. Humanities 5 (2). https://doi.org/10.3390/h5020035.

Guynes, Sean A., and Dan Hassler-Forest, eds. 2018. Star Wars and the History of Transmedia Storytelling. Amsterdam University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5261322.

Haggard, Piers, Dennis Potter, Kenith Trodd, et al. 2004. Pennies from Heaven. BBC Worldwide. Videorecording. https://learningonscreen.ac.uk/ondemand/index.php/prog/RT3CB597?bcast=119438677.

Hammond, Michael, and Linda Ruth Williams. 2006a. ‘Contemporary American Cinema’. In Contemporary American Cinema. Open University Press. http://lib.myilibrary.com/browse/open.asp?id=333788&entityid=https://idp.brunel.ac.uk/entity.

Hammond, Michael, and Linda Ruth Williams. 2006b. Contemporary American Cinema. Open University Press. http://lib.myilibrary.com/browse/open.asp?id=333788&entityid=https://idp.brunel.ac.uk/entity.

Hansen, Kim Toft, and Anne Marit Waade. 2017. Locating Nordic Noir: From Beck to The Bridge. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5106086.

Hauskeller, Michael, Thomas Drew Philbeck, and Curtis D. Carbonell, eds. 2018. ‘The Palgrave Handbook of Posthumanism in Film and Television’. In The Palgrave Handbook of Posthumanism in Film and Television. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4001366.

Haynes, Jonathan. 2016. Nollywood: The Creation of Nigerian Film Genres. The University of Chicago Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4504550.

Heise, Ursula K. 2008. Sense of Place and Sense of Planet: The Environmental Imagination of the Global. Oxford University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3053055.

Hesmondhalgh, David. 2019. The Cultural Industries. Fourth edition. SAGE.

Hilderbrand, Lucas. 2007. ‘Youtube: Where Cultural Memory and Copyright Converge’. Film Quarterly 61 (1): 48–57. https://doi.org/10.1525/fq.2007.61.1.48.

Hill, Charles W. L. 2007. ‘Digital Piracy: Causes, Consequences, and Strategic Responses’. Asia Pacific Journal of Management 24 (1): 9–25. https://doi.org/10.1007/s10490-006-9025-0.

Hill, John and British Film Institute. 2011. Ken Loach: The Politics of Film and Television. Palgrave Macmillan.

Hill, John, and Pamela Church Gibson. 1998. ‘The Oxford Guide to Film Studies’. In The Oxford Guide to Film Studies. Oxford University Press. https://contentstore.cla.co.uk/secure/link?id=b0609736-4d13-e911-80cd-005056af4099.

Hills, Matt, ed. 2013. New Dimensions of Doctor Who: Adventures in Space, Time and Television. I.B. Tauris. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1511071.

Holland, Patricia. 2000. ‘The Television Handbook’. In The Television Handbook, 2nd edn. Routledge. https://contentstore.cla.co.uk/secure/link?id=8152bf62-480f-e911-80cd-005056af4099.

Hye-Kyung  Lee. n.d. ‘Introduction: Animation Industry at a Crossroads’. Creative Industries Journal, no. 3: 183–87. https://doi.org/10.1386/cij.3.3.183_1.

Ingram, David. 2000. Green Screen: Environmentalism and Hollywood Cinema. University of Exeter Press.

Iordanova, Dina, Stuart Cunningham, and University of St Andrews. Film Studies. 2012a. ‘Digital Disruption: Cinema Moves on-Line’. In Digital Disruption: Cinema Moves on-Line. St Andrews Film Studies. https://contentstore.cla.co.uk/secure/link?id=700a1c74-0f10-e911-80cd-005056af4099.

Iordanova, Dina, Stuart Cunningham, and University of St Andrews. Film Studies. 2012b. Digital Disruption: Cinema Moves on-Line. St Andrews Film Studies.

Iordanova, Dina, Stuart Cunningham, and University of St Andrews. Film Studies. 2012c. Digital Disruption: Cinema Moves on-Line. St Andrews Film Studies.

Izod, John. 1988a. ‘Hollywood and the Box Office 1895-1986’. In Hollywood and the Box Office 1895-1986. Columbia University Press. https://contentstore.cla.co.uk/secure/link?id=bbb19b17-7e15-e911-80cd-005056af4099.

Izod, John. 1988b. ‘Hollywood and the Box Office 1895-1986’. In Hollywood and the Box Office 1895-1986. Columbia University Press. https://contentstore.cla.co.uk/secure/link?id=18b46531-becd-ea11-80cd-005056af4099.

Jancovich, Mark, and James Lyons. 2003. Quality Popular Television: Cult TV, the Industry and Fans. British Film Institute.

Jenkins, Henry. 2006. Convergence Culture: Where Old and New Media Collide. Updated ed. New York University Press.

Jenkins, Henry, Sam Ford, and Joshua Green. 2013. Spreadable Media: Creating Value and Meaning in a Networked Culture. New York University Press. Electronic resource. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=529617.

Kackman, Michael. 2010. Flow TV: Television in the Age of Media Convergence. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=574457.

Kaplan, E. Ann. 1987. Rocking around the Clock: Music Television, Postmodernism, and Consumer Culture. Methuen.

Keane, Stephen. 2007. ‘CineTech: Film, Convergence and New Media’. In CineTech: Film, Convergence and New Media. Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=50bde8ab-5b12-e911-80cd-005056af4099.

Keating, Patrick. 2006. ‘Emotional Curves and Linear Narratives’. The Velvet Light Trap (Austin) 58. https://doi.org/10.1353/vlt.2006.0029.

King, Geoff. 2000. Spectacular Narratives: Hollywood in the Age of the Blockbuster. I.B. Tauris. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=676862.

King, Geoff. 2002a. ‘New Hollywood Cinema: An Introduction’. In New Hollywood Cinema: An Introduction. I. B. Tauris. http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914.

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King, Geoff. 2002c. ‘New Hollywood Cinema: An Introduction’. In New Hollywood Cinema: An Introduction. I. B. Tauris. https://contentstore.cla.co.uk/secure/link?id=6d1b278d-11e5-e911-80cd-005056af4099.

King, Geoff. 2002d. New Hollywood Cinema: An Introduction. I. B. Tauris. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000006914.

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King, Geoff. 2014b. ‘Indie 2.0: Change and Continuity in Contemporary American Indie Film’. In Indie 2.0: Change and Continuity in Contemporary American Indie Film, vol. 10. I.B. Tauris.

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Klinger, Barbara. n.d. ‘Contraband Cinema: Piracy, Titanic, and Central Asia’. Cinema Journal 49: 106–24. https://doi.org/10.1353/cj.0.0180.

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Lobato, Ramon. 2012. Shadow Economies of Cinema: Mapping Informal Film Distribution. Palgrave Macmillan [on behalf of the] BFI. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5400915.

López, Antonio. 2012. The Media Ecosystem: What Ecology Can Teach Us about Responsible Media Practice. Evolver Editions.

Lotz, Amanda D. 2009. Beyond Prime Time: Television Programming in the Post-Network Era. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=435636.

Lotz, Amanda D. 2017. Portals: A Treatise on Internet-Distributed Television. Maize Books, an imprint of Michigan Publishing.

Maltby, Richard, and Ian Craven. 1995a. ‘Hollywood Cinema: An Introduction’. In Hollywood Cinema: An Introduction. Blackwell Publishers. https://contentstore.cla.co.uk/secure/link?id=97e74340-7f12-e911-80cd-005056af4099.

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McCabe, Janet, and Kim Akass. 2007. Quality TV: Contemporary American Television and Beyond. I. B. Tauris.

McClean, Shilo T. 2007. Digital Storytelling: The Narrative Power of Visual Effects in Film. MIT. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3339423.

McDonald, Paul. 2007a. ‘Video and DVD Industries’. In Video and DVD Industries. British Film Institute. https://contentstore.cla.co.uk/secure/link?id=6eef2501-5c0f-e911-80cd-005056af4099.

McDonald, Paul. 2007b. ‘Video and DVD Industries’. In Video and DVD Industries. British Film Institute. https://contentstore.cla.co.uk/secure/link?id=6eef2501-5c0f-e911-80cd-005056af4099.

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McDonald, Paul. 2007d. Video and DVD Industries. British Film Institute. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=6265661.

McDonald, Paul, and Janet Wasko. 2008a. ‘The Contemporary Hollywood Film Industry’. In The Contemporary Hollywood Film Industry. Blackwell Publishing. https://contentstore.cla.co.uk/secure/link?id=70ba6558-3810-e911-80cd-005056af4099.

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Mosco, Vincent, and Vincent Mosco. 2009. The Political Economy of Communication. 2nd ed. SAGE. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=743695.

Murphy, Patrick D. 2017. The Media Commons: Globalization and Environmental Discourses. University of Illinois Press.

Murray, Robin L., and Joseph K. Heumann. 2009. Ecology and Popular Film: Cinema on the Edge. SUNY Press.

Murray, Robin L., and Joseph K. Heumann. 2014. Film & Everyday Eco-Disasters. University of Nebraska Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1676467.

Musser, Charles. 1994. The Emergence of Cinema: The American Screen to 1907. Vol. 1. University of California Press.

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Nichols, Bill. 1985b. ‘Movies and Methods: An Anthology, Vol.2’. In Movies and Methods: An Anthology, Vol.2. University of California Press. https://contentstore.cla.co.uk/secure/link?id=d30e05e5-21e5-e911-80cd-005056af4099.

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Peacock, Steven. 2014. Swedish Crime Fiction: Novel, Film, Television. Manchester University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706720.

Pezzotti, Barbara. 2016. Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series: Murder in the Age of Chaos. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4716385.

Prince, Stephen. 2002a. ‘A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989’. In A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989, v. 10. University of California Press. https://contentstore.cla.co.uk/secure/link?id=bb5770d6-8912-e911-80cd-005056af4099.

Prince, Stephen. 2002b. ‘A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989’. In A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989, v. 10. University of California Press.

Prince, Stephen. 2002c. ‘A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989’. In A New Pot of Gold: Hollywood under the Electronic Rainbow, 1980-1989, v. 10. University of California Press.

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Prince, Stephen. 2012c. Digital Visual Effects in Cinema: The Seduction of Reality. Rutgers University Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=861454.

Purse, Lisa. 2011. ‘Contemporary Action Cinema’. In Contemporary Action Cinema. Edinburgh University Press. https://contentstore.cla.co.uk/secure/link?id=077b1b22-62e4-e911-80cd-005056af4099.

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Purse, Lisa. 2013c. Digital Imaging in Popular Cinema. Edinburgh University Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1126596.

Rapu, Chris Obi. 1992. Living in Bondage. https://www.youtube.com/channel/UCCPN35XwRi1duxqq3aj6JFQ.

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Ross, Miriam. 2015. 3D Cinema: Optical Illusions and Tactile Experiences. Palgrave Macmillan. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2006615.

Ross, Sarah. 2012. ‘Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema’. Film History 24 (2). https://doi.org/10.2979/filmhistory.24.2.210.

Rossellini, Roberto, Sergio Amidei, Federico Fellini, et al. 2005. Roma, Cittá Aperta. Arrow Films. Videorecording. https://learningonscreen.ac.uk/ondemand/index.php/prog/001B00A0?bcast=4048008.

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Saviano, Roberto, Stefano Sillima, Claudio Cupellini, et al. 2018a. Gomorrah: The Complete Season One. Arrow Films. Videorecording.

Saviano, Roberto, Stefano Sillima, Claudio Cupellini, et al. 2018b. Gomorrah: The Complete Season Three. Arrow Films. Videorecording.

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Shiel, Mark. 2006. Italian Neorealism: Rebuilding the Cinematic City. Vol. 31. Wallflower Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=909624.

Sica, Vittorio De, and Luigi Bartolini. 2009. The Bicycle Thieves. Arrow. Videorecording.

Sito, Tom and ProQuest (Firm). 2013. Moving Innovation: A History of Computer Animation. MIT Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3339617.

Sobchack, Vivian. 2000. ‘Meta-Morphing: Visual Transformation and the Culture of Quick-Change’. In Meta-Morphing: Visual Transformation and the Culture of Quick-Change. University of Minnesota Press. https://contentstore.cla.co.uk/secure/link?id=9f4a408a-2313-e911-80cd-005056af4099.

Sobchack, Vivian Carol. 1992. The Address of the Eye: A Phenomenology of Film Experience. Princeton University Press.

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Stein, Louisa Ellen. 2015. Millennial Fandom: Television Audiences in the Transmedia Age. University of Iowa Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3570587.

Stein, Louisa Ellen, and Kristina Busse. 2012. Sherlock and Transmedia Fandom: Essays on the BBC Series. McFarland. Electronic resource. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=462577.

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Strangelove, Michael. 2015. Post-TV: Piracy, Cord-Cutting, and the Future of Television. University of Toronto Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4669834.

Strauven, Wanda. 2006. The Cinema of Attractions Reloaded. Amsterdam University Press. http://oapen.org/download?type=document&docid=340138.

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Taylor, Lisa, and Andrew Willis. 1999b. ‘Media Studies: Texts, Institutions, and Audiences’. In Media Studies: Texts, Institutions, and Audiences. Blackwell Publishers.

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Tryon, Chuck. 2009b. Reinventing Cinema: Movies in the Age of Media Convergence. Rutgers University Press.

Tryon, Chuck. 2013a. On-Demand Culture: Digital Delivery and the Future of Movies. Rutgers University Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1184490.

Tryon, Chuck. 2013b. On-Demand Culture: Digital Delivery and the Future of Movies. Rutgers University Press. Electronic resource. http://lib.myilibrary.com/browse/open.asp?id=486972&entityid=https://idp.brunel.ac.uk/entity.

Turnbull, Sue. 2014. The TV Crime Drama. Edinburgh University Press. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1842870.

Turner, Graeme, and Jinna Tay. 2009. ‘Television Studies after TV: Understanding Television in the Post-Broadcast Era’. In Television Studies after TV: Understanding Television in the Post-Broadcast Era. Routledge. https://contentstore.cla.co.uk/secure/link?id=4978e404-fe0f-e911-80cd-005056af4099.

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Ulin, Jeff. 2013. The Business of Media Distribution, 2nd Edition. Focal Press. https://go.oreilly.com/brunel-university?state=/library/view/~/9780240824239/?ar.

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Wasko, Janet. 1994. Hollywood in the Information Age: Beyond the Silver Screen. Polity. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1602912.

Wayne, Mike. 2020. Marxism Goes to the Movies. Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5986891.

Weetch, Owen. 2016. Expressive Spaces in Digital 3D Cinema. Palgrave Macmillan. Electronic resource. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4720331.

Wells, Paul. 1998a. ‘Understanding Animation’. In Understanding Animation. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1562841.

Wells, Paul. 1998b. ‘Understanding Animation’. In Understanding Animation. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1562841.

Whissel, Kristen. 2016. ‘Parallax Effects: Epistemology, Affect and Digital 3D Cinema’. Journal of Visual Culture 15 (2): 233–49. https://doi.org/10.1177/1470412916654512.

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