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D. Gomery, ‘Shared pleasures: a history of movie presentation in the United States’, in Shared pleasures: a history of movie presentation in the United States, Madison, Wis: University of Wisconsin Press, 1992, pp. 18–33 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=8beb2b00-5113-e911-80cd-005056af4099
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J. Izod, ‘Hollywood and the box office 1895-1986’, in Hollywood and the box office 1895-1986, New York: Columbia University Press, 1988, pp. 7–15 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=18b46531-becd-ea11-80cd-005056af4099
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G. King, New Hollywood cinema: an introduction. London: I. B. Tauris, 2002 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000006914
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G. R. Edgerton and B. G. Rose, ‘Thinking outside the box: a contemporary television genre reader’, in Thinking outside the box: a contemporary television genre reader, Lexington, Ky: University Press of Kentucky, 2005, pp. 226–246 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=4127e178-730f-e911-80cd-005056af4099
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G. King, ‘New Hollywood cinema: an introduction’, in New Hollywood cinema: an introduction, London: I. B. Tauris, 2002 [Online]. Available: http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914
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K. Whissel and Duke University Press, Spectacular digital effects: CGI and contemporary cinema. Durham: Duke University Press, 2014 [Online]. Available: https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822377146
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A. López, The media ecosystem: what ecology can teach us about responsible media practice. Berkeley, California: Evolver Editions, 2012.
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P. D. Murphy, The media commons: globalization and environmental discourses. Urbana: University of Illinois Press, 2017.
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