Aston, J. and Gaudenzi, S. (2012) ‘Interactive documentary: setting the field’, Studies in Documentary Film, 6(2), pp. 125–139. Available at: https://doi.org/10.1386/sdf.6.2.125_1.
Aston, J., Gaudenzi, S. and Rose, M. (eds) (2017) i-Docs: the evolving practices of interactive documentary. London: Wallflower Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5276085.
Aufderheide, P. (2007) ‘Documentary film: a very short introduction - Chapter One: Defining the documentary’, in. Oxford: Oxford University Press, pp. 1–25. Available at: http://lib.myilibrary.com/browse/open.asp?id=137463&entityid=https://idp.brunel.ac.uk/entity.
Aufderheide, P. (2012) ‘Perceived ethical conflicts in US documentary filmmaking: a field report’, New Review of Film and Television Studies, 10(3), pp. 362–386. Available at: https://doi.org/10.1080/17400309.2012.691248.
Bernard, S.C. (2016) ‘Documentary storytelling: creative nonfiction on screen’, in Documentary storytelling: creative nonfiction on screen. Fourth edition. New York: Focal Press, pp. 175–188. Available at: https://contentstore.cla.co.uk/secure/link?id=71a3d4c9-8620-e911-80cd-005056af4099.
Brown, B. (2016) Cinematography: theory and practice : imagemaking for cinematographers and directors. Third edition. New York: Routledge, Taylor & Francis Group. Available at: http://lib.myilibrary.com/browse/open.asp?id=959148&entityid=https://idp.brunel.ac.uk/entity.
Bruzzi, S. (2000) New documentary: a critical introduction. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=32823&entityid=https://idp.brunel.ac.uk/entity.
Chapman, J. (2007a) Documentary in practice: filmmakers and production choices. Cambridge, UK: Polity, pp. 80–109.
Chapman, J. (2007b) ‘Documentary in practice: filmmakers and production choices’, in Documentary in practice: filmmakers and production choices. Cambridge, UK: Polity, pp. 80–109. Available at: https://contentstore.cla.co.uk/secure/link?id=919b37e1-f21f-e911-80cd-005056af4099.
Chapman, J. (2007c) Documentary in practice: filmmakers and production choices - Chapter five: Shaping and editing. Cambridge, UK: Polity, pp. 110–140.
Chapman, J. (2009) ‘Issues in contemporary documentary’, in Issues in contemporary documentary. Cambridge: Polity, pp. 156–177. Available at: https://contentstore.cla.co.uk/secure/link?id=bd5d68e2-8d20-e911-80cd-005056af4099.
Dancyger, K. (2011) The technique of film and video editing: history, theory, and practice - Chapter 24: Documentary. 5th ed. New York: Focal Press, pp. 327–340. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=610550.
‘Directing the Documentary Website’ (no date). Available at: http://www.routledgetextbooks.com/textbooks/9780415719308/default.php.
Maccarone, E.M. (2010) ‘Ethical responsibilities to subjects and documentary filmmaking’, Journal of Mass Media Ethics, 25(3), pp. 192–206. Available at: https://doi.org/10.1080/08900523.2010.497025.
Nash, K. (2012) ‘Modes of interactivity: analysing the webdoc’, Media, Culture & Society, 34(2), pp. 195–210. Available at: https://doi.org/10.1177/0163443711430758.
Nichols, B. (2016) Speaking truths with film: evidence, ethics, politics in documentary. Oakland, California: University of California Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4700051.
Nichols, B. (2017a) Introduction to documentary. Third edition. Bloomington, Indiana, USA: Indiana University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity.
Nichols, B. (2017b) Introduction to documentary. Third edition. Bloomington, Indiana, USA: Indiana University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity.
Nichols, B. (2017c) Introduction to documentary. Third edition. Bloomington, Indiana, USA: Indiana University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity.
Nichols, B. (2017d) Introduction to documentary. Third edition. Bloomington, Indiana, USA: Indiana University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity.
Nichols, B. (2017e) Introduction to documentary. Third edition. Bloomington, Indiana, USA: Indiana University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=995809&entityid=https://idp.brunel.ac.uk/entity.
Pryluck, C. (1976) ‘Ultimately we are all outsiders: the ethics of documentary filming’, Journal of the University Film Association, 28(1), pp. 21–29. Available at: http://www.jstor.org/stable/20687309?seq=1#page_scan_tab_contents.
Rabiger, M. (2014a) ‘Directing the documentary - Chapter 31: Conducting and shooting interviews’, in. Burlington, MA: Focal Press, pp. 449–468. Available at: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity.
Rabiger, M. (2014b) ‘Directing the documentary - Chapter Eleven: Lighting’, in. Burlington, MA: Focal Press, pp. 75–94. Available at: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity.
Rabiger, M. (2014c) ‘Directing the documentary - Chapter five: story elements and film grammar’, in. Burlington, MA: Focal Press, pp. 75–94. Available at: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity.
Rabiger, M. (2014d) ‘Directing the documentary - Chapter ten: Capturing sound’, in. Burlington, MA: Focal Press, pp. 75–94. Available at: http://lib.myilibrary.com/browse/open.asp?id=646977&entityid=https://idp.brunel.ac.uk/entity.
Rabiger, M. and Hurbis-Cherrier, M. (2013) Directing: film techniques and aesthetics - Chapter 13: The frame and the shot. 5th ed. Waltham, Mass: Focal Press, pp. 155–164. Available at: http://lib.myilibrary.com/browse/open.asp?id=446089&entityid=https://idp.brunel.ac.uk/entity.
Reisz, K. et al. (2010a) The technique of film editing - Chapter eight: Imaginative documentary. 2nd ed. Boston: Elsevier/Focal Press, pp. 107–126. Available at: http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity.
Reisz, K. et al. (2010b) The technique of film editing - Chapter eleven: The documentary and the use of sound. 2nd ed. Boston: Elsevier/Focal Press, pp. 135–140. Available at: http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity.
Reisz, K. et al. (2010c) The technique of film editing - Chapter nine: the documentary film of ideas. 2nd ed. Boston: Elsevier/Focal Press, pp. 127–134. Available at: http://lib.myilibrary.com/browse/open.asp?id=266587&entityid=https://idp.brunel.ac.uk/entity.
Sanders, W. (2010) ‘Documentary filmmaking and ethics: concepts, responsibilities, and the need for empirical research’, Mass Communication and Society, 13(5), pp. 528–553. Available at: https://doi.org/10.1080/15205431003703319.
Smith, N. and Rock, J. (2014) ‘Documentary as a statement: defining old genre in a new age’, Journal of Media Practice, 15(1), pp. 58–62. Available at: https://doi.org/10.1080/14682753.2014.892698.