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Ang, Ien, and Della Couling. Watching Dallas: Soap Opera and the Melodramatic Imagination. Routledge, 1989, https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1395429.
Arcy, Jacquelyn. ‘Emotion Work: Considering Gender in Digital Labor’. Feminist Media Studies, vol. 16, no. 2, Mar. 2016, pp. 365–68, https://doi.org/10.1080/14680777.2016.1138609.
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Bramwell, Richard. UK Hip-Hop, Grime and the City: The Aesthetics and Ethics of London’s Rap Scenes. Routledge, 2015, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2058039. Electronic resource.
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Castells, Manuel. The Rise of the Network Society. 2nd ed, v. 1, Blackwell Publishers, 2000, http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity.
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———. Issues in Contemporary Documentary. Polity, 2009.
Chiaro, Delia, and Raffaella Baccolini, editors. Gender and Humor: Interdisciplinary and International Perspectives. vol. 63, Routledge, 2014, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1687469. Electronic resource.
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Corner, John. Television Form and Public Address. Edward Arnold, 1995.
Corner, John, and Sylvia Harvey. ‘Television Times: A Reader’. Television Times: A Reader, Arnold, 1996, pp. 111–16, https://contentstore.cla.co.uk/secure/link?id=f71ef1df-db02-e911-80cd-005056af4099.
Creeber, Glen, et al., editors. The Television Genre Book. Third edition, Palgrave Macmillan on behalf of the British Film Institute, 2015, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274. Electronic resource.
Creeber, Glen, et al., editors. The Television Genre Book. Third edition, Palgrave Macmillan on behalf of the British Film Institute, 2015, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274. Electronic resource.
Creeber, Glen, et al., editors. The Television Genre Book. Third edition, Palgrave Macmillan on behalf of the British Film Institute, 2015, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274. Electronic resource.
Curran, James, and Michael Gurevitch. Mass Media and Society. 3rd ed, Arnold, 2000.
———. ‘Mass Media and Society’. Mass Media and Society, Edward Arnold, 1991, pp. 267–84, https://contentstore.cla.co.uk/secure/link?id=4d63bfce-3804-e911-80cd-005056af4099.
Curran, James, and Jean Seaton. Power without Responsibility: Press, Broadcasting and the Internet in Britain. Eighth edition, Routledge, Taylor & Francis Group, 2018, https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5430438. Electronic resource.
Curti, Lidia. ‘Genre and Gender’. Cultural Studies, vol. 2, no. 2, May 1988, pp. 152–67, https://doi.org/10.1080/09502388800490311.
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Dawn, Shepherd, Carolyn, Miller. Blogging as Social Action: A Genre Analysis of the Weblog. https://conservancy.umn.edu/bitstream/handle/11299/172818/Miller_Blogging%20as%20Social%20Action.pdf?sequence=1&isAllowed=y.
Deborah, Knight. Making Sense of Genre. http://xroads.virginia.edu/~DRBR2/knight.html.
Dedman, Todd. ‘Agency in UK Hip-Hop and Grime Youth Subcultures – Peripherals and Purists’. Journal of Youth Studies, vol. 14, no. 5, Aug. 2011, pp. 507–22, https://doi.org/10.1080/13676261.2010.549820.
Dines, Gail, and Jean McMahon Humez, editors. Gender, Race, and Class in Media: A Critical Reader. Fourth edition, SAGE Publications, Inc, 2015.
Dovey, Jon. Freakshow: First Person Media and Factual Television. Pluto Press, 2000, http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=72516.
Duffy, Brooke Erin. ‘Gendering The Labor Of Social Media Production’. Feminist Media Studies, vol. 15, no. 4, July 2015, pp. 710–14, https://doi.org/10.1080/14680777.2015.1053715.
Duffy, Brooke Erin, and Emily Hund. ‘"Having It All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers’. Social Media + Society, vol. 1, no. 2, Sept. 2015, https://doi.org/10.1177/2056305115604337.
Edwards, David, and David Cromwell. Newspeak in the 21st Century. Pluto, 2009, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386296.
ELAINE ASTON and IAN CLARKE. ‘Feminist Theory and the Matriarchal Soap: EastEnders’. Critical Survey, vol. 6, no. 2, 1994, pp. 211–17, https://www.jstor.org/stable/41555822?seq=1#page_scan_tab_contents.
Elias, Ana Sofia, and Rosalind Gill. ‘Beauty Surveillance: The Digital Self-Monitoring Cultures of Neoliberalism’. European Journal of Cultural Studies, June 2017, https://doi.org/10.1177/1367549417705604.
Feasey, Rebecca and ProQuest (Firm). From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. Anthem Press, 2012, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957. Electronic resource.
———. From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. Anthem Press, 2012, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957. Electronic resource.
Fenton, Natalie. New Media, Old News: Journalism & Democracy in the Digital Age. SAGE, 2010, https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9781849204415.
Frow, John. ‘Genre’. Genre, Routledge, 2015, pp. 72–99, https://contentstore.cla.co.uk/secure/link?id=1e847325-880d-e811-80cd-005056af4099.
———. Genre. Second edition, The new critical idiom, Routledge, Taylor & Francis Group, 2015, http://lib.myilibrary.com/browse/open.asp?id=646973&entityid=https://idp.brunel.ac.uk/entity. Electronic resource.
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Geraghty, Lincoln, and Mark Jancovich, editors. The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. McFarland & Company, Inc., Publishers, 2008, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1734104. Electronic resource.
Gill, Rosalind. ‘Media, Empowerment and the “Sexualization of Culture” Debates’. Sex Roles, vol. 66, nos 11–12, June 2012, pp. 736–45, https://doi.org/10.1007/s11199-011-0107-1.
———. ‘The Sexualisation of Culture?’ Social and Personality Psychology Compass, vol. 6, no. 7, July 2012, pp. 483–98, https://doi.org/10.1111/j.1751-9004.2012.00433.x.
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Grant, Barry Keith. Film Genre: From Iconography to Ideology. Wallflower, 2007.
———. Film Genre Reader IV. University of Texas Press, 2012, http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=492853.
Grindstaff, Laura. ‘Media Scandals: Morality and Desire in the Popular Culture Marketplace’. Media Scandals: Morality and Desire in the Popular Culture Marketplace, Polity, 1997, pp. 164–202, https://contentstore.cla.co.uk/secure/link?id=428e3ad3-1f0c-e811-80cd-005056af4099.
Hall, Stuart and University of Birmingham. Centre for Contemporary Cultural Studies. Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. Routledge, 1992, http://lib.myilibrary.com/browse/open.asp?id=7370&entityid=https://idp.brunel.ac.uk/entity.
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———. ‘Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks’. Sociological Research Online, vol. 18, no. 4, Nov. 2013, pp. 1–11, https://doi.org/10.5153/sro.3153.
Harvey, Laura, and Rosalind Gill. ‘New Femininities: Postfeminism, Neoliberalism and Subjectivity’. New Femininities: Postfeminism, Neoliberalism and Subjectivity, edited by Christina Scharff, Palgrave Macmillan, 2013, pp. 52–67, https://contentstore.cla.co.uk/secure/link?id=8c00524a-1f0c-e811-80cd-005056af4099.
Hayward, Susan. Cinema Studies: The Key Concepts. Fifth edition, Routledge, Taylor & Francis Group, 2018, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4980918.
Henderson, Lesley. Social Issues in Television Fiction. Edinburgh University Press, 2007, http://lib.myilibrary.com/browse/open.asp?id=95313&entityid=https://idp.brunel.ac.uk/entity.
HENRY, MATTHEW. ‘“Don’t Ask Me, I’m Just a Girl”: Feminism, Female Identity, and The Simpsons’. The Journal of Popular Culture, vol. 40, no. 2, Apr. 2007, pp. 272–303, https://doi.org/10.1111/j.1540-5931.2007.00379.x.
Herman, Edward S., and Noam Chomsky. Manufacturing Consent: The Political Economy of the Mass Media. Vintage, 1994.
Hjarvard, Stig. The Mediatization of Society. A Theory of the Media as Agents of Social and Cultural Change | Nordicom [via the Wayback Machine]. 2008, https://web.archive.org/web/20180221093605/http://www.nordicom.gu.se/en/tidskrifter/nordicom-review-22008/mediatization-society-theory-media-agents-social-and-cultural.
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———. Media, Culture and Society: An Introduction. 2nd edition, SAGE, 2017.
Howells, Richard. ‘“Is It Because I Is Black?” Race, Humour and the Polysemiology of Ali G’. Historical Journal of Film, Radio and Television, vol. 26, no. 2, June 2006, pp. 155–77, https://doi.org/https://doi.org/10.1080/01439680600691677.
Huq, Rupa. ‘Situating Citizen Khan : Shifting Representations of Asians Onscreen and the Outrage Industry in the Social Media Age’. South Asian Popular Culture, vol. 11, no. 1, Apr. 2013, pp. 77–83, https://doi.org/https://doi.org/10.1080/14746689.2013.765218.
Husband, Charles. ‘Humour in Society: Resistance and Control’. Humour in Society: Resistance and Control, Macmillan, 1988, pp. 149–78, https://contentstore.cla.co.uk/secure/link?id=2e744e45-200c-e811-80cd-005056af4099.
Jarrett, Kylie. Feminism, Labour and Digital Media: The Digital Housewife. Routledge, 2016, http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4098217.
Jensen, Tracey. ‘Welfare Commonsense, Poverty Porn and Doxosophy’. Sociological Research Online, vol. 19, no. 3, Sept. 2014, pp. 1–7, https://doi.org/10.5153/sro.3441.
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K, Sender, M., Kraidy, editor. The Politics of Reality Television: Global Perspectives. Routledge.
Lacey, Nick. Narrative and Genre: Key Concepts in Media Studies. Palgrave, 2000.
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Lee, Janet. ‘Subversive Sitcoms: Roseanne as Inspiration for Feminist Resistance.’ Women’s Studies, vol. 21, no. 1, Apr. 1992, pp. 87–101, https://doi.org/10.1080/00497878.1992.9978928.
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Lewis, Justin. The Ideological Octopus: An Exploration of Television and Its Audience. Routledge, 1991, https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1221480.
Livingstone, Sonia. ‘Taking Risky Opportunities in Youthful Content Creation: Teenagers’ Use of Social Networking Sites for Intimacy, Privacy and Self-Expression’. New Media & Society, vol. 10, no. 3, June 2008, pp. 393–411, https://doi.org/10.1177/1461444808089415.
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———. ‘From Toothpick Legs to Dropping Vaginas: Gender and Sexuality in Joan Rivers’ Stand-up Comedy Performance’. Comedy Studies, vol. 2, no. 2, 2011, pp. 113–23, https://doi.org/10.1386/cost.2.2.113_1.
———. Reading Little Britain: Comedy Matters on Contemporary Television. I. B. Tauris, 2010, http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000042851.
Lockyer, Sharon, and Michael Pickering. Beyond a Joke: The Limits of Humour. Palgrave Macmillan, 2005, http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.
———. Beyond a Joke: The Limits of Humour. Palgrave Macmillan, 2005, http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.
———. Beyond a Joke: The Limits of Humour. Palgrave Macmillan, 2005, http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.
Lopez, Lori Kido. ‘The Radical Act of “Mommy Blogging”: Redefining Motherhood through the Blogosphere’. New Media & Society, vol. 11, no. 5, Aug. 2009, pp. 729–47, https://doi.org/10.1177/1461444809105349.
Luckman, Susan. ‘The Aura of the Analogue in a Digital Age: Women’s Crafts, Creative Markets and Home-Based Labour After Etsy’. Cultural Studies Review, vol. 19, no. 1, Feb. 2013, https://doi.org/10.5130/csr.v19i1.2585.
———. ‘Women’s Micro-Entrepreneurial Homeworking’. Australian Feminist Studies, vol. 30, no. 84, Apr. 2015, pp. 146–60, https://doi.org/10.1080/08164649.2015.1038117.
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Madill, Anna, and Rebecca Goldmeier. ‘EastEnders’. International Journal of Cultural Studies, vol. 6, no. 4, Dec. 2003, pp. 471–94, https://doi.org/10.1177/136787790364005.
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———. Representing Black Britain: A History of Black and Asian Images on British Television. SAGE Publications, 2002, http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity.
———. ‘The Indian Family on UK Reality Television’. Television & New Media, vol. 14, no. 6, Nov. 2013, pp. 510–28, https://doi.org/10.1177/1527476412446324.
Mark, Andrejevic. The Work of Being Watched: Interactive Media and the Exploitation of Self-Disclosure. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.513.4411&rep=rep1&type=pdf.
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Mittell, Jason. Genre and Television: From Cop Shows to Cartoons in American Culture. Routledge, 2004, https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=200862.
Murray, Susan, and Laurie Ouellette. Reality TV: Remaking Television Culture. 2nd ed, New York University Press, 2009.
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———. ‘Understanding Reality Television’. Understanding Reality Television, Routledge, 2004, pp. 173–90, https://contentstore.cla.co.uk/secure/link?id=384bb891-630a-e811-80cd-005056af4099.
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