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Hayward S. Cinema studies: the key concepts. Fifth edition. London: : Routledge, Taylor & Francis Group 2018. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4980918
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Deborah, Knight. Making sense of genre. http://xroads.virginia.edu/~DRBR2/knight.html
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Curran J, Gurevitch M. Mass media and society. 3rd ed. London: : Arnold 2000.
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Curran J, Seaton J. Power without responsibility: press, broadcasting and the internet in Britain. Eighth edition. London: : Routledge, Taylor & Francis Group 2018. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5430438
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ZCommunications » Propaganda And The BBC. https://zcomm.org/znetarticle/propaganda-and-the-bbc-by-alex-doherty/
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Abbas T. ‘Last of the dinosaurs’: Citizen Khan as institutionalisation of Pakistani stereotypes in British television comedy. South Asian Popular Culture 2013;11:85–90. doi:10.1080/14746689.2013.765221
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Feasey R, ProQuest (Firm). From happy homemaker to desperate housewives: motherhood and popular television. London: : Anthem Press 2012. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957
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Corner J, Harvey S. Television times: a reader. In: Television times: a reader. London: : Arnold 1996. 111–6.https://contentstore.cla.co.uk/secure/link?id=f71ef1df-db02-e911-80cd-005056af4099
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Lockyer S. From toothpick legs to dropping vaginas: Gender and sexuality in Joan Rivers’ stand-up comedy performance. Comedy Studies 2011;2:113–23. doi:10.1386/cost.2.2.113_1
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Lockyer S. Comedy matters: On the impact of comedy. HUMOR 2016;29. doi:10.1515/humor-2016-5001
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Ang I, Couling D. Watching Dallas: soap opera and the melodramatic imagination. London: : Routledge 1989. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1395429
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Andrejevic M. Reality TV: the work of being watched. Lanham, Md: : Rowman & Littlefield 2004. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318905
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Palmer G. Exposing lifestyle television: the big reveal. Burlington, VT: : Ashgate 2008. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=623989
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Wood H, Skeggs B, British Film Institute. Reality television and class. In: Reality television and class. London: : Palgrave Macmillan 2011. 197–209.https://contentstore.cla.co.uk/secure/link?id=a6c46536-810d-e811-80cd-005056af4099
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Dovey J. Freakshow: first person media and factual television. London: : Pluto Press 2000. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=72516
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Malik S. The Indian Family on UK Reality Television. Television & New Media 2013;14:510–28. doi:10.1177/1527476412446324
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Harvey L, Gill R. New femininities: postfeminism, neoliberalism and subjectivity. In: Scharff C, ed. New femininities: postfeminism, neoliberalism and subjectivity. Basingstoke, Hampshire: : Palgrave Macmillan 2013. 52–67.https://contentstore.cla.co.uk/secure/link?id=8c00524a-1f0c-e811-80cd-005056af4099
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Harvey L, Ringrose J, Gill R. Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks. Sociological Research Online 2013;18:1–11. doi:10.5153/sro.3153
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Arcy J. Emotion work: considering gender in digital labor. Feminist Media Studies 2016;16:365–8. doi:10.1080/14680777.2016.1138609
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Lewis J, West A. ‘Friending’: London-based undergraduates’ experience of Facebook. New Media & Society 2009;11:1209–29. doi:10.1177/1461444809342058
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Livingstone S, Brake DR. On the Rapid Rise of Social Networking Sites: New Findings and Policy Implications. Children & Society 2010;24:75–83. doi:10.1111/j.1099-0860.2009.00243.x
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Lüders M, Prøitz L, Rasmussen T. Emerging personal media genres. New Media & Society 2010;12:947–63. doi:10.1177/1461444809352203
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