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Allan, S. (2010). News culture (3rd ed). McGraw-Hill/Open University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=557085
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Ang, I., & Couling, D. (1989). Watching Dallas: soap opera and the melodramatic imagination. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1395429
Arcy, J. (2016). Emotion work: considering gender in digital labor. Feminist Media Studies, 16(2), 365–368. https://doi.org/10.1080/14680777.2016.1138609
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Attwood, F., & Smith, C. (2014). Porn Studies: an introduction. Porn Studies, 1(1–2), 1–6. https://doi.org/10.1080/23268743.2014.887308
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Boyd-Barrett, O., & Rantanen, T. (1998). The globalization of news. Sage Publications. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=537773
Bramwell, R. (2015). UK hip-hop, grime and the city: the aesthetics and ethics of London’s rap scenes (Vol. 14). Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2058039
Braudy, L. (2011). Film: a critical introduction. In Film: a critical introduction (3rd ed, pp. 381–406). Laurence King. https://contentstore.cla.co.uk/secure/link?id=c7f59c0d-210c-e811-80cd-005056af4099
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Buscombe, E. (1970). The Idea of Genre in the American Cinema. Screen, 11(2), 33–45. https://doi.org/10.1093/screen/11.2.33
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Chiaro, D., & Baccolini, R. (Eds.). (2014). Gender and humor: interdisciplinary and international perspectives (Vol. 63). Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1687469
Cohen, S., & Young, J. (1981). The manufacture of news: social problems, deviance and the mass media (Rev. ed, Vol. 4). Constable.
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Corner, J., & Harvey, S. (1996). Television times: a reader. In Television times: a reader (pp. 111–116). Arnold. https://contentstore.cla.co.uk/secure/link?id=f71ef1df-db02-e911-80cd-005056af4099
Creeber, G., Miller, T., & Tulloch, J. (Eds.). (2015a). The television genre book (Third edition). Palgrave Macmillan on behalf of the British Film Institute. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274
Creeber, G., Miller, T., & Tulloch, J. (Eds.). (2015b). The television genre book (Third edition). Palgrave Macmillan on behalf of the British Film Institute. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274
Creeber, G., Miller, T., & Tulloch, J. (Eds.). (2015c). The television genre book (Third edition). Palgrave Macmillan on behalf of the British Film Institute. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274
Curran, J., & Gurevitch, M. (1991). Mass media and society. In Mass media and society (pp. 267–284). Edward Arnold. https://contentstore.cla.co.uk/secure/link?id=4d63bfce-3804-e911-80cd-005056af4099
Curran, J., & Gurevitch, M. (2000). Mass media and society (3rd ed). Arnold.
Curran, J., & Seaton, J. (2018). Power without responsibility: press, broadcasting and the internet in Britain (Eighth edition). Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5430438
Curti, L. (1988). Genre and gender. Cultural Studies, 2(2), 152–167. https://doi.org/10.1080/09502388800490311
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Duffy, B. E. (2015). Gendering The Labor Of Social Media Production. Feminist Media Studies, 15(4), 710–714. https://doi.org/10.1080/14680777.2015.1053715
Duffy, B. E., & Hund, E. (2015). "Having it All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers. Social Media + Society, 1(2). https://doi.org/10.1177/2056305115604337
Edwards, D., & Cromwell, D. (2009). Newspeak in the 21st century. Pluto. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386296
ELAINE ASTON and IAN CLARKE. (1994). Feminist theory and the matriarchal soap: EastEnders. Critical Survey, 6(2), 211–217. https://www.jstor.org/stable/41555822?seq=1#page_scan_tab_contents
Elias, A. S., & Gill, R. (2017). Beauty surveillance: The digital self-monitoring cultures of neoliberalism. European Journal of Cultural Studies. https://doi.org/10.1177/1367549417705604
Feasey, R. & ProQuest (Firm). (2012a). From happy homemaker to desperate housewives: motherhood and popular television. Anthem Press. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957
Feasey, R. & ProQuest (Firm). (2012b). From happy homemaker to desperate housewives: motherhood and popular television. Anthem Press. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957
Fenton, N. (2010). New media, old news: journalism & democracy in the digital age. SAGE. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9781849204415
Frow, J. (2015a). Genre. In Genre (pp. 72–99). Routledge. https://contentstore.cla.co.uk/secure/link?id=1e847325-880d-e811-80cd-005056af4099
Frow, J. (2015b). Genre: Vol. The new critical idiom (Second edition). Routledge, Taylor & Francis Group. http://lib.myilibrary.com/browse/open.asp?id=646973&entityid=https://idp.brunel.ac.uk/entity
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Geraghty, L., & Jancovich, M. (Eds.). (2008). The shifting definitions of genre: essays on labeling films, television shows and media. McFarland & Company, Inc., Publishers. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1734104
Gill, R. (2012a). Media, Empowerment and the ‘Sexualization of Culture’ Debates. Sex Roles, 66(11–12), 736–745. https://doi.org/10.1007/s11199-011-0107-1
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Grant, B. K. (2007). Film genre: from iconography to ideology: Vol. Short cuts. Wallflower.
Grant, B. K. (2012). Film genre reader IV. University of Texas Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=492853
Grindstaff, L. (1997). Media scandals: morality and desire in the popular culture marketplace. In Media scandals: morality and desire in the popular culture marketplace (pp. 164–202). Polity. https://contentstore.cla.co.uk/secure/link?id=428e3ad3-1f0c-e811-80cd-005056af4099
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Harvey, L., & Gill, R. (2013). New femininities: postfeminism, neoliberalism and subjectivity. In C. Scharff (Ed.), New femininities: postfeminism, neoliberalism and subjectivity (pp. 52–67). Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=8c00524a-1f0c-e811-80cd-005056af4099
Harvey, L., Ringrose, J., & Gill, R. (2013a). Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks. Sociological Research Online, 18(4), 1–11. https://doi.org/10.5153/sro.3153
Harvey, L., Ringrose, J., & Gill, R. (2013b). Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks. Sociological Research Online, 18(4), 1–11. https://doi.org/10.5153/sro.3153
Hayward, S. (2018). Cinema studies: the key concepts (Fifth edition). Routledge, Taylor & Francis Group. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4980918
Henderson, L. (2007). Social issues in television fiction. Edinburgh University Press. http://lib.myilibrary.com/browse/open.asp?id=95313&entityid=https://idp.brunel.ac.uk/entity
HENRY, M. (2007). ‘Don’t Ask me, I’m Just a Girl’: Feminism, Female Identity, and The Simpsons. The Journal of Popular Culture, 40(2), 272–303. https://doi.org/10.1111/j.1540-5931.2007.00379.x
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Huq, R. (2013). Situating Citizen Khan : Shifting representations of Asians onscreen  and the outrage industry in the social media age. South Asian Popular Culture, 11(1), 77–83. https://doi.org/https://doi.org/10.1080/14746689.2013.765218
Husband, C. (1988). Humour in society: resistance and control. In Humour in society: resistance and control (pp. 149–178). Macmillan. https://contentstore.cla.co.uk/secure/link?id=2e744e45-200c-e811-80cd-005056af4099
Jarrett, K. (2016). Feminism, labour and digital media: the digital housewife (Vol. 33). Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4098217
Jensen, T. (2014). Welfare Commonsense, Poverty Porn and Doxosophy. Sociological Research Online, 19(3), 1–7. https://doi.org/10.5153/sro.3441
Jerslev, A. (2002). Realism and ‘reality’ in film and media. In Realism and ‘reality’ in film and media (Vol. 2002, pp. 159–192). Museum Tusculanum Press, University of Copenhagen. https://contentstore.cla.co.uk/secure/link?id=7ca19bf0-4104-e911-80cd-005056af4099
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Lewis, J. (1991). The ideological octopus: an exploration of television and its audience. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1221480
Lewis, J., & West, A. (2009). ‘Friending’: London-based undergraduates’ experience of Facebook. New Media & Society, 11(7), 1209–1229. https://doi.org/10.1177/1461444809342058
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Livingstone, S., & Brake, D. R. (2010). On the Rapid Rise of Social Networking Sites: New Findings and Policy Implications. Children & Society, 24(1), 75–83. https://doi.org/10.1111/j.1099-0860.2009.00243.x
Lockyer, S. (2010). Reading Little Britain: comedy matters on contemporary television. I. B. Tauris. http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000042851
Lockyer, S. (2011). From toothpick legs to dropping vaginas: Gender and sexuality in Joan Rivers’ stand-up comedy performance. Comedy Studies, 2(2), 113–123. https://doi.org/10.1386/cost.2.2.113_1
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Lockyer, S., & Pickering, M. (2005a). Beyond a joke: the limits of humour. Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity
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Lockyer, S., & Pickering, M. (2005c). Beyond a joke: the limits of humour. Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity
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Madill, A., & Goldmeier, R. (2003). EastEnders. International Journal of Cultural Studies, 6(4), 471–494. https://doi.org/10.1177/136787790364005
Malik, S. (2002a). Representing black Britain: a history of black and Asian images on British television. SAGE Publications. http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity
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Philo, G. (1999). Message received: Glasgow Media Group research, 1993-1998. Longman. http://lib.myilibrary.com/browse/open.asp?id=618256&entityid=https://idp.brunel.ac.uk/entity
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