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Allan, Stuart. 2010. News Culture. 3rd ed. Maidenhead: McGraw-Hill/Open University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=557085.
Allen, Kim, and Heather Mendick. 2013. ‘Keeping It Real? Social Class, Young People and “Authenticity” in Reality TV’. Sociology 47 (3): 460–76. https://doi.org/10.1177/0038038512448563.
Allen, Robert Clyde. 1992. Channels of Discourse, Reassembled: Television and Contemporary Criticism. 2nd ed. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=23657&entityid=https://idp.brunel.ac.uk/entity.
Altman, Rick and British Film Institute. 1999. Film/Genre. London: BFI Publishing.
Andrejevic, Mark. 2004. Reality TV: The Work of Being Watched. Lanham, Md: Rowman & Littlefield. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318905.
Andrews, Kehinde, and Lisa Palmer, eds. 2016. Blackness in Britain. Vol. 15. London, [England]: Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4516767.
Ang, Ien, and Della Couling. 1989. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1395429.
Arcy, Jacquelyn. 2016. ‘Emotion Work: Considering Gender in Digital Labor’. Feminist Media Studies 16 (2): 365–68. https://doi.org/10.1080/14680777.2016.1138609.
Attwood, Feona. 2004. ‘Pornography and Objectification’. Feminist Media Studies 4 (1): 7–19. https://doi.org/10.1080/14680770410001674617.
———. 2010. Porn.Com: Making Sense of Online Pornography. Vol. v. 48. New York: Peter Lang.
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———. 2018. Sex Media. Cambridge, UK: Polity Press. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5188199.
Attwood, Feona, and Clarissa Smith. 2014. ‘Porn Studies: An Introduction’. Porn Studies 1 (1–2): 1–6. https://doi.org/10.1080/23268743.2014.887308.
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Biressi, Anita and Nunn, Heather. 2005. Reality TV: Realism and Revelation. London: Wallflower. http://lib.myilibrary.com/browse/open.asp?id=574418&entityid=https://idp.brunel.ac.uk/entity.
Boyd-Barrett, Oliver, and Chris Newbold. 1995. Approaches to Media: A Reader. London: E. Arnold.
Boyd-Barrett, Oliver, and Terhi Rantanen. 1998. The Globalization of News. London: Sage Publications. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=537773.
Bramwell, Richard. 2015. UK Hip-Hop, Grime and the City: The Aesthetics and Ethics of London’s Rap Scenes. Vol. 14. New York, New York: Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2058039.
Braudy, Leo. 2011. ‘Film: A Critical Introduction’. In Film: A Critical Introduction, 3rd ed, 381–406. London: Laurence King. https://contentstore.cla.co.uk/secure/link?id=c7f59c0d-210c-e811-80cd-005056af4099.
Brown, Rebecca, and Melissa Gregg. 2012. ‘The Pedagogy of Regret: Facebook, Binge Drinking and Young Women’. Continuum 26 (3): 357–69. https://doi.org/10.1080/10304312.2012.665834.
Brunsdon, Charlotte. 2003. ‘Lifestyling Britain’. International Journal of Cultural Studies 6 (1): 5–23. https://doi.org/10.1177/1367877903006001001.
Brunt, Rosalind, and Rinella Cere. 2011a. Postcolonial Media Culture in Britain. Basingstoke: Palgrave Macmillan.
———. 2011b. ‘Postcolonial Media Culture in Britain’. In Postcolonial Media Culture in Britain, 41–55. Basingstoke: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=aff384c9-e002-e911-80cd-005056af4099.
Buckingham, David. 2008. Youth, Identity, and Digital Media. Cambridge, Mass: MIT Press.
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Burton, Graeme and ProQuest (Firm). 2010. Media and Society: Critical Perspectives. 2nd ed. Berkshire: Open University Press. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=771412.
Buscombe, Edward. 1970. ‘The Idea of Genre in the American Cinema’. Screen 11 (2): 33–45. https://doi.org/10.1093/screen/11.2.33.
Carter, Cynthia, Linda Steiner, and Lisa McLaughlin, eds. 2014. ‘The Routledge Companion to Media and Gender’. In The Routledge Companion to Media and Gender, 269–79. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=9443146d-230c-e811-80cd-005056af4099.
Castells, Manuel. 2000. The Rise of the Network Society. 2nd ed. Vol. v. 1. Oxford: Blackwell Publishers. http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity.
Chandler, Daniel. n.d. ‘An Introduction to Genre Theory’. http://faculty.washington.edu/farkas/HCDE510-Fall2012/Chandler_genre_theoryDFAnn.pdf.
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Chapman, Jane. 2009a. Issues in Contemporary Documentary. Cambridge: Polity.
———. 2009b. ‘Issues in Contemporary Documentary’. In Issues in Contemporary Documentary, 28–47. Cambridge: Polity. https://contentstore.cla.co.uk/secure/link?id=56fc9398-3a04-e911-80cd-005056af4099.
Chiaro, Delia, and Raffaella Baccolini, eds. 2014. Gender and Humor: Interdisciplinary and International Perspectives. Vol. 63. New York: Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1687469.
Cohen, Stanley, and Jock Young. 1981. The Manufacture of News: Social Problems, Deviance and the Mass Media. Rev. ed. Vol. 4. London: Constable.
Conboy, Martin. 2004. Journalism: A Critical History. London: Sage Publications. http://lib.myilibrary.com/browse/open.asp?id=36857&entityid=https://idp.brunel.ac.uk/entity.
Cook, Pam. 2007. ‘The Cinema Book’. In The Cinema Book, 3rd ed., 137–234. London: British Film Institute. https://contentstore.cla.co.uk/secure/link?id=a0747cc9-660a-e811-80cd-005056af4099.
Corner, John. 1995. Television Form and Public Address. London: Edward Arnold.
Corner, John, and Sylvia Harvey. 1996. ‘Television Times: A Reader’. In Television Times: A Reader, 111–16. London: Arnold. https://contentstore.cla.co.uk/secure/link?id=f71ef1df-db02-e911-80cd-005056af4099.
Creeber, Glen, Toby Miller, and John Tulloch, eds. 2015a. The Television Genre Book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274.
———, eds. 2015b. The Television Genre Book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274.
———, eds. 2015c. The Television Genre Book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274.
Curran, James, and Michael Gurevitch. 1991. ‘Mass Media and Society’. In Mass Media and Society, 267–84. London: Edward Arnold. https://contentstore.cla.co.uk/secure/link?id=4d63bfce-3804-e911-80cd-005056af4099.
———. 2000. Mass Media and Society. 3rd ed. London: Arnold.
Curran, James, and Jean Seaton. 2018. Power without Responsibility: Press, Broadcasting and the Internet in Britain. Eighth edition. London: Routledge, Taylor & Francis Group. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5430438.
Curti, Lidia. 1988. ‘Genre and Gender’. Cultural Studies 2 (2): 152–67. https://doi.org/10.1080/09502388800490311.
D, Hancox. 2013. Stand Up Tall: Dizzee Rascal and the Birth of Grime.
Dawn, Shepherd, Carolyn, Miller. n.d. ‘Blogging as Social Action: A Genre Analysis of the Weblog’. https://conservancy.umn.edu/bitstream/handle/11299/172818/Miller_Blogging%20as%20Social%20Action.pdf?sequence=1&isAllowed=y.
Deborah, Knight. n.d. ‘Making Sense of Genre’. http://xroads.virginia.edu/~DRBR2/knight.html.
Dedman, Todd. 2011. ‘Agency in UK Hip-Hop and Grime Youth Subcultures – Peripherals and Purists’. Journal of Youth Studies 14 (5): 507–22. https://doi.org/10.1080/13676261.2010.549820.
Dines, Gail, and Jean McMahon Humez, eds. 2015. Gender, Race, and Class in Media: A Critical Reader. Fourth edition. Thousand Oaks, Califormia: SAGE Publications, Inc.
Dovey, Jon. 2000. Freakshow: First Person Media and Factual Television. London: Pluto Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=72516.
Duffy, Brooke Erin. 2015. ‘Gendering The Labor Of Social Media Production’. Feminist Media Studies 15 (4): 710–14. https://doi.org/10.1080/14680777.2015.1053715.
Duffy, Brooke Erin, and Emily Hund. 2015. ‘"Having It All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers’. Social Media + Society 1 (2). https://doi.org/10.1177/2056305115604337.
Edwards, David, and David Cromwell. 2009. Newspeak in the 21st Century. London: Pluto. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386296.
ELAINE ASTON and IAN CLARKE. 1994. ‘Feminist Theory and the Matriarchal Soap: EastEnders’. Critical Survey 6 (2): 211–17. https://www.jstor.org/stable/41555822?seq=1#page_scan_tab_contents.
Elias, Ana Sofia, and Rosalind Gill. 2017. ‘Beauty Surveillance: The Digital Self-Monitoring Cultures of Neoliberalism’. European Journal of Cultural Studies, June. https://doi.org/10.1177/1367549417705604.
Feasey, Rebecca and ProQuest (Firm). 2012a. From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. London: Anthem Press. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957.
———. 2012b. From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. London: Anthem Press. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957.
Fenton, Natalie. 2010. New Media, Old News: Journalism & Democracy in the Digital Age. Los Angeles, [Calif.]: SAGE. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9781849204415.
Frow, John. 2015a. ‘Genre’. In Genre, 72–99. London: Routledge. https://contentstore.cla.co.uk/secure/link?id=1e847325-880d-e811-80cd-005056af4099.
———. 2015b. Genre. Second edition. Vol. The new critical idiom. London: Routledge, Taylor & Francis Group. http://lib.myilibrary.com/browse/open.asp?id=646973&entityid=https://idp.brunel.ac.uk/entity.
‘Gentrification X: How an Academic Argument Became the People’s Protest | Cities | The Guardian’. n.d. https://www.theguardian.com/cities/2016/jan/12/gentrification-argument-protest-backlash-urban-generation-displacement.
Geraghty, Lincoln, and Mark Jancovich, eds. 2008. The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1734104.
Gill, Rosalind. 2012a. ‘Media, Empowerment and the “Sexualization of Culture” Debates’. Sex Roles 66 (11–12): 736–45. https://doi.org/10.1007/s11199-011-0107-1.
———. 2012b. ‘The Sexualisation of Culture?’ Social and Personality Psychology Compass 6 (7): 483–98. https://doi.org/10.1111/j.1751-9004.2012.00433.x.
Gilroy, Paul. 2004. After Empire: Melancholia or Convivial Culture? London: Routledge.
Grant, Barry Keith. 2007. Film Genre: From Iconography to Ideology. Vol. Short cuts. London: Wallflower.
———. 2012. Film Genre Reader IV. Austin, Tex: University of Texas Press. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=492853.
Grindstaff, Laura. 1997. ‘Media Scandals: Morality and Desire in the Popular Culture Marketplace’. In Media Scandals: Morality and Desire in the Popular Culture Marketplace, 164–202. Cambridge: Polity. https://contentstore.cla.co.uk/secure/link?id=428e3ad3-1f0c-e811-80cd-005056af4099.
Hall, Stuart and University of Birmingham. Centre for Contemporary Cultural Studies. 1992. Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. Abingdon: Routledge. http://lib.myilibrary.com/browse/open.asp?id=7370&entityid=https://idp.brunel.ac.uk/entity.
Harrington, C. Lee. 2016. ‘Soap Opera, Then and Now’. Sociology Compass 10 (2): 109–18. https://doi.org/10.1111/soc4.12349.
Harvey, Laura, and Rosalind Gill. 2013. ‘New Femininities: Postfeminism, Neoliberalism and Subjectivity’. In New Femininities: Postfeminism, Neoliberalism and Subjectivity, edited by Christina Scharff, 52–67. Basingstoke, Hampshire: Palgrave Macmillan. https://contentstore.cla.co.uk/secure/link?id=8c00524a-1f0c-e811-80cd-005056af4099.
Harvey, Laura, Jessica Ringrose, and Rosalind Gill. 2013a. ‘Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks’. Sociological Research Online 18 (4): 1–11. https://doi.org/10.5153/sro.3153.
———. 2013b. ‘Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks’. Sociological Research Online 18 (4): 1–11. https://doi.org/10.5153/sro.3153.
Hayward, Susan. 2018. Cinema Studies: The Key Concepts. Fifth edition. London: Routledge, Taylor & Francis Group. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4980918.
Henderson, Lesley. 2007. Social Issues in Television Fiction. Edinburgh: Edinburgh University Press. http://lib.myilibrary.com/browse/open.asp?id=95313&entityid=https://idp.brunel.ac.uk/entity.
HENRY, MATTHEW. 2007. ‘“Don’t Ask Me, I’m Just a Girl”: Feminism, Female Identity, and The Simpsons’. The Journal of Popular Culture 40 (2): 272–303. https://doi.org/10.1111/j.1540-5931.2007.00379.x.
Herman, Edward S., and Noam Chomsky. 1994. Manufacturing Consent: The Political Economy of the Mass Media. London: Vintage.
Hjarvard, Stig. 2008. ‘The Mediatization of Society. A Theory of the Media as Agents of Social and Cultural Change | Nordicom [via the Wayback Machine]’. https://web.archive.org/web/20180221093605/http://www.nordicom.gu.se/en/tidskrifter/nordicom-review-22008/mediatization-society-theory-media-agents-social-and-cultural.
Hobson, Dorothy. 2003. Soap Opera. Cambridge: Polity.
Hodkinson, Paul. 2007. ‘Interactive Online Journals and Individualization’. New Media & Society 9 (4): 625–50. https://doi.org/10.1177/1461444807076972.
———. 2017. Media, Culture and Society: An Introduction. 2nd edition. Los Angeles: SAGE.
Howells, Richard. 2006. ‘“Is It Because I Is Black?” Race, Humour and the Polysemiology of Ali G’. Historical Journal of Film, Radio and Television 26 (2): 155–77. https://doi.org/https://doi.org/10.1080/01439680600691677.
Huq, Rupa. 2013. ‘Situating Citizen Khan : Shifting Representations of Asians Onscreen  and the Outrage Industry in the Social Media Age’. South Asian Popular Culture 11 (1): 77–83. https://doi.org/https://doi.org/10.1080/14746689.2013.765218.
Husband, Charles. 1988. ‘Humour in Society: Resistance and Control’. In Humour in Society: Resistance and Control, 149–78. Basingstoke: Macmillan. https://contentstore.cla.co.uk/secure/link?id=2e744e45-200c-e811-80cd-005056af4099.
Jarrett, Kylie. 2016. Feminism, Labour and Digital Media: The Digital Housewife. Vol. 33. New York, New York: Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4098217.
Jensen, Tracey. 2014. ‘Welfare Commonsense, Poverty Porn and Doxosophy’. Sociological Research Online 19 (3): 1–7. https://doi.org/10.5153/sro.3441.
Jerslev, Anne. 2002. ‘Realism and “Reality” in Film and Media’. In Realism and ‘Reality’ in Film and Media, 2002:159–92. Copenhagen: Museum Tusculanum Press, University of Copenhagen. https://contentstore.cla.co.uk/secure/link?id=7ca19bf0-4104-e911-80cd-005056af4099.
K, Sender, M, Kraidy, ed. n.d. The Politics of Reality Television: Global Perspectives. Oxon: Routledge.
Lacey, Nick. 2000. Narrative and Genre: Key Concepts in Media Studies. Basingstoke: Palgrave.
Langford, Barry. 2005. Film Genre: Hollywood and Beyond. Edinburgh: Edinburgh University Press.
Lee, Janet. 1992. ‘Subversive Sitcoms: Roseanne as Inspiration for Feminist Resistance.’ Women’s Studies 21 (1): 87–101. https://doi.org/10.1080/00497878.1992.9978928.
Lewis, Jane, and Anne West. 2009. ‘“Friending”: London-Based Undergraduates’ Experience of Facebook’. New Media & Society 11 (7): 1209–29. https://doi.org/10.1177/1461444809342058.
Lewis, Justin. 1991. The Ideological Octopus: An Exploration of Television and Its Audience. New York: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1221480.
Livingstone, Sonia. 2008. ‘Taking Risky Opportunities in Youthful Content Creation: Teenagers’ Use of Social Networking Sites for Intimacy, Privacy and Self-Expression’. New Media & Society 10 (3): 393–411. https://doi.org/10.1177/1461444808089415.
Livingstone, Sonia, and David R Brake. 2010. ‘On the Rapid Rise of Social Networking Sites: New Findings and Policy Implications’. Children & Society 24 (1): 75–83. https://doi.org/10.1111/j.1099-0860.2009.00243.x.
Lockyer, Sharon. 2010. Reading Little Britain: Comedy Matters on Contemporary Television. London: I. B. Tauris. http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000042851.
———. 2011. ‘From Toothpick Legs to Dropping Vaginas: Gender and Sexuality in Joan Rivers’ Stand-up Comedy Performance’. Comedy Studies 2 (2): 113–23. https://doi.org/10.1386/cost.2.2.113_1.
———. 2016. ‘Comedy Matters: On the Impact of Comedy’. HUMOR 29 (2). https://doi.org/10.1515/humor-2016-5001.
Lockyer, Sharon, and Michael Pickering. 2005a. Beyond a Joke: The Limits of Humour. Basingstoke: Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.
———. 2005b. Beyond a Joke: The Limits of Humour. Basingstoke: Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.
———. 2005c. Beyond a Joke: The Limits of Humour. Basingstoke: Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity.
Lopez, Lori Kido. 2009. ‘The Radical Act of “Mommy Blogging”: Redefining Motherhood through the Blogosphere’. New Media & Society 11 (5): 729–47. https://doi.org/10.1177/1461444809105349.
Luckman, Susan. 2013. ‘The Aura of the Analogue in a Digital Age: Women’s Crafts, Creative Markets and Home-Based Labour After Etsy’. Cultural Studies Review 19 (1). https://doi.org/10.5130/csr.v19i1.2585.
———. 2015. ‘Women’s Micro-Entrepreneurial Homeworking’. Australian Feminist Studies 30 (84): 146–60. https://doi.org/10.1080/08164649.2015.1038117.
Lüders, Marika, Lin Prøitz, and Terje Rasmussen. 2010. ‘Emerging Personal Media Genres’. New Media & Society 12 (6): 947–63. https://doi.org/10.1177/1461444809352203.
Madhok, Sumi, Anne Phillips, and Kalpana Wilson, eds. 2013. Gender, Agency, and Coercion. New York, New York: Palgrave Macmillan. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1161396.
Madill, Anna, and Rebecca Goldmeier. 2003. ‘EastEnders’. International Journal of Cultural Studies 6 (4): 471–94. https://doi.org/10.1177/136787790364005.
Malik, Sarita. 2002a. Representing Black Britain: A History of Black and Asian Images on British Television. London: SAGE Publications. http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity.
———. 2002b. Representing Black Britain: A History of Black and Asian Images on British Television. London: SAGE Publications. http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity.
———. 2013. ‘The Indian Family on UK Reality Television’. Television & New Media 14 (6): 510–28. https://doi.org/10.1177/1527476412446324.
Mark, Andrejevic. n.d. ‘The Work of Being Watched: Interactive Media and the Exploitation of Self-Disclosure’. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.513.4411&rep=rep1&type=pdf.
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Meyers, Erin. 2015. ‘Don’t Cry Because It’s Over, Smile Because It Was:” American Soap Operas and Convergence Culture’. Critical Studies in Media Communication 32 (5): 333–46. https://doi.org/10.1080/15295036.2015.1096016.
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Mittell, Jason. 2004. Genre and Television: From Cop Shows to Cartoons in American Culture. London: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=200862.
Murray, Susan, and Laurie Ouellette. 2009. Reality TV: Remaking Television Culture. 2nd ed. New York: New York University Press.
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———. 1980b. Genre. London: British Film Institute.
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Norman, Swallow. n.d. Factual Television. London: Focal Press.
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———. 2008. Exposing Lifestyle Television: The Big Reveal. Burlington, VT: Ashgate. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=623989.
‘Party Politics: Why Grime Defines the Sound of Protest in 2016 | Music | The Guardian’. n.d. https://www.theguardian.com/music/2016/feb/18/party-politics-why-grime-defines-the-sound-of-protest-in-2016.
Philo, Greg. 1990. Seeing and Believing: The Influence of Television. London: Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=178320.
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