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Andrews, Kehinde, and Lisa Palmer, eds. Blackness in Britain. Vol. 15. London, [England]: Routledge, 2016. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4516767>.
Ang, Ien, and Della Couling. Watching Dallas: Soap Opera and the Melodramatic Imagination. London: Routledge, 1989. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1395429>.
Arcy, Jacquelyn. ‘Emotion Work: Considering Gender in Digital Labor’. Feminist Media Studies 16.2 (2016): 365–368. Web.
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Bramwell, Richard. UK Hip-Hop, Grime and the City: The Aesthetics and Ethics of London’s Rap Scenes. Vol. 14. New York, New York: Routledge, 2015. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2058039>.
Braudy, Leo. ‘Film: A Critical Introduction’. Film: A Critical Introduction. 3rd ed. London: Laurence King, 2011. 381–406. Web. <https://contentstore.cla.co.uk/secure/link?id=c7f59c0d-210c-e811-80cd-005056af4099>.
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Buscombe, Edward. ‘The Idea of Genre in the American Cinema’. Screen 11.2 (1970): 33–45. Web. <https://academic.oup.com/screen/article/11/2/33/1650831>.
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Creeber, Glen, Toby Miller, and John Tulloch, eds. The Television Genre Book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute, 2015. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274>.
---, eds. The Television Genre Book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute, 2015. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274>.
---, eds. The Television Genre Book. Third edition. London, [England]: Palgrave Macmillan on behalf of the British Film Institute, 2015. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4763274>.
Curran, James, and Michael Gurevitch. ‘Mass Media and Society’. Mass Media and Society. London: Edward Arnold, 1991. 267–284. Web. <https://contentstore.cla.co.uk/secure/link?id=4d63bfce-3804-e911-80cd-005056af4099>.
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Curran, James, and Jean Seaton. Power without Responsibility: Press, Broadcasting and the Internet in Britain. Eighth edition. London: Routledge, Taylor & Francis Group, 2018. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5430438>.
Curti, Lidia. ‘Genre and Gender’. Cultural Studies 2.2 (1988): 152–167. Web.
D, Hancox. Stand Up Tall: Dizzee Rascal and the Birth of Grime. N.p., 2013. Print.
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Deborah, Knight. ‘Making Sense of Genre’. N.p., n.d. Web. <http://xroads.virginia.edu/~DRBR2/knight.html>.
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Dovey, Jon. Freakshow: First Person Media and Factual Television. London: Pluto Press, 2000. Web. <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=72516>.
Duffy, Brooke Erin. ‘Gendering The Labor Of Social Media Production’. Feminist Media Studies 15.4 (2015): 710–714. Web. <https://static1.squarespace.com/static/58b37319ff7c508925e2d112/t/5a1c0c4d53450a9c54757316/1511787597430/DuffyGenderingLaborSocialMediaProduction2015.pdf>.
Duffy, Brooke Erin, and Emily Hund. ‘"Having It All” on Social Media: Entrepreneurial Femininity and Self-Branding Among Fashion Bloggers’. Social Media + Society 1.2 (2015): n. pag. Web. <http://journals.sagepub.com/doi/10.1177/2056305115604337>.
Edwards, David, and David Cromwell. Newspeak in the 21st Century. London: Pluto, 2009. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386296>.
ELAINE ASTON and IAN CLARKE. ‘Feminist Theory and the Matriarchal Soap: EastEnders’. Critical Survey 6.2 (1994): 211–217. Web. <https://www.jstor.org/stable/41555822?seq=1#page_scan_tab_contents>.
Elias, Ana Sofia, and Rosalind Gill. ‘Beauty Surveillance: The Digital Self-Monitoring Cultures of Neoliberalism’. European Journal of Cultural Studies (2017): n. pag. Web.
Feasey, Rebecca and ProQuest (Firm). From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. London: Anthem Press, 2012. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957>.
---. From Happy Homemaker to Desperate Housewives: Motherhood and Popular Television. London: Anthem Press, 2012. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3001957>.
Fenton, Natalie. New Media, Old News: Journalism & Democracy in the Digital Age. Los Angeles, [Calif.]: SAGE, 2010. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9781849204415>.
Frow, John. ‘Genre’. Genre. London: Routledge, 2015. 72–99. Web. <https://contentstore.cla.co.uk/secure/link?id=1e847325-880d-e811-80cd-005056af4099>.
---. Genre. Second edition. The new critical idiom. London: Routledge, Taylor & Francis Group, 2015. Web. <http://lib.myilibrary.com/browse/open.asp?id=646973&entityid=https://idp.brunel.ac.uk/entity>.
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Geraghty, Lincoln, and Mark Jancovich, eds. The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2008. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1734104>.
Gill, Rosalind. ‘Media, Empowerment and the “Sexualization of Culture” Debates’. Sex Roles 66.11–12 (2012): 736–745. Web.
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Grindstaff, Laura. ‘Media Scandals: Morality and Desire in the Popular Culture Marketplace’. Media Scandals: Morality and Desire in the Popular Culture Marketplace. Cambridge: Polity, 1997. 164–202. Web. <https://contentstore.cla.co.uk/secure/link?id=428e3ad3-1f0c-e811-80cd-005056af4099>.
Hall, Stuart and University of Birmingham. Centre for Contemporary Cultural Studies. Culture, Media, Language: Working Papers in Cultural Studies, 1972-79. Abingdon: Routledge, 1992. Web. <http://lib.myilibrary.com/browse/open.asp?id=7370&entityid=https://idp.brunel.ac.uk/entity>.
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Harvey, Laura, and Rosalind Gill. ‘New Femininities: Postfeminism, Neoliberalism and Subjectivity’. New Femininities: Postfeminism, Neoliberalism and Subjectivity. Ed. Christina Scharff. Basingstoke, Hampshire: Palgrave Macmillan, 2013. 52–67. Web. <https://contentstore.cla.co.uk/secure/link?id=8c00524a-1f0c-e811-80cd-005056af4099>.
Harvey, Laura, Jessica Ringrose, and Rosalind Gill. ‘Swagger, Ratings and Masculinity: Theorising the Circulation of Social and Cultural Value in Teenage Boys’ Digital Peer Networks’. Sociological Research Online 18.4 (2013): 1–11. Web. <http://www.socresonline.org.uk/18/4/9.html>.
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Hayward, Susan. Cinema Studies: The Key Concepts. Fifth edition. London: Routledge, Taylor & Francis Group, 2018. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4980918>.
Henderson, Lesley. Social Issues in Television Fiction. Edinburgh: Edinburgh University Press, 2007. Web. <http://lib.myilibrary.com/browse/open.asp?id=95313&entityid=https://idp.brunel.ac.uk/entity>.
HENRY, MATTHEW. ‘“Don’t Ask Me, I’m Just a Girl”: Feminism, Female Identity, and The Simpsons’. The Journal of Popular Culture 40.2 (2007): 272–303. Web. <http://onlinelibrary.wiley.com/doi/10.1111/j.1540-5931.2007.00379.x/abstract>.
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Huq, Rupa. ‘Situating Citizen Khan : Shifting Representations of Asians Onscreen and the Outrage Industry in the Social Media Age’. South Asian Popular Culture 11.1 (2013): 77–83. Web. <http://www.tandfonline.com/doi/abs/10.1080/14746689.2013.765218>.
Husband, Charles. ‘Humour in Society: Resistance and Control’. Humour in Society: Resistance and Control. Basingstoke: Macmillan, 1988. 149–178. Web. <https://contentstore.cla.co.uk/secure/link?id=2e744e45-200c-e811-80cd-005056af4099>.
Jarrett, Kylie. Feminism, Labour and Digital Media: The Digital Housewife. Vol. 33. New York, New York: Routledge, 2016. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4098217>.
Jensen, Tracey. ‘Welfare Commonsense, Poverty Porn and Doxosophy’. Sociological Research Online 19.3 (2014): 1–7. Web. <http://www.socresonline.org.uk/19/3/3.html>.
Jerslev, Anne. ‘Realism and “Reality” in Film and Media’. Realism and ‘Reality’ in Film and Media. Vol. 2002. Copenhagen: Museum Tusculanum Press, University of Copenhagen, 2002. 159–192. Web. <https://contentstore.cla.co.uk/secure/link?id=7ca19bf0-4104-e911-80cd-005056af4099>.
K, Sender, M, Kraidy, ed. The Politics of Reality Television: Global Perspectives. Oxon: Routledge. Print.
Lacey, Nick. Narrative and Genre: Key Concepts in Media Studies. Basingstoke: Palgrave, 2000. Print.
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Lee, Janet. ‘Subversive Sitcoms: Roseanne as Inspiration for Feminist Resistance.’ Women’s Studies 21.1 (1992): 87–101. Web. <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=sih&AN=9205182213&site=ehost-live&scope=site&custid=s1123049>.
Lewis, Jane, and Anne West. ‘“Friending”: London-Based Undergraduates’ Experience of Facebook’. New Media & Society 11.7 (2009): 1209–1229. Web.
Lewis, Justin. The Ideological Octopus: An Exploration of Television and Its Audience. New York: Routledge, 1991. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1221480>.
Livingstone, Sonia. ‘Taking Risky Opportunities in Youthful Content Creation: Teenagers’ Use of Social Networking Sites for Intimacy, Privacy and Self-Expression’. New Media & Society 10.3 (2008): 393–411. Web.
Livingstone, Sonia, and David R Brake. ‘On the Rapid Rise of Social Networking Sites: New Findings and Policy Implications’. Children & Society 24.1 (2010): 75–83. Web.
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---. ‘From Toothpick Legs to Dropping Vaginas: Gender and Sexuality in Joan Rivers’ Stand-up Comedy Performance’. Comedy Studies 2.2 (2011): 113–123. Web. <http://www.tandfonline.com/doi/pdf/10.1386/cost.2.2.113_1?needAccess=true>.
---. Reading Little Britain: Comedy Matters on Contemporary Television. London: I. B. Tauris, 2010. Web. <http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000042851>.
Lockyer, Sharon, and Michael Pickering. Beyond a Joke: The Limits of Humour. Basingstoke: Palgrave Macmillan, 2005. Web. <http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity>.
---. Beyond a Joke: The Limits of Humour. Basingstoke: Palgrave Macmillan, 2005. Web. <http://lib.myilibrary.com/browse/open.asp?id=317913&entityid=https://idp.brunel.ac.uk/entity>.
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Lopez, Lori Kido. ‘The Radical Act of “Mommy Blogging”: Redefining Motherhood through the Blogosphere’. New Media & Society 11.5 (2009): 729–747. Web.
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Lüders, Marika, Lin Prøitz, and Terje Rasmussen. ‘Emerging Personal Media Genres’. New Media & Society 12.6 (2010): 947–963. Web.
Madhok, Sumi, Anne Phillips, and Kalpana Wilson, eds. Gender, Agency, and Coercion. New York, New York: Palgrave Macmillan, 2013. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1161396>.
Madill, Anna, and Rebecca Goldmeier. ‘EastEnders’. International Journal of Cultural Studies 6.4 (2003): 471–494. Web. <http://journals.sagepub.com/doi/10.1177/136787790364005>.
Malik, Sarita. Representing Black Britain: A History of Black and Asian Images on British Television. London: SAGE Publications, 2002. Web. <http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity>.
---. Representing Black Britain: A History of Black and Asian Images on British Television. London: SAGE Publications, 2002. Web. <http://lib.myilibrary.com/browse/open.asp?id=37048&entityid=https://idp.brunel.ac.uk/entity>.
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McNeill, Laurie. ‘Teaching an Old Genre New Tricks: The Diary on the Internet’. Biography 26.1 (2003): 24–47. Web.
McNicholas, Anthony. ‘Wrenching the Machine Around: EastEnders, the BBC and Institutional Change’. Media, Culture & Society 26.4 (2004): 491–512. Web. <http://journals.sagepub.com/doi/10.1177/0163443704044214>.
Medhurst, Andy. ‘The Colour Black: Black Images in British Television’. The Colour Black: Black Images in British Television. London: BFI, 1989. 15–21. Web. <https://contentstore.cla.co.uk/secure/link?id=488a389f-200c-e811-80cd-005056af4099>.
Meyers, Erin. ‘Don’t Cry Because It’s Over, Smile Because It Was:” American Soap Operas and Convergence Culture’. Critical Studies in Media Communication 32.5 (2015): 333–346. Web. <http://www.tandfonline.com/doi/abs/10.1080/15295036.2015.1096016>.
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Mittell, Jason. Genre and Television: From Cop Shows to Cartoons in American Culture. London: Routledge, 2004. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=200862>.
Murray, Susan, and Laurie Ouellette. Reality TV: Remaking Television Culture. 2nd ed. New York: New York University Press, 2009. Print.
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Neale, Steve. Genre and Contemporary Hollywood. London: BFI Pub, 2002. Print.
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Negra, Diane, and Yvonne Tasker. ‘Gendering the Recession: Media and Culture in an Age of Austerity’. Gendering the Recession: Media and Culture in an Age of Austerity. Durham: Duke University Press, 2014. 136–160. Web. <https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822376538>.
Norman, Swallow. Factual Television. London: Focal Press. Print.
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Paasonen, Susanna. ‘Labors of Love: Netporn, Web 2.0 and the Meanings of Amateurism’. New Media & Society 12.8 (2010): 1297–1312. Web.
Palmer, Gareth. Exposing Lifestyle Television: The Big Reveal. Burlington, VT: Ashgate, 2008. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=623989>.
---. ‘Understanding Reality Television’. Understanding Reality Television. London: Routledge, 2004. 173–190. Web. <https://contentstore.cla.co.uk/secure/link?id=384bb891-630a-e811-80cd-005056af4099>.
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