Bibliography for FM1619 - Technology, Industry and Form BETA

Akudinobi, J. (2015) ‘Nollywood: Prisms and Paradigms.’, Cinema Journal, 54(Issue 2), pp. 133–140. Available at: https://doi.org/10.1353/cj.2015.0008.

Alberti, J. and Miller, P.A. (eds) (2018) Transforming Harry: the adaptation of Harry Potter in the transmedia age. Detroit: Wayne State University Press.

Allen, R.C. (1992) ‘Channels of discourse, reassembled: television and contemporary criticism’, in Channels of discourse, reassembled: television and contemporary criticism. 2nd ed. London: Routledge, pp. 1–30. Available at: https://contentstore.cla.co.uk/secure/link?id=0e1974a8-0ee5-e911-80cd-005056af4099.

Allen, R.C. and Gomery, D. (1985) ‘Film history: theory and practice’, in Film history: theory and practice. New York: McGraw-Hill, pp. 109–130. Available at: https://contentstore.cla.co.uk/secure/link?id=4b140412-720f-e911-80cd-005056af4099.

Allen, R.C. and Hill, A. (2004) ‘The television studies reader’, in The television studies reader. London: Routledge, pp. 275–292. Available at: https://contentstore.cla.co.uk/secure/link?id=466d7ab2-0510-e911-80cd-005056af4099.

Altman, R. (1992) ‘Sound theory, sound practice’, in Sound theory, sound practice. New York: Routledge, pp. 46–64. Available at: https://contentstore.cla.co.uk/secure/link?id=990e8cc5-5f12-e911-80cd-005056af4099.

‘Anatomy of the Action Picture’ (no date). Available at: http://www.davidbordwell.net/essays/anatomy.php.

Badley, L., Perkins, C. and Schreiber, M. (eds) (2016) ‘Indie reframed: women’s filmmaking and contemporary American independent cinema’, in Indie reframed: women’s filmmaking and contemporary American independent cinema. Edinburgh: Edinburgh University Press, pp. 138–153. Available at: https://contentstore.cla.co.uk/secure/link?id=a360c8fb-8712-e911-80cd-005056af4099.

Balio, T. (1985a) ‘The American film industry’, in The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1985b) ‘The American film industry’, in The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1985c) ‘The American film industry’, in The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1985d) ‘The American film industry’, in The American film industry. Rev. ed. Madison: University of Wisconsin Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=278814&entityid=https://idp.brunel.ac.uk/entity.

Balio, T. (1990a) ‘Hollywood in the age of television’, in Hollywood in the age of television. Boston, Mass: Unwin Hyman, pp. 3–40. Available at: https://contentstore.cla.co.uk/secure/link?id=f01d4c91-5fe4-e911-80cd-005056af4099.

Balio, T. (1990b) ‘Hollywood in the age of television’, in Hollywood in the age of television. Boston, Mass: Unwin Hyman. Available at: http://lib.myilibrary.com/browse/open.asp?id=553100&entityid=https://idp.brunel.ac.uk/entity.

Banet-Weiser, S., Chris, C. and Freitas, A. (2007a) ‘Cable visions: television beyond broadcasting’, in Cable visions: television beyond broadcasting. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538.

Banet-Weiser, S., Chris, C. and Freitas, A. (2007b) ‘Cable visions: television beyond broadcasting’, in Cable visions: television beyond broadcasting. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538.

Banet-Weiser, S., Chris, C. and Freitas, A. (2007c) Cable visions: television beyond broadcasting. New York: New York University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=865538.

Bazin, A. and Cardullo, B. (2011) André Bazin and Italian neorealism. New York: Continuum. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=795461.

Belton, J. (1992) Widescreen cinema. Cambridge, Mass: Harvard University Press.

Belton, J. (2012) ‘Digital 3D Cinema: Digital Cinema’s Missing Novelty Phase’, Film History, 24(2). Available at: https://doi.org/10.2979/filmhistory.24.2.187.

Benkler, Y. (2006) The wealth of networks: how social production transforms markets and freedom. New Haven [Conn.]: Yale University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3419996.

Bennett, J. and Strange, N. (2011) Television as digital media. Durham, NC: Duke University Press. Available at: https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822393658.

Berliner, T. (2010) Hollywood incoherent: narration in seventies cinema. Austin, TX.: University of Texas Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3571747.

Bignell, J. (2013a) ‘An introduction to television studies’, in An introduction to television studies. 3rd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity.

Bignell, J. (2013b) ‘An introduction to television studies’, in An introduction to television studies. 3rd ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=417490&entityid=https://idp.brunel.ac.uk/entity.

Boddy, W. (2004) New media and popular imagination: launching radio, television, and digital media in the United States. Oxford: Oxford University Press.

Bolter, J.D. and Grusin, R.A. (1999) Remediation: understanding new media. Cambridge, Mass: MIT Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=9351&site=ehost-live&scope=site.

Bondanella, P.E. (2001a) ‘Italian cinema: from neorealism to the present’, in Italian cinema: from neorealism to the present. 3rd ed. London: Continuum, pp. 31–73. Available at: https://contentstore.cla.co.uk/secure/link?id=138069fc-2814-e911-80cd-005056af4099.

Bondanella, P.E. (2001b) ‘Italian cinema: from neorealism to the present’, in Italian cinema: from neorealism to the present. 3rd ed. London: Continuum.

Bondanella, P.E. (ed.) (2014) ‘The Italian cinema book’, in The Italian cinema book. London: BFI, pp. 77–83. Available at: https://contentstore.cla.co.uk/secure/link?id=3416b676-1510-e911-80cd-005056af4099.

Boni, M. (ed.) (2017) World building: transmedia, fans, industries. Amsterdam: Amsterdam University Press.

Bordwell, D. (2006a) The way Hollywood tells it: story and style in modern movies. Berkeley, Calif: University of California Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254879.

Bordwell, D. (2006b) The way Hollywood tells it: story and style in modern movies. Berkeley, Calif: University of California Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=275942&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988a) ‘The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988b) ‘The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988c) ‘The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988d) ‘The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Staiger, J. and Thompson, K. (1988e) ‘The classical Hollywood cinema: film style & mode of production to 1960’, in The classical Hollywood cinema: film style & mode of production to 1960. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=5910&entityid=https://idp.brunel.ac.uk/entity.

Bordwell, D., Thompson, K. and Smith, J. (2020) Film art: an introduction. Twelfth edition. New York, NY: McGraw-Hill Education.

Bostrom, N. (2005) ‘A History of Transhumanist Thought’, Journal of evolution and technology, 14(1). Available at: https://jetpress.org/volume14/bostrom.html.

Bozak, N. (2012) The cinematic footprint: lights, camera, natural resources. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=417721&entityid=https://idp.brunel.ac.uk/entity.

Brereton, P. (2016) Environmental ethics and film. Milton, Abingdon, Oxon: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4015143.

Bruzzi, S. (2013) Men’s cinema: masculinity and Mise en Scène in Hollywood. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1835368.

Buckland, W. (2009) ‘Film theory and contemporary Hollywood movies’, in Film theory and contemporary Hollywood movies. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=212452&entityid=https://idp.brunel.ac.uk/entity.

Buckland, W. (ed.) (2014) ‘Hollywood puzzle films’, in Hollywood puzzle films. New York: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=614075&entityid=https://idp.brunel.ac.uk/entity.

Budd, M., Craig, S. and Steinman, C.M. (1999) Consuming environments: television and commercial culture. New Brunswick, N.J.: Rutgers University Press.

Buonanno, M. (2012) Italian TV drama and beyond: stories from the soil, stories from the sea. Bristol: Intellect. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=914258.

Burgess, J. and Green, J. (2009) YouTube: online video and participatory culture. Cambridge: Polity. Available at: http://lib.myilibrary.com/browse/open.asp?id=484691&entityid=https://idp.brunel.ac.uk/entity.

Burnett, R. (1991) ‘Explorations in film theory: selected essays from Ciné-tracts’, in Explorations in film theory: selected essays from Ciné-tracts. Bloomington, IN: Indiana University Press, pp. 3–14. Available at: https://contentstore.cla.co.uk/secure/link?id=dc4efb2e-4f13-e911-80cd-005056af4099.

Butler, J.G. (2007) ‘Television: critical methods and applications’, in Television: critical methods and applications. 3rd ed. Mahwah, N.J.: Lawrence Erlbaum Associates, pp. 3–19. Available at: https://contentstore.cla.co.uk/secure/link?id=b844422b-5a12-e911-80cd-005056af4099.

Caldwell, J.T. (1995) Televisuality: style, crisis, and authority in American television. New Jersey: Rutgers University Press.

Cardullo, B. (2009) After neorealism: Italian filmmakers and their films : essays and interviews. Newcastle: Cambridge Scholars. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=522871&site=ehost-live&scope=site.

Casey, B. (2008) ‘Television studies: the key concepts’, in Television studies: the key concepts. 2nd ed. London: Routledge, pp. 286–288. Available at: https://contentstore.cla.co.uk/secure/link?id=4176d1c5-bfcd-ea11-80cd-005056af4099.

Castaing-Taylor, L., Paravel, V., and Cinema Guild (2013) ‘Leviathan’. Dogwoof Ltd.

Castells, M. (2000) The rise of the network society. 2nd ed. Oxford: Blackwell Publishers. Available at: http://lib.myilibrary.com/browse/open.asp?id=320466&entityid=https://idp.brunel.ac.uk/entity.

Caughie, J. (2000) Television drama: realism, modernism, and British culture. Oxford: Oxford University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=90673&entityid=https://idp.brunel.ac.uk/entity.

Chanan, M. (1996) The dream that kicks: the prehistory and early years of cinema in Britain. 2nd ed. London: Routledge. Available at: http://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203360101.

Christian, A.J. (2011) ‘Joe Swanberg, Intimacy, and the Digital Aesthetic’, Cinema Journal, 50(4). Available at: https://doi.org/10.1353/cj.2011.0049.

Christian, A.J. (no date) ‘The Problem of YouTube’, Flow [Preprint]. Available at: http://www.flowjournal.org/2011/02/the-problem-of-youtube./.

Clarke, M.J. (2013) Transmedia television: new trends in network serial production. New York: Bloomsbury. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1099529.

Cook, P. (2007) ‘The cinema book’, in The cinema book. 3rd ed. London: British Film Institute, pp. 233–237. Available at: https://contentstore.cla.co.uk/secure/link?id=764ce19b-1ed0-ea11-80cd-005056af4099.

Cook, P. and Bernink, M. (1999) ‘The cinema book’, in The cinema book. 2nd ed. London: British Film Institute, pp. 19–22. Available at: https://contentstore.cla.co.uk/secure/link?id=ca63bb8a-e018-e911-80cd-005056af4099.

Corner, J. (1999) ‘Critical ideas in television studies’, in Critical ideas in television studies. Oxford: Clarendon Press, pp. 13–23. Available at: https://contentstore.cla.co.uk/secure/link?id=6645edfc-b015-e911-80cd-005056af4099.

Crafton, D. (1993) Before Mickey: the animated film, 1898-1928. University of Chicago Press ed. Chicago: University of Chicago Press.

Crosland, A. (2007) ‘The jazz singer’. Turner Entertainment.

Crumley, A. and Buice, S. (2008) ‘Four eyed monsters’. Dogwoof.

Cuarón, A., Bullock, S. and Clooney, G. (2014) ‘Gravity’. [London]: Warner Bros entertainment Inc.

Cubitt, S. (2017) Finite media: environmental implications of digital technologies. Durham, [England]: Duke University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4753360.

Cubitt, S. (no date) EcoMedia. Amsterdam: Rodopi.

Cunningham, S. and Silver, J. (2013) Screen distribution and the new King Kongs of the online world. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1318147.

Deshpande, S.A. and Mazaj, M. (2018) ‘World cinema: a critical introduction’, in World cinema: a critical introduction. London, [England]: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5220292.

Dobson, N. et al. (eds) (2019a) ‘The animation studies reader’, in The animation studies reader. New York: Bloomsbury Academic.

Dobson, N. et al. (eds) (2019b) The animation studies reader. New York: Bloomsbury Academic.

Edgerton, G.R. and Rose, B.G. (2005) ‘Thinking outside the box: a contemporary television genre reader’, in Thinking outside the box: a contemporary television genre reader. Lexington, Ky: University Press of Kentucky, pp. 226–246. Available at: https://contentstore.cla.co.uk/secure/link?id=4127e178-730f-e911-80cd-005056af4099.

Ellis, J. (1992a) Visible fictions: cinema, television, video. Rev. ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Ellis, J. (1992b) Visible fictions: cinema, television, video. Rev. ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Ellis, J. (1992c) Visible fictions: cinema, television, video. Rev. ed. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=47863&entityid=https://idp.brunel.ac.uk/entity.

Elsaesser, T. and Barker, A. (1990a) ‘Early cinema: space, frame, narrative’, in Early cinema: space, frame, narrative. London: BFI Publishing, pp. 56–75. Available at: https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099.

Elsaesser, T. and Barker, A. (1990b) Early cinema: space, frame, narrative. London: BFI Publishing.

Elsaesser, T. and Barker, A. (1990c) ‘Early cinema: space, frame, narrative’, in Early cinema: space, frame, narrative. London: BFI Publishing, pp. 56–75. Available at: https://contentstore.cla.co.uk/secure/link?id=d6bcce09-0110-e911-80cd-005056af4099.

Elsaesser, T. and Buckland, W. (2002) ‘Studying contemporary American film: a guide to movie analysis’, in Studying contemporary American film: a guide to movie analysis. London: Hodder Education, pp. 26–79. Available at: https://contentstore.cla.co.uk/secure/link?id=60559fa8-5413-e911-80cd-005056af4099.

Ferrando, F. (2013) ‘Posthumanism, Transhumanism, Antihumanism, Metahumanism, and New Materialisms Differences and Relations’, Existenz, 8(2), pp. 26–32. Available at: https://doi.org/10.7213/1980-5934.31.054.TD01.

Forshaw, B. (2012) Death in a cold climate: a guide to Scandinavian crime fiction. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=832165.

Forshaw, B. (2013) Nordic noir: the pocket essential guide to Scandinavian crime fiction, film & TV. Harpenden, Herts: Pocket Essentials.

Forshaw, B. (2014) Euro noir: the pocket essential guide to European crime fiction, film & TV. Harpenden, Herts: Pocket Essentials. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1712149.

Freedman, D. (2008) The politics of media policy. Cambridge, UK: Polity. Available at: http://lib.myilibrary.com/browse/open.asp?id=504452&entityid=https://idp.brunel.ac.uk/entity.

Freedman, D. (2018) ‘Populism and media policy failure’, European Journal of Communication, 33(6), pp. 604–618. Available at: https://doi.org/10.1177/0267323118790156.

Furniss, M. (ed.) (2012) Animation: art & industry. Herts: JL. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1977963.

Furniss, M. (2017) History of Animation. Newly Published Works. Port Melbourne, Australia: Thames & Hudson Australia Pty, Limited.

Gandolfini, J. et al. (2007) ‘The Sopranos: Complete HBO Season 1’. Burbank, CA: Warner Home Video.

Garnham, N. (1983) ‘Public Service versus the Market’, Screen, 24(1), pp. 6–27. Available at: https://doi.org/10.1093/screen/24.1.6.

Gaylor, B. (2009) ‘RiP!: a remix manifesto’. Place of publication not identified: Artefact Films.

Geiger, J. (2012) ‘Nollywood Style: Nigerian movies and “shifting perceptions of worth”’, Film International, 10(6), pp. 58–72. Available at: https://doi.org/10.1386/fiin.10.6.58_1.

Geiger, J. and Rutsky, R.L. (2005) ‘Film analysis: a Norton reader’, in Film analysis: a Norton reader. 1st ed. New York, N.Y.: W.W. Norton, pp. 422–438. Available at: https://contentstore.cla.co.uk/secure/link?id=3f6fb3e7-af18-e911-80cd-005056af4099.

Geraghty, C. and Lusted, D. (1998) The television studies book. London: Arnold.

Gerbarg, D. (ed.) (2010) Television goes digital. New York, NY, USA: Springer. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=417813.

Gillespie, T. (2007) Wired shut: copyright and the shape of digital culture. Cambridge, Mass: MIT Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3338717.

Gillespie, T. (2010) ‘The politics of “platforms”’, New Media & Society, 12(3), pp. 347–364. Available at: https://doi.org/10.1177/1461444809342738.

Gomery, D. (1992a) ‘Shared pleasures: a history of movie presentation in the United States’, in Shared pleasures: a history of movie presentation in the United States. Madison, Wis: University of Wisconsin Press, pp. 3–17. Available at: https://contentstore.cla.co.uk/secure/link?id=e8278966-3b10-e911-80cd-005056af4099.

Gomery, D. (1992b) ‘Shared pleasures: a history of movie presentation in the United States’, in Shared pleasures: a history of movie presentation in the United States. Madison, Wis: University of Wisconsin Press, pp. 18–33. Available at: https://contentstore.cla.co.uk/secure/link?id=8beb2b00-5113-e911-80cd-005056af4099.

Gomery, D. (2005a) The Hollywood studio system: a history. London: BFI.

Gomery, D. (2005b) ‘The Hollywood studio system: a history’, in The Hollywood studio system: a history. London: BFI, pp. 11–26. Available at: https://contentstore.cla.co.uk/secure/link?id=426988b3-2613-e911-80cd-005056af4099.

Goodwin, A. and Whannel, G. (1990) ‘Understanding television’, in Understanding television. London: Routledge, pp. 11–29. Available at: https://contentstore.cla.co.uk/secure/link?id=18e2a167-48e4-e911-80cd-005056af4099.

Greengrass, P. (2004) ‘The Bourne supremacy’. Universal Pictures.

Griffith, D.W. (2000) ‘Broken blossoms’. Eureka Video.

Gündüz Özdemirci, E. (2016) ‘Greening the Screen: An Environmental Challenge’, Humanities, 5(2). Available at: https://doi.org/10.3390/h5020035.

Guynes, S.A. and Hassler-Forest, D. (eds) (2018) Star Wars and the history of transmedia storytelling. Amsterdam: Amsterdam University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5261322.

Haggard, P. et al. (2004) ‘Pennies from heaven’. [London]: BBC Worldwide. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/RT3CB597?bcast=119438677.

Hammond, M. and Williams, L.R. (2006a) Contemporary American cinema. Maidenhead: Open University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=333788&entityid=https://idp.brunel.ac.uk/entity.

Hammond, M. and Williams, L.R. (2006b) ‘Contemporary American cinema’, in Contemporary American cinema. Maidenhead: Open University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=333788&entityid=https://idp.brunel.ac.uk/entity.

Hansen, K.T. and Waade, A.M. (2017) Locating Nordic Noir: from Beck to The bridge. Cham, Switzerland: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5106086.

Hauskeller, M., Philbeck, T.D. and Carbonell, C.D. (eds) (2018) ‘The Palgrave handbook of posthumanism in film and television’, in The Palgrave handbook of posthumanism in film and television. Basingstoke, Hampshire: Palgrave Macmillan, pp. 99–108. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4001366.

Haynes, J. (2016) Nollywood: the creation of Nigerian film genres. Chicago: The University of Chicago Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4504550.

Heise, U.K. (2008) Sense of place and sense of planet: the environmental imagination of the global. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3053055.

Hesmondhalgh, D. (2019) The cultural industries. Fourth edition. Los Angeles: SAGE.

Hilderbrand, L. (2007) ‘Youtube: Where Cultural Memory and Copyright Converge’, Film Quarterly, 61(1), pp. 48–57. Available at: https://doi.org/10.1525/fq.2007.61.1.48.

Hill, C.W.L. (2007) ‘Digital piracy: Causes, consequences, and strategic responses’, Asia Pacific Journal of Management, 24(1), pp. 9–25. Available at: https://doi.org/10.1007/s10490-006-9025-0.

Hill, J. and British Film Institute (2011) Ken Loach: the politics of film and television. London: Palgrave Macmillan.

Hill, J. and Gibson, P.C. (1998) ‘The Oxford guide to film studies’, in The Oxford guide to film studies. Oxford: Oxford University Press, pp. 255–271. Available at: https://contentstore.cla.co.uk/secure/link?id=b0609736-4d13-e911-80cd-005056af4099.

Hills, M. (ed.) (2013) New dimensions of Doctor Who: adventures in space, time and television. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1511071.

Holland, P. (2000) ‘The television handbook’, in The television handbook. 2nd edn. London: Routledge, pp. 9–26. Available at: https://contentstore.cla.co.uk/secure/link?id=8152bf62-480f-e911-80cd-005056af4099.

Hye-Kyung  Lee (no date) ‘Introduction: Animation industry at a crossroads’, Creative Industries Journal, (3), pp. 183–187. Available at: https://doi.org/10.1386/cij.3.3.183_1.

Ingram, D. (2000) Green screen: environmentalism and Hollywood cinema. Exeter: University of Exeter Press.

Iordanova, D., Cunningham, S., and University of St Andrews. Film Studies (2012a) Digital disruption: cinema moves on-line. St Andrews: St Andrews Film Studies.

Iordanova, D., Cunningham, S., and University of St Andrews. Film Studies (2012b) Digital disruption: cinema moves on-line. St Andrews: St Andrews Film Studies.

Iordanova, D., Cunningham, S., and University of St Andrews. Film Studies (2012c) ‘Digital disruption: cinema moves on-line’, in Digital disruption: cinema moves on-line. St Andrews: St Andrews Film Studies, pp. 67–100. Available at: https://contentstore.cla.co.uk/secure/link?id=700a1c74-0f10-e911-80cd-005056af4099.

Izod, J. (1988a) ‘Hollywood and the box office 1895-1986’, in Hollywood and the box office 1895-1986. New York: Columbia University Press, pp. 1–6. Available at: https://contentstore.cla.co.uk/secure/link?id=bbb19b17-7e15-e911-80cd-005056af4099.

Izod, J. (1988b) ‘Hollywood and the box office 1895-1986’, in Hollywood and the box office 1895-1986. New York: Columbia University Press, pp. 7–15. Available at: https://contentstore.cla.co.uk/secure/link?id=18b46531-becd-ea11-80cd-005056af4099.

Jancovich, M. and Lyons, J. (2003) Quality popular television: cult TV, the industry and fans. London: British Film Institute.

Jenkins, H. (2006) Convergence culture: where old and new media collide. Updated ed. New York: New York University Press.

Jenkins, H., Ford, S. and Green, J. (2013) Spreadable media: creating value and meaning in a networked culture. New York: New York University Press. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=529617.

Kackman, M. (2010) Flow TV: television in the age of media convergence. New York, NY: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=574457.

Kaplan, E.A. (1987) Rocking around the clock: music television, postmodernism, and consumer culture. New York: Methuen.

Keane, S. (2007) ‘CineTech: film, convergence and new media’, in CineTech: film, convergence and new media. Basingstoke [England]: Palgrave Macmillan, pp. 56–75. Available at: https://contentstore.cla.co.uk/secure/link?id=50bde8ab-5b12-e911-80cd-005056af4099.

Keating, P. (2006) ‘Emotional Curves and Linear Narratives’, The velvet light trap, 58. Available at: https://doi.org/10.1353/vlt.2006.0029.

King, G. (2000) Spectacular narratives: Hollywood in the age of the blockbuster. London: I.B. Tauris. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=676862.

King, G. (2002a) New Hollywood cinema: an introduction. London: I. B. Tauris. Available at: https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9786000006914.

King, G. (2002b) ‘New Hollywood cinema: an introduction’, in New Hollywood cinema: an introduction. London: I. B. Tauris. Available at: http://www.dawsonera.com/guard/protected/dawson.jsp?name=https://idp.brunel.ac.uk/entity&dest=http://www.dawsonera.com/abstract/9786000006914.

King, G. (2002c) ‘New Hollywood cinema: an introduction’, in New Hollywood cinema: an introduction. London: I. B. Tauris, pp. 224–256. Available at: https://contentstore.cla.co.uk/secure/link?id=6d1b278d-11e5-e911-80cd-005056af4099.

King, G. (2002d) ‘New Hollywood cinema: an introduction’, in New Hollywood cinema: an introduction. London: I. B. Tauris, pp. 224–256. Available at: https://contentstore.cla.co.uk/secure/link?id=6d1b278d-11e5-e911-80cd-005056af4099.

King, G. (2014a) ‘Indie 2.0: change and continuity in contemporary American indie film’, in Indie 2.0: change and continuity in contemporary American indie film. London: I.B. Tauris, pp. 77–121. Available at: https://contentstore.cla.co.uk/secure/link?id=8ce33d9e-7112-e911-80cd-005056af4099.

King, G. (2014b) ‘Indie 2.0: change and continuity in contemporary American indie film’, in Indie 2.0: change and continuity in contemporary American indie film. London: I.B. Tauris.

King, G. (2016) ‘Quality Hollywood: markers of distinction in contemporary studio film’, in Quality Hollywood: markers of distinction in contemporary studio film. London: I.B. Tauris, pp. 81–124. Available at: https://contentstore.cla.co.uk/secure/link?id=a8ea312a-bb15-e911-80cd-005056af4099.

King, G. (ed.) (2017a) ‘A companion to American indie film’, in A companion to American indie film. Chichester, West Sussex, UK: Wiley Blackwell, pp. 279–299. Available at: https://contentstore.cla.co.uk/secure/link?id=6668cc34-b7f0-e911-80cd-005056af4099.

King, G. (ed.) (2017b) ‘A companion to American indie film’, in A companion to American indie film. Chichester, West Sussex, UK: Wiley Blackwell, pp. 433–451. Available at: https://contentstore.cla.co.uk/secure/link?id=492a658f-b7f0-e911-80cd-005056af4099.

King, G. (ed.) (2017c) ‘A companion to American indie film’, in A companion to American indie film. Chichester, West Sussex, UK: Wiley Blackwell. Available at: http://lib.myilibrary.com/browse/open.asp?id=965329&entityid=https://idp.brunel.ac.uk/entity.

Kirsner, S. (2009) Fans, friends & followers. [Cambridge, Mass.]: Scott Kirsner.

Klinger, B. (2006) Beyond the multiplex: cinema, new technologies, and the home. Berkeley, Calif: University of California Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=254875.

Klinger, B. (no date) ‘Contraband Cinema: Piracy, Titanic, and Central Asia’, Cinema Journal, 49, pp. 106–124. Available at: https://doi.org/10.1353/cj.0.0180.

Langford, B. (2010a) ‘Post-classical Hollywood: film industry, style and ideology since 1945’, in Post-classical Hollywood: film industry, style and ideology since 1945. Edinburgh: Edinburgh University Press, pp. 244–254. Available at: https://contentstore.cla.co.uk/secure/link?id=9a12e048-17e5-e911-80cd-005056af4099.

Langford, B. (2010b) ‘Post-classical Hollywood: film industry, style and ideology since 1945’, in Post-classical Hollywood: film industry, style and ideology since 1945. Edinburgh: Edinburgh University Press, pp. 244–254. Available at: https://contentstore.cla.co.uk/secure/link?id=9a12e048-17e5-e911-80cd-005056af4099.

Law, J. (1992) ‘Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity’, Systems Practice, 5(4), pp. 379–393. Available at: https://doi.org/10.1007/BF01059830.

Leimbacher, I. (no date) ‘The World Made Flesh’, Film Comment, 50, pp. 36–39. Available at: https://search.proquest.com/docview/1523427232?pq-origsite=summon.

Lewis, J. (1998a) ‘The new American cinema’, in The new American cinema. Durham: Duke University Press, pp. 87–121. Available at: https://contentstore.cla.co.uk/secure/link?id=f3651f15-6412-e911-80cd-005056af4099.

Lewis, J. (1998b) ‘The new American cinema’, in The new American cinema. Durham: Duke University Press.

Lichtenfeld, E. (2007) Action speaks louder: violence, spectacle, and the American action movie. Revised&expanded ed. Middletown, Conn: Wesleyan University Press.

Lobato, R. (2010) ‘Creative industries and informal economies’, International Journal of Cultural Studies, 13(4), pp. 337–354. Available at: https://doi.org/10.1177/1367877910369971.

Lobato, R. (2012) Shadow economies of cinema: mapping informal film distribution. London: Palgrave Macmillan [on behalf of the] BFI. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5400915.

López, A. (2012) The media ecosystem: what ecology can teach us about responsible media practice. Berkeley, California: Evolver Editions.

Lotz, A.D. (2009) Beyond prime time: television programming in the post-network era. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=435636.

Lotz, A.D. (2017) Portals: a treatise on internet-distributed television. United States of America: Maize Books, an imprint of Michigan Publishing.

Maltby, R. and Craven, I. (1995a) ‘Hollywood cinema: an introduction’, in Hollywood cinema: an introduction. Oxford: Blackwell Publishers, pp. 59–106. Available at: https://contentstore.cla.co.uk/secure/link?id=97e74340-7f12-e911-80cd-005056af4099.

Maltby, R. and Craven, I. (1995b) ‘Hollywood cinema: an introduction’, in Hollywood cinema: an introduction. Oxford: Blackwell Publishers.

Marcus, M. (1986) Italian film in the light of neorealism. Princeton, N.J.: Princeton University Press.

Mast, G. and Cohen, M. (1974) ‘Film theory and criticism: introductory readings’, in Film theory and criticism: introductory readings. New York, N.Y.: Oxford University Press, pp. 120–146. Available at: https://contentstore.cla.co.uk/secure/link?id=9ed5a00a-e218-e911-80cd-005056af4099.

McCabe, J. and Akass, K. (2007) Quality TV: contemporary American television and beyond. London: I. B. Tauris.

McClean, S.T. (2007) Digital storytelling: the narrative power of visual effects in film. Cambridge, Mass: MIT. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3339423.

McDonald, P. (2007a) ‘Video and DVD industries’, in Video and DVD industries. London: British Film Institute, pp. 107–142. Available at: https://contentstore.cla.co.uk/secure/link?id=6eef2501-5c0f-e911-80cd-005056af4099.

McDonald, P. (2007b) Video and DVD industries. London: British Film Institute. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=6265661.

McDonald, P. (2007c) ‘Video and DVD industries’, in Video and DVD industries. London: British Film Institute, pp. 107–142. Available at: https://contentstore.cla.co.uk/secure/link?id=6eef2501-5c0f-e911-80cd-005056af4099.

McDonald, P. (2007d) ‘Video and DVD industries’, in Video and DVD industries. London: British Film Institute.

McDonald, P. and Wasko, J. (2008a) ‘The contemporary Hollywood film industry’, in The contemporary Hollywood film industry. Oxford: Blackwell Publishing, pp. 106–119. Available at: https://contentstore.cla.co.uk/secure/link?id=70ba6558-3810-e911-80cd-005056af4099.

McDonald, P. and Wasko, J. (2008b) ‘The contemporary Hollywood film industry’, in The contemporary Hollywood film industry. Oxford: Blackwell Publishing, pp. 120–131. Available at: https://contentstore.cla.co.uk/secure/link?id=cd3f1fea-1210-e911-80cd-005056af4099.

McLoone, M. and Hill, J. (1996) ‘Big picture, small screen: the relations between film and television’, in Big picture, small screen: the relations between film and television. Luton: University of Luton Press, pp. 9–46. Available at: https://contentstore.cla.co.uk/secure/link?id=e905ffbb-d318-e911-80cd-005056af4099.

McLuhan, M. and Gordon, W.T. (no date) Understanding media: the extensions of man. Critical ed. Corte Madera, CA: Gingko Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1222206.

Merleau-Ponty, M. and Lefort, C. (1968) The visible and the invisible: followed by working notes. Evanston [Ill.]: Northwestern University Press.

Mike Wayne (2007) ‘Failing the Public: The BBC, The War Game and Revisionist History A Reply to James Chapman’, Journal of Contemporary History, 42(4). Available at: https://doi.org/10.1177/0022009407081490.

Miller, J.L. (2016) Nollywood central. London: BFI.

Miller, M.C. (1990a) ‘Seeing through movies’, in Seeing through movies. New York: Pantheon Books.

Miller, M.C. (1990b) ‘Seeing through movies’, in Seeing through movies. New York: Pantheon Books.

Miller, T. (2005) Global Hollywood 2. [2nd ed.]. London: BFI Publishing.

Miller, T. (2010) ‘Television studies: the basics’, in Television studies: the basics. London: Routledge, pp. 50–79. Available at: https://contentstore.cla.co.uk/secure/link?id=6c456770-36e4-e911-80cd-005056af4099.

Mittell, J. (2015) ‘Complex TV: the poetics of contemporary television storytelling’, in Complex TV: the poetics of contemporary television storytelling. New York: New York University Press, pp. 292–318. Available at: https://contentstore.cla.co.uk/secure/link?id=d16a15d7-f9e4-e911-80cd-005056af4099.

Moran, A. (1996) ‘Film policy: international, national and regional perspectives’, in Film policy: international, national and regional perspectives. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=13838&entityid=https://idp.brunel.ac.uk/entity.

Morton, D. (2017) Panel to the screen: style, American film, and comic books during the blockbuster era. Jackson: University Press of Mississippi. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4745701.

Mosco, V. and Mosco, V. (2009) The political economy of communication. 2nd ed. Los Angeles, [Calif.]: SAGE. Available at: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=743695.

Murphy, P.D. (2017) The media commons: globalization and environmental discourses. Urbana: University of Illinois Press.

Murray, R.L. and Heumann, J.K. (2009) Ecology and popular film: cinema on the edge. Albany: SUNY Press.

Murray, R.L. and Heumann, J.K. (2014) Film & everyday eco-disasters. Lincoln: University of Nebraska Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1676467.

Musser, C. (1994) The emergence of cinema: the American screen to 1907. Berkeley: University of California Press.

Ndalianis, A. (2004) Neo-Baroque aesthetics and contemporary entertainment. London: MIT.

Neale, S. (1985a) Cinema and technology: image, sound, colour. London: Macmillan Education.

Neale, S. (1985b) ‘Cinema and technology: image, sound, colour’, in Cinema and technology: image, sound, colour. London: Macmillan Education. Available at: https://contentstore.cla.co.uk/secure/link?id=342eb3e2-2413-e911-80cd-005056af4099.

Neale, S. and Smith, M. (1998a) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity.

Neale, S. and Smith, M. (1998b) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge, pp. 21–44. Available at: https://contentstore.cla.co.uk/secure/link?id=96611653-5613-e911-80cd-005056af4099.

Neale, S. and Smith, M. (1998c) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity.

Neale, S. and Smith, M. (1998d) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity.

Neale, S. and Smith, M. (1998e) ‘Contemporary Hollywood cinema’, in Contemporary Hollywood cinema. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=763369&entityid=https://idp.brunel.ac.uk/entity.

Nelmes, J. (2012) Introduction to film studies. 5th ed. Abingdon: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=761269&entityid=https://idp.brunel.ac.uk/entity.

Nichols, B. (1985a) ‘Movies and methods: an anthology, Vol.2’, in Movies and methods: an anthology, Vol.2. Berkeley, CA: University of California Press, pp. 83–92. Available at: https://contentstore.cla.co.uk/secure/link?id=88beb029-21e5-e911-80cd-005056af4099.

Nichols, B. (1985b) ‘Movies and methods: an anthology, Vol.2’, in Movies and methods: an anthology, Vol.2. Berkeley, CA: University of California Press, pp. 109–120. Available at: https://contentstore.cla.co.uk/secure/link?id=d30e05e5-21e5-e911-80cd-005056af4099.

Noyce, P. et al. (2011) ‘Wanted’. [United Kingdom] :bUniversal Pictures: Sony Pictures. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/00F368E3?bcast=120592240.

Parham, J. (2016) Green media and popular culture: an introduction. London: Macmillan Education/Palgrave.

Paul, W. (1993) ‘The Aesthetics of Emergence’, Film history, 5. Available at: https://www.jstor.org/stable/3815145?pq-origsite=360link&seq=1#metadata_info_tab_contents.

Paumgarten, N. (22AD) ‘We Are a Camera: Experience and memory in the age of GoPro’, The New Yorker [Preprint]. Available at: https://www.newyorker.com/magazine/2014/09/22/camera.

Pavsek, C. (2015) ‘Leviathan and the Experience of Sensory Ethnography’, Visual Anthropology Review, 31(1), pp. 4–11. Available at: https://doi.org/10.1111/var.12056.

Peacock, S. (2014) Swedish crime fiction: novel, film, television. Manchester: Manchester University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4706720.

Pezzotti, B. (2016) Investigating Italy’s past through historical crime fiction, films, and TV series: murder in the age of chaos. New York: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4716385.

Prince, S. (2002a) ‘A new pot of gold: Hollywood under the electronic rainbow, 1980-1989’, in A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press, pp. 40–89. Available at: https://contentstore.cla.co.uk/secure/link?id=bb5770d6-8912-e911-80cd-005056af4099.

Prince, S. (2002b) ‘A new pot of gold: Hollywood under the electronic rainbow, 1980-1989’, in A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press.

Prince, S. (2002c) ‘A new pot of gold: Hollywood under the electronic rainbow, 1980-1989’, in A new pot of gold: Hollywood under the electronic rainbow, 1980-1989. Berkeley: University of California Press.

Prince, S. (2012a) Digital visual effects in cinema: the seduction of reality. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity.

Prince, S. (2012b) ‘Digital visual effects in cinema: the seduction of reality’, in Digital visual effects in cinema: the seduction of reality. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=417704&entityid=https://idp.brunel.ac.uk/entity.

Prince, S. (2012c) Digital visual effects in cinema: the seduction of reality. New Brunswick, N.J.: Rutgers University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=861454.

Purse, L. (2011) ‘Contemporary action cinema’, in Contemporary action cinema. Edinburgh: Edinburgh University Press, pp. 21–36. Available at: https://contentstore.cla.co.uk/secure/link?id=077b1b22-62e4-e911-80cd-005056af4099.

Purse, L. (2013a) ‘Digital imaging in popular cinema’, in Digital imaging in popular cinema. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity.

Purse, L. (2013b) ‘Digital imaging in popular cinema’, in Digital imaging in popular cinema. Edinburgh: Edinburgh University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=441828&entityid=https://idp.brunel.ac.uk/entity.

Purse, L. (2013c) Digital imaging in popular cinema. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1126596.

Rapu, C.O. (1992) ‘Living in Bondage’. Available at: https://www.youtube.com/channel/UCCPN35XwRi1duxqq3aj6JFQ.

Reiss, J. (2010) Think outside the box office: the ultimate guide to film distribution in the digital era. [Los Angeles, California]: Hybrid Cinema Publishing. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=550794.

Ross, M. (2013) ‘Stereoscopic visuality: Where is the screen, where is the film?’, Convergence: The International Journal of Research into New Media Technologies, 19(4), pp. 406–414. Available at: https://doi.org/10.1177/1354856513494178.

Ross, M. (2015) 3D cinema: optical illusions and tactile experiences. Houndmills, Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=2006615.

Ross, S. (2012) ‘Invitation to the Voyage: The Flight Sequence in Contemporary 3D Cinema’, Film History, 24(2). Available at: https://doi.org/10.2979/filmhistory.24.2.210.

Rossellini, Roberto et al. (2005) ‘Roma, cittá aperta’. [S.l.]: Arrow Films. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/001B00A0?bcast=4048008.

Ruberto, L.E. and Wilson, K.M. (2007) Italian neorealism and global cinema. Detroit: Wayne State University Press.

Rust, S., Monani, S. and Cubitt, S. (2013) Ecocinema theory and practice. New York: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1024590.

Saviano, R. et al. (2018a) ‘Gomorrah: The complete season one’. [Great Britain]: Arrow Films.

Saviano, R. et al. (2018b) ‘Gomorrah: The complete season three’. [Great Britain]: Arrow Films.

Saviano, R. et al. (2018c) ‘Gomorrah: The complete season two’. [Great Britain]: Arrow Films.

Schatz, T. (1981) Hollywood genres: formulas, filmmaking, and the studio system. New York: McGraw-Hill.

Schatz, T. (1998) The genius of the system: Hollywood filmmaking in the studio era. London: Faber and Faber.

Schiller, D. (2001) ‘World Communications in Today’s Age of Capital’, Emergences: Journal for the Study of Media & Composite Cultures, 11(1), pp. 51–68. Available at: https://doi.org/10.1080/10457220120044666.

Shiel, M. (2006) Italian neorealism: rebuilding the cinematic city. London: Wallflower Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=909624.

Sica, V.D. and Bartolini, L. (2009) ‘The bicycle thieves’. [U.K.]: Arrow.

Sito, T. and ProQuest (Firm) (2013) Moving innovation: a history of computer animation. Cambridge, MA: MIT Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3339617.

Sobchack, V. (2000) ‘Meta-morphing: visual transformation and the culture of quick-change’, in Meta-morphing: visual transformation and the culture of quick-change. Minneapolis: University of Minnesota Press, pp. 251–271. Available at: https://contentstore.cla.co.uk/secure/link?id=9f4a408a-2313-e911-80cd-005056af4099.

Sobchack, V.C. (1992) The address of the eye: a phenomenology of film experience. Princeton, N.J.: Princeton University Press.

Staiger, J. (1992) ‘Interpreting films: studies in the historical reception of American cinema’, in Interpreting films: studies in the historical reception of American cinema. Princeton, NJ: Princeton University Press, pp. 101–123. Available at: https://contentstore.cla.co.uk/secure/link?id=82e0e2ee-2a14-e911-80cd-005056af4099.

Stein, L.E. (2015) Millennial fandom: television audiences in the transmedia age. Iowa City: University of Iowa Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3570587.

Stein, L.E. and Busse, K. (2012) Sherlock and transmedia fandom: essays on the BBC series. Jefferson, N.C.: McFarland. Available at: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=462577.

Stone, R. et al. (eds) (2018) ‘The Routledge companion to world cinema’, in The Routledge companion to world cinema. London: Routledge, Taylor & Francis Group, pp. 59–72. Available at: http://lib.myilibrary.com/browse/open.asp?id=1038523&entityid=https://idp.brunel.ac.uk/entity.

Strangelove, M. (2015) Post-TV: piracy, cord-cutting, and the future of television. Toronto: University of Toronto Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4669834.

Strauven, W. (2006) The cinema of attractions reloaded. Amsterdam: Amsterdam University Press. Available at: http://oapen.org/download?type=document&docid=340138.

Stringer, J. (2003a) ‘Movie blockbusters’, in Movie blockbusters. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity.

Stringer, J. (2003b) ‘Movie blockbusters’, in Movie blockbusters. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity.

Stringer, J. (2003c) ‘Movie blockbusters’, in Movie blockbusters. London: Routledge. Available at: http://lib.myilibrary.com/browse/open.asp?id=536184&entityid=https://idp.brunel.ac.uk/entity.

Taylor, L. and Willis, A. (1999a) ‘Media studies: texts, institutions, and audiences’, in Media studies: texts, institutions, and audiences. Oxford: Blackwell Publishers, pp. 91–106. Available at: https://contentstore.cla.co.uk/secure/link?id=87d66318-5e0f-e911-80cd-005056af4099.

Taylor, L. and Willis, A. (1999b) ‘Media studies: texts, institutions, and audiences’, in Media studies: texts, institutions, and audiences. Oxford: Blackwell Publishers.

Thanouli, E. (2009) Post-classical cinema: an international poetics of film narration. London: Wallflower Press.

‘The Bridge’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/search.php?q=&q[0][v]=%22the+bridge%22&q[0][index]=title&q[0][oper]=and&date_start=2012-04-01-00-00&date_end=2012-05-31-01-00&date_type=1&search_type=1&source=T&sort=relevance&page=1.

Thompson, K. (1999) Storytelling in the new Hollywood: understanding classical narrative technique. Cambridge, Mass: Harvard University Press.

Thompson, K. and Bordwell, D. (2019a) ‘Film history: an introduction’, in Film history: an introduction. Fourth edition. New York, NY: McGraw-Hill Education.

Thompson, K. and Bordwell, D. (2019b) ‘Film history: an introduction’, in Film history: an introduction. Fourth edition. New York, NY: McGraw-Hill Education.

Thompson, K. and Bordwell, D. (2019c) ‘Film history: an introduction’, in Film history: an introduction. Fourth edition. New York, NY: McGraw-Hill Education.

Thompson, K. and Bordwell, D. (no date) ‘Has 3D Already Failed? The sequel, part one: RealDlighted  Print’. Available at: http://www.davidbordwell.net/blog/2011/01/20/has-3d-already-failed-the-sequel-part-one-realdlighted/print/.

Trevorrow, C. (2015) ‘Jurassic World’. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0A83D549?bcast=127388626.

Tryon, C. (2009a) Reinventing cinema: movies in the age of media convergence. New Brunswick, N.J.: Rutgers University Press.

Tryon, C. (2009b) ‘Reinventing cinema: movies in the age of media convergence’, in Reinventing cinema: movies in the age of media convergence. New Brunswick, N.J.: Rutgers University Press, pp. 93–124. Available at: https://contentstore.cla.co.uk/secure/link?id=fa504901-610f-e911-80cd-005056af4099.

Tryon, C. (2013a) On-demand culture: digital delivery and the future of movies. New Brunswick, N.J.: Rutgers University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1184490.

Tryon, C. (2013b) On-demand culture: digital delivery and the future of movies. New Brunswick, N.J.: Rutgers University Press. Available at: http://lib.myilibrary.com/browse/open.asp?id=486972&entityid=https://idp.brunel.ac.uk/entity.

Turnbull, S. (2014) The TV crime drama. Edinburgh: Edinburgh University Press. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1842870.

Turner, G. and Tay, J. (2009) ‘Television studies after TV: understanding television in the post-broadcast era’, in Television studies after TV: understanding television in the post-broadcast era. London: Routledge, pp. 9–19. Available at: https://contentstore.cla.co.uk/secure/link?id=4978e404-fe0f-e911-80cd-005056af4099.

Tzioumakis, Y. and Molloy, C. (eds) (2016) ‘The Routledge companion to cinema and politics’, in The Routledge companion to cinema and politics. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4579017.

Ulin, J. (2013) The Business of Media Distribution, 2nd Edition. Focal Press. Available at: https://go.oreilly.com/brunel-university?state=/library/view/~/9780240824239/?ar.

Varda, A. (no date) ‘The gleaners and I’.

Wang, S. (2003) ‘Recontextualizing Copyright: Piracy, Hollywood, the State, and Globalization’, Cinema Journal, 43(1). Available at: https://doi.org/10.1353/cj.2003.0027.

Wasko, J. (1994) Hollywood in the information age: beyond the silver screen. Cambridge: Polity. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1602912.

Wayne, M. (2020) Marxism goes to the movies. London: Routledge, Taylor & Francis Group. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=5986891.

Weetch, O. (2016) Expressive spaces in digital 3D cinema. London, [England]: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4720331.

Wells, P. (1998a) ‘Understanding animation’, in Understanding animation. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1562841.

Wells, P. (1998b) ‘Understanding animation’, in Understanding animation. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1562841.

Whissel, K. (2016) ‘Parallax Effects: Epistemology, Affect and Digital 3D Cinema’, Journal of Visual Culture, 15(2), pp. 233–249. Available at: https://doi.org/10.1177/1470412916654512.

Whissel, K. and Duke University Press (2014) Spectacular digital effects: CGI and contemporary cinema. Durham: Duke University Press. Available at: https://login.ezproxy.brunel.ac.uk/login?url=http://dx.doi.org/10.1215/9780822377146.

Willis, H. (2005) New digital cinema: reinventing the moving image. London: Wallflower Press.

Winston, B. (1996a) Technologies of seeing: photography, cinematography and television. London: British Film Institute.

Winston, B. (1996b) ‘Technologies of seeing: photography, cinematography and television’, in Technologies of seeing: photography, cinematography and television. London: British Film Institute, pp. 109–118. Available at: https://contentstore.cla.co.uk/secure/link?id=259b02d6-0a10-e911-80cd-005056af4099.

Wyatt, J. (1994) ‘High concept: movies and marketing in Hollywood’, in High concept: movies and marketing in Hollywood. 1st ed. Austin, TX: University of Texas Press, pp. 23–64. Available at: https://contentstore.cla.co.uk/secure/link?id=6aa5740b-8612-e911-80cd-005056af4099.

Zemeckis, R. (2003) ‘Who framed Roger Rabbit’. Buena Vista Home Entertainment.

Zone, R. (2012) 3-D revolution: the history of modern stereoscopic cinema. Lexington: University Press of Kentucky. Available at: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=948469.