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Bogart A. A Director Prepares: Seven Essays on Art and Theatre. Routledge; 2001. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215
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Braun E. The Director and the Stage: From Naturalism to Grotowski. Methuen; 1982.
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Cole T, Chinoy HK. Directors on Directing: A Source Book of the Modern Theatre. Revised ed. Bobbs-Merrill; 1963.
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Artaud A, Corti V. The Theatre and Its Double. Alma Books; 2013. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4826732
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Boleslavsky R. Acting: The First Six Lessons. Vol Theatre Arts book. Routledge; 2003. http://lib.myilibrary.com/browse/open.asp?id=5188&entityid=https://idp.brunel.ac.uk/entity
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Cardullo B, Knopf R. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. Yale University Press; 2001. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3420277
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Chekhov M, Powers M. To the Actor. [Rev. and expanded ed. Routledge; 2002. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=568948&site=ehost-live&scope=site&custid=s1123049
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Braun E, Pitches J. Meyerhold on Theatre. Fourth edition. Bloomsbury Methuen Drama; 2016. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195
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Nagler AM. A Source Book in Theatrical History: Sources of Theatrical History. Dover; 1959. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1897559
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Stanislavsky K, Popper HI. Creating a Role. Theatre Arts Books; 1987. http://lib.myilibrary.com/browse/open.asp?id=415228&entityid=https://idp.brunel.ac.uk/entity
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Aston E. Feminist Theatre Practice: A Handbook. Routledge; 1999. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=240345
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Austin G. Feminist Theories for Dramatic Criticism. University of Michigan Press; 1990.
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Barba E. On Directing and Dramaturgy: Burning the House. Routledge; 2010. http://lib.myilibrary.com/browse/open.asp?id=244369&entityid=https://idp.brunel.ac.uk/entity
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Bogart A. A Director Prepares: Seven Essays on Art and Theatre. Routledge; 2001. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215
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Bogart A. And Then, You Act: Making Art in an Unpredictable World. Routledge; 2007. http://lib.myilibrary.com/browse/open.asp?id=87185&entityid=https://idp.brunel.ac.uk/entity
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Case SE. Performing Feminisms: Feminist Critical Theory and Theatre. Johns Hopkins University Press; 1990.
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Case SE. Feminist and Queer Performance: Critical Strategies. Palgrave Macmillan; 2009.
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Dolan J. The Feminist Spectator as Critic. 2nd ed. University of Michigan Press; 2012. http://lib.myilibrary.com/browse/open.asp?id=404565&entityid=https://idp.brunel.ac.uk/entity
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Jill D. Critical theory and performance. In: Critical Theory and Performance. Vol Theater--theory/text/performance. Rev. and enl. ed. University of Michigan Press; 2007:334-354. https://contentstore.cla.co.uk/secure/link?id=cb980248-b302-e811-80cd-005056af4099
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Fuchs E. The Death of Character: Perspectives on Theater after Modernism. Vol Drama and performance studies. Indiana University Press; 1996. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=23140&site=ehost-live&scope=site&custid=s1123049
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Godiwala D. Alternatives within the Mainstream: II: Queer Theatres in Post-War Britain. Cambridge Scholars Press; 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1080676
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Goodman L, De Gay J. The Routledge Reader in Politics and Performance. Routledge; 2000. http://lib.myilibrary.com/browse/open.asp?id=32734&entityid=https://idp.brunel.ac.uk/entity
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