Ahart, J. (2001). The director’s eye: a comprehensive textbook for directors and actors. Meriwether Pub.
Artaud, A., & Corti, V. (2013). The theatre and its double. Alma Books. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4826732
Aston, E. (1995). An introduction to feminism and theatre. Routledge. http://lib.myilibrary.com/browse/open.asp?id=6799&entityid=https://idp.brunel.ac.uk/entity
Aston, E. (1999). Feminist theatre practice: a handbook. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=240345
Austin, G. (1990). Feminist theories for dramatic criticism. University of Michigan Press.
Balme, C. B. (1999). Decolonizing the stage: theatrical syncretism and post-colonial drama. Clarendon Press.
Barba, E. (1985). The nature of dramaturgy: Describing actions at work. New Theatre Quarterly, 1(01). https://doi.org/10.1017/S0266464X00001421
Barba, E. (2010). On directing and dramaturgy: burning the house. Routledge. http://lib.myilibrary.com/browse/open.asp?id=244369&entityid=https://idp.brunel.ac.uk/entity
Barbican Theatre. (n.d.). http://www.barbican.org.uk/theatre
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Bentley, E. (2008). The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama: Vol. Modern classics ([New ed.]). Penguin.
Bloom, M. (2002). Thinking like a director: a practical handbook. Faber and Faber.
Boal, A. (2008). Theatre of the oppressed: Vol. Get political (New ed). Pluto Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386591
Bogart, A. (2001a). A director prepares: seven essays on art and theatre. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215
Bogart, A. (2001b). A director prepares: seven essays on art and theatre. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215
Bogart, A. (2007). And then, you act: making art in an unpredictable world. Routledge. http://lib.myilibrary.com/browse/open.asp?id=87185&entityid=https://idp.brunel.ac.uk/entity
Bogart, A., Landau, T., & Theatre Communications Group. (2005). The viewpoints book: a practical guide to viewpoints and composition. Theatre Communications Group. http://lib.myilibrary.com/browse/open.asp?id=684537&entityid=https://idp.brunel.ac.uk/entity
Boleslavsky, R. (2003). Acting: the first six lessons: Vol. Theatre Arts book. Routledge. http://lib.myilibrary.com/browse/open.asp?id=5188&entityid=https://idp.brunel.ac.uk/entity
Braun, E. (1982). The director and the stage: from naturalism to Grotowski. Methuen.
Braun, E., & Pitches, J. (2016a). Meyerhold on theatre (Fourth edition). Bloomsbury Methuen Drama. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195
Braun, E., & Pitches, J. (2016b). Meyerhold on theatre (Fourth edition). Bloomsbury Methuen Drama. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195
Brayshaw, T., & Witts, N. (2014). The twentieth century performance reader ([3rd edition]). Routledge. http://lib.myilibrary.com/browse/open.asp?id=526605&entityid=https://idp.brunel.ac.uk/entity
Brecht, B., & Davis, J. (2015). Brecht on theatre (M. Silberman, S. Giles, & T. Kuhn, Eds.; Third edition, completely revised and updated). Bloomsbury Metheun Drama. http://lib.myilibrary.com/browse/open.asp?id=643885&entityid=https://idp.brunel.ac.uk/entity
Brook, P. (2008). The empty space: Vol. Modern classics. Penguin Books.
Buchbinder, D. (1994). Masculinities and identities: Vol. Interpretations. Melbourne University Press.
Cardullo, B., & Knopf, R. (2001). Theater of the avant-garde, 1890-1950: a critical anthology. Yale University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3420277
Carruthers, I., & Takahashi, Y. (2004). The theatre of Suzuki Tadashi: Vol. Directors in perspective. Cambridge University Press.
Case, S.-E. (1990). Performing feminisms: feminist critical theory and theatre. Johns Hopkins University Press.
Case, S.-E. (2009). Feminist and queer performance: critical strategies. Palgrave Macmillan.
Case, S.-E. (2014). Feminism and theatre. Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1779149
Chekhov, M., & Powers, M. (2002). To the actor ([Rev. and expanded ed). Routledge. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=568948&site=ehost-live&scope=site&custid=s1123049
Clurman, H. (1997). On directing. Fireside Book.
Cole, S. L. (1992). Directors in rehearsal: a hidden world. Routledge. http://lib.myilibrary.com/browse/open.asp?id=542225&entityid=https://idp.brunel.ac.uk/entity
Cole, T., & Chinoy, H. K. (1963). Directors on directing: a source book of the modern theatre (Revised ed). Bobbs-Merrill.
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Cregan, D. (2009). Deviant acts: essays on queer performance. Carysfort Press. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1008989&site=ehost-live&scope=site&custid=s1123049
Delgado, M. M., & Heritage, P. (1996). In contact with the gods?: directors talk theatre. Manchester University Press.
Delgado, M. M., & Rebellato, D. (2010). Contemporary European theatre directors. Routledge. http://lib.myilibrary.com/browse/open.asp?id=257175&entityid=https://idp.brunel.ac.uk/entity
Diamond, E. (1997). Unmaking mimesis: essays on feminism and theater. Routledge. http://lib.myilibrary.com/browse/open.asp?id=2182&entityid=https://idp.brunel.ac.uk/entity
Dixon, M. B., Smith, J. A., & Classics in Context Festival. (1995). Anne Bogart: viewpoints: Vol. Career development series. Smith and Kraus.
Dolan, J. (1993). Presence and desire: essays on gender, sexuality, performance: Vol. Critical perspectives on women and gender. University of Michigan Press.
Dolan, J. (2012). The feminist spectator as critic (2nd ed). University of Michigan Press. http://lib.myilibrary.com/browse/open.asp?id=404565&entityid=https://idp.brunel.ac.uk/entity
Donkin, E., & Clement, S. (1993). Upstaging Big Daddy: directing theater as if gender and race matter. University of Michigan Press.
Donnellan, D. (2013). The Actor and the Target. Nick Hern Books. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=689978
E.F.’s visit to a small planet: some questions to ask a play. (2004). Theater, 34(2), 4–9.
Fuchs, E. (1996). The death of character: perspectives on theater after modernism: Vol. Drama and performance studies. Indiana University Press. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=23140&site=ehost-live&scope=site&custid=s1123049
Godiwala, D. (2007). Alternatives within the mainstream: II: Queer theatres in post-war Britain. Cambridge Scholars Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1080676
Goodman, L., & De Gay, J. (2000). The Routledge reader in politics and performance. Routledge. http://lib.myilibrary.com/browse/open.asp?id=32734&entityid=https://idp.brunel.ac.uk/entity
Grehan, H. (2009). Performance, ethics and spectatorship in a global age: Vol. Studies in international performance. Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=250449&entityid=https://idp.brunel.ac.uk/entity
Grotowski, J., & Barba, E. (1976). Towards a poor theatre: Vol. Eyre Methuen dramabooks. Eyre Methuen. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site
Hamilton, C. M. (n.d.). The theory of the theatre, and other principles of dramatic criticism - Free Ebook. http://www.gutenberg.org/ebooks/13589
Harvie, J., & Lavender, A. (2010). Making contemporary theatre: international rehearsal processes. Manchester University Press.
Jill, D. (2007). Critical theory and performance. In Critical theory and performance: Vol. Theater--theory/text/performance (Rev. and enl. ed, pp. 334–354). University of Michigan Press. https://contentstore.cla.co.uk/secure/link?id=cb980248-b302-e811-80cd-005056af4099
Jones, D. R. (1992). Great directors at work: Stanislavsky, Brecht, Kazan, Brook. University of California Press.
Jory, J. (2002). TIPS. Smith & Kraus. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1672467
Kane, S., & Greig, D. (2001). Complete plays. In Complete plays: Vol. Methuen drama (pp. 9–18). Methuen Drama. https://contentstore.cla.co.uk/secure/link?id=71456179-a24a-e611-80bd-0cc47a6bddeb
Lee, S. S. (n.d.). Shakespeare and the modern stage - Free Ebook. http://www.gutenberg.org/ebooks/18780
Lehmann, H.-T. (2006). Postdramatic theatre. Routledge. http://lib.myilibrary.com/browse/open.asp?id=56283&entityid=https://idp.brunel.ac.uk/entity
Lessing, G. E. (n.d.). Hamburgische dramaturgie - Free Ebook. http://www.gutenberg.org/ebooks/10055
Luckhurst, M., & Giannachi, G. (1999). On directing: interviews with directors. Faber.
Lyric Hammersmith. (n.d.). http://www.lyric.co.uk/
Machon, J. (2009). (Syn)aesthetics: redefining visceral performance. Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://idp.brunel.ac.uk/entity
Mangan, M. (2003). Staging masculinities: history, gender, performance. Palgrave Macmillan.
Marinetti, F. T., Flint, R. W., & Coppotelli, A. A. (1972). Marinetti: selected writings. Secker and Warburg.
Marowitz, C. (1999). The other way: an alternative approach to acting and directing. Applause.
Marowitz, C., & Marowitz, C. (1986). Directing the action: acting and directing in the contemporary theatre: Vol. The Applause acting series. Applause Theatre Books.
Marranca, B., Foreman, R., Breuer, L., & Wilson, R. (1977). The Theatre of images (1st ed). Drama Book Specialists.
McAuley, G. (1999). Space in performance: making meaning in the theatre: Vol. Theater--theory/text/performance. University of Michigan Press.
Miles-Brown, J. (1980). Directing drama. Peter Owen.
Mitchell, K., & Mitchell, K. (2009). The director’s craft: a handbook for the theatre. Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203889701
Mitter, S. (1992). Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. Routledge. http://lib.myilibrary.com/browse/open.asp?id=46357&entityid=https://idp.brunel.ac.uk/entity
Mitter, S., & Shevtsova, M. (2005). Fifty key theatre directors: Vol. Routledge key guides. Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=182175
Nagler, A. M. (1959). A source book in theatrical history: sources of theatrical history. Dover. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1897559
Performance research. (n.d.). https://cm7ly9cu9w.search.serialssolutions.com/ejp/?libHash=CM7LY9CU9W#/search/?searchControl=title&searchType=alternate_title_begins&criteria=Performance%20Research&titleType=JOURNALS&filterBy=All&beginPage=0&language=en-gb
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Rabkin, G. (1999). Richard Foreman: Vol. PAJ books. Art + performance. Johns Hopkins University Press.
Schneider, R., & Cody, G. H. (2002). Re:direction: a theoretical and practical guide: Vol. Worlds of performance. Routledge. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=640797&site=ehost-live&scope=site
Shevtsova, M., & Innes, C. D. (2009). Directors/directing: conversations on theatre. Cambridge University Press.
Sidiropoulou, A. & ProQuest (Firm). (2011). Authoring performance: the director in contemporary theatre (1st ed). Palgrave Macmillan. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=815827
Stanislavsky, K. (1967). My life in art. Penguin. http://lib.myilibrary.com/browse/open.asp?id=550067&entityid=https://idp.brunel.ac.uk/entity
Stanislavsky, K. (2008). An actor prepares. Methuen Drama. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=668654
Stanislavsky, K., & Hapgood, E. R. (1949). Building a character. Reinhardt & Evans. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1576062
Stanislavsky, K., & Popper, H. I. (1987). Creating a role. Theatre Arts Books. http://lib.myilibrary.com/browse/open.asp?id=415228&entityid=https://idp.brunel.ac.uk/entity
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The deep order called turbulence: the three faces of dramaturgy. (2000). TDR: The Drama Review, 44(4), 56–66. http://muse.jhu.edu/journals/the_drama_review/v044/44.4barba.html
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Turner, C., & Behrndt, S. K. (2016). Dramaturgy and performance (Revised edition). Macmillan Education.
Vorlicky, R. (1995). Act like a man: challenging masculinities in American drama. University of Michigan Press.
Wandor, M. (2001). Post-war British drama: looking back in gender ([Rev. and updated ed.]). Routledge. http://lib.myilibrary.com/browse/open.asp?id=6815&entityid=https://idp.brunel.ac.uk/entity
Wandor, M., & Wandor, M. (1986). Carry on, understudies: theatre and sexual politics ((2nd ed.)). Routledge & Kegan Paul. http://lib.myilibrary.com/browse/open.asp?id=7450&entityid=https://idp.brunel.ac.uk/entity
Whitmore, J. (1994). Directing postmodern theater: shaping signification in performance. University of Michigan Press.
