Bibliography for DR1610 - Directing 1 Contexts, Theories and Practices BETA

Ahart, John. 2001. The Director’s Eye: A Comprehensive Textbook for Directors and Actors. Colorado Springs, Colo: Meriwether Pub.

Artaud, Antonin, and Victor Corti. 2013. The Theatre and Its Double. Richmond, Surrey: Alma Books. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4826732.

Aston, Elaine. 1995. An Introduction to Feminism and Theatre. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=6799&entityid=https://idp.brunel.ac.uk/entity.

———. 1999. Feminist Theatre Practice: A Handbook. London: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=240345.

Austin, Gayle. 1990. Feminist Theories for Dramatic Criticism. Ann Arbor: University of Michigan Press.

Balme, Christopher B. 1999. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon Press.

Barba, Eugenio. 1985. ‘The Nature of Dramaturgy: Describing Actions at Work’. New Theatre Quarterly 1 (01). https://doi.org/10.1017/S0266464X00001421.

———. 2010. On Directing and Dramaturgy: Burning the House. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=244369&entityid=https://idp.brunel.ac.uk/entity.

‘Barbican Theatre’. n.d. http://www.barbican.org.uk/theatre.

Barker, Clive. 2010. Theatre Games: A New Approach to Drama Training. [New ed.]. London: Methuen Drama.

Barton, John. 2009. Playing Shakespeare. London: Methuen Drama.

‘Battersea Arts Centre’. n.d. http://www.bac.org.uk/.

Bentley, Eric. 2008. The Theory of the Modern Stage: From Artaud to Zola, an Introduction to Modern Theatre and Drama. [New ed.]. Vol. Modern classics. London: Penguin.

Bloom, Michael. 2002. Thinking like a Director: A Practical Handbook. London: Faber and Faber.

Boal, Augusto. 2008. Theatre of the Oppressed. New ed. Vol. Get political. London: Pluto Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386591.

Bogart, Anne. 2001a. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215.

———. 2001b. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215.

———. 2007. And Then, You Act: Making Art in an Unpredictable World. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=87185&entityid=https://idp.brunel.ac.uk/entity.

Bogart, Anne, Tina Landau, and Theatre Communications Group. 2005. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. New York: Theatre Communications Group. http://lib.myilibrary.com/browse/open.asp?id=684537&entityid=https://idp.brunel.ac.uk/entity.

Boleslavsky, Richard. 2003. Acting: The First Six Lessons. Vol. Theatre Arts book. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=5188&entityid=https://idp.brunel.ac.uk/entity.

Braun, Edward. 1982. The Director and the Stage: From Naturalism to Grotowski. London: Methuen.

Braun, Edward, and Jonathan Pitches. 2016a. Meyerhold on Theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195.

———. 2016b. Meyerhold on Theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195.

Brayshaw, Teresa, and Noel Witts. 2014. The Twentieth Century Performance Reader. [3rd edition]. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=526605&entityid=https://idp.brunel.ac.uk/entity.

Brecht, Bertolt, and Jack Davis. 2015. Brecht on Theatre. Edited by Marc Silberman, Steve Giles, and Tom Kuhn. Third edition, Completely revised and Updated. London: Bloomsbury Metheun Drama. http://lib.myilibrary.com/browse/open.asp?id=643885&entityid=https://idp.brunel.ac.uk/entity.

Brook, Peter. 2008. The Empty Space. Vol. Modern classics. London: Penguin Books.

Buchbinder, David. 1994. Masculinities and Identities. Vol. Interpretations. Carlton, Vic: Melbourne University Press.

Cardullo, Bert, and Robert Knopf. 2001. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. New Haven: Yale University Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3420277.

Carruthers, Ian, and Yasunari Takahashi. 2004. The Theatre of Suzuki Tadashi. Vol. Directors in perspective. Cambridge: Cambridge University Press.

Case, Sue-Ellen. 1990. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press.

———. 2009. Feminist and Queer Performance: Critical Strategies. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan.

———. 2014. Feminism and Theatre. Oxfordshire, England: Routledge. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1779149.

Chekhov, Michael, and Mala Powers. 2002. To the Actor. [Rev. and Expanded ed. London: Routledge. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=568948&site=ehost-live&scope=site&custid=s1123049.

Clurman, Harold. 1997. On Directing. New York: Fireside Book.

Cole, Susan Letzler. 1992. Directors in Rehearsal: A Hidden World. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=542225&entityid=https://idp.brunel.ac.uk/entity.

Cole, Toby, and Helen Krich Chinoy. 1963. Directors on Directing: A Source Book of the Modern Theatre. Revised ed. Indianapolis: Bobbs-Merrill.

‘Contemporary Theatre Review’. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Contemporary Theatre Review.

Cregan, David. 2009. Deviant Acts: Essays on Queer Performance. Dublin: Carysfort Press. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1008989&site=ehost-live&scope=site&custid=s1123049.

Delgado, Maria M., and Paul Heritage. 1996. In Contact with the Gods?: Directors Talk Theatre. Manchester: Manchester University Press.

Delgado, Maria M., and Dan Rebellato. 2010. Contemporary European Theatre Directors. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=257175&entityid=https://idp.brunel.ac.uk/entity.

Diamond, Elin. 1997. Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=2182&entityid=https://idp.brunel.ac.uk/entity.

Dixon, Michael Bigelow, Joel A. Smith, and Classics in Context Festival. 1995. Anne Bogart: Viewpoints. Vol. Career development series. Lyme, NH: Smith and Kraus.

Dolan, Jill. 1993. Presence and Desire: Essays on Gender, Sexuality, Performance. Vol. Critical perspectives on women and gender. Ann Arbor: University of Michigan Press.

———. 2012. The Feminist Spectator as Critic. 2nd ed. Ann Arbor: University of Michigan Press. http://lib.myilibrary.com/browse/open.asp?id=404565&entityid=https://idp.brunel.ac.uk/entity.

Donkin, Ellen, and Susan Clement. 1993. Upstaging Big Daddy: Directing Theater as If Gender and Race Matter. Ann Arbor: University of Michigan Press.

Donnellan, Declan. 2013. The Actor and the Target. London: Nick Hern Books. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=689978.

‘E.F.’s Visit to a Small Planet: Some Questions to Ask a Play’. 2004. Theater 34 (2): 4–9.

Fuchs, Elinor. 1996. The Death of Character: Perspectives on Theater after Modernism. Vol. Drama and performance studies. Bloomington, IL: Indiana University Press. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=23140&site=ehost-live&scope=site&custid=s1123049.

Godiwala, Dimple. 2007. Alternatives within the Mainstream: II: Queer Theatres in Post-War Britain. Newcastle: Cambridge Scholars Press. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1080676.

Goodman, Lizbeth, and Jane De Gay. 2000. The Routledge Reader in Politics and Performance. New York: Routledge. http://lib.myilibrary.com/browse/open.asp?id=32734&entityid=https://idp.brunel.ac.uk/entity.

Grehan, Helena. 2009. Performance, Ethics and Spectatorship in a Global Age. Vol. Studies in international performance. Basingstoke [England]: Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=250449&entityid=https://idp.brunel.ac.uk/entity.

Grotowski, Jerzy, and Eugenio Barba. 1976. Towards a Poor Theatre. Vol. Eyre Methuen dramabooks. London: Eyre Methuen. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site.

Hamilton, Clayton Meeker. n.d. The Theory of the Theatre, and Other Principles of Dramatic Criticism - Free Ebook. http://www.gutenberg.org/ebooks/13589.

Harvie, Jen, and Andy Lavender. 2010. Making Contemporary Theatre: International Rehearsal Processes. Manchester: Manchester University Press.

Jill, Dolan. 2007. ‘Critical Theory and Performance’. In Critical Theory and Performance, Rev. and enl. ed, Theater--theory/text/performance:334–54. Ann Arbor: University of Michigan Press. https://contentstore.cla.co.uk/secure/link?id=cb980248-b302-e811-80cd-005056af4099.

Jones, David Richard. 1992. Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. Berkeley: University of California Press.

Jory, Jon. 2002. TIPS. Hanover, IRELAND: Smith & Kraus. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1672467.

Kane, Sarah, and David Greig. 2001. ‘Complete Plays’. In Complete Plays, Methuen drama:9–18. London: Methuen Drama. https://contentstore.cla.co.uk/secure/link?id=71456179-a24a-e611-80bd-0cc47a6bddeb.

Lee, Sir Sidney. n.d. Shakespeare and the Modern Stage - Free Ebook. http://www.gutenberg.org/ebooks/18780.

Lehmann, Hans-Thies. 2006. Postdramatic Theatre. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=56283&entityid=https://idp.brunel.ac.uk/entity.

Lessing, Gotthold Ephraim. n.d. Hamburgische Dramaturgie - Free Ebook. http://www.gutenberg.org/ebooks/10055.

Luckhurst, Mary, and Gabriella Giannachi. 1999. On Directing: Interviews with Directors. London: Faber.

‘Lyric Hammersmith’. n.d. http://www.lyric.co.uk/.

Machon, Josephine. 2009. (Syn)Aesthetics: Redefining Visceral Performance. Basingstoke: Palgrave Macmillan. http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://idp.brunel.ac.uk/entity.

Mangan, Michael. 2003. Staging Masculinities: History, Gender, Performance. Basingstoke: Palgrave Macmillan.

Marinetti, Filippo Tommaso, Robert Willard Flint, and Arthur A. Coppotelli. 1972. Marinetti: Selected Writings. London: Secker and Warburg.

Marowitz, Charles. 1999. The Other Way: An Alternative Approach to Acting and Directing. New York: Applause.

Marowitz, Charles, and Charles Marowitz. 1986. Directing the Action: Acting and Directing in the Contemporary Theatre. Vol. The Applause acting series. New York, NY: Applause Theatre Books.

Marranca, Bonnie, Richard Foreman, Lee Breuer, and Robert Wilson. 1977. The Theatre of Images. 1st ed. New York: Drama Book Specialists.

McAuley, Gay. 1999. Space in Performance: Making Meaning in the Theatre. Vol. Theater--theory/text/performance. Ann Arbor, MI: University of Michigan Press.

Miles-Brown, John. 1980. Directing Drama. London: Peter Owen.

Mitchell, Katie, and Katie Mitchell. 2009. The Director’s Craft: A Handbook for the Theatre. London: Routledge. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203889701.

Mitter, Shomit. 1992. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=46357&entityid=https://idp.brunel.ac.uk/entity.

Mitter, Shomit, and Maria Shevtsova. 2005. Fifty Key Theatre Directors. Vol. Routledge key guides. London: Routledge. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=182175.

Nagler, A. M. 1959. A Source Book in Theatrical History: Sources of Theatrical History. New York: Dover. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1897559.

‘Performance Research’. n.d. https://cm7ly9cu9w.search.serialssolutions.com/ejp/?libHash=CM7LY9CU9W#/search/?searchControl=title&searchType=alternate_title_begins&criteria=Performance%20Research&titleType=JOURNALS&filterBy=All&beginPage=0&language=en-gb.

‘Performing Arts Journal’. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=cm7ly9cu9w&S=AC_T_B&C=Performing+arts+journal.

Rabkin, Gerald. 1999. Richard Foreman. Vol. PAJ books. Art + performance. Baltimore: Johns Hopkins University Press.

Schneider, Rebecca, and Gabrielle H. Cody. 2002. Re:Direction: A Theoretical and Practical Guide. Vol. Worlds of performance. London: Routledge. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=640797&site=ehost-live&scope=site.

Shevtsova, Maria, and C. D. Innes. 2009. Directors/Directing: Conversations on Theatre. New York: Cambridge University Press.

Sidiropoulou, Avra and ProQuest (Firm). 2011. Authoring Performance: The Director in Contemporary Theatre. 1st ed. New York: Palgrave Macmillan. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=815827.

Stanislavsky, Konstantin. 1967. My Life in Art. Harmondsworth: Penguin. http://lib.myilibrary.com/browse/open.asp?id=550067&entityid=https://idp.brunel.ac.uk/entity.

———. 2008. An Actor Prepares. London: Methuen Drama. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=668654.

Stanislavsky, Konstantin, and Elizabeth Reynolds Hapgood. 1949. Building a Character. London: Reinhardt & Evans. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1576062.

Stanislavsky, Konstantin, and Hermine I. Popper. 1987. Creating a Role. New York: Theatre Arts Books. http://lib.myilibrary.com/browse/open.asp?id=415228&entityid=https://idp.brunel.ac.uk/entity.

Stoppard, Tom, Helen Rappaport, and Anton Pavlovich Chekhov. 2009. The Cherry Orchard. London: Faber and Faber.

‘Studies in Theatre and Performance’. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Studies in Theatre and Performance.

‘TDR : Drama Review’. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=I_M&C=1054-2043.

‘The Deep Order Called Turbulence: The Three Faces of Dramaturgy’. 2000. TDR: The Drama Review 44 (4): 56–66. http://muse.jhu.edu/journals/the_drama_review/v044/44.4barba.html.

‘The Royal Court Theatre’. n.d. http://www.royalcourttheatre.com/.

‘Theatre Research International’. n.d. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Theatre+Research+International.

Turner, Cathy, and Synne K. Behrndt. 2016. Dramaturgy and Performance. Revised edition. London: Macmillan Education.

Vorlicky, Robert. 1995. Act like a Man: Challenging Masculinities in American Drama. Ann Arbor: University of Michigan Press.

Wandor, Michelene. 2001. Post-War British Drama: Looking Back in Gender. [Rev. and Updated ed.]. London: Routledge. http://lib.myilibrary.com/browse/open.asp?id=6815&entityid=https://idp.brunel.ac.uk/entity.

Wandor, Michelene, and Michelene Wandor. 1986. Carry on, Understudies: Theatre and Sexual Politics. (2nd ed.). London: Routledge & Kegan Paul. http://lib.myilibrary.com/browse/open.asp?id=7450&entityid=https://idp.brunel.ac.uk/entity.

Whitmore, Jon. 1994. Directing Postmodern Theater: Shaping Signification in Performance. Ann Arbor: University of Michigan Press.