Bibliography for DR1610 - Directing 1 Contexts, Theories and Practices BETA

[1]

T. Stoppard, H. Rappaport, and A. P. Chekhov, The cherry orchard. London: Faber and Faber, 2009.

[2]

E. Bentley, The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama, [New ed.]., vol. Modern classics. London: Penguin, 2008.

[3]

A. Bogart, A director prepares: seven essays on art and theatre. London: Routledge, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215

[4]

E. Braun, The director and the stage: from naturalism to Grotowski. London: Methuen, 1982.

[5]

T. Cole and H. K. Chinoy, Directors on directing: a source book of the modern theatre, Revised ed. Indianapolis: Bobbs-Merrill, 1963.

[6]

A. Artaud and V. Corti, The theatre and its double. Richmond, Surrey: Alma Books, 2013 [Online]. Available: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4826732

[7]

R. Boleslavsky, Acting: the first six lessons, vol. Theatre Arts book. New York: Routledge, 2003 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=5188&entityid=https://idp.brunel.ac.uk/entity

[8]

B. Brecht and J. Davis, Brecht on theatre, Third edition, Completely revised and Updated. London: Bloomsbury Metheun Drama, 2015 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=643885&entityid=https://idp.brunel.ac.uk/entity

[9]

B. Cardullo and R. Knopf, Theater of the avant-garde, 1890-1950: a critical anthology. New Haven: Yale University Press, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3420277

[10]

M. Chekhov and M. Powers, To the actor, [Rev. and Expanded ed. London: Routledge, 2002 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=568948&site=ehost-live&scope=site&custid=s1123049

[11]

H. Clurman, On directing. New York: Fireside Book, 1997.

[12]

C. M. Hamilton, The theory of the theatre, and other principles of dramatic criticism - Free Ebook. [Online]. Available: http://www.gutenberg.org/ebooks/13589

[13]

S. S. Lee, Shakespeare and the modern stage - Free Ebook. [Online]. Available: http://www.gutenberg.org/ebooks/18780

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G. E. Lessing, Hamburgische dramaturgie - Free Ebook. [Online]. Available: http://www.gutenberg.org/ebooks/10055

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F. T. Marinetti, R. W. Flint, and A. A. Coppotelli, Marinetti: selected writings. London: Secker and Warburg, 1972.

[16]

E. Braun and J. Pitches, Meyerhold on theatre, Fourth edition. London, [England]: Bloomsbury Methuen Drama, 2016 [Online]. Available: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195

[17]

E. Braun and J. Pitches, Meyerhold on theatre, Fourth edition. London, [England]: Bloomsbury Methuen Drama, 2016 [Online]. Available: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195

[18]

A. M. Nagler, A source book in theatrical history: sources of theatrical history. New York: Dover, 1959 [Online]. Available: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1897559

[19]

K. Stanislavsky, An actor prepares. London: Methuen Drama, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=668654

[20]

K. Stanislavsky and E. R. Hapgood, Building a character. London: Reinhardt & Evans, 1949 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1576062

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K. Stanislavsky and H. I. Popper, Creating a role. New York: Theatre Arts Books, 1987 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=415228&entityid=https://idp.brunel.ac.uk/entity

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K. Stanislavsky, My life in art. Harmondsworth: Penguin, 1967 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=550067&entityid=https://idp.brunel.ac.uk/entity

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J. Ahart, The director’s eye: a comprehensive textbook for directors and actors. Colorado Springs, Colo: Meriwether Pub, 2001.

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E. Aston, An introduction to feminism and theatre. London: Routledge, 1995 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=6799&entityid=https://idp.brunel.ac.uk/entity

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E. Aston, Feminist theatre practice: a handbook. London: Routledge, 1999 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=240345

[26]

G. Austin, Feminist theories for dramatic criticism. Ann Arbor: University of Michigan Press, 1990.

[27]

E. Barba, On directing and dramaturgy: burning the house. London: Routledge, 2010 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=244369&entityid=https://idp.brunel.ac.uk/entity

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‘The deep order called turbulence: the three faces of dramaturgy’, TDR: the drama review, vol. 44, no. 4, pp. 56–66, Jan. 2000 [Online]. Available: http://muse.jhu.edu/journals/the_drama_review/v044/44.4barba.html

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E. Barba, ‘The nature of dramaturgy: Describing actions at work’, New theatre quarterly, vol. 1, no. 01, Feb. 1985, doi: 10.1017/S0266464X00001421. [Online]. Available: http://journals.cambridge.org/action/displayFulltext?type=1&fid=3014724&jid=NTQ&volumeId=1&issueId=01&aid=3014720&bodyId=&membershipNumber=&societyETOCSession=

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C. Barker, Theatre games: a new approach to drama training, [New ed.]. London: Methuen Drama, 2010.

[31]

C. B. Balme, Decolonizing the stage: theatrical syncretism and post-colonial drama. Oxford: Clarendon Press, 1999.

[32]

J. Barton, Playing Shakespeare. London: Methuen Drama, 2009.

[33]

M. B. Dixon, J. A. Smith, and Classics in Context Festival, Anne Bogart: viewpoints, vol. Career development series. Lyme, NH: Smith and Kraus, 1995.

[34]

M. Bloom, Thinking like a director: a practical handbook. London: Faber and Faber, 2002.

[35]

A. Boal, Theatre of the oppressed, New ed., vol. Get political. London: Pluto Press, 2008 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386591

[36]

A. Bogart, A director prepares: seven essays on art and theatre. London: Routledge, 2001 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215

[37]

A. Bogart, And then, you act: making art in an unpredictable world. London: Routledge, 2007 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=87185&entityid=https://idp.brunel.ac.uk/entity

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A. Bogart, T. Landau, and Theatre Communications Group, The viewpoints book: a practical guide to viewpoints and composition. New York: Theatre Communications Group, 2005 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=684537&entityid=https://idp.brunel.ac.uk/entity

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P. Brook, The empty space, vol. Modern classics. London: Penguin Books, 2008.

[40]

D. Buchbinder, Masculinities and identities, vol. Interpretations. Carlton, Vic: Melbourne University Press, 1994.

[41]

I. Carruthers and Y. Takahashi, The theatre of Suzuki Tadashi, vol. Directors in perspective. Cambridge: Cambridge University Press, 2004.

[42]

S.-E. Case, Feminism and theatre. Oxfordshire, England: Routledge, 2014 [Online]. Available: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1779149

[43]

S.-E. Case, Performing feminisms: feminist critical theory and theatre. Baltimore: Johns Hopkins University Press, 1990.

[44]

S.-E. Case, Feminist and queer performance: critical strategies. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan, 2009.

[45]

S. L. Cole, Directors in rehearsal: a hidden world. New York: Routledge, 1992 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=542225&entityid=https://idp.brunel.ac.uk/entity

[46]

D. Cregan, Deviant acts: essays on queer performance. Dublin: Carysfort Press, 2009 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1008989&site=ehost-live&scope=site&custid=s1123049

[47]

M. M. Delgado and D. Rebellato, Contemporary European theatre directors. London: Routledge, 2010 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=257175&entityid=https://idp.brunel.ac.uk/entity

[48]

M. M. Delgado and P. Heritage, In contact with the gods?: directors talk theatre. Manchester: Manchester University Press, 1996.

[49]

E. Diamond, Unmaking mimesis: essays on feminism and theater. London: Routledge, 1997 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=2182&entityid=https://idp.brunel.ac.uk/entity

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J. Dolan, The feminist spectator as critic, 2nd ed. Ann Arbor: University of Michigan Press, 2012 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=404565&entityid=https://idp.brunel.ac.uk/entity

[51]

J. Dolan, Presence and desire: essays on gender, sexuality, performance, vol. Critical perspectives on women and gender. Ann Arbor: University of Michigan Press, 1993.

[52]

D. Jill, ‘Critical theory and performance’, in Critical theory and performance, Rev. and enl. Ed., vol. Theater--theory/text/performance, Ann Arbor: University of Michigan Press, 2007, pp. 334–354 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=cb980248-b302-e811-80cd-005056af4099

[53]

E. Donkin and S. Clement, Upstaging Big Daddy: directing theater as if gender and race matter. Ann Arbor: University of Michigan Press, 1993.

[54]

D. Donnellan, The Actor and the Target. London: Nick Hern Books, 2013 [Online]. Available: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=689978

[55]

E. Fuchs, The death of character: perspectives on theater after modernism, vol. Drama and performance studies. Bloomington, IL: Indiana University Press, 1996 [Online]. Available: http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=23140&site=ehost-live&scope=site&custid=s1123049

[56]

‘E.F.’s visit to a small planet: some questions to ask a play’, Theater, vol. 34, no. 2, pp. 4–9, 2004.

[57]

M. Luckhurst and G. Giannachi, On directing: interviews with directors. London: Faber, 1999.

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D. Godiwala, Alternatives within the mainstream: II: Queer theatres in post-war Britain. Newcastle: Cambridge Scholars Press, 2007 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1080676

[59]

L. Goodman and J. De Gay, The Routledge reader in politics and performance. New York: Routledge, 2000 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=32734&entityid=https://idp.brunel.ac.uk/entity

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H. Grehan, Performance, ethics and spectatorship in a global age, vol. Studies in international performance. Basingstoke [England]: Palgrave Macmillan, 2009 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=250449&entityid=https://idp.brunel.ac.uk/entity

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S. Kane and D. Greig, ‘Complete plays’, in Complete plays, vol. Methuen drama, London: Methuen Drama, 2001, pp. 9–18 [Online]. Available: https://contentstore.cla.co.uk/secure/link?id=71456179-a24a-e611-80bd-0cc47a6bddeb

[62]

J. Grotowski and E. Barba, Towards a poor theatre, vol. Eyre Methuen dramabooks. London: Eyre Methuen, 1976 [Online]. Available: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site

[63]

J. Harvie and A. Lavender, Making contemporary theatre: international rehearsal processes. Manchester: Manchester University Press, 2010.

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T. Brayshaw and N. Witts, The twentieth century performance reader, [3rd edition]. London: Routledge, 2014 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=526605&entityid=https://idp.brunel.ac.uk/entity

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D. R. Jones, Great directors at work: Stanislavsky, Brecht, Kazan, Brook. Berkeley: University of California Press, 1992.

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J. Jory, TIPS. Hanover, IRELAND: Smith & Kraus, 2002 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1672467

[67]

H.-T. Lehmann, Postdramatic theatre. London: Routledge, 2006 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=56283&entityid=https://idp.brunel.ac.uk/entity

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J. Machon, (Syn)aesthetics: redefining visceral performance. Basingstoke: Palgrave Macmillan, 2009 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://idp.brunel.ac.uk/entity

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M. Mangan, Staging masculinities: history, gender, performance. Basingstoke: Palgrave Macmillan, 2003.

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B. Marranca, R. Foreman, L. Breuer, and R. Wilson, The Theatre of images, 1st ed. New York: Drama Book Specialists, 1977.

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C. Marowitz, The other way: an alternative approach to acting and directing. New York: Applause, 1999.

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C. Marowitz and C. Marowitz, Directing the action: acting and directing in the contemporary theatre, vol. The Applause acting series. New York, NY: Applause Theatre Books, 1986.

[73]

G. McAuley, Space in performance: making meaning in the theatre, vol. Theater--theory/text/performance. Ann Arbor, MI: University of Michigan Press, 1999.

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J. Miles-Brown, Directing drama. London: Peter Owen, 1980.

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K. Mitchell and K. Mitchell, The director’s craft: a handbook for the theatre. London: Routledge, 2009 [Online]. Available: https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203889701

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S. Mitter, Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=46357&entityid=https://idp.brunel.ac.uk/entity

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S. Mitter and M. Shevtsova, Fifty key theatre directors, vol. Routledge key guides. London: Routledge, 2005 [Online]. Available: https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=182175

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G. Rabkin, Richard Foreman, vol. PAJ books. Art + performance. Baltimore: Johns Hopkins University Press, 1999.

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R. Schneider and G. H. Cody, Re:direction: a theoretical and practical guide, vol. Worlds of performance. London: Routledge, 2002 [Online]. Available: http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=640797&site=ehost-live&scope=site

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M. Shevtsova and C. D. Innes, Directors/directing: conversations on theatre. New York: Cambridge University Press, 2009.

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A. Sidiropoulou and ProQuest (Firm), Authoring performance: the director in contemporary theatre, 1st ed. New York: Palgrave Macmillan, 2011 [Online]. Available: http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=815827

[82]

C. Turner and S. K. Behrndt, Dramaturgy and performance, Revised edition. London: Macmillan Education, 2016.

[83]

R. Vorlicky, Act like a man: challenging masculinities in American drama. Ann Arbor: University of Michigan Press, 1995.

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M. Wandor and M. Wandor, Carry on, understudies: theatre and sexual politics, (2nd ed.). London: Routledge & Kegan Paul, 1986 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=7450&entityid=https://idp.brunel.ac.uk/entity

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M. Wandor, Post-war British drama: looking back in gender, [Rev. and Updated ed.]. London: Routledge, 2001 [Online]. Available: http://lib.myilibrary.com/browse/open.asp?id=6815&entityid=https://idp.brunel.ac.uk/entity

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J. Whitmore, Directing postmodern theater: shaping signification in performance. Ann Arbor: University of Michigan Press, 1994.

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