Ahart, John. The Director’s Eye: A Comprehensive Textbook for Directors and Actors. Colorado Springs, Colo: Meriwether Pub, 2001. Print.
Artaud, Antonin, and Victor Corti. The Theatre and Its Double. Richmond, Surrey: Alma Books, 2013. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4826732>.
Aston, Elaine. An Introduction to Feminism and Theatre. London: Routledge, 1995. Web. <http://lib.myilibrary.com/browse/open.asp?id=6799&entityid=https://idp.brunel.ac.uk/entity>.
---. Feminist Theatre Practice: A Handbook. London: Routledge, 1999. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=240345>.
Austin, Gayle. Feminist Theories for Dramatic Criticism. Ann Arbor: University of Michigan Press, 1990. Print.
Balme, Christopher B. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon Press, 1999. Print.
Barba, Eugenio. On Directing and Dramaturgy: Burning the House. London: Routledge, 2010. Web. <http://lib.myilibrary.com/browse/open.asp?id=244369&entityid=https://idp.brunel.ac.uk/entity>.
---. ‘The Nature of Dramaturgy: Describing Actions at Work’. New theatre quarterly 1.01 (1985): n. pag. Web. <http://journals.cambridge.org/action/displayFulltext?type=1&fid=3014724&jid=NTQ&volumeId=1&issueId=01&aid=3014720&bodyId=&membershipNumber=&societyETOCSession=>.
‘Barbican Theatre’. N.p., n.d. Web. <http://www.barbican.org.uk/theatre>.
Barker, Clive. Theatre Games: A New Approach to Drama Training. [New ed.]. London: Methuen Drama, 2010. Print.
Barton, John. Playing Shakespeare. London: Methuen Drama, 2009. Print.
‘Battersea Arts Centre’. N.p., n.d. Web. <http://www.bac.org.uk/>.
Bentley, Eric. The Theory of the Modern Stage: From Artaud to Zola, an Introduction to Modern Theatre and Drama. [New ed.]. Modern classics. London: Penguin, 2008. Print.
Bloom, Michael. Thinking like a Director: A Practical Handbook. London: Faber and Faber, 2002. Print.
Boal, Augusto. Theatre of the Oppressed. New ed. Get political. London: Pluto Press, 2008. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386591>.
Bogart, Anne. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge, 2001. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215>.
---. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge, 2001. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215>.
---. And Then, You Act: Making Art in an Unpredictable World. London: Routledge, 2007. Web. <http://lib.myilibrary.com/browse/open.asp?id=87185&entityid=https://idp.brunel.ac.uk/entity>.
Bogart, Anne, Tina Landau, and Theatre Communications Group. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. New York: Theatre Communications Group, 2005. Web. <http://lib.myilibrary.com/browse/open.asp?id=684537&entityid=https://idp.brunel.ac.uk/entity>.
Boleslavsky, Richard. Acting: The First Six Lessons. Theatre Arts book. New York: Routledge, 2003. Web. <http://lib.myilibrary.com/browse/open.asp?id=5188&entityid=https://idp.brunel.ac.uk/entity>.
Braun, Edward. The Director and the Stage: From Naturalism to Grotowski. London: Methuen, 1982. Print.
Braun, Edward, and Jonathan Pitches. Meyerhold on Theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama, 2016. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195>.
---. Meyerhold on Theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama, 2016. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195>.
Brayshaw, Teresa, and Noel Witts. The Twentieth Century Performance Reader. [3rd edition]. London: Routledge, 2014. Web. <http://lib.myilibrary.com/browse/open.asp?id=526605&entityid=https://idp.brunel.ac.uk/entity>.
Brecht, Bertolt, and Jack Davis. Brecht on Theatre. Ed. Marc Silberman, Steve Giles, and Tom Kuhn. Third edition, completely revised and updated. London: Bloomsbury Metheun Drama, 2015. Web. <http://lib.myilibrary.com/browse/open.asp?id=643885&entityid=https://idp.brunel.ac.uk/entity>.
Brook, Peter. The Empty Space. Modern classics. London: Penguin Books, 2008. Print.
Buchbinder, David. Masculinities and Identities. Interpretations. Carlton, Vic: Melbourne University Press, 1994. Print.
Cardullo, Bert, and Robert Knopf. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. New Haven: Yale University Press, 2001. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3420277>.
Carruthers, Ian, and Yasunari Takahashi. The Theatre of Suzuki Tadashi. Directors in perspective. Cambridge: Cambridge University Press, 2004. Print.
Case, Sue-Ellen. Feminism and Theatre. Oxfordshire, England: Routledge, 2014. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1779149>.
---. Feminist and Queer Performance: Critical Strategies. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan, 2009. Print.
---. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press, 1990. Print.
Chekhov, Michael, and Mala Powers. To the Actor. [Rev. and expanded ed. London: Routledge, 2002. Web. <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=568948&site=ehost-live&scope=site&custid=s1123049>.
Clurman, Harold. On Directing. New York: Fireside Book, 1997. Print.
Cole, Susan Letzler. Directors in Rehearsal: A Hidden World. New York: Routledge, 1992. Web. <http://lib.myilibrary.com/browse/open.asp?id=542225&entityid=https://idp.brunel.ac.uk/entity>.
Cole, Toby, and Helen Krich Chinoy. Directors on Directing: A Source Book of the Modern Theatre. Revised ed. Indianapolis: Bobbs-Merrill, 1963. Print.
‘Contemporary Theatre Review’. n. pag. Web. <http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Contemporary Theatre Review>.
Cregan, David. Deviant Acts: Essays on Queer Performance. Dublin: Carysfort Press, 2009. Web. <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1008989&site=ehost-live&scope=site&custid=s1123049>.
Delgado, Maria M., and Paul Heritage. In Contact with the Gods?: Directors Talk Theatre. Manchester: Manchester University Press, 1996. Print.
Delgado, Maria M., and Dan Rebellato. Contemporary European Theatre Directors. London: Routledge, 2010. Web. <http://lib.myilibrary.com/browse/open.asp?id=257175&entityid=https://idp.brunel.ac.uk/entity>.
Diamond, Elin. Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge, 1997. Web. <http://lib.myilibrary.com/browse/open.asp?id=2182&entityid=https://idp.brunel.ac.uk/entity>.
Dixon, Michael Bigelow, Joel A. Smith, and Classics in Context Festival. Anne Bogart: Viewpoints. Career development series. Lyme, NH: Smith and Kraus, 1995. Print.
Dolan, Jill. Presence and Desire: Essays on Gender, Sexuality, Performance. Critical perspectives on women and gender. Ann Arbor: University of Michigan Press, 1993. Print.
---. The Feminist Spectator as Critic. 2nd ed. Ann Arbor: University of Michigan Press, 2012. Web. <http://lib.myilibrary.com/browse/open.asp?id=404565&entityid=https://idp.brunel.ac.uk/entity>.
Donkin, Ellen, and Susan Clement. Upstaging Big Daddy: Directing Theater as If Gender and Race Matter. Ann Arbor: University of Michigan Press, 1993. Print.
Donnellan, Declan. The Actor and the Target. London: Nick Hern Books, 2013. Web. <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=689978>.
‘E.F.’s Visit to a Small Planet: Some Questions to Ask a Play’. Theater 34.2 (2004): 4–9. Print.
Fuchs, Elinor. The Death of Character: Perspectives on Theater after Modernism. Drama and performance studies. Bloomington, IL: Indiana University Press, 1996. Web. <http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=23140&site=ehost-live&scope=site&custid=s1123049>.
Godiwala, Dimple. Alternatives within the Mainstream: II: Queer Theatres in Post-War Britain. Newcastle: Cambridge Scholars Press, 2007. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1080676>.
Goodman, Lizbeth, and Jane De Gay. The Routledge Reader in Politics and Performance. New York: Routledge, 2000. Web. <http://lib.myilibrary.com/browse/open.asp?id=32734&entityid=https://idp.brunel.ac.uk/entity>.
Grehan, Helena. Performance, Ethics and Spectatorship in a Global Age. Studies in international performance. Basingstoke [England]: Palgrave Macmillan, 2009. Web. <http://lib.myilibrary.com/browse/open.asp?id=250449&entityid=https://idp.brunel.ac.uk/entity>.
Grotowski, Jerzy, and Eugenio Barba. Towards a Poor Theatre. Eyre Methuen dramabooks. London: Eyre Methuen, 1976. Web. <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site>.
Hamilton, Clayton Meeker. The Theory of the Theatre, and Other Principles of Dramatic Criticism - Free Ebook. N.p. Web. <http://www.gutenberg.org/ebooks/13589>.
Harvie, Jen, and Andy Lavender. Making Contemporary Theatre: International Rehearsal Processes. Manchester: Manchester University Press, 2010. Print.
Jill, Dolan. ‘Critical Theory and Performance’. Critical Theory and Performance. Rev. and enl. ed. Theater--theory/text/performance. Ann Arbor: University of Michigan Press, 2007. 334–354. Web. <https://contentstore.cla.co.uk/secure/link?id=cb980248-b302-e811-80cd-005056af4099>.
Jones, David Richard. Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. Berkeley: University of California Press, 1992. Print.
Jory, Jon. TIPS. Hanover, IRELAND: Smith & Kraus, 2002. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1672467>.
Kane, Sarah, and David Greig. ‘Complete Plays’. Complete Plays. Methuen drama. London: Methuen Drama, 2001. 9–18. Web. <https://contentstore.cla.co.uk/secure/link?id=71456179-a24a-e611-80bd-0cc47a6bddeb>.
Lee, Sir Sidney. Shakespeare and the Modern Stage - Free Ebook. N.p. Web. <http://www.gutenberg.org/ebooks/18780>.
Lehmann, Hans-Thies. Postdramatic Theatre. London: Routledge, 2006. Web. <http://lib.myilibrary.com/browse/open.asp?id=56283&entityid=https://idp.brunel.ac.uk/entity>.
Lessing, Gotthold Ephraim. Hamburgische Dramaturgie - Free Ebook. N.p. Web. <http://www.gutenberg.org/ebooks/10055>.
Luckhurst, Mary, and Gabriella Giannachi. On Directing: Interviews with Directors. London: Faber, 1999. Print.
‘Lyric Hammersmith’. N.p., n.d. Web. <http://www.lyric.co.uk/>.
Machon, Josephine. (Syn)Aesthetics: Redefining Visceral Performance. Basingstoke: Palgrave Macmillan, 2009. Web. <http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://idp.brunel.ac.uk/entity>.
Mangan, Michael. Staging Masculinities: History, Gender, Performance. Basingstoke: Palgrave Macmillan, 2003. Print.
Marinetti, Filippo Tommaso, Robert Willard Flint, and Arthur A. Coppotelli. Marinetti: Selected Writings. London: Secker and Warburg, 1972. Print.
Marowitz, Charles. The Other Way: An Alternative Approach to Acting and Directing. New York: Applause, 1999. Print.
Marowitz, Charles, and Charles Marowitz. Directing the Action: Acting and Directing in the Contemporary Theatre. The Applause acting series. New York, NY: Applause Theatre Books, 1986. Print.
Marranca, Bonnie et al. The Theatre of Images. 1st ed. New York: Drama Book Specialists, 1977. Print.
McAuley, Gay. Space in Performance: Making Meaning in the Theatre. Theater--theory/text/performance. Ann Arbor, MI: University of Michigan Press, 1999. Print.
Miles-Brown, John. Directing Drama. London: Peter Owen, 1980. Print.
Mitchell, Katie, and Katie Mitchell. The Director’s Craft: A Handbook for the Theatre. London: Routledge, 2009. Web. <https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203889701>.
Mitter, Shomit. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge, 1992. Web. <http://lib.myilibrary.com/browse/open.asp?id=46357&entityid=https://idp.brunel.ac.uk/entity>.
Mitter, Shomit, and Maria Shevtsova. Fifty Key Theatre Directors. Routledge key guides. London: Routledge, 2005. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=182175>.
Nagler, A. M. A Source Book in Theatrical History: Sources of Theatrical History. New York: Dover, 1959. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1897559>.
‘Performance Research’. n. pag. Web. <https://cm7ly9cu9w.search.serialssolutions.com/ejp/?libHash=CM7LY9CU9W#/search/?searchControl=title&searchType=alternate_title_begins&criteria=Performance%20Research&titleType=JOURNALS&filterBy=All&beginPage=0&language=en-gb>.
‘Performing Arts Journal’. n. pag. Web. <http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=cm7ly9cu9w&S=AC_T_B&C=Performing+arts+journal>.
Rabkin, Gerald. Richard Foreman. PAJ books. Art + performance. Baltimore: Johns Hopkins University Press, 1999. Print.
Schneider, Rebecca, and Gabrielle H. Cody. Re:Direction: A Theoretical and Practical Guide. Worlds of performance. London: Routledge, 2002. Web. <http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=640797&site=ehost-live&scope=site>.
Shevtsova, Maria, and C. D. Innes. Directors/Directing: Conversations on Theatre. New York: Cambridge University Press, 2009. Print.
Sidiropoulou, Avra and ProQuest (Firm). Authoring Performance: The Director in Contemporary Theatre. 1st ed. New York: Palgrave Macmillan, 2011. Web. <http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=815827>.
Stanislavsky, Konstantin. An Actor Prepares. London: Methuen Drama, 2008. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=668654>.
---. My Life in Art. Harmondsworth: Penguin, 1967. Web. <http://lib.myilibrary.com/browse/open.asp?id=550067&entityid=https://idp.brunel.ac.uk/entity>.
Stanislavsky, Konstantin, and Elizabeth Reynolds Hapgood. Building a Character. London: Reinhardt & Evans, 1949. Web. <https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1576062>.
Stanislavsky, Konstantin, and Hermine I. Popper. Creating a Role. New York: Theatre Arts Books, 1987. Web. <http://lib.myilibrary.com/browse/open.asp?id=415228&entityid=https://idp.brunel.ac.uk/entity>.
Stoppard, Tom, Helen Rappaport, and Anton Pavlovich Chekhov. The Cherry Orchard. London: Faber and Faber, 2009. Print.
‘Studies in Theatre and Performance’. n. pag. Web. <http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Studies in Theatre and Performance>.
‘TDR : Drama Review’. n. pag. Web. <http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=I_M&C=1054-2043>.
‘The Deep Order Called Turbulence: The Three Faces of Dramaturgy’. TDR: the drama review 44.4 (2000): 56–66. Web. <http://muse.jhu.edu/journals/the_drama_review/v044/44.4barba.html>.
‘The Royal Court Theatre’. N.p., n.d. Web. <http://www.royalcourttheatre.com/>.
‘Theatre Research International’. n. pag. Web. <http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Theatre+Research+International>.
Turner, Cathy, and Synne K. Behrndt. Dramaturgy and Performance. Revised edition. London: Macmillan Education, 2016. Print.
Vorlicky, Robert. Act like a Man: Challenging Masculinities in American Drama. Ann Arbor: University of Michigan Press, 1995. Print.
Wandor, Michelene. Post-War British Drama: Looking Back in Gender. [Rev. and updated ed.]. London: Routledge, 2001. Web. <http://lib.myilibrary.com/browse/open.asp?id=6815&entityid=https://idp.brunel.ac.uk/entity>.
Wandor, Michelene, and Michelene Wandor. Carry on, Understudies: Theatre and Sexual Politics. (2nd ed.). London: Routledge & Kegan Paul, 1986. Web. <http://lib.myilibrary.com/browse/open.asp?id=7450&entityid=https://idp.brunel.ac.uk/entity>.
Whitmore, Jon. Directing Postmodern Theater: Shaping Signification in Performance. Ann Arbor: University of Michigan Press, 1994. Print.
