1.
Stoppard, T., Rappaport, H. & Chekhov, A. P. The cherry orchard. (Faber and Faber, 2009).
2.
Bentley, E. The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. vol. Modern classics (Penguin, 2008).
3.
Bogart, A. A director prepares: seven essays on art and theatre. (Routledge, 2001).
4.
Braun, E. The director and the stage: from naturalism to Grotowski. (Methuen, 1982).
5.
Cole, T. & Chinoy, H. K. Directors on directing: a source book of the modern theatre. (Bobbs-Merrill, 1963).
6.
Artaud, A. & Corti, V. The theatre and its double. (Alma Books, 2013).
7.
Boleslavsky, R. Acting: the first six lessons. vol. Theatre Arts book (Routledge, 2003).
8.
Brecht, B. & Davis, J. Brecht on theatre. (Bloomsbury Metheun Drama, 2015).
9.
Cardullo, B. & Knopf, R. Theater of the avant-garde, 1890-1950: a critical anthology. (Yale University Press, 2001).
10.
Chekhov, M. & Powers, M. To the actor. (Routledge, 2002).
11.
Clurman, H. On directing. (Fireside Book, 1997).
12.
Hamilton, C. M. The theory of the theatre, and other principles of dramatic criticism - Free Ebook.
13.
Lee, S. S. Shakespeare and the modern stage - Free Ebook.
14.
Lessing, G. E. Hamburgische dramaturgie - Free Ebook.
15.
Marinetti, F. T., Flint, R. W. & Coppotelli, A. A. Marinetti: selected writings. (Secker and Warburg, 1972).
16.
Braun, E. & Pitches, J. Meyerhold on theatre. (Bloomsbury Methuen Drama, 2016).
17.
Braun, E. & Pitches, J. Meyerhold on theatre. (Bloomsbury Methuen Drama, 2016).
18.
Nagler, A. M. A source book in theatrical history: sources of theatrical history. (Dover, 1959).
19.
Stanislavsky, K. An actor prepares. (Methuen Drama, 2008).
20.
Stanislavsky, K. & Hapgood, E. R. Building a character. (Reinhardt & Evans, 1949).
21.
Stanislavsky, K. & Popper, H. I. Creating a role. (Theatre Arts Books, 1987).
22.
Stanislavsky, K. My life in art. (Penguin, 1967).
23.
Ahart, J. The director’s eye: a comprehensive textbook for directors and actors. (Meriwether Pub, 2001).
24.
Aston, E. An introduction to feminism and theatre. (Routledge, 1995).
25.
Aston, E. Feminist theatre practice: a handbook. (Routledge, 1999).
26.
Austin, G. Feminist theories for dramatic criticism. (University of Michigan Press, 1990).
27.
Barba, E. On directing and dramaturgy: burning the house. (Routledge, 2010).
28.
The deep order called turbulence: the three faces of dramaturgy. TDR: the drama review 44, 56–66 (2000).
29.
Barba, E. The nature of dramaturgy: Describing actions at work. New theatre quarterly 1, (1985).
30.
Barker, C. Theatre games: a new approach to drama training. (Methuen Drama, 2010).
31.
Balme, C. B. Decolonizing the stage: theatrical syncretism and post-colonial drama. (Clarendon Press, 1999).
32.
Barton, J. Playing Shakespeare. (Methuen Drama, 2009).
33.
Dixon, M. B., Smith, J. A., & Classics in Context Festival. Anne Bogart: viewpoints. vol. Career development series (Smith and Kraus, 1995).
34.
Bloom, M. Thinking like a director: a practical handbook. (Faber and Faber, 2002).
35.
Boal, A. Theatre of the oppressed. vol. Get political (Pluto Press, 2008).
36.
Bogart, A. A director prepares: seven essays on art and theatre. (Routledge, 2001).
37.
Bogart, A. And then, you act: making art in an unpredictable world. (Routledge, 2007).
38.
Bogart, A., Landau, T., & Theatre Communications Group. The viewpoints book: a practical guide to viewpoints and composition. (Theatre Communications Group, 2005).
39.
Brook, P. The empty space. vol. Modern classics (Penguin Books, 2008).
40.
Buchbinder, D. Masculinities and identities. vol. Interpretations (Melbourne University Press, 1994).
41.
Carruthers, I. & Takahashi, Y. The theatre of Suzuki Tadashi. vol. Directors in perspective (Cambridge University Press, 2004).
42.
Case, S.-E. Feminism and theatre. (Routledge, 2014).
43.
Case, S.-E. Performing feminisms: feminist critical theory and theatre. (Johns Hopkins University Press, 1990).
44.
Case, S.-E. Feminist and queer performance: critical strategies. (Palgrave Macmillan, 2009).
45.
Cole, S. L. Directors in rehearsal: a hidden world. (Routledge, 1992).
46.
Cregan, D. Deviant acts: essays on queer performance. (Carysfort Press, 2009).
47.
Delgado, M. M. & Rebellato, D. Contemporary European theatre directors. (Routledge, 2010).
48.
Delgado, M. M. & Heritage, P. In contact with the gods?: directors talk theatre. (Manchester University Press, 1996).
49.
Diamond, E. Unmaking mimesis: essays on feminism and theater. (Routledge, 1997).
50.
Dolan, J. The feminist spectator as critic. (University of Michigan Press, 2012).
51.
Dolan, J. Presence and desire: essays on gender, sexuality, performance. vol. Critical perspectives on women and gender (University of Michigan Press, 1993).
52.
Jill, D. Critical theory and performance. in Critical theory and performance vol. Theater--theory/text/performance 334–354 (University of Michigan Press, 2007).
53.
Donkin, E. & Clement, S. Upstaging Big Daddy: directing theater as if gender and race matter. (University of Michigan Press, 1993).
54.
Donnellan, D. The Actor and the Target. (Nick Hern Books, 2013).
55.
Fuchs, E. The death of character: perspectives on theater after modernism. vol. Drama and performance studies (Indiana University Press, 1996).
56.
E.F.’s visit to a small planet: some questions to ask a play. Theater 34, 4–9 (2004).
57.
Luckhurst, M. & Giannachi, G. On directing: interviews with directors. (Faber, 1999).
58.
Godiwala, D. Alternatives within the mainstream: II: Queer theatres in post-war Britain. (Cambridge Scholars Press, 2007).
59.
Goodman, L. & De Gay, J. The Routledge reader in politics and performance. (Routledge, 2000).
60.
Grehan, H. Performance, ethics and spectatorship in a global age. vol. Studies in international performance (Palgrave Macmillan, 2009).
61.
Kane, S. & Greig, D. Complete plays. in Complete plays vol. Methuen drama 9–18 (Methuen Drama, 2001).
62.
Grotowski, J. & Barba, E. Towards a poor theatre. vol. Eyre Methuen dramabooks (Eyre Methuen, 1976).
63.
Harvie, J. & Lavender, A. Making contemporary theatre: international rehearsal processes. (Manchester University Press, 2010).
64.
Brayshaw, T. & Witts, N. The twentieth century performance reader. (Routledge, 2014).
65.
Jones, D. R. Great directors at work: Stanislavsky, Brecht, Kazan, Brook. (University of California Press, 1992).
66.
Jory, J. TIPS. (Smith & Kraus, 2002).
67.
Lehmann, H.-T. Postdramatic theatre. (Routledge, 2006).
68.
Machon, J. (Syn)aesthetics: redefining visceral performance. (Palgrave Macmillan, 2009).
69.
Mangan, M. Staging masculinities: history, gender, performance. (Palgrave Macmillan, 2003).
70.
Marranca, B., Foreman, R., Breuer, L. & Wilson, R. The Theatre of images. (Drama Book Specialists, 1977).
71.
Marowitz, C. The other way: an alternative approach to acting and directing. (Applause, 1999).
72.
Marowitz, C. & Marowitz, C. Directing the action: acting and directing in the contemporary theatre. vol. The Applause acting series (Applause Theatre Books, 1986).
73.
McAuley, G. Space in performance: making meaning in the theatre. vol. Theater--theory/text/performance (University of Michigan Press, 1999).
74.
Miles-Brown, J. Directing drama. (Peter Owen, 1980).
75.
Mitchell, K. & Mitchell, K. The director’s craft: a handbook for the theatre. (Routledge, 2009).
76.
Mitter, S. Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. (Routledge, 1992).
77.
Mitter, S. & Shevtsova, M. Fifty key theatre directors. vol. Routledge key guides (Routledge, 2005).
78.
Rabkin, G. Richard Foreman. vol. PAJ books. Art + performance (Johns Hopkins University Press, 1999).
79.
Schneider, R. & Cody, G. H. Re:direction: a theoretical and practical guide. vol. Worlds of performance (Routledge, 2002).
80.
Shevtsova, M. & Innes, C. D. Directors/directing: conversations on theatre. (Cambridge University Press, 2009).
81.
Sidiropoulou, A. & ProQuest (Firm). Authoring performance: the director in contemporary theatre. (Palgrave Macmillan, 2011).
82.
Turner, C. & Behrndt, S. K. Dramaturgy and performance. (Macmillan Education, 2016).
83.
Vorlicky, R. Act like a man: challenging masculinities in American drama. (University of Michigan Press, 1995).
84.
Wandor, M. & Wandor, M. Carry on, understudies: theatre and sexual politics. (Routledge & Kegan Paul, 1986).
85.
Wandor, M. Post-war British drama: looking back in gender. (Routledge, 2001).
86.
Whitmore, J. Directing postmodern theater: shaping signification in performance. (University of Michigan Press, 1994).
87.
TDR : Drama review.
88.
Performing arts journal.
89.
Contemporary theatre review.
90.
Performance research.
91.
Studies in Theatre and Performance.
92.
Theatre research international.
93.
Barbican Theatre. http://www.barbican.org.uk/theatre.
94.
Battersea Arts Centre. http://www.bac.org.uk/.
95.
Lyric Hammersmith. http://www.lyric.co.uk/.
96.
The Royal Court Theatre. http://www.royalcourttheatre.com/.