1
Stoppard T, Rappaport H, Chekhov AP. The cherry orchard. London: : Faber and Faber 2009.
2
Bentley E. The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. [New ed.]. London: : Penguin 2008.
3
Bogart A. A director prepares: seven essays on art and theatre. London: : Routledge 2001. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215
4
Braun E. The director and the stage: from naturalism to Grotowski. London: : Methuen 1982.
5
Cole T, Chinoy HK. Directors on directing: a source book of the modern theatre. Revised ed. Indianapolis: : Bobbs-Merrill 1963.
6
Artaud A, Corti V. The theatre and its double. Richmond, Surrey: : Alma Books 2013. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4826732
7
Boleslavsky R. Acting: the first six lessons. New York: : Routledge 2003. http://lib.myilibrary.com/browse/open.asp?id=5188&entityid=https://idp.brunel.ac.uk/entity
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Brecht B, Davis J. Brecht on theatre. Third edition, completely revised and updated. London: : Bloomsbury Metheun Drama 2015. http://lib.myilibrary.com/browse/open.asp?id=643885&entityid=https://idp.brunel.ac.uk/entity
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Cardullo B, Knopf R. Theater of the avant-garde, 1890-1950: a critical anthology. New Haven: : Yale University Press 2001. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3420277
10
Chekhov M, Powers M. To the actor. [Rev. and expanded ed. London: : Routledge 2002. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=568948&site=ehost-live&scope=site&custid=s1123049
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Clurman H. On directing. New York: : Fireside Book 1997.
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Hamilton CM. The theory of the theatre, and other principles of dramatic criticism - Free Ebook. http://www.gutenberg.org/ebooks/13589
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Lee SS. Shakespeare and the modern stage - Free Ebook. http://www.gutenberg.org/ebooks/18780
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Lessing GE. Hamburgische dramaturgie - Free Ebook. http://www.gutenberg.org/ebooks/10055
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Marinetti FT, Flint RW, Coppotelli AA. Marinetti: selected writings. London: : Secker and Warburg 1972.
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Braun E, Pitches J. Meyerhold on theatre. Fourth edition. London, [England]: : Bloomsbury Methuen Drama 2016. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195
17
Braun E, Pitches J. Meyerhold on theatre. Fourth edition. London, [England]: : Bloomsbury Methuen Drama 2016. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=4181195
18
Nagler AM. A source book in theatrical history: sources of theatrical history. New York: : Dover 1959. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1897559
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Stanislavsky K. An actor prepares. London: : Methuen Drama 2008. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=668654
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Stanislavsky K, Hapgood ER. Building a character. London: : Reinhardt & Evans 1949. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1576062
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Stanislavsky K, Popper HI. Creating a role. New York: : Theatre Arts Books 1987. http://lib.myilibrary.com/browse/open.asp?id=415228&entityid=https://idp.brunel.ac.uk/entity
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Stanislavsky K. My life in art. Harmondsworth: : Penguin 1967. http://lib.myilibrary.com/browse/open.asp?id=550067&entityid=https://idp.brunel.ac.uk/entity
23
Ahart J. The director’s eye: a comprehensive textbook for directors and actors. Colorado Springs, Colo: : Meriwether Pub 2001.
24
Aston E. An introduction to feminism and theatre. London: : Routledge 1995. http://lib.myilibrary.com/browse/open.asp?id=6799&entityid=https://idp.brunel.ac.uk/entity
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Aston E. Feminist theatre practice: a handbook. London: : Routledge 1999. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=240345
26
Austin G. Feminist theories for dramatic criticism. Ann Arbor: : University of Michigan Press 1990.
27
Barba E. On directing and dramaturgy: burning the house. London: : Routledge 2010. http://lib.myilibrary.com/browse/open.asp?id=244369&entityid=https://idp.brunel.ac.uk/entity
28
The deep order called turbulence: the three faces of dramaturgy. TDR: the drama review 2000;44:56–66.http://muse.jhu.edu/journals/the_drama_review/v044/44.4barba.html
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Barba E. The nature of dramaturgy: Describing actions at work. New theatre quarterly 1985;1. doi:10.1017/S0266464X00001421
30
Barker C. Theatre games: a new approach to drama training. [New ed.]. London: : Methuen Drama 2010.
31
Balme CB. Decolonizing the stage: theatrical syncretism and post-colonial drama. Oxford: : Clarendon Press 1999.
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Barton J. Playing Shakespeare. London: : Methuen Drama 2009.
33
Dixon MB, Smith JA, Classics in Context Festival. Anne Bogart: viewpoints. Lyme, NH: : Smith and Kraus 1995.
34
Bloom M. Thinking like a director: a practical handbook. London: : Faber and Faber 2002.
35
Boal A. Theatre of the oppressed. New ed. London: : Pluto Press 2008. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3386591
36
Bogart A. A director prepares: seven essays on art and theatre. London: : Routledge 2001. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=3060215
37
Bogart A. And then, you act: making art in an unpredictable world. London: : Routledge 2007. http://lib.myilibrary.com/browse/open.asp?id=87185&entityid=https://idp.brunel.ac.uk/entity
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Bogart A, Landau T, Theatre Communications Group. The viewpoints book: a practical guide to viewpoints and composition. New York: : Theatre Communications Group 2005. http://lib.myilibrary.com/browse/open.asp?id=684537&entityid=https://idp.brunel.ac.uk/entity
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Brook P. The empty space. London: : Penguin Books 2008.
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Buchbinder D. Masculinities and identities. Carlton, Vic: : Melbourne University Press 1994.
41
Carruthers I, Takahashi Y. The theatre of Suzuki Tadashi. Cambridge: : Cambridge University Press 2004.
42
Case S-E. Feminism and theatre. Oxfordshire, England: : Routledge 2014. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1779149
43
Case S-E. Performing feminisms: feminist critical theory and theatre. Baltimore: : Johns Hopkins University Press 1990.
44
Case S-E. Feminist and queer performance: critical strategies. Houndmills, Basingstoke, Hampshire [England]: : Palgrave Macmillan 2009.
45
Cole SL. Directors in rehearsal: a hidden world. New York: : Routledge 1992. http://lib.myilibrary.com/browse/open.asp?id=542225&entityid=https://idp.brunel.ac.uk/entity
46
Cregan D. Deviant acts: essays on queer performance. Dublin: : Carysfort Press 2009. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=1008989&site=ehost-live&scope=site&custid=s1123049
47
Delgado MM, Rebellato D. Contemporary European theatre directors. London: : Routledge 2010. http://lib.myilibrary.com/browse/open.asp?id=257175&entityid=https://idp.brunel.ac.uk/entity
48
Delgado MM, Heritage P. In contact with the gods?: directors talk theatre. Manchester: : Manchester University Press 1996.
49
Diamond E. Unmaking mimesis: essays on feminism and theater. London: : Routledge 1997. http://lib.myilibrary.com/browse/open.asp?id=2182&entityid=https://idp.brunel.ac.uk/entity
50
Dolan J. The feminist spectator as critic. 2nd ed. Ann Arbor: : University of Michigan Press 2012. http://lib.myilibrary.com/browse/open.asp?id=404565&entityid=https://idp.brunel.ac.uk/entity
51
Dolan J. Presence and desire: essays on gender, sexuality, performance. Ann Arbor: : University of Michigan Press 1993.
52
Jill D. Critical theory and performance. In: Critical theory and performance. Ann Arbor: : University of Michigan Press 2007. 334–54.https://contentstore.cla.co.uk/secure/link?id=cb980248-b302-e811-80cd-005056af4099
53
Donkin E, Clement S. Upstaging Big Daddy: directing theater as if gender and race matter. Ann Arbor: : University of Michigan Press 1993.
54
Donnellan D. The Actor and the Target. London: : Nick Hern Books 2013. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&db=nlebk&db=nlabk&site=ehost-live&scope=site&AN=689978
55
Fuchs E. The death of character: perspectives on theater after modernism. Bloomington, IL: : Indiana University Press 1996. http://search.ebscohost.com/login.aspx?direct=true&AuthType=ip,shib&db=nlebk&AN=23140&site=ehost-live&scope=site&custid=s1123049
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E.F.’s visit to a small planet: some questions to ask a play. Theater 2004;34:4–9.
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Luckhurst M, Giannachi G. On directing: interviews with directors. London: : Faber 1999.
58
Godiwala D. Alternatives within the mainstream: II: Queer theatres in post-war Britain. Newcastle: : Cambridge Scholars Press 2007. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1080676
59
Goodman L, De Gay J. The Routledge reader in politics and performance. New York: : Routledge 2000. http://lib.myilibrary.com/browse/open.asp?id=32734&entityid=https://idp.brunel.ac.uk/entity
60
Grehan H. Performance, ethics and spectatorship in a global age. Basingstoke [England]: : Palgrave Macmillan 2009. http://lib.myilibrary.com/browse/open.asp?id=250449&entityid=https://idp.brunel.ac.uk/entity
61
Kane S, Greig D. Complete plays. In: Complete plays. London: : Methuen Drama 2001. 9–18.https://contentstore.cla.co.uk/secure/link?id=71456179-a24a-e611-80bd-0cc47a6bddeb
62
Grotowski J, Barba E. Towards a poor theatre. London: : Eyre Methuen 1976. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=507082&site=ehost-live&scope=site
63
Harvie J, Lavender A. Making contemporary theatre: international rehearsal processes. Manchester: : Manchester University Press 2010.
64
Brayshaw T, Witts N. The twentieth century performance reader. [3rd edition]. London: : Routledge 2014. http://lib.myilibrary.com/browse/open.asp?id=526605&entityid=https://idp.brunel.ac.uk/entity
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Jones DR. Great directors at work: Stanislavsky, Brecht, Kazan, Brook. Berkeley: : University of California Press 1992.
66
Jory J. TIPS. Hanover, IRELAND: : Smith & Kraus 2002. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=1672467
67
Lehmann H-T. Postdramatic theatre. London: : Routledge 2006. http://lib.myilibrary.com/browse/open.asp?id=56283&entityid=https://idp.brunel.ac.uk/entity
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Machon J. (Syn)aesthetics: redefining visceral performance. Basingstoke: : Palgrave Macmillan 2009. http://lib.myilibrary.com/browse/open.asp?id=250753&entityid=https://idp.brunel.ac.uk/entity
69
Mangan M. Staging masculinities: history, gender, performance. Basingstoke: : Palgrave Macmillan 2003.
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Marranca B, Foreman R, Breuer L, et al. The Theatre of images. 1st ed. New York: : Drama Book Specialists 1977.
71
Marowitz C. The other way: an alternative approach to acting and directing. New York: : Applause 1999.
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Marowitz C, Marowitz C. Directing the action: acting and directing in the contemporary theatre. New York, NY: : Applause Theatre Books 1986.
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McAuley G. Space in performance: making meaning in the theatre. Ann Arbor, MI: : University of Michigan Press 1999.
74
Miles-Brown J. Directing drama. London: : Peter Owen 1980.
75
Mitchell K, Mitchell K. The director’s craft: a handbook for the theatre. London: : Routledge 2009. https://www.vlebooks.com/vleweb/product/openreader?id=Brunel&isbn=9780203889701
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Mitter S. Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: : Routledge 1992. http://lib.myilibrary.com/browse/open.asp?id=46357&entityid=https://idp.brunel.ac.uk/entity
77
Mitter S, Shevtsova M. Fifty key theatre directors. London: : Routledge 2005. https://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=182175
78
Rabkin G. Richard Foreman. Baltimore: : Johns Hopkins University Press 1999.
79
Schneider R, Cody GH. Re:direction: a theoretical and practical guide. London: : Routledge 2002. http://search.ebscohost.com/login.aspx?authtype=ip,shib&custid=s1123049&direct=true&defaultdb=nlebk&AN=640797&site=ehost-live&scope=site
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Shevtsova M, Innes CD. Directors/directing: conversations on theatre. New York: : Cambridge University Press 2009.
81
Sidiropoulou A, ProQuest (Firm). Authoring performance: the director in contemporary theatre. 1st ed. New York: : Palgrave Macmillan 2011. http://ebookcentral.proquest.com/lib/brunelu/detail.action?docID=815827
82
Turner C, Behrndt SK. Dramaturgy and performance. Revised edition. London: : Macmillan Education 2016.
83
Vorlicky R. Act like a man: challenging masculinities in American drama. Ann Arbor: : University of Michigan Press 1995.
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Wandor M, Wandor M. Carry on, understudies: theatre and sexual politics. (2nd ed.). London: : Routledge & Kegan Paul 1986. http://lib.myilibrary.com/browse/open.asp?id=7450&entityid=https://idp.brunel.ac.uk/entity
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Wandor M. Post-war British drama: looking back in gender. [Rev. and updated ed.]. London: : Routledge 2001. http://lib.myilibrary.com/browse/open.asp?id=6815&entityid=https://idp.brunel.ac.uk/entity
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Whitmore J. Directing postmodern theater: shaping signification in performance. Ann Arbor: : University of Michigan Press 1994.
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TDR : Drama review. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=I_M&C=1054-2043
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Contemporary theatre review. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Contemporary Theatre Review
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Performance research. https://cm7ly9cu9w.search.serialssolutions.com/ejp/?libHash=CM7LY9CU9W#/search/?searchControl=title&searchType=alternate_title_begins&criteria=Performance%20Research&titleType=JOURNALS&filterBy=All&beginPage=0&language=en-gb
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Theatre research international. http://cm7ly9cu9w.search.serialssolutions.com/?V=1.0&N=100&L=CM7LY9CU9W&S=A_T_B&C=Theatre+Research+International
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Barbican Theatre. http://www.barbican.org.uk/theatre
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Battersea Arts Centre. http://www.bac.org.uk/
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Lyric Hammersmith. http://www.lyric.co.uk/
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The Royal Court Theatre. http://www.royalcourttheatre.com/
