1.
Stoppard, T., Rappaport, H., Chekhov, A.P.: The cherry orchard. Faber and Faber, London (2009).
2.
Bentley, E.: The theory of the modern stage: from Artaud to Zola, an introduction to modern theatre and drama. Penguin, London (2008).
3.
Bogart, A.: A director prepares: seven essays on art and theatre. Routledge, London (2001).
4.
Braun, E.: The director and the stage: from naturalism to Grotowski. Methuen, London (1982).
5.
Cole, T., Chinoy, H.K.: Directors on directing: a source book of the modern theatre. Bobbs-Merrill, Indianapolis (1963).
6.
Artaud, A., Corti, V.: The theatre and its double. Alma Books, Richmond, Surrey (2013).
7.
Boleslavsky, R.: Acting: the first six lessons. Routledge, New York (2003).
8.
Brecht, B., Davis, J.: Brecht on theatre. Bloomsbury Metheun Drama, London (2015).
9.
Cardullo, B., Knopf, R.: Theater of the avant-garde, 1890-1950: a critical anthology. Yale University Press, New Haven (2001).
10.
Chekhov, M., Powers, M.: To the actor. Routledge, London (2002).
11.
Clurman, H.: On directing. Fireside Book, New York (1997).
12.
Hamilton, C.M.: The theory of the theatre, and other principles of dramatic criticism - Free Ebook.
13.
Lee, S.S.: Shakespeare and the modern stage - Free Ebook.
14.
Lessing, G.E.: Hamburgische dramaturgie - Free Ebook.
15.
Marinetti, F.T., Flint, R.W., Coppotelli, A.A.: Marinetti: selected writings. Secker and Warburg, London (1972).
16.
Braun, E., Pitches, J.: Meyerhold on theatre. Bloomsbury Methuen Drama, London, [England] (2016).
17.
Braun, E., Pitches, J.: Meyerhold on theatre. Bloomsbury Methuen Drama, London, [England] (2016).
18.
Nagler, A.M.: A source book in theatrical history: sources of theatrical history. Dover, New York (1959).
19.
Stanislavsky, K.: An actor prepares. Methuen Drama, London (2008).
20.
Stanislavsky, K., Hapgood, E.R.: Building a character. Reinhardt & Evans, London (1949).
21.
Stanislavsky, K., Popper, H.I.: Creating a role. Theatre Arts Books, New York (1987).
22.
Stanislavsky, K.: My life in art. Penguin, Harmondsworth (1967).
23.
Ahart, J.: The director’s eye: a comprehensive textbook for directors and actors. Meriwether Pub, Colorado Springs, Colo (2001).
24.
Aston, E.: An introduction to feminism and theatre. Routledge, London (1995).
25.
Aston, E.: Feminist theatre practice: a handbook. Routledge, London (1999).
26.
Austin, G.: Feminist theories for dramatic criticism. University of Michigan Press, Ann Arbor (1990).
27.
Barba, E.: On directing and dramaturgy: burning the house. Routledge, London (2010).
28.
The deep order called turbulence: the three faces of dramaturgy. TDR: the drama review. 44, 56–66 (2000).
29.
Barba, E.: The nature of dramaturgy: Describing actions at work. New theatre quarterly. 1, (1985). https://doi.org/10.1017/S0266464X00001421.
30.
Barker, C.: Theatre games: a new approach to drama training. Methuen Drama, London (2010).
31.
Balme, C.B.: Decolonizing the stage: theatrical syncretism and post-colonial drama. Clarendon Press, Oxford (1999).
32.
Barton, J.: Playing Shakespeare. Methuen Drama, London (2009).
33.
Dixon, M.B., Smith, J.A., Classics in Context Festival: Anne Bogart: viewpoints. Smith and Kraus, Lyme, NH (1995).
34.
Bloom, M.: Thinking like a director: a practical handbook. Faber and Faber, London (2002).
35.
Boal, A.: Theatre of the oppressed. Pluto Press, London (2008).
36.
Bogart, A.: A director prepares: seven essays on art and theatre. Routledge, London (2001).
37.
Bogart, A.: And then, you act: making art in an unpredictable world. Routledge, London (2007).
38.
Bogart, A., Landau, T., Theatre Communications Group: The viewpoints book: a practical guide to viewpoints and composition. Theatre Communications Group, New York (2005).
39.
Brook, P.: The empty space. Penguin Books, London (2008).
40.
Buchbinder, D.: Masculinities and identities. Melbourne University Press, Carlton, Vic (1994).
41.
Carruthers, I., Takahashi, Y.: The theatre of Suzuki Tadashi. Cambridge University Press, Cambridge (2004).
42.
Case, S.-E.: Feminism and theatre. Routledge, Oxfordshire, England (2014).
43.
Case, S.-E.: Performing feminisms: feminist critical theory and theatre. Johns Hopkins University Press, Baltimore (1990).
44.
Case, S.-E.: Feminist and queer performance: critical strategies. Palgrave Macmillan, Houndmills, Basingstoke, Hampshire [England] (2009).
45.
Cole, S.L.: Directors in rehearsal: a hidden world. Routledge, New York (1992).
46.
Cregan, D.: Deviant acts: essays on queer performance. Carysfort Press, Dublin (2009).
47.
Delgado, M.M., Rebellato, D.: Contemporary European theatre directors. Routledge, London (2010).
48.
Delgado, M.M., Heritage, P.: In contact with the gods?: directors talk theatre. Manchester University Press, Manchester (1996).
49.
Diamond, E.: Unmaking mimesis: essays on feminism and theater. Routledge, London (1997).
50.
Dolan, J.: The feminist spectator as critic. University of Michigan Press, Ann Arbor (2012).
51.
Dolan, J.: Presence and desire: essays on gender, sexuality, performance. University of Michigan Press, Ann Arbor (1993).
52.
Jill, D.: Critical theory and performance. In: Critical theory and performance. pp. 334–354. University of Michigan Press, Ann Arbor (2007).
53.
Donkin, E., Clement, S.: Upstaging Big Daddy: directing theater as if gender and race matter. University of Michigan Press, Ann Arbor (1993).
54.
Donnellan, D.: The Actor and the Target. Nick Hern Books, London (2013).
55.
Fuchs, E.: The death of character: perspectives on theater after modernism. Indiana University Press, Bloomington, IL (1996).
56.
E.F.’s visit to a small planet: some questions to ask a play. Theater. 34, 4–9 (2004).
57.
Luckhurst, M., Giannachi, G.: On directing: interviews with directors. Faber, London (1999).
58.
Godiwala, D.: Alternatives within the mainstream: II: Queer theatres in post-war Britain. Cambridge Scholars Press, Newcastle (2007).
59.
Goodman, L., De Gay, J.: The Routledge reader in politics and performance. Routledge, New York (2000).
60.
Grehan, H.: Performance, ethics and spectatorship in a global age. Palgrave Macmillan, Basingstoke [England] (2009).
61.
Kane, S., Greig, D.: Complete plays. In: Complete plays. pp. 9–18. Methuen Drama, London (2001).
62.
Grotowski, J., Barba, E.: Towards a poor theatre. Eyre Methuen, London (1976).
63.
Harvie, J., Lavender, A.: Making contemporary theatre: international rehearsal processes. Manchester University Press, Manchester (2010).
64.
Brayshaw, T., Witts, N.: The twentieth century performance reader. Routledge, London (2014).
65.
Jones, D.R.: Great directors at work: Stanislavsky, Brecht, Kazan, Brook. University of California Press, Berkeley (1992).
66.
Jory, J.: TIPS. Smith & Kraus, Hanover, IRELAND (2002).
67.
Lehmann, H.-T.: Postdramatic theatre. Routledge, London (2006).
68.
Machon, J.: (Syn)aesthetics: redefining visceral performance. Palgrave Macmillan, Basingstoke (2009).
69.
Mangan, M.: Staging masculinities: history, gender, performance. Palgrave Macmillan, Basingstoke (2003).
70.
Marranca, B., Foreman, R., Breuer, L., Wilson, R.: The Theatre of images. Drama Book Specialists, New York (1977).
71.
Marowitz, C.: The other way: an alternative approach to acting and directing. Applause, New York (1999).
72.
Marowitz, C., Marowitz, C.: Directing the action: acting and directing in the contemporary theatre. Applause Theatre Books, New York, NY (1986).
73.
McAuley, G.: Space in performance: making meaning in the theatre. University of Michigan Press, Ann Arbor, MI (1999).
74.
Miles-Brown, J.: Directing drama. Peter Owen, London (1980).
75.
Mitchell, K., Mitchell, K.: The director’s craft: a handbook for the theatre. Routledge, London (2009).
76.
Mitter, S.: Systems of rehearsal: Stanislavsky, Brecht, Grotowski and Brook. Routledge, London (1992).
77.
Mitter, S., Shevtsova, M.: Fifty key theatre directors. Routledge, London (2005).
78.
Rabkin, G.: Richard Foreman. Johns Hopkins University Press, Baltimore (1999).
79.
Schneider, R., Cody, G.H.: Re:direction: a theoretical and practical guide. Routledge, London (2002).
80.
Shevtsova, M., Innes, C.D.: Directors/directing: conversations on theatre. Cambridge University Press, New York (2009).
81.
Sidiropoulou, A., ProQuest (Firm): Authoring performance: the director in contemporary theatre. Palgrave Macmillan, New York (2011).
82.
Turner, C., Behrndt, S.K.: Dramaturgy and performance. Macmillan Education, London (2016).
83.
Vorlicky, R.: Act like a man: challenging masculinities in American drama. University of Michigan Press, Ann Arbor (1995).
84.
Wandor, M., Wandor, M.: Carry on, understudies: theatre and sexual politics. Routledge & Kegan Paul, London (1986).
85.
Wandor, M.: Post-war British drama: looking back in gender. Routledge, London (2001).
86.
Whitmore, J.: Directing postmodern theater: shaping signification in performance. University of Michigan Press, Ann Arbor (1994).
88.
Performing arts journal.
89.
Contemporary theatre review.
91.
Studies in Theatre and Performance.
92.
Theatre research international.
93.
Barbican Theatre, http://www.barbican.org.uk/theatre.
94.
Battersea Arts Centre, http://www.bac.org.uk/.
95.
Lyric Hammersmith, http://www.lyric.co.uk/.
96.
The Royal Court Theatre, http://www.royalcourttheatre.com/.