Ahart, John. 2001. The Director’s Eye: A Comprehensive Textbook for Directors and Actors. Colorado Springs, Colo: Meriwether Pub.
Anon. 2000. ‘The Deep Order Called Turbulence: The Three Faces of Dramaturgy’. TDR: The Drama Review 44(4):56–66.
Anon. 2004. ‘E.F.’s Visit to a Small Planet: Some Questions to Ask a Play’. Theater 34(2):4–9.
Anon. n.d.-a. ‘Barbican Theatre’. Retrieved (http://www.barbican.org.uk/theatre).
Anon. n.d.-b. ‘Battersea Arts Centre’. Retrieved (http://www.bac.org.uk/).
Anon. n.d.-c. ‘Contemporary Theatre Review’.
Anon. n.d.-d. ‘Lyric Hammersmith’. Retrieved (http://www.lyric.co.uk/).
Anon. n.d.-e. ‘Performance Research’.
Anon. n.d.-f. ‘Performing Arts Journal’.
Anon. n.d.-g. ‘Studies in Theatre and Performance’.
Anon. n.d.-h. ‘TDR : Drama Review’.
Anon. n.d.-i. ‘The Royal Court Theatre’. Retrieved (http://www.royalcourttheatre.com/).
Anon. n.d.-j. ‘Theatre Research International’.
Artaud, Antonin, and Victor Corti. 2013. The Theatre and Its Double. Richmond, Surrey: Alma Books.
Aston, Elaine. 1995. An Introduction to Feminism and Theatre. London: Routledge.
Aston, Elaine. 1999. Feminist Theatre Practice: A Handbook. London: Routledge.
Austin, Gayle. 1990. Feminist Theories for Dramatic Criticism. Ann Arbor: University of Michigan Press.
Balme, Christopher B. 1999. Decolonizing the Stage: Theatrical Syncretism and Post-Colonial Drama. Oxford: Clarendon Press.
Barba, Eugenio. 1985. ‘The Nature of Dramaturgy: Describing Actions at Work’. New Theatre Quarterly 1(01). doi: 10.1017/S0266464X00001421.
Barba, Eugenio. 2010. On Directing and Dramaturgy: Burning the House. London: Routledge.
Barker, Clive. 2010. Theatre Games: A New Approach to Drama Training. [New ed.]. London: Methuen Drama.
Barton, John. 2009. Playing Shakespeare. London: Methuen Drama.
Bentley, Eric. 2008. The Theory of the Modern Stage: From Artaud to Zola, an Introduction to Modern Theatre and Drama. Vol. Modern classics. [New ed.]. London: Penguin.
Bloom, Michael. 2002. Thinking like a Director: A Practical Handbook. London: Faber and Faber.
Boal, Augusto. 2008. Theatre of the Oppressed. Vol. Get political. New ed. London: Pluto Press.
Bogart, Anne. 2001a. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge.
Bogart, Anne. 2001b. A Director Prepares: Seven Essays on Art and Theatre. London: Routledge.
Bogart, Anne. 2007. And Then, You Act: Making Art in an Unpredictable World. London: Routledge.
Bogart, Anne, Tina Landau, and Theatre Communications Group. 2005. The Viewpoints Book: A Practical Guide to Viewpoints and Composition. New York: Theatre Communications Group.
Boleslavsky, Richard. 2003. Acting: The First Six Lessons. Vol. Theatre Arts book. New York: Routledge.
Braun, Edward. 1982. The Director and the Stage: From Naturalism to Grotowski. London: Methuen.
Braun, Edward, and Jonathan Pitches. 2016a. Meyerhold on Theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama.
Braun, Edward, and Jonathan Pitches. 2016b. Meyerhold on Theatre. Fourth edition. London, [England]: Bloomsbury Methuen Drama.
Brayshaw, Teresa, and Noel Witts. 2014. The Twentieth Century Performance Reader. [3rd edition]. London: Routledge.
Brecht, Bertolt, and Jack Davis. 2015. Brecht on Theatre. Third edition, completely revised and updated. edited by M. Silberman, S. Giles, and T. Kuhn. London: Bloomsbury Metheun Drama.
Brook, Peter. 2008. The Empty Space. Vol. Modern classics. London: Penguin Books.
Buchbinder, David. 1994. Masculinities and Identities. Vol. Interpretations. Carlton, Vic: Melbourne University Press.
Cardullo, Bert, and Robert Knopf. 2001. Theater of the Avant-Garde, 1890-1950: A Critical Anthology. New Haven: Yale University Press.
Carruthers, Ian, and Yasunari Takahashi. 2004. The Theatre of Suzuki Tadashi. Vol. Directors in perspective. Cambridge: Cambridge University Press.
Case, Sue-Ellen. 1990. Performing Feminisms: Feminist Critical Theory and Theatre. Baltimore: Johns Hopkins University Press.
Case, Sue-Ellen. 2009. Feminist and Queer Performance: Critical Strategies. Houndmills, Basingstoke, Hampshire [England]: Palgrave Macmillan.
Case, Sue-Ellen. 2014. Feminism and Theatre. Oxfordshire, England: Routledge.
Chekhov, Michael, and Mala Powers. 2002. To the Actor. [Rev. and expanded ed. London: Routledge.
Clurman, Harold. 1997. On Directing. New York: Fireside Book.
Cole, Susan Letzler. 1992. Directors in Rehearsal: A Hidden World. New York: Routledge.
Cole, Toby, and Helen Krich Chinoy. 1963. Directors on Directing: A Source Book of the Modern Theatre. Revised ed. Indianapolis: Bobbs-Merrill.
Cregan, David. 2009. Deviant Acts: Essays on Queer Performance. Dublin: Carysfort Press.
Delgado, Maria M., and Paul Heritage. 1996. In Contact with the Gods?: Directors Talk Theatre. Manchester: Manchester University Press.
Delgado, Maria M., and Dan Rebellato. 2010. Contemporary European Theatre Directors. London: Routledge.
Diamond, Elin. 1997. Unmaking Mimesis: Essays on Feminism and Theater. London: Routledge.
Dixon, Michael Bigelow, Joel A. Smith, and Classics in Context Festival. 1995. Anne Bogart: Viewpoints. Vol. Career development series. Lyme, NH: Smith and Kraus.
Dolan, Jill. 1993. Presence and Desire: Essays on Gender, Sexuality, Performance. Vol. Critical perspectives on women and gender. Ann Arbor: University of Michigan Press.
Dolan, Jill. 2012. The Feminist Spectator as Critic. 2nd ed. Ann Arbor: University of Michigan Press.
Donkin, Ellen, and Susan Clement. 1993. Upstaging Big Daddy: Directing Theater as If Gender and Race Matter. Ann Arbor: University of Michigan Press.
Donnellan, Declan. 2013. The Actor and the Target. London: Nick Hern Books.
Fuchs, Elinor. 1996. The Death of Character: Perspectives on Theater after Modernism. Vol. Drama and performance studies. Bloomington, IL: Indiana University Press.
Godiwala, Dimple. 2007. Alternatives within the Mainstream: II: Queer Theatres in Post-War Britain. Newcastle: Cambridge Scholars Press.
Goodman, Lizbeth, and Jane De Gay. 2000. The Routledge Reader in Politics and Performance. New York: Routledge.
Grehan, Helena. 2009. Performance, Ethics and Spectatorship in a Global Age. Vol. Studies in international performance. Basingstoke [England]: Palgrave Macmillan.
Grotowski, Jerzy, and Eugenio Barba. 1976. Towards a Poor Theatre. Vol. Eyre Methuen dramabooks. London: Eyre Methuen.
Hamilton, Clayton Meeker. n.d. The Theory of the Theatre, and Other Principles of Dramatic Criticism - Free Ebook.
Harvie, Jen, and Andy Lavender. 2010. Making Contemporary Theatre: International Rehearsal Processes. Manchester: Manchester University Press.
Jill, Dolan. 2007. ‘Critical Theory and Performance’. Pp. 334–54 in Critical theory and performance. Vol. Theater--theory/text/performance. Ann Arbor: University of Michigan Press.
Jones, David Richard. 1992. Great Directors at Work: Stanislavsky, Brecht, Kazan, Brook. Berkeley: University of California Press.
Jory, Jon. 2002. TIPS. Hanover, IRELAND: Smith & Kraus.
Kane, Sarah, and David Greig. 2001. ‘Complete Plays’. Pp. 9–18 in Complete plays. Vol. Methuen drama. London: Methuen Drama.
Lee, Sir Sidney. n.d. Shakespeare and the Modern Stage - Free Ebook.
Lehmann, Hans-Thies. 2006. Postdramatic Theatre. London: Routledge.
Lessing, Gotthold Ephraim. n.d. Hamburgische Dramaturgie - Free Ebook.
Luckhurst, Mary, and Gabriella Giannachi. 1999. On Directing: Interviews with Directors. London: Faber.
Machon, Josephine. 2009. (Syn)Aesthetics: Redefining Visceral Performance. Basingstoke: Palgrave Macmillan.
Mangan, Michael. 2003. Staging Masculinities: History, Gender, Performance. Basingstoke: Palgrave Macmillan.
Marinetti, Filippo Tommaso, Robert Willard Flint, and Arthur A. Coppotelli. 1972. Marinetti: Selected Writings. London: Secker and Warburg.
Marowitz, Charles. 1999. The Other Way: An Alternative Approach to Acting and Directing. New York: Applause.
Marowitz, Charles, and Charles Marowitz. 1986. Directing the Action: Acting and Directing in the Contemporary Theatre. Vol. The Applause acting series. New York, NY: Applause Theatre Books.
Marranca, Bonnie, Richard Foreman, Lee Breuer, and Robert Wilson. 1977. The Theatre of Images. 1st ed. New York: Drama Book Specialists.
McAuley, Gay. 1999. Space in Performance: Making Meaning in the Theatre. Vol. Theater--theory/text/performance. Ann Arbor, MI: University of Michigan Press.
Miles-Brown, John. 1980. Directing Drama. London: Peter Owen.
Mitchell, Katie, and Katie Mitchell. 2009. The Director’s Craft: A Handbook for the Theatre. London: Routledge.
Mitter, Shomit. 1992. Systems of Rehearsal: Stanislavsky, Brecht, Grotowski and Brook. London: Routledge.
Mitter, Shomit, and Maria Shevtsova. 2005. Fifty Key Theatre Directors. Vol. Routledge key guides. London: Routledge.
Nagler, A. M. 1959. A Source Book in Theatrical History: Sources of Theatrical History. New York: Dover.
Rabkin, Gerald. 1999. Richard Foreman. Vol. PAJ books. Art + performance. Baltimore: Johns Hopkins University Press.
Schneider, Rebecca, and Gabrielle H. Cody. 2002. Re:Direction: A Theoretical and Practical Guide. Vol. Worlds of performance. London: Routledge.
Shevtsova, Maria, and C. D. Innes. 2009. Directors/Directing: Conversations on Theatre. New York: Cambridge University Press.
Sidiropoulou, Avra and ProQuest (Firm). 2011. Authoring Performance: The Director in Contemporary Theatre. 1st ed. New York: Palgrave Macmillan.
Stanislavsky, Konstantin. 1967. My Life in Art. Harmondsworth: Penguin.
Stanislavsky, Konstantin. 2008. An Actor Prepares. London: Methuen Drama.
Stanislavsky, Konstantin, and Elizabeth Reynolds Hapgood. 1949. Building a Character. London: Reinhardt & Evans.
Stanislavsky, Konstantin, and Hermine I. Popper. 1987. Creating a Role. New York: Theatre Arts Books.
Stoppard, Tom, Helen Rappaport, and Anton Pavlovich Chekhov. 2009. The Cherry Orchard. London: Faber and Faber.
Turner, Cathy, and Synne K. Behrndt. 2016. Dramaturgy and Performance. Revised edition. London: Macmillan Education.
Vorlicky, Robert. 1995. Act like a Man: Challenging Masculinities in American Drama. Ann Arbor: University of Michigan Press.
Wandor, Michelene. 2001. Post-War British Drama: Looking Back in Gender. [Rev. and updated ed.]. London: Routledge.
Wandor, Michelene, and Michelene Wandor. 1986. Carry on, Understudies: Theatre and Sexual Politics. (2nd ed.). London: Routledge & Kegan Paul.
Whitmore, Jon. 1994. Directing Postmodern Theater: Shaping Signification in Performance. Ann Arbor: University of Michigan Press.